A Friend is a Friend is a Friend

Written by Sara O'Leary

Illustrated by Qin Leng 

Groundwood Books

978-1-77946-026-4

32 pp.

Ages 3–6

April 2026 

 

A concern for many children entering a new situation, whether a new school, a new sports activity, or even a new neighbourhood, is whether they'll make any new friends. For this child, heading off to camp, the worry is very real, but she's hopeful of learning some new strategies from her peers.

From A Friend is a Friend is a Friend, written by Sara O'Leary, illustrated by Qin Leng

Without ever asking a question—or does she?—a little girl gets different perspectives from other children. As the diverse and colourfully dressed children play on a massive tree, they are quoted about their friends and the basis for those friendships. The first piece of advice is about asking questions because that's how you learn if you have things in common with others. It might be a birthday, a favourite colour, or the need for quiet.

From A Friend is a Friend is a Friend, written by Sara O'Leary, illustrated by Qin Leng

The variety of their experiences is rich, as are the friends they have. For one child, their best friend is their grandfather because they share stories. It could be a friend who supports you or one that you appreciate for the type of person they are. There are children who don't speak the same language but understand each other just the same. There is a child whose friend was a he and is now a she and that's okay since they still like doing the same things. There is a shy child, lifelong friends, and one who has an invisible friend. There are so many children, and they all make friends differently and make different friends. The richness of their experiences is only matched by the individuality of their friendships.

From A Friend is a Friend is a Friend, written by Sara O'Leary, illustrated by Qin Leng

Sara O'Leary, author of A Family is a Family is a Family (2016) and A Kid is a Kid is a Kid (2021), gets to the heart of friendships by showing children that there is no right way to make a friend and be a friend. Her message is one of joy in the diversity of who we are and how we make friends. Without telling kids how they can make friends, she allows children to express their own feelings about their processes, giving them voice. (All responses by children to the unasked question of making friends are placed in quotation marks.) By giving them voice, Sara O'Leary lets young readers take what they want from the guidance of their peers, perhaps to help them make their own friends. And, with the wisdom of a compassionate adult, she reminds readers that, "It turns out that the best way to make a friend is to be one." (pg. 29)

From A Friend is a Friend is a Friend, written by Sara O'Leary, illustrated by Qin Leng

A Friend is a Friend is a Friend has been illustrated by Qin Leng, as in the earlier books in this collection. Qin Leng's art, created with ink, marker, and watercolour, are distinct, both light in marks and bright in mood. She does well with stories with young children, giving them innocence, playfulness, and wonder. By making all the children unique in their demeanours and expressions, and by keeping them joyful and natural in the familiarity of play, Qin Leng helps reflect Sara O'Leary's emphasis on diversity and individuality.

  

There will always be those children who make friends very easily, never worrying about how to do it or if they can do it. But there are others for whom it is an uncertainly and even a fear, and A Friend is a Friend is a Friend will help them. Best of all, it's a sweet story without being a contrived teaching tool. And if your little one is heading to summer camp, or to kindergarten or a new school this fall, or you're planning on moving house, A Friend is a Friend is a Friend will reassure those for whom finding a friend may be more of a challenge. It reminds them that they can do it.

 • • • • • • •

 

A Family is a Family is a Family (2016)

A Kid is a Kid is a Kid (2021)

A Friend is a Friend is a Friend (2026)

Every Space Between

Written by Naseem Hrab

Illustrated by John Martz 

Groundwood Books

978-1-77306-710-0

48 pp.

Ages 3–7

March 2026

 

There are big, big moments in life that we can't help but acknowledge. For a child, it might be a special birthday, the first day of school, or a new home. Sometimes though big moments are not as positive. But they're all the kind of moments that children don't forget. But not everything is a big moment. And, in order to get the big moments, those other moments have to happen too.

From Every Space Between, written by Naseem Hrab, illustrated by John Martz

Every Space Between is less story and more insight. As two siblings, a younger sister and an older brother, go about their day, there are moments of heightened emotion and moments in between. We might recognize when we start something and anticipate how it will end but what of the space in between? From playing with her dog to reading to going out for ice-cream, this child's day is filled with moments: expected, unexpected, memorable, and forgettable. But there are also bothersome moments—a tuba mishap with the dog ball, a demolished house of cards, a tumbling ice cream—and will these calamities wash out the good?

Certain in-betweens

are as breathtaking

as the shift from

day to night

just before

the starts wake up

and the light scatters

and the sky glows . . . (pg. 46)

From Every Space Between, written by Naseem Hrab, illustrated by John Martz

Naseem Hrab, author of Weekend Dad (2020), Otis & Peanut (2023), and How to Be Brave Like a Snail (2025), takes an almost philosophical approach to the idea of moments in time and the circumstances of those moments. But, though it could be a heavy topic, Naseem Hrab just makes young readers think about those in-betweens. We all remember the great and the horrific moments, but they are rare when we consider all the time and experiences spent in between them. Although it's not a mindfulness practice, thinking about those in-betweens while we're in the in-betweens can give us a different perspective on the big moments and the beginnings and endings of experiences. It's actually insightful to have kids think beyond, or rather between, the occasions. Focus on everyday school work not the exam at the end. Enjoy the moments of camaraderie and comfort of team play rather than the outcome of the game. There is so much special in the in-betweens.

