40 Days in Hicksville

Written by Christina Kilbourne

DCB

978-1-77086-715-4

264 pp.

Ages 12+

October 2023

 

Moving to Clarendon with her mother to live in her grandparents' old home was supposed to give Kate Cooper a clean break from living in the city. Little did they know that she'd just find a new trouble with classmate Zach Whitchurch. Yeah, she's definitely safer in Clarendon a.k.a. Hicksville. Not. 

When Kate and her mom Sally move into the Cooper place next door, Zach is smitten. And Kate, determined to convince her mom Sally that she's making an effort, let's Zach show her around. When he points out Peter Goheen's property, warning her that he is known to be cruel and maybe even dangerous, Kate reveals that he is her grandfather, though she's never met him. When they venture onto his property to introduce Kate, Pater Goheen is less than welcoming and warns them against trespassing again. That doesn't deter Kate who, with Zach, discovers a cave-like crevasse which they investigate after midnight so that she can make a video. What they discover deep inside are the remains of two bodies. 

 

Zach's dad, a detective in Clarendon, reveals that a wallet in the jeans of one is that of Sally's fifteen-year-old brother James who disappeared in 1982 along with his friend Luke McLeod. For the first time, Kate learns about her uncle and his disappearance and about Sally's troubled family life because of her mean drunk of a father. Though Peter Goheen was questioned, Kate's dad Mitch provided an alibi for his father. And without bodies, it was impossible to know the truth. But that was then.

Are these the bodies of James and Luke? What happened to them? Who did it and why? 40 Days in Hicksville could be a true crime podcast, unravelling the story through Kate and Zach's eyes–chapters are alternating perspectives of the two teens–and with the twists and turns that often come with a thriller. Christina Kilbourne, author of The Limitless Sky, Safe Harbour and Dear Jo, takes us to a small Ontario town as if the setting for an episode of Dateline or 20/20, unravelling the mystery with each interview and piece of evidence and investigative step of the police.  And, as in those in-depth investigations of the newsmagazine shows, the trajectory from missing person to justice is not a straight line. There are those who keep secrets, those who hide truths, those who lie, and those who grieve. There are those who are determined to make things right and find justice. There is danger and revelations, standstills, and action. With a variety of characters, some who are aggravating, others naive, some scared, others aggressive, 40 Days in Hicksville remind us that small towns are not always boring communities in which nothing happens. Sometimes they are seething with secrets and dangers and history that are only revealed when someone from outside arrives. Kate may not have wanted to be in Clarendon but her first forty days in the town her father called Hicksville are as thrilling as the urbex videos that got her in trouble in the city. Fortunately, Christina Kilbourne's "Epilogue" reveals that this adventure has a far more constructive outcome for both Kate and her community.

The Fort

Written by Gordon Korman

Scholastic Press

978-1-338-62914-9

256 pp.

Ages 8-12

June 2022

 

When is a shelter not a shelter? When it's a secret that is in danger of being exposed. And when four friends and their unexpected tag-a-long discover the ultimate shelter, it becomes their fort and they'll do anything to keep it safe.

The day after a hurricane rolls through the town of Canaan, thirteen-year-old Evan Donnelly is tasked with looking after newcomer Ricky Molina while their families deal with the aftermath of the storm. The boys meet up with Evan's friends C. J. Sciutto, Mitchell Worth and Jason Brax to check out their man-made shower-curtain and plywood fort in the woods but discover that it has been demolished by the storm. But clever Ricky–he may be a year younger than the boys but he's gifted and has come from a magnet school–unearths a newly-exposed trapdoor into a massive underground bomb shelter, fully stocked with furniture, food, chemical toilet, lights, music records, and VCR and videos. A video reveals the shelter was constructed by the now-deceased Bennett Delamere, founder of one of the town's key industries, now closed, in anticipation of an attack during the Cold War. The boys realize quickly the enormity of their find and vow to keep it secret.

