40 Days in Hicksville

Written by Christina Kilbourne

DCB

978-1-77086-715-4

264 pp.

Ages 12+

October 2023

 

Moving to Clarendon with her mother to live in her grandparents' old home was supposed to give Kate Cooper a clean break from living in the city. Little did they know that she'd just find a new trouble with classmate Zach Whitchurch. Yeah, she's definitely safer in Clarendon a.k.a. Hicksville. Not. 

When Kate and her mom Sally move into the Cooper place next door, Zach is smitten. And Kate, determined to convince her mom Sally that she's making an effort, let's Zach show her around. When he points out Peter Goheen's property, warning her that he is known to be cruel and maybe even dangerous, Kate reveals that he is her grandfather, though she's never met him. When they venture onto his property to introduce Kate, Pater Goheen is less than welcoming and warns them against trespassing again. That doesn't deter Kate who, with Zach, discovers a cave-like crevasse which they investigate after midnight so that she can make a video. What they discover deep inside are the remains of two bodies. 

 

Zach's dad, a detective in Clarendon, reveals that a wallet in the jeans of one is that of Sally's fifteen-year-old brother James who disappeared in 1982 along with his friend Luke McLeod. For the first time, Kate learns about her uncle and his disappearance and about Sally's troubled family life because of her mean drunk of a father. Though Peter Goheen was questioned, Kate's dad Mitch provided an alibi for his father. And without bodies, it was impossible to know the truth. But that was then.

Are these the bodies of James and Luke? What happened to them? Who did it and why? 40 Days in Hicksville could be a true crime podcast, unravelling the story through Kate and Zach's eyes–chapters are alternating perspectives of the two teens–and with the twists and turns that often come with a thriller. Christina Kilbourne, author of The Limitless Sky, Safe Harbour and Dear Jo, takes us to a small Ontario town as if the setting for an episode of Dateline or 20/20, unravelling the mystery with each interview and piece of evidence and investigative step of the police.  And, as in those in-depth investigations of the newsmagazine shows, the trajectory from missing person to justice is not a straight line. There are those who keep secrets, those who hide truths, those who lie, and those who grieve. There are those who are determined to make things right and find justice. There is danger and revelations, standstills, and action. With a variety of characters, some who are aggravating, others naive, some scared, others aggressive, 40 Days in Hicksville remind us that small towns are not always boring communities in which nothing happens. Sometimes they are seething with secrets and dangers and history that are only revealed when someone from outside arrives. Kate may not have wanted to be in Clarendon but her first forty days in the town her father called Hicksville are as thrilling as the urbex videos that got her in trouble in the city. Fortunately, Christina Kilbourne's "Epilogue" reveals that this adventure has a far more constructive outcome for both Kate and her community.

My Story Starts Here: Voices of Young Offenders

Written by Deborah Ellis

Groundwood Books

978-1-77306-121-4

224 pp.

Ages 13+

October 2019

Reviewed from advance reading copy

Deborah Ellis's opening words "There but for the grace of God go I" from John Bradford are prophetic ones that resonate throughout her latest young adult non-fiction book as young offenders, recent and not, and others unmask family histories, criminal offences and misdeeds, judgements and outcomes. They are stories that could be anyone's but these are their own voices, told as they lived or recall, and they deserve to be heard.

Over twenty young people, named only by their first name and age, were interviewed by Deborah Ellis, a process which she explains in her introduction. Their stories include domestic abuse, poverty, addictions, bullying, foster care, loss, mental health struggles and family dysfunction. Their stories are as diverse as the individuals profiled and we learn a lot about each person beyond the crimes that drove them into the criminal justice system. But there are the crimes, from theft to assault, vandalism and arson, and trafficking of drugs and weapons. Still Deborah Ellis gives these young people the opportunity to explain. To explain where they came from, what they were thinking, what they were feeling, and how justice may or may not have been served. Many are hopeful, trying to see beyond their pasts and their pains and their crimes, and make futures for themselves and their families for which they might be proud. They're not perfect, but then none of us are, and some minimize their responsibilities for choices made while others own their decisions and circumstances.

