The Big Bad Wolf in My House

Written by Valérie Fontaine

Illustrated by Nathalie Dion

Translated by Shelley Tanaka

Groundwood Books

978-1-77306-501-4

32 pp.

Ages 5-8

March 2021

It's International Women's Day and, to women who find themselves in abusive home circumstances and explore ways to cope including fighting back legally or finding shelter elsewhere, we stand by you, and Valérie Fontaine and Nathalie Dion offer hope.

From The Big Bad Wolf in My House by Valérie Fontaine, illus. by Nathalie Dion

A little girl could always see through the wolf who married her mother.

He batted his eyelashes and purred like a pussycat

in front of my mother.

But he looked at me with cold eyes and sharp teeth.

The honeymoon was sour, like lemons.

From The Big Bad Wolf in My House by Valérie Fontaine, illus. by Nathalie Dion

But when her mother gets home late from work one day, the wolf show his true self, shouting names and hurling food. The child removes herself from the situation, but she can see the impact it has on her mother whose smile begins to droop along with her body.

From The Big Bad Wolf in My House by Valérie Fontaine, illus. by Nathalie Dion

Her mother tries to shield her child but the wolf is scary, leaving finger marks on the girl's arms and coming into her room as he chooses.

From The Big Bad Wolf in My House by Valérie Fontaine, illus. by Nathalie Dion

But one day, with only five minutes notice, her mother declares that they are leaving. They go to a house full of kind mothers and children but no wolves. 

The big bad wolf can huff and puff all he wants,

but this house will not fall down.

The little girl knows the tale about a big bad wolf. It's the one where he huffs and puffs to blow the house down. The little ones in the story try to protect themselves in shelters of straw and wood but to no avail. Same with this child. She tries a fortress of blankets to shield herself, or a closed door of wood but neither stops the big bad wolf. She does build "a fort made of bricks. I put it up around my heart." But it's not until they go to a new house, a shelter for women and children, that they find safety.

Told from the child's perspective and analogous to the story of the big bad wolf and the three little pigs, The Big Bad Wolf in My House makes a situation of domestic abuse very disquietingly elementary. The mother marries a man who is abusive to her and her child. He may appear sheep-like to begin with but he's dangerous. Both mother and child find ways to cope with the physical or emotional attacks, but coping is not safety. It's just a delay. Both in its original French (Le grand méchant loup dans ma maison, 2020) and this English edition (translated by Shelley Tanaka), Valérie Fontaine's story demonstrates the impact of domestic abuse on the whole family and how adults and children find their own ways to survive. Though she parallelizes the chilling abuse of a man against his new wife and stepchild with a child's fable, Valérie Fontaine never, never trivializes the situation, only gives it context. After all, the big bad wolf could be any one. 

I was just introduced to Nathalie Dion's work last week (I Found Hope in a Cherry Tree by Jean E. Pendziwol) and realize how versatile her art is, creating lightness and hope in one book and now tension and despair in The Big Bad Wolf in My House. Painting by hand with gouache and digitally with a pastel brush, Nathalie Dion still imbues her illustrations with the starkness of the family situation, engulfed with shadows and angles and using colour and lightness minimally and generally only associated with the child or situations outside the home. 

Some may despair of this tale of domestic abuse but Valérie Fontaine and Nathalie Dion have taken us through the darkness from a child's perspective and shown us an outcome that offers the promise of respite.

From The Big Bad Wolf in My House by Valérie Fontaine, illus. by Nathalie Dion

Our Future: How Kids are Taking Action

Written and illustrated by Janet Wilson

Second Story Press

978-1-77260-103-9

32 pp.

Ages 7-12

September 2019

Together, we want to show that everyone can do something for our future and that together, as a world family, we can solve these problems.

With that hopeful message, Janet Wilson begins her latest non-fiction book about young activists who are working to make a difference.

In each double-spread, Janet Wilson dedicates original art and story to one warrior for world justice and then also mentions two other influencers who have taken on a similar cause. In the breathtaking mixed media technique of hot wax painting–applying layers of hot beeswax mixed with resin and oil colour–Janet Wilson depicts young activists in rich landscapes of place and triumphs. Her art is deep in texture and colour, luxuriant in its content and in its composition. 