But each of the boys has a complex life going on outside the fort. Evan and his seventeen-year-old brother Luke live with their grandparents ever since the boys were abandoned by their parents for their addictions. Mitchell has always struggled with OCD and now cannot get help from his psychiatrist since his mom lost her job, and benefits, at DelaCraft Auto Parts, and has had to take on three jobs to make ends meet. While Jason is enjoying his first relationship with Janelle, daughter of police Officer Jaworski, he's caught in a nasty divorce in which his parents use him as a pawn. Even C. J., who seems to have everything he wants courtesy of his stepdad Marcus, keeps getting into scrape after scrape on his skateboard or hoverboard or pogo stick, calling his exploits "death-defiers." As for Ricky, who is reluctantly allowed to enjoy the fort he found, is determined to study hard and get into the local magnet school and make the best of things until he does.

The fort becomes a refuge for them, to watch classic movies like Jaws and Star Wars, to eat 40-year-old canned food, listen to records and play games like Fort Olympics. It's even a source of funds as the boys learn the blackened cutlery is solid silver and can be pawned for money. But, their fort is in danger of discovery from scary local teen Jaeger Devlin and his sidekick, Evan's brother Luke, who threaten, steal, coerce and worse and would do the same to the boys if they thought there was something in it for them.

The Fort is Gordon Korman's 100th book, an astounding feat. And it's as fresh and meaningful to young readers as his first, This Can't Be Happening at Macdonald Hall!, was in 1978. Think of the movie Stand By Me without the dead body and you'll have The Fort. Gordon Korman has given us a coming of age story about a group of boys with different backgrounds and home situations and personal issues who find a way to come together for each other and become something stronger and cohesive. Because The Fort is told in the alternating voices of the five boys, their perspectives on their friendships, school, families and the fort are unique and relevant. The boys make the story because it is their story. In fact, it's all their stories. Like the fort, it's one thing but it's so many different things too. It's acceptance and anonymity, protection and vulnerability, and it's solidarity and individuality. Gordon Korman has made the fort a foundation for the boys to learn more about themselves and each other and build new bonds of friendship and support. And like a fort, their friendships will be a stronghold against life's inevitable challenges and foibles.

The Big Bad Wolf in My House

Written by Valérie Fontaine

Illustrated by Nathalie Dion

Translated by Shelley Tanaka

Groundwood Books

978-1-77306-501-4

32 pp.

Ages 5-8

March 2021

It's International Women's Day and, to women who find themselves in abusive home circumstances and explore ways to cope including fighting back legally or finding shelter elsewhere, we stand by you, and Valérie Fontaine and Nathalie Dion offer hope.

From The Big Bad Wolf in My House by Valérie Fontaine, illus. by Nathalie Dion

A little girl could always see through the wolf who married her mother.

He batted his eyelashes and purred like a pussycat

in front of my mother.

But he looked at me with cold eyes and sharp teeth.

The honeymoon was sour, like lemons.

From The Big Bad Wolf in My House by Valérie Fontaine, illus. by Nathalie Dion

But when her mother gets home late from work one day, the wolf show his true self, shouting names and hurling food. The child removes herself from the situation, but she can see the impact it has on her mother whose smile begins to droop along with her body.

From The Big Bad Wolf in My House by Valérie Fontaine, illus. by Nathalie Dion

Her mother tries to shield her child but the wolf is scary, leaving finger marks on the girl's arms and coming into her room as he chooses.

From The Big Bad Wolf in My House by Valérie Fontaine, illus. by Nathalie Dion

But one day, with only five minutes notice, her mother declares that they are leaving. They go to a house full of kind mothers and children but no wolves. 

The big bad wolf can huff and puff all he wants,

but this house will not fall down.

The little girl knows the tale about a big bad wolf. It's the one where he huffs and puffs to blow the house down. The little ones in the story try to protect themselves in shelters of straw and wood but to no avail. Same with this child. She tries a fortress of blankets to shield herself, or a closed door of wood but neither stops the big bad wolf. She does build "a fort made of bricks. I put it up around my heart." But it's not until they go to a new house, a shelter for women and children, that they find safety.