I don't know if I'll ever get rid of the pain I'm carrying. Maybe I can turn it into something not so heavy. (Lindy, 19)

But Deborah Ellis does more than just give voice to these young offenders. She offers background information about anger, foster care, abusive relationships, witnessing abuse, restorative justice and the importance of a high school diploma. In a question accompanying each young offender's story, she makes the reader think about how they might address the issues which these young people have experienced and makes suggestions about how to make things better in her "Taking Steps" sections. Still the best advice often comes from the young people themselves.

That little thing that's in the back of your head, that says, "Don't do this!"? Listen to it the first time. (Beth, 19)

In addition to the twenty plus young people she highlights, Deborah Ellis also gives voice to past offenders and those who work with young offenders–these are each identified as a "Voice of Experience"–and family members of offenders. Their perspectives, from the distance of time and the other side of the justice system and from the heartfelt viewpoint of family, give different frames of reference to the hardships with which these young people have been dealt or are dealing. 

Deborah Ellis has always sought justice in letting those whose voices are rarely heard speak freely. From Three Wishes (2004) and Off to War (2008) to Kids of Kabul (2011) as well as Looks Like Daylight (2013), Deborah Ellis has let us hear what Palestinian and Israeli children, children affected by AIDS, soldiers' children, Iraqi refugees, and Indigenous kids have to say. She holds true what Maya Angelou acknowledges so eloquently in I Know Why the Caged Bird Sings: "There is no greater agony than bearing an untold story inside you."

With My Story Starts Here, Deborah Ellis has released the untold stories of young offenders and hopefully provided them with another step forward to healing.

You Owe Me a Murder

Written by Eileen Cook

Houghton Mifflin Harcourt

978-1-328-51902-3

359 pp.

Ages 13+

March 2019

Travel provides opportunities for new experiences, for meeting new people, and for personal growth.  But for seventeen-year-old Kim, her summer trip to London with Student Scholars for Change seems doomed from the beginning. Not only is she no longer in a relationship with Connor for whom she'd initially signed up for the trip, he is travelling with new girlfriend Miriam, and Kim has to watch it all from the sidelines of their small group of eight Vancouver high schoolers. But after meeting English girl Nicki, who challenges her to steal a bottle of duty-free vodka and lets her vent about Connor all the way to London, Kim is ready to find "a new me" (pg. 41), one that could be daring and isn't a quitter.

Being good at something doesn't mean that it isn't hard or scary–it just means that you keep moving forward when other people quit. (pg.25)

But in that vodka-infused venting session, Kim prepares a list titled "WHY I HATE CONNOR O'REILLY AND WHY HE DESERVES TO DIE" and Nicki suggests that she will kill Connor and Kim could kill Nicki's mom whose alcoholism is making her life miserable. Of course, Kim barely remembers their laughable discussion until Connor is killed in a Tube station and she gets a message that reads "You're welcome" along with the news story about his death.

Panicking, Kim doesn't know to whom she can turn. Worse still, the police begin investigating and Kim realizes her silence about her relationship with Connor is going to make her look suspicious. Worst of all, Nicki still has the incriminating document and is using it to blackmail Kim into murdering her mother.

So while sightseeing in London and relishing a budding romance, Kim tries to evade a drunken commitment to homicide, investigate the mysterious Nicki, and keep herself and others safe from a girl who purports to be owed a murder.

I would call You Owe Me a Murder a roller-coaster except that ride suggests highs and lows and twists and turns and this young adult novel has no lows. From start to finish, it's more like a high-wire act: tense, dangerous, and unrelenting. With Eileen Cook's exceptional plotting, You Owe Me a Murder becomes a magnificent melding of relationship angst with psychological thriller. It's a waiting game for the reader who is compelled to read through to learn whether Kim will go with through the murder pact or become victim to Nicki's vengeance. With characters like Kim and Nicki, and even secondary ones like Connor, Miriam and Alex, You Owe Me a Murder becomes a complex study in human behaviour as young people fall in and out of love or lust, seek revenge and fulfilment, and try to discover who they really are and what they are capable of being and doing.