From Every Space Between, written by Naseem Hrab, illustrated by John Martz

I'm embarrassed to say that I've never reviewed a book illustrated by John Martz though his artwork has been nominated for the Governor General's Literary Award, the Eisner Award, and the Doug Wright Award. This Toronto cartoonist, illustrator, and writer creates digital art that is both simple and filled with details that may be ordinary but say a lot. Two kids reading on a couch is more because of the kiss on a forehead, a scratching of a knee, a hamster hiding, a stray playing card, and a dog and a cat napping. And every John Martz illustration makes the reader think about what is happening, what could happen, and what it all means.  

 

There's always more to life than the highlights that others or we remember. There's much more to this sibling relationship than some accidents and bickering. And Naseem Hrab wants us to see all those extras that aren't just in-between but rather the stuff that gives substance and content for the rest. 

Miss Match (Orca Currents)

Written by Susan Hughes

Orca Book Publishers

978-1-459842069

144 pp.

Ages 9–12

RL 2.8 

April 2025 

With Grade 8 almost finished and summer just weeks away, thirteen-year-old Polly, along with her friends Dev, Zoey, Roger and Matt, starts thinking about how to make a little money for summertime fun like going to the movies and baseball games, enjoying fast food, and shopping. Polly, ever the entrepreneur, comes up with the idea of a matchmaking service for all the Grade 7 and 8 students attending the end-of-year dance.

When they advertise their service and get students to submit applications with a $20 fee–money-back guarantee–they are overwhelmed with responses. They pull in over $2000 and Polly is tasked with setting up a dedicated bank account for the money. When she is unable to do so, Polly lies. It becomes the first of several lies she makes to her friends and her mother to cover up her embarrassment and fears of how they will judge her. Readers will wonder what her classmates would think about the accuracy of the nickname they've given her, i.e., Miss Match, if they knew the discrepancy between what she promises and what she actually does.

Susan Hughes has dazzled this reader with the breadth of her writing. I have reviewed her picture books (e.g., What Happens Next), her middle-grade novels (e.g., Four Seasons of Patrick), her YA (e.g., Virginia), and her non-fiction (e.g., Off to Class: Incredible and Unusual Schools Around the World). Each time, Susan Hughes writes with sensitivity and understanding. In Miss Match, she reminds us that everyone comes up with ideas some time, and some of them will be fantastic and some will be ludicrous. How we deal with our successes or our failures will speak more to our natures and strengths than the accolades or the judgements. Susan Hughes knows this and ensures that Polly comes across as a real person, who actually has a great idea but can't always deliver on it because she is shy, she is nervous about being judged, and she is young. Fortunately, she hangs around with a great bunch of people whose understanding of what it's like to be 13 is evident. They don't just forgive, they empathize.

 

While Miss Match is part of the Orca Currents series of high-interest novels for middle-grade students reading below grade level (reading level here is 2.8), Susan Hughes does not take short-cuts by giving readers a simple plot with little substance. She packs in issues of dishonesty, first crushes, inclusion–her friends are diverse in their abilities and disabilities, in their nationalities, and even in their gender-loving nature—and more. She tells the story with sensitivity and understanding but gives readers an ending that is satisfying without being contrived. Perhaps after celebrating a few more birthdays and with a little more experience, Miss Match could see herself in business again, providing a valuable service and growing her entrepreneur skills, one match at a time.

The Club

Written by Eric Walters

DCB

978-1-77086-734-5

264 pp

Ages 9–12

March 2, 2024

 

It's the start of their Grade 8 year, and Jaxson and best friend Logan are looking forward to making their final year in middle school an epic one. While Logan is all about basketball, Jaxson is driven by playing his trumpet. But then a new girl, Liv Parker, joins their school. Though Jaxson sort of kind of has a girlfriend, Samantha, Liv is an extraordinary trumpet player, and she and Jax are thrown together, in a good way.

When the music teacher, Ms. Hooper, auditions the students for the senior band, she knows that Liv and Jax are going to be the stars of the band and hopefully take them to the city championship, finally. In fact, she wants them to play a duet for the first school assembly just days away. To prepare, the two have to meet after hours at each other's homes. Though their households are very different, with Liv and her mom Jenn, a cybersecurity expert, living in an immaculate big house with a grand piano, Jax and his mom Ali, an artist and art history prof, live in a cluttered house filled with colour and stuff. Still, the two teens find they have a lot in common, including their music, love of sushi, and ways of thinking. Moreover, when asked about their dads, they both acknowledge that subject as "complicated." 

But soon things get even more complicated for both of them. When Samantha learns how much time Jax is spending with the new girl, she feels threatened and he can't convince her that they're only friends. Still, with all their rehearsing for assemblies and solos, Jax and Liv are spending more time at each other's houses, and by chance, their moms are becoming friends. But with that friendship, personal details are shared, and Jenn and Ali begin to wonder whether the kids share more than just a virtuosity with the trumpet.