From Our Future: How Kids are Taking Action by Janet Wilson

Canada's Autumn Peltier from Wiikwemkoong Unceded Territory on Manitoulin Island is profiled for her advocacy for clean drinking water for her community which supported the work of her aunt, Water Walker Josephine-ba Mandamin.  Stella Bowes and Marcus Deans are also showcased for their work to ensure water quality in Canada and elsewhere.

American Jaelun Parkerson encouraged his youth football team to emulate Colin Kaepernick's taking of the knee to protest racism and police brutality while Hebh Jamal organized protests against Islamophobia and Claudette Colvin's actions in 1955 helped end bus segregation in Alabama.

In Indonesia, sisters Melati and Isabel Wijsen organized themselves to get plastic bags banned where they live, and Edgar Edmund Tarimo and Hannah Testa have both taken action to combat plastic pollution at home and globally.

We youth may only be 25 percent of the world's population but we are 100 percent of the future. 

(Melati and Isabel Wijsen, pg. 11)

From Our Future: How Kids are Taking Action by Janet Wilson

Jesse Thompson fought against discrimination leveled against him as a transgender hockey player and Ke'Shon Newman has spoken out against the prevalence of gun violence in America.

"Our voices are LOUD. Our voices are CLEAR. And, our voices are about to change HISTORY."

(Ke'Shon Newman, pg. 25)

From Our Future: How Kids are Taking Action by Janet Wilson

These are young leaders who are fighting against pollution, climate change, against cruelty to animals, in support of those struggling in war-torn countries and seeking refuge. They are fighting gun violence, bullying and supporting mental health. They live in Canada and the U.S. as well as in Kenya, Hong Kong, New Zealand, Indonesia, Colombia and elsewhere. Their stories are as diverse as their issues of concern and their homelands. It becomes evident that there is much in our world that needs fixing and that there are many young people around the globe who are willing to step up and take action.

With Our Future: How Kids are Taking Action, Janet Wilson has added new stories to her impressive series (see other titles in this series below) regarding laudable young people who recognize their obligation to do something to make the world a better place than the one they have inherited. Kudos to them for putting themselves out there and encouraging others to do the same, and to Janet Wilson for shining a light on their extraordinary efforts.

Our Earth: How Kids are Saving the Planet (2010)

Our Rights: How Kids are Changing the World (2013)

Our Heroes: How Kids are Making a Difference (2014)

Our Future: How Kids are Taking Action (2019)

Breaking Faith

Written by E. Graziani

Second Story Press

978-1-77260-024-7

328 pp.

Ages 13+

March 2017

Reviewed from advance reading copy

For most people, turning points help define them in terms of before and after.  They are sparks of tragedy or ecstasy that depress or elevate, twisting the trajectories of lives onto paths unpredicted.  For Faith Emily Hansen, her turning points began with those of her mother, Lacey, but when her own begin to accumulate, they lead her down paths that are both random and dangerous, and sadly all her own.

Life for Faith’s family has never been easy.  Her mother had been devastated when her husband Simon had died, leaving her with a two-year-old daughter Constance.  She tried to get on with her life, moving back in with her criticizing and argumentative mother Dot, and even getting involved with two different men and having Faith a year later and Destiny two years after that.  Still Lacey’s life is tenuous at best, and out of control at worst.  Although her love for her children is evident–including coming to Faith's rescue when the four-year-old becomes an innocent victim in a horrific act of violence–she leaves them when Faith is just seven, moving to Toronto and making promises she'll never keep.

When Constance moves in with her other grandmother, the affluent Josephine, Faith is left to mother her younger sister and navigate her own Darkness, ever difficult as she is overwhelmed with sadness and anger, hurt and loneliness.  And she is just a child.  As they all deal with Lacey’s spiral into drug use, Faith yearns for normal but is unable to make choices that support that.  Even some counselling and making friends with Norma and Ishaan in middle school can't keep Faith from eventually breaking and heading to a life on the streets of Toronto and into using heroin, eventually hitting rock bottom.