Like Hitchcock's movie Strangers on a Train, Eileen Cook's You Owe Me a Murder demonstrates that meeting the right or wrong person can turn your life upside-down, and finding the way to right things may require courage and recognition that the truth hides in the details. (pg. 324)

Blood Brothers

Written by Colleen Nelson

Dundurn

978-1-459737464

216 pp.

Ages 12-15

February 2017

Reviewed from advance reading copy

"...just cuz we share blood, doesn't make us brothers." (pg. 208)

Brothers are born and brothers are made through commonalities in purpose and temperament.  But does one kind of brotherhood surpass the other? How do you weigh what one brother means to you against another?  These are the questions being asked throughout Colleen Nelson's new work of young adult fiction as two fifteen-year-old boys steer through life, amidst the poverty and violence of a tenuous world and one of apparent opportunity for better.

Jakub Kaminsky admits that he has a sad little life. His parents emigrated from Poland for a better life before his mother died giving birth to him.  An injury at work left his devout father with a mangled leg and unable to work.  Now the two live in a rooming house on the West Side and attend and volunteer at St. Mary's, the parish of Father Dominic.  Jakub works hard at school and gets good grades, but he's truly alive when he's tagging as Morf.

Lincoln Bear may live with his mother and father and younger brother Dustin, for whom he tries to be an attentive big brother, but his home life is hardly comfortable, emotionally or financially.  When 21-year-old brother Henry returns from eighteen months in prison and promptly reestablishes his connection to the Red Bloodz gang, Lincoln is pulled in, hopeful of reconnecting with his brother and making a better life for himself. But restoring that relationship entails Lincoln becoming involved in jacking cars for a chop shop the gang runs which leads to more dangerous and illegal activities.

Jakub knows Henry is using Lincoln but he has no defence when he himself is involved in illegal tagging, especially after Lincoln takes the fall when they are almost caught by the police.  With Jakub starting as a bursary student at the prestigious St. Bart's school, and Lincoln falling deeper under the thumb of his violent brother, it becomes evident that the friendship between the two teens is at risk.

The survival of their friendship ends up being the least of their worries, though it is a driving force, when Lincoln becomes involved in a murder, and Jakub finds a very public but dangerous way of revealing the perpetrators. Blood Brothers culminates with a violent struggle between brothers of different kinds and very real consequences for all involved in desperate ventures.

"It's too late, I want to tell her.  It's like when water gets sucked down a drain.  Stuffing a finger in to stop it won't do any good.  The water still slips away." (pg.161)

Colleen Nelson leaves no time or breath of respite for the reader who is thrown from one harrowing situation to another, as both Jakub and Lincoln attempt to create lives that matter for themselves.  Yet, with all the poor choices the two make–and there are many–they are guided by a desire to be part of something good whether it be family, friendship, church or school. They want to be persons of consequence, because of their art or their presence or their actions.  They want what everyone wants: to matter.  Whether that happens depends on where you start and where you go and all the steps you take in between.  For Jakub and Lincoln, whose voices Colleen Nelson asserts both honestly and compassionately through those strides and missteps, it's their brotherhood that walks with them, leaving its own footprints.


^^^^^^^^^^^^^^^^^^^^^^^^^^^^^

Be sure to check out Dundurn's book trailer for Blood Brothers at https://youtu.be/k026kfO89L4.

Uploaded to YouTube by Dundurn Press on November 24, 2016. 

Movers

Written by Meaghan McIsaac

Tundra Books

978-1-7049-818-1

288 pp.