 

The theme of family is a common one in contemporary stories, with families that were once deemed traditional now being seen as just one of a myriad of forms that families can take. Whether a family has a mom and dad like Logan's, or is a single-parent household like Jax's or Liv's, or like those reconfigured through divorce or loss, a family is a family is a family, and Eric Walters recognizes that families come in all shapes and sizes and are all natural. What makes them families is the love and respect that is given and received within that construct. And regardless of how that family was created, whether through sperm donation, a heterosexual marriage, adoption, or one of countless other ways people enter others' lives, it is valid and valuable if family members choose for it to be so. (Thankfully the kids' moms give them some choice about whether to explore their paternal heritage and never compel them to embrace DNA as the ultimate basis for family.) 

Blood makes you related but it doesn't make you family. (p. 176)

Fortunately for Jax and Liv they would probably always have become family, regardless of their DNA. Just as Logan and Jax always considered themselves brothers, Liv and Jax were already simpatico because of their love of the trumpet and music. The DNA just made their relationship official and genetically solid.

 

Eric Walters's Afterword tells the reader that the story of The Club was inspired by a true story of half-siblings discovering each other through their DNA. Their story, like that of Jax and Liv, was one of positive connection. For the kids in The Club, there is no conflict or expectation that they must embrace strangers as family. For those two kids, it happens organically. But without the support of their core family, related or not, neither teen would've been secure enough to welcome others in and put themselves out as they become part of a larger club.

The story of The Club could be happening anywhere in the world. The circumstances are not uncommon, and with access to DNA and ancestral records, it's becoming more frequent that genetic relatives are being linked. But Eric Walters makes this less about the process and more about the outcomes and what they mean for these kids. Their worlds have changed and in a good way. I do wonder about those circumstances for which "new" family connections may not be positive or welcome but that would be another story. In The Club, Eric Walters gives us a story of being a family, discovering family, and making family. For Jax and Liv, they are able to strengthen what is already there with those who were previously unrecognized and make for a new type of familial association.

Night of the Living Zed

Written by Basil Sylvester and Kevin Sylvester

HarperCollins Canada

978-1-4434-6920-3 

256 pp.

Ages 8–12

January 16 2024

 

Sure, everyone gets ready for Christmas. There's the tree decorating, the shopping, the baking. But what about the "super-duper-stupendousest of all holidays" (p. 3): Halloween! Zed Watson, star of Basil Sylvester and Kevin Sylvester's highly-acclaimed first collaboration The Fabulous Zed Watson! (2021) is all about Halloween, so it's going to be a shame if they miss it because they're heading out of town with best friend Gabe to solve the mystery of Glyndebourne Manor, the house once owned by the rich and famous opera costume and set designer, Charlotte Scherrer. But it's all in support of a good cause: getting a reward that could help elevate the upcoming nuptials of Gabe's sister Sam and partner Jo.

So, determined to spend the required 3 days and 2 nights in the supposedly-haunted house and search for Charlotte's treasure, Zed and Gabe set off on October 29, hopeful of solving the mystery before Halloween. Well, Zed is convinced of it. Gabe is less sure about it, but the operatic flavour of decorations in Charlotte's century-old, 4-storey house gets him interested. Things become more complicated when the rules state that they must move from room to room but never exiting through the door they entered. Only by solving complicated clues related to Charlotte's life and memorabilia do Zed and Gabe have any chance of making it through this challenge. Of course, there's also the ghosts and copious booby traps to trick them, so solving the mystery is a lot less obvious than finding a pile of gold.

 

With humour and compassion, the two friends, face each challenge head on. They carefully scrutinize curious rooms filled with opera collectibles, they construct maquettes, they read personal journal entries, and they piece together Charlotte's life to help them uncover hidden means of egress. But, as long as the ghosts don't impede their progress and they don't runaway, they've got a good chance to find...something?

Night of the Living Zed has all the colour of Basil Sylvester and Kevin Sylvester's first book, The Fabulous Zed Watson!, but it's a fresh new mystery with a different set of characters. Readers will be pleased to visit again with the quirky Zed and Gabe, a pair of young friends with strong but different personalities.  There's non-binary Zed who approaches life at break-neck speed, enthusiastic about vampires and ghosts, eager to interact with the supernatural, and lover of all things Halloween. Gabe is less forward, but still fascinated by and knowledgeable about opera and plants, and loves playing the piano and wearing multi-pocketed clothes. And he's a little ghost-shy. In addition to a host of regulars, like Ph. D. candidates Sam and Jo, and a plethora of named inanimate objects–there's Sam's vehicle Carssandra, Zed's stuffed jackalope Aloysius, and their pumpkin nightlight Willoughby–readers meet Bertie and Hyacinth who are Charlotte's relatives, and a pair of treasure seekers called Soraya and Dean (often called Dan by Bertie