"And my soul was broken–I'd lost Faith.  Lost hope. Lost my belief in my own destiny." (pg. 264)

The story that E. Graziani tells with heart-breaking power and poignancy is devastating in its sadness and bleakness.  Though Faith's reactions are her own, the circumstances of her life were thrust upon her by a mother with her own addiction and mental health issues, by a random act of violence and by familial circumstances which burden her and for which she, as a child, was unprepared emotionally and physically.  Even happiness was a burden.

"And the feeling of constantly being on edge, walking on eggshells, and feeling guilty (though outlandish as that may seem) if I felt a positive emotion." (pg. 17)

But, though Faith sees little positive in her life, she is the poster child for the Bob Marley quote she repeats throughout: "You never know how strong you are until being strong is your only choice."
The reader may be hopeful that, since it is a nineteen-year-old Faith who is writing about the events and conditions that led her to a point where she needs to be rescued, Breaking Faith must have a happy ending i.e., she survives to write her story.  But I don't think there are any happy endings here.  As the Afterword by psychiatrist Dr. Vimala Chinnasamy states, Faith's story is not an uncommon one, one in which mental illness and addiction are perceived as emotional weaknesses and for which inadequate support, both within the family and outside, is provided, thus contributing to the tragedy.  And Breaking Faith is a tragedy of Shakespearean proportions.  The only saving grace is that Faith survives these chapters of her life and that E. Graziani provides a deep look into a life we need to witness so that we might walk with the Faiths of this world before we need to pull them up and rescue them or worse.

~~~~~~~~~~~~~~~~~~~~~

Check out the next post for details of the book launch for Breaking Faith this Sunday at A Different Drummer Books in Burlington, ON

Blood Brothers

Written by Colleen Nelson

Dundurn

978-1-459737464

216 pp.

Ages 12-15

February 2017

Reviewed from advance reading copy

"...just cuz we share blood, doesn't make us brothers." (pg. 208)

Brothers are born and brothers are made through commonalities in purpose and temperament.  But does one kind of brotherhood surpass the other? How do you weigh what one brother means to you against another?  These are the questions being asked throughout Colleen Nelson's new work of young adult fiction as two fifteen-year-old boys steer through life, amidst the poverty and violence of a tenuous world and one of apparent opportunity for better.

Jakub Kaminsky admits that he has a sad little life. His parents emigrated from Poland for a better life before his mother died giving birth to him.  An injury at work left his devout father with a mangled leg and unable to work.  Now the two live in a rooming house on the West Side and attend and volunteer at St. Mary's, the parish of Father Dominic.  Jakub works hard at school and gets good grades, but he's truly alive when he's tagging as Morf.

Lincoln Bear may live with his mother and father and younger brother Dustin, for whom he tries to be an attentive big brother, but his home life is hardly comfortable, emotionally or financially.  When 21-year-old brother Henry returns from eighteen months in prison and promptly reestablishes his connection to the Red Bloodz gang, Lincoln is pulled in, hopeful of reconnecting with his brother and making a better life for himself. But restoring that relationship entails Lincoln becoming involved in jacking cars for a chop shop the gang runs which leads to more dangerous and illegal activities.

Jakub knows Henry is using Lincoln but he has no defence when he himself is involved in illegal tagging, especially after Lincoln takes the fall when they are almost caught by the police.  With Jakub starting as a bursary student at the prestigious St. Bart's school, and Lincoln falling deeper under the thumb of his violent brother, it becomes evident that the friendship between the two teens is at risk.

The survival of their friendship ends up being the least of their worries, though it is a driving force, when Lincoln becomes involved in a murder, and Jakub finds a very public but dangerous way of revealing the perpetrators. Blood Brothers culminates with a violent struggle between brothers of different kinds and very real consequences for all involved in desperate ventures.