Ages 12+

February 2016

Reviewed from Advance Reader's Copy

Forget today's world.  Meaghan McIsaac will take you into the new world of 2083 when people live in tiny apartments, use droidlets as keepers of all information, where schools are 64 floors high, water is scarce, powerful winds called Eventualies bombard everyone and everything, and there are Movers, people with the special ability to move others called their Shadows from the future of war, famine and disease to their own time.  And, because there are Movers, there is the Bureau of Movement Activity Control (BMAC) and the anti-Mover group, We Are Now, and Movers' Prison and Shelving–whereby Movers convicted of moving their Shadows are Shelved i.e., put into "An endless sleep. A living kind of deadness" (pg. 2).  It's a totally different world and it's the world of fourteen-year-old Patrick Mermick whose father Michael was Shelved after Moving his Shadow, Oscar Joji, from the future, killing him in the process and causing considerable damage.  Problem is that Michael Mermick was a Phase 2 Mover and incapable of Moving his Shadow.

Now Pat and little sister Maggie, both Phase 1 Movers, and Mom Izzy, a Non-Mover, must live in a world of monthly Mover renewal forms and much discrimination.  Not surprising Mom is known as a Mover symathizer, protesting Shelving, and helping Movers falsity their FIILES–digital accounts of their lives–to keep them from being treated as criminals.

Then everything goes from bad to worse.  Mom gets called into Maggie’s school, because of Mags' new behaviours suggesting the need for a Phase upgrade, and they are both being taken to BMAC headquarters when Mom tells Maggie to make a run for it.  Maggie heads to Pat’s school where a Movement creates destruction and chaos while bringing over the Shadow of Gabby, a classmate of Pat’s and a favourite target of the bullies. Together, Pat and Gabby and Maggie become fugitives and must delve into the underworld of Mover society in order to survive and avoid Shelving.

Movers is an earth-shattering, action-packed futuristic adventure of the heightest proportions.  Set in a future that appears to be of our own making–depletion of most resources, scarcity of others, continued discrimination for those who are different–with new technology and supernatural elements of time-travel, Movers is incessant in its fast pacing and rife with villains of all natures–bureaucratic, school bullies and future warlords–keeping the action steady and plot unravelling.

Another blast sends tremors rippling through the building.  The cement begins to give way under my right foot and there’s nothing I can do.  My body is in freefall and I cry out.  My brain shuts down, and there’s only one thought–I’m so dead–but my hand still has a grip on the metal bar.
I dangle there, scream-crying with Gabby while the rough rusty bar cuts into my palm.  My vocal cords feel ready to snap while the rest of me is consumed by fear.  No Gabby, no Movement, just – falling.
My temples start buzzing, like the lightning has shot right through them, and I can feel him, my Shadow, suddenly aware of me.  He’s angry, overwhelmed by the emotion flooding out of my body and suddenly I’m furious too. (pg. 50-51)

It’s like Die Hard meets The Time Traveler’s Wife for teen readers except the threat is from within and a romance doesn’t drive the story.  But the threat is real and the time travel is real and the horrors of discrimination are real.  And, to cause even more discomfort for readers, the story of Movers isn’t over because Meaghan McIsaac leaves readers on the edge of time and place, literally, with an ending that can’t even begin to be resolved until Book 2 of this new series is announced.  Hang on.

Eden Mills Writers' Festival: Sunday, September 13, 2015

As a resident of the quaint hamlet of Eden Mills, just outside of Guelph, I love promoting its annual Eden Mills Writers' Festival celebrating the written and spoken word arts.  This year will be the 27th since Governor-General award-winning author and poet Leon Rooke started the festival and, though the festival continues to evolve over the years, it is at its heart an outdoor festival of authors of children's, young adult and adult literature reading from their works.  

Details about tickets (less expensive if purchased in advance) and schedule, and all the authors who will be present are available at the Eden Mills Writers' Festival website here.

If you're around southern Ontario on Sunday, September 13 (the main day event of readings and author events), come on down and visit with a few of our favourite CanLit authors, including the children's and young adult writers and illustrators I've listed below with images of some of their most recent works.