Told from the child's perspective and analogous to the story of the big bad wolf and the three little pigs, The Big Bad Wolf in My House makes a situation of domestic abuse very disquietingly elementary. The mother marries a man who is abusive to her and her child. He may appear sheep-like to begin with but he's dangerous. Both mother and child find ways to cope with the physical or emotional attacks, but coping is not safety. It's just a delay. Both in its original French (Le grand méchant loup dans ma maison, 2020) and this English edition (translated by Shelley Tanaka), Valérie Fontaine's story demonstrates the impact of domestic abuse on the whole family and how adults and children find their own ways to survive. Though she parallelizes the chilling abuse of a man against his new wife and stepchild with a child's fable, Valérie Fontaine never, never trivializes the situation, only gives it context. After all, the big bad wolf could be any one. 

I was just introduced to Nathalie Dion's work last week (I Found Hope in a Cherry Tree by Jean E. Pendziwol) and realize how versatile her art is, creating lightness and hope in one book and now tension and despair in The Big Bad Wolf in My House. Painting by hand with gouache and digitally with a pastel brush, Nathalie Dion still imbues her illustrations with the starkness of the family situation, engulfed with shadows and angles and using colour and lightness minimally and generally only associated with the child or situations outside the home. 

Some may despair of this tale of domestic abuse but Valérie Fontaine and Nathalie Dion have taken us through the darkness from a child's perspective and shown us an outcome that offers the promise of respite.

From The Big Bad Wolf in My House by Valérie Fontaine, illus. by Nathalie Dion

Delicate

by C. K. Kelly Martin
Dancing Cat Books
978-1-77086-452-8
230 pp.
Ages 14+
November 2015


Who wants to be called “delicate”? Porcelain dolls, maybe.  But the teens in C. K. Kelly Martin’s Delicate would be loathe to be called delicate, regardless of the challenges, physical and emotional, they have to endure.

Delicate is told in the alternate voices of second cousins, Ivy and Lucan, who haven’t seen each other in seven years since Lucan’s mother Sheri told her cousin Lisette, Ivy’s mom, about seeing Ivy’s dad with another woman at a hotel.  The two teens will become reacquainted at a 75th brithday party for a relative, but first they are involved in their own dramas.  Life is drama after all, isn't it?  Ivy is devastated by her boyfriend Jeremy’s break-up with her after 18 months together and learning that he’s hooked up with her best friend Betina.  And Lucan is dealing with his divorced mother’s embarrassingly physical relationship with Julian, a man much younger than her, as well as trying to negotiate his best friend Des’s volatile relationship with girlfriend McKenna.  After the family get-together, Sheri helps Ivy get a summer job at her merchandising firm which is just around the corner from the Mill Street Café where Lucan gets a job,  and soon the two teens are comparing and sharing their lives with each other and declaring themselves absurdly delicate, though they both have tremendous strengths that they still have not recognized.

Fortunately, they enjoy each other’s company (how much is surprising) and the fresh perspectives on their respective issues.  Ivy vacillates between longing, anger and vengeance with regards to Betina and Jeremy, by whom she has been infected with an STI, even getting Lucan involved in a dog-napping scheme, while Lucan begins to see the abusive nature of Des and McKenna’s relationship, enlisting Ivy’s help to defuse its volatility.