"It's too late, I want to tell her.  It's like when water gets sucked down a drain.  Stuffing a finger in to stop it won't do any good.  The water still slips away." (pg.161)

Colleen Nelson leaves no time or breath of respite for the reader who is thrown from one harrowing situation to another, as both Jakub and Lincoln attempt to create lives that matter for themselves.  Yet, with all the poor choices the two make–and there are many–they are guided by a desire to be part of something good whether it be family, friendship, church or school. They want to be persons of consequence, because of their art or their presence or their actions.  They want what everyone wants: to matter.  Whether that happens depends on where you start and where you go and all the steps you take in between.  For Jakub and Lincoln, whose voices Colleen Nelson asserts both honestly and compassionately through those strides and missteps, it's their brotherhood that walks with them, leaving its own footprints.


^^^^^^^^^^^^^^^^^^^^^^^^^^^^^

Be sure to check out Dundurn's book trailer for Blood Brothers at https://youtu.be/k026kfO89L4.

Uploaded to YouTube by Dundurn Press on November 24, 2016. 

Blood Brothers: Book launch (Winnipeg, MB)

Here's a last minute book launch you won't want to miss 

if you live in the Winnipeg area.

Join

Colleen Nelson 

author of 

Finding Hope (Dundurn, 2016)

250 Hours (Coteau Books, 2015)

The Fall (Great Plains, 2013)

Tori by Design (Great Plains, 2011)

for the launch of her newest young adult novel

Blood Brothers

by Colleen Nelson

Dundurn

9781459737464

240 pp.

Ages 12-15

February 2017

Hosted by broadcast journalist Joanne Kelly

on

Friday, February 3, 2017

7 p.m.

at

McNally Robinson Booksellers

Grant Park in the Atrium

Winnipeg, MB

The book is described as follows on McNally Robinson's website for the event: 

Close as brothers, Jakub’s and Lincoln’s lives diverge when Jakub gets a private school scholarship and Lincoln is lured into a gang. 

Fifteen-year-old Jakub Kaminsky is the son of Polish immigrants, a good Catholic boy, and a graffiti artist. While his father sleeps, Jakub and his best friend, Lincoln, sneak out with spray paint to make their mark as Morf and Skar. 

When Jakub gets a scholarship to an elite private school, he knows it’s his chance for a better life. But it means leaving Lincoln and the neighbourhood he calls home. 

While Jakub’s future is looking bright, Lincoln’s gets shady as he is lured into his brother’s gang. Jakub watches helplessly as Lincoln gets pulled deeper into the violent world of the Red Bloodz. The Red Bloodz find out Jakub knows more than he should about a murder and want him silenced — for good. Lincoln has to either save his friend, or embrace life as one of the Red Bloodz.

Look for my review of Colleen Nelson's latest YA on CanLit for LittleCanadians within the week.

Seas of South Africa

by Philip Roy

Ronsdale Press

978-1-55380-247-1

200 pp.

Ages 10+

September, 2013

Oh, that Philip Roy.  He lulls the reader into calm with the beauty of his words.

I have learned that you cannot pick and choose what you will find when you go out to explore.  Sometimes you will find beautiful things, and sometimes you will find ugly things.  That is the world we live in.  In South Africa, where the warm Indian Ocean meets the cold Atlantic, like a meeting of two tigers, and where the hearts of people seem both bigger and darker than anywhere else, I found both. (pg. 1)

Then he plunges you into heart-stopping tension as Alfred, the star of The Submarine Outlaw Series, is accosted in Mozambique by a nasty behemoth of a pirate, threatened with a knife and almost drowned when the man tries to open the hatch while the sub is underwater.  So begins Seas of South Africa.

Though Alfred makes every effort to avoid the coast of Somalia and its pirates, he is dogged by one or more of them after escaping several altercations with the murderous thieves and relieving them of stolen treasure and money.   But, as he evades their search for him and as he frequently stops to wash the bloodied money, Alfred rescues a small parrot from a sinking boat, saves a young South African man who crashes his bicycle-powered plane into the ocean, survives the violence of mob justice in Soweto, and provides back-up for a wreck diver under attack from pirates.

But amidst the the heroics and narrow escapes, Alfred meets some memorable characters, learns more about South Africa's history including apartheid, experiences the anger, humour and breath-taking landscapes of Africa, and ultimately gains a new perspective that will direct his future exploring. 