Children's Authors

Carolyn Beck 

Sean Cassidy 

Wallace Edwards 

Debbie Ridpath Ohi 

Jan Thornhill

Kari-Lynn Winters

Magician Ben Caesar and Singer-Songwriter Eddie Douglas will also be on hand to entertain in the Children's Venue.

Young Adult Authors

Lesley Choyce

Megan Crewe

Catherine Egan

Alyxandra Harvey

Norah McClintock

Caroline Pignat

Bill Swan

Caitlin Sweet

We're anticipating a great day, so come out and join us and meet a few of your favourite authors and illustrators, do a little book-buying on Publishers' Way and through The Bookshelf, get a book or five signed, and enjoy a spectacular day!  

Hope to see you there.

I'll Be Home Soon

by Luanne Armstrong
Ronsdale Press
978-1-55380-180-1
200 pp.
Ages 10+
Available September, 2012

Gritty girls have become the new heroes of popular fiction and movies, ready to take on any foe, physically, strategically or emotionally.  Though their challenges may be contrived in the lines of speculative fiction filled with vampires, game-makers, werewolves, and other contenders, these protagonists compel the readers to cheer for them, regardless of the horrific circumstances, countless deaths and violent outcomes.  But, these heroes have nothing on thirteen-year-old Regan of Luanne Armstrong's I'll Be Home Soon.

Regan's less-than-comfortable life has become even grittier since the disappearance of her mother, Joanie Anderson, who goes out on an evening job to make a few extra dollars and does not return.  For the first few weeks, Regan uses the money her mother left for food and continues going to school and even her kung fu classes, though unable to pay.  But things get more desperate when she's scrounging for food out of garbage bins, when there's no money for laundry and when she spends most of her time watching for her mom, staying under the radar of her teachers, the local street youth worker and the police.  While she finds solace in the discipline of kung fu at the dojo and the caring of the kung fu master, Sifu, Regan's sole friend is Mike, a sixteen-year-old homeless busker, who encourages her to go to the police, still keeping her updated on anything that he hears on the street.

Though Mike seems a casual acquaintance, someone who Regan seeks out when she needs help, he becomes instrumental in helping track her mother, as well as keep Regan safe.  After visiting Clayton, the man whose poker party Regan's mom worked, Regan unwisely checks out the player, George Miller, with whom her mother has apparently gone off.  But, George Miller is less than gracious, alleging that Regan's mom stole money from him, and tries to grab Regan, even sending men to pursue her.   After brief stays at the tent city of Ramona and other homeless people, at a group home, and at the home of a grandmother she hadn't seen for years,  Regan is being threatened by George and his goons to reveal where her mother, who has apparently stolen millions, is hiding.

While there is no evidence of a romance between Regan and Mike, they seem to be forging a strong bond founded in their mutual admiration for the resilience and caring each demonstrates.  He shares his squat, sleeping bag and family history with her, even putting himself in danger, although he claims, "I'm good at staying uninvolved" (pg. 98) because becoming part of a "we" causes hurt.  Thankfully, Mike's repeated efforts to discover more about Regan's mother, plus the attentions of Sifu, Reg McDermid, a researcher on street youth, and a female cop, help resolve the mystery of Regan's mom's disappearance and reestablish Regan's and her mom's lives, even improving upon them.

Regan is not a character, because Luanne Armstrong has not written I'll Be Home Soon as a piece of fiction; it reads like a retelling of a few months in a young girl's life.  Regan is a young girl who, by nature of unprecedented circumstances, must make some hard choices that test her fortitude and survival skills, including knowing who to trust and not to trust.  Luanne Armstrong does an incredible job of leading the reader from subplot to subplot, looking for resolution, never setting up simple answers, whether it be the rescue of Regan's mom or a perfect happy ending for Mike and Regan.  For example, Luanne Armstrong could have wrapped up I'll Be Home Soon with all the homeless becoming homed, bad guys caught and jailed, and every less-than-sympathetic person redeeming themselves.  She does not.  What she does do is far more satisfying, demonstrating that coming home may be everyone's aspiration but where that home is or the nature of that home is not always so easily defined or even recognized.