The tenuous nature of relationships is made very clear from the plethora within Delicate: Des and McKenna, Ivy and Jeremy, Ivy and Betina, cousins Sheri and Lisette, Lucan and Des, and so many others.  The relationships between boyfriend and girlfriend, friends, husband and wife, parents and children and other relatives are all so delicate in that any incident or series of circumstances could destroy or alter them, shattering them to shards that may or may not be reconfigured.  I spent most of the book worried that Lucan’s peanut allergy–which I incorrectly assessed as his delicacy–would be his downfall but I was mistaken.  That would’ve been too obvious and C. K. Kelly Martin is never obvious.  Her other books (My Beating Teenage Heart, 2011; Yesterday, 2012; Tomorrow, 2013; The Sweetest Thing You Can Sing, 2014) have always fascinated me by her analysis of the complexity of the human condition and Delicate takes that one step further by examining both the obvious and the unseen and showing the immensity of both in affecting our lives and the way we see ourselves.  More importantly, C. K. Kelly Martin exposes the ways we hurt each other, sometimes deliberately, some accidentally, and some through negligence, and provides an upfront perspective on dealing.  Maybe that's all you can hope for.  Thankfully C. K. Kelly Martin does reassure the readers that being Delicate is not an indictment, just human.

Lily and Taylor

by Elise Moser

Groundwood Books

978-1-55498-334-6 (hc)

978-1-55498-336-0 (ePub)

224 pp.

Ages 14+

September, 2013

Reviewed from Advance Reading Copy

Lily and Taylor is not for the faint of heart.  It is raw and brutal, just as is Taylor's reality.  Seventeen-year-old Taylor had been living with her older sister Tannis and her young nephew Mason when Tannis' boyfriend Bracken beats her to death in just one of his many episodes of physical abuse.  In fact, Lily and Taylor opens with Taylor witnessing her sister's autopsy, compelled to view the finality for her sister's body.

Though Taylor and Mason go to live with their Gram and her partner Douglas, and start at new schools, their old life has not been set aside.   Taylor's boyfriend Devon continues to call her, determined for her to see him.  Of course, it's not like they broke up; Taylor had just moved away.  But for Taylor, the physical space she now has away from Devon gives her an opportunity to let down some of the fear upon which their relationship is based.

She loved Devon but she'd been beginning to feel stuck with him, had begun to gaze jealously at the dork girls with no boyfriends.  The constant gnawing fear -- would he be mad if she said this, would he hate it if she wore that -- had been wearing her down. (pg.18)

Never confident about meeting new people and never having had any friends with whom she could shop or hang out, something that would make Devon angry ("You better not be lying to me." pg. 26), Taylor does eventually meet Lily, a tall lanky girl who has her own domestic secrets.  Lily lives with her mom after her parents' marriage ended.  Though her mother claims it was her father's drunkenness that was the cause, her father explains that it was after her mom's car accident that left her with a brain injury that made her volatile and unpredictable.  Sadly, Lily has been left to deal with her mother's unpredictability, and then her drinking, on her own.  But, just as Taylor notices at school, Lily is very good as deescalating conflict with lightness and humour.  Too bad that Lily sees herself through other people, even dying her bangs purple as "a sign that she had surrendered to her freak status." (pg. 44)

The brutality of Taylor's emotional, physical and sexual relationship with Devon, spiked with the profanities of their vernacular, is magnified when Devon drops by one night before Christmas and forces Taylor to go for a ride with him.  Though definitely unwanted, Lily jumps into the passenger seat and begins to chat up the driver, a stoic guy named Conor.  He drives them to cabin where Devon's controlling and violent nature has him brandishing a rifle to ensure compliance, even from Conor.  As Lily tries to find the means to escape and help Taylor, she draws on a multitude of memories to help her cope and survive.  Likewise, Taylor is rehashing all her experiences with Devon, and with Tannis, Mason and Bracken, and plotting how to help Lily.

The cycles of domestic abuse, from Tannis and Bracken, Taylor and Devon, Devon and his father, and even Lily's mom and her intermittent boyfriends, seem endless, even compounded, with Taylor and Mason.  Elise Moser makes it very clear that one cycle begets another.  The horror of these lives is derived from a normalcy of school, work, groceries, TV, and Christmas, overlain with pervasive abuse and its juxtaposition with caring.  Even Lily recognizes that Devon has Taylor so twisted about her feelings for him that she can't make rational decisions about her own safety.  Not surprising that Lily acknowledges that, "She hated them.  Devon and Connor most of all, but Taylor, too." (pg. 157)

Lily and Taylor brings together the cleverness of perspective and the confusion of the heart as they merge to become a stronger entity that can subdue, if not surmount, abuse, and it all happens because of the strength of friendship.  Brutal, honest, and hopeful, Lily and Taylor speaks for those weakened by abuse who cannot always voice their needs.  It is incumbent upon us to listen to their words.