I suspect that Alfred is a junior fictional version of Philip Roy himself: an explorer at his core with a heart filled with compassion and generosity, and the philosophical wisdom of an old spirit.  So his observations and appreciation of his experiences are probably as authentic as they can get, and that's how they read.  But in Seas of South Africa, Philip Roy goes beyond the adventure story, which is always part of The Submarine Outlaw Series, and the history, which often provides context for Alfred's explorations.  Delving deeper into the consequences of apartheid and its aftermath, Philip Roy demonstrates with subtlety that perspective can alter and justify interpretations of the same circumstances.  Prisons can be on isolated islands or within oneself, and desperation and violence may go hand-in-hand.  But, without a doubt, the clearest message given and received is to,

"Appreciate your life." (pg. 198)

Fortunately, Alfred clearly does, sharing that acknowledgement with the readers of Seas of South Africa and his intention to apply that obligation to ensuring the vitality and persistence of healthy oceans.  Bon voyage to our former submarine outlaw!

Blood Red Road

by Moira Young

Doubleday Canada

978-0-385-67183-5

459 pp.

Ages 14+

2011

Moira Young's debut novel, Blood Red Road, begins as a dust storm: sudden, painful, devastating and gritty.  In their post-Wreckers world at Silverlake, eighteen-year-old Saba and her family endure the lack of rain and resources, looking to the stars for guidance and the landfill for materials. After a violent dust storm, accompanied by lightning, which turns everything red, life just shifts from bad to worse.  Men on horseback murder her Pa and abduct her twin, Lugh.  Leaving her shanty existence for the first time, Saba pursues her brother's trail, accompanied by her pet crow Nero and her nine-year-old sister, Emmi.  Learning more about her parents' early lives and their stay in Hopetown, Saba heads for the brutal town where the violent Tonton, who took Lugh, control the people and slaves with the use of a drug, chaal.  Unfortunately, it's Saba's anger and tenacity that make her attractive to Rooster Pinch and Miz Pinch, who press her into the brutality of cage-fighting (as the "Angel of Death") by threatening Emmi.  Sadly, only if they escape Hopetown do Saba and Emmi have any chance of finding Lugh. 

Their isolation at Silverlake has not prepared Saba for the multitude of characters that she encounters in her quest for Lugh, making it difficult for her to assess accurately their true natures, sometimes not until it is too late.  Her most difficult relationships seem to be with Emmi and with Jack, a young male cage-fighter.  Saba continues to vacillate between trust and resentment, often overlooking the insights of others or almost squandering opportunities for assistance.  As strong as she is physically and emotionally, Saba's misunderstanding and naiveté weaken her, threatening to jeopardize her self-imposed mission.

The grittiness of the story is matched by the text, told from Saba's perspective and in her words, just as she speaks them.  She trusts the red hot in her stummick that tells of her raging anger and she knows about talkin an fightin but not about books or history or the technology of the Wreckers such as their bolt shooters or long lookers. The text can be disconcerting to read, with its lack of quotation marks for dialogue and its perfunctory spelling, but it emphasizes the reinvention of a society to its most fundamental - survival.  Literacy and progress have been eschewed as the values of a Wreckers' society whose failure is evident in their abandoned settlements littering the landscape.

Justifiably, Blood Red Road has been compared to Suzanne Collins' Hunger Games trilogy with its theme of survival in a dystopian world led by a despot and his cohorts who rule over the suffering masses.  Luckily, another commonality lies in the book's inclusion in a trilogy.  To my great relief, Blood Red Road is just Book 1 in the Dust Lands trilogy so readers (particularly those reading it in the White Pine reading program) can look forward to a sequel in 2012.  My own heavy heart at the end of my reading of Blood Red Road has been assuaged, knowing that soon enough I will learn more about Jack's pre-Saba life, the mystery of DeMalo and the nature of Saba, Lugh and Emmi's new life at the Big Water.