The Prisoner of Snowflake Falls

Written by John Lekich

Orca Book Publishers

978-1554699780

280 pp.

Ages 11+

2012

Reviewed from ebook 

978-1554699803

If I had to be the victim of a crime, I'd hope to be burgled by a thief like fifteen-year-old Henry Thelonius Holloway. Even though he knows how to pick a lock and the other arts of thieving courtesy of his Uncle Andy and cronies, Henry would probably only borrow the car (and return it with gas), steal food only to prevent starvation, never steal anything of great sentimental value, and even tidy up my breakfast dishes. After all, how many thieves do you know who, rather than take a wad of bills from an envelope earmarked for a graduation gift, add a couple of bucks to increase the fund? Exactly. Henry is one of a kind. He's very principled, neat, and compassionate, even if he is a thief.

Unfortunately, Henry is also young and an orphan. After his mother died from cancer when he was nine years of age, he lived with his Uncle Andy and then Uncle Andy's friends when Uncle Andy went to prison. But when everyone who could care for him is also in prison or has taken off, Henry finds the means to live in a treehouse, supplementing his meagre existence with visits to his regular "benefactors" for food and such. It's only when Henry slips up in a ruse to reassure his uncle (who keeps tabs on him from prison) that he is alright that Henry is sent to Snowflake Falls' Second Chance program.

Placed in the care of the Wingates, Henry becomes part of a chaotic family of oddities.  Harrison Wingate is the very particular owner of Wingate's department store, desperate to keep the store from going under, courtesy of Biggie's Bargin Barn. His wife, Theodora, tirelessly and unobtrusively, works to keep the family happy and the surfaces of their home scrubbed from Oscar's markings. Oscar, not yet three, is known as a screamer and is delighted to share his voice with his new roommate (until the renovations on the guest room are completed). Finally, there is eleven-year-old Charlotte, a brilliant and big-hearted manic talker who is anxious to do good for others, including sharing her budding hair-cutting skills on Henry.

With his schedule of an early morning paper route (shamelessly conducted on Charlotte's small pink bike), work at Top Kow Burgers as the Grease Pig, volunteering (not) to read to Mr. Harley Howard, the near-blind and elderly richest man in town, and regular visits for counselling by Ms Penelope Pendergast, the Home Economics teacher, Henry should have no trouble keeping out of trouble. And, with so many people involved in his life now, including the friendly strangers of Snowflake Falls, Henry can't seem to find the means or heart to escape, yet.

Compelled by Henry's letters, Uncle Andy heads to Snowflake Falls when released from prison, and everything changes. Joining thieves Cookie Collito and Wally Whispers, Uncle Andy plans on one last job, with Henry's help: robbing the whole town. With so much of himself invested in his new town (and so many in Snowflake Falls invested in him), Henry finds himself looking for ways to avoid hurting those for whom he cares. By breaking his rule about forming attachments with people or places, he has put himself in an awkward position. Prison would have been so much easier.

John Lekich's characters in The Prisoner of Snowflake Falls are the treasures that readers look for in great fiction. They are unique and true to themselves, good or bad, and evolving.  Oscar may have been the downfall of the Second Chancers that came before Henry, but the little guy melts Henry's heart (or maybe he just shattered it with his excessive decibel output, snore or scream). Charlotte verges on being an annoyance but she is desperate to seem normal and be accepted, the humble goal of many of us. It's similar for George who believes acceptance will come through distinction. Theodora, Harrison, Harley and the others are more of the people with whom we share our lives, just quirkier and more of themselves. As for Henry, our seemingly self-assured teen, he has been a work in progress from the time before his mother became ill. He's astute enough to recognize what pleases others and what disappoints them, whether it is his mother, his uncle or the Wingates. Henry's compassion, though often masked, makes him heroic, enduring the loneliness of losing his mother and being untethered, while still able to see the emotional needs of others often before his own physical needs. Perhaps as his uncle proclaims, "Puzzles are a lot like life.  Once everything fits into place, there's nothing left to discover."  That's why Henry is still a work in progress.  While I had been hopeful for Henry to accept Snowflake Falls as his home, rather than his prison, John Lekich chose an alternate ending. Appropriately, even as The Prisoner of Snowflake Falls ends, I wonder how much of Henry is still to be discovered.