Parallel Visions: A Teen Psychic Novel, Book 1

by Cheryl Rainfield
Rain and Sun Press
ASIN: B00A8763K6
146 pp.
Ages 13+
2012

Having your breath taken away by something incredibly beautiful or by love seems so serene and captivating. But when Kate, 16, loses her breath regularly because of her severe asthma, it is a life-threatening, fear-inducing situation.  She knows she could die when her body reacts to cigarette smoke, pollution, perfumes, aerosols, hair products and such, but she is especially disturbed by the visions she has when she has a severe episode.  Worse yet is that no one seems to believe her about what she sees in her visions, usually horrific events that was destined to happen.  Sharing those visions just brings confusion, suspicion, interrogations. and overwhelming despair for what she cannot change.  Her parents try to be supportive but they're obviously pulling back from believing her.  Her older sister Jenna, married right out of high school, may be close to Kate but she too doesn't accept Kate's visions as reality. 

This is especially problematic when Kate has a vision of Jenna's husband, Mason, beating her up.  More surprising is that during that same asthmatic attack, Kate also has a vision of a girl attempting suicide. Although she doesn't know the girl exactly, Kate knows she is connected to Gil, the boy to whom she was speaking when the attack came on. Kate's biggest fear at this point is wondering how she can help save both of them when she has already failed to save a single person.

Fortunately, Gil believes her when she tells him about her vision, as his Nana is a medium.  He confirms that his older sister, Inez, has been having a hard time with their mom leaving last year but Kate also knows the girl has been harassed by other students for acknowledging her homosexuality.  He goes home to check on Inez and later confirms with Kate that Inez had been contemplating taking an overdose but was now talking to him and their Nana, and hoping to meet Kate.

Things don't go so well for Kate at her sister's apartment. Jenna, who still feels animosity towards her sister for getting the greater share of her parents' attention and preventing her from enjoying many teenage-girl accoutrements (e.g., makeup, perfumes, etc.), denies that Mason has ever hit her.  But, when Kate spies a framed photograph, minus the glass, that she had seen get broken during Mason's beating of Jenna, Kate is convinced that Jenna is lying.  Sadly, their parents don't believe Kate either.

With the number of severe asthma attacks escalating, perhaps due to her own desire for clarifying visions, Kate continues to have horrifying images of Mason trying to discredit Kate by talking to a doctor, of Mason murdering Jenna and of Mason spying on his wife through her cell phone.  Gil, her only support, insists Kate let him accompany her or she text him as needed and introduces her to his Nana and sister, who confirm that her visions are real and offer their love and support.

Author Cheryl Rainfield is no stranger to trauma, identifying herself as a survivor of horrifying abuse.  But the focus for her characters is not on the trauma but on the survival -- to retain a sense of self while finding the physical and emotional strength and courage to endure and recover.  Regardless of her sister's denials, Mason's arrogance and aggression, her parents' lack of support, and her debilitating asthma, Kate perseveres, even knowing that her physical and emotional struggles could lead to her own death.  Ensuring the survival of another is what drives her, and ultimately she must find the means to do the same for herself.  And even though there will never be a fairy tale ending when the likes of abusers such as Mason are present, Parallel Visions' resolution is satisfying, hopeful and encouraging that the abuse is not the whole story.  

•   •   •   •   •   •   •   •   •   •

Special Announcement!
Check back tomorrow as I'll be revealing the new cover of Cheryl Rainfield's upcoming release, STAINED.  To celebrate, she'll be giving away tomorrow only Parallel Visions as a free Kindle ebook on Amazon.