Arthur Ellis 2012 Shortlists announced!

In a series of events nation-wide, the Crime Writers of Canada last night announced the nominated titles for the 2012 Arthur Ellis Awards for Excellence in Canadian Crime Writing. Details about the awards were posted here in January but the award short-lists for books and others writings from 2011 were only announced last night.

Congratulations to the nominated authors in all seven award categories.  On May 31, 2012, some of them will be leaving the Arthur Ellis Awards Banquet in Toronto with their own wooden statuette of a hanging man (whose arms and legs flail when the string is pulled).

As an aside (okay, more like its own paragraph), the origin of the statuette's design has an interesting connection to children's literature.  Children's and YA author, Tim Wynne-Jones, author of Blink and Caution (Candlewick, 2011), recently reviewed here, apparently had a role in its design.  However,  Tim Wynne-Jones, who became an officer of the Order of Canada in December of 2011, humbly explains his role in this note on the Crime Writers of Canada website.

A note on Arthur by Tim Wynne-Jones

I'm happy to clarify Arthur's history. It was my job to head the committee, as Tony said. And my big contribution, as far as I'm concerned, was in realizing that a book prize is kind of a stage prop. The darn thing should look good in somebody's hands as well as on their mantel. So I thought to go to a stage designer, Peter Blais, who happened also to be a wonderful actor, and who happened to be someone I had acted with and knew to have a wicked sense of humour. He got it! He understood what I was trying to say and came up with the jumping jack. So Peter very much deserves the kudos for Arthur and I'm just pleased to have got him on board. It's the best prize around, as far as I'm concerned. I'm lucky enough to have won one and also to have won an Edgar and Arthur beats Edgar all to heck!  (Retrieved from http://www.crimewriterscanada.com/awards/arthur-ellis-awards/history on April 19, 2012.)

Now, back to the shortlists.

Here are the titles and authors nominated for the  2012 Arthur Ellis Award for Best Juvenile/Young Adult Crime Book:

Blink and Caution 
by Tim Wynne-Jones
Candlewick

Charlie's Key
by Rob Mills
Orca Books

Empire of Ruins: The Hunchback Assignments III

by Arthur Slade
HarperCollins Canada

Held

by Edeet Ravel
Annick Press

Missing
by Becky Citra
Orca Books

 We look forward to the announcement of winners at the end of May.

Special thanks to Bill Selnes at Mysteries and More from Saskatchewan (you can get all shortlists here) and tweeps @evacmo and @barbhowson for the scoops.

Accomplice

Written by Valerie Sherrard
Dundurn Press
978-1554887644
142 pp.
Ages13-16
2011

Dundurn's newly established Keystone Hi-Lo series hits the mark with Accomplice by Valerie Sherrard, enticing readers with a cover suggestive of a female criminal, a less likely combo than you might expect.  Our covergirl, fifteen-year-old Lexie Malton, starts her story with her arrest, and spends the remainder describing the circumstances by which she ends up nestled in a sheriff's van.

The story is fairly simple: Lexie gets her boyfriend, Devlin, to go to a party where she is enticed into trying heroin and encourages the reluctant Devlin to follow.  Unlike her, Devlin becomes addicted, eventually ending up on the street.  Though Lexie eventually moves on and starts going out with Oscar, her overwhelming guilt at her role in turning a great guy into a junkie continues to compel her to get what little money she can for Devlin whenever he calls.  Regardless of Devlin's insistence that he's going to stop the drugs and get clean, even returning to rehab, he thoughtlessly wrenches Lexie into a brutal situation that results in a death and Lexie marked as an accomplice.

The mandate of Hi-Lo books, i.e., grabbing the reader with its engrossing plot without dissuading reading with challenging vocabulary, can result in uninspired writing around a weak storyline.  However, in the hands of an accomplished writer such as Valerie Sherrard, most recently winner of the 2011 Geoffrey Bilson Historical Fiction for Young People Award for The Glory Wind (Fitzhenry & Whiteside, 2010), there is no chance of mediocrity.  Accomplice presents a straightforward but not light-weight plot involving common teen trials dealing with curiosity about drugs, discriminating between right and wrong, dating and communicating, and accepting responsibility.  More than just a hi-lo read, Accomplice provides a glimpse into how innocent errors in judgement can produce unfathomable consequences.

Blink and Caution

Written by Tim Wynne-Jones

Candlewick Press

978-0-7636-3983-9

342 pp.

Ages 14+

2011

Selecting a book cover is not a simple process of finding an image and a font that work. Check out Quill & Quire's regular page, Cover to Cover, to witness just a few steps in the design process of a single cover. That said and with the enriching reads of earlier books by Tim Wynne-Jones (see November 30, 2011 blog),  I should have known better than to hastily (and consequently erroneously) predict the story of Blink & Caution (Candlewick Press, 2011). It is not a story of crime and violence, or of a dark place where bad things happen, or even of traffic. (Don't ask me how I got that one, but I did.) It is a story of family.

Having left his mother and abusive stepfather for a life on the streets, Brent Conboy a.k.a. Blink has established a variety of strategies to get by without bringing attention to himself: following teens to their lockers to get fresh clothes, grabbing breakfasts from trays outside of hotel rooms and finding privacy at the Toronto Reference Library. When he witnesses a ruse to create the impression of the abduction of Jack Niven, CEO of a high-profile mining development company, Blink carelessly involves himself by snatching Niven's Blackberry from the scene. Relentless phone calls from Niven's daughter, whose photo captivates Blink, further entangle him in a journey, both physical and emotional, for which he is unprepared.

Caution is actually seventeen-year-old Kitty Pettigrew from the countryside of Wahnapitae. Caution, who took to the streets after the accidental shooting death of her cherished older brother, Spence, has evolved handily into the benumbed girlfriend of drug-dealer Merlin, taking extraordinary chances as though willing death upon herself. But, when Caution realizes the twisted nature of Merlin's "love" for her, she embarks on her own journey, away from Merlin and with a reluctant baby-step towards family.

The inevitable merging of Blink's and Caution's stories at Union Station may begin with conflict but each unconsciously recognizes the other as an opportunity, a chance to journey together, with the possibility of some positive outcome. Luckily, Blink and Caution are both gutsy teens with the insight that comes from lives rich in experiences, both comforting and despairing. Together they pursue the truth behind Niven's disappearance, hopeful that it should prove lucrative for them, never guessing the true value of the wealth they will gain.

The use of second-person narrative (with Blink referred to as "you") is very rare in literature, even more so when coupled with third-person narrative (as Caution's story is told), but Tim Wynne-Jones uses this bold technique impressively, emotionally engaging the reader from several perspectives. Through Blink's and Caution's eyes, we see through "the knife-blade of your vision"(pg. 9) or the "rooming house, tall as a nightmare" (pg. 72); we experience their need for sleep, finally getting "to work on those years of rest" (pg. 173) or Blink's inner Captain Panic, always his herald; we understand Blink's reluctance to ask questions "too jittery to land near a grumpy girl" (pg. 169) and how his voice could be "just a tattered bit of white cloth" (pg. 317).

Tim Wynne-Jones's expressive writing, remarkable characters and intricate plot are perfection. But, word of warning: read with caution, as it flows so seamlessly that it'll be read in just a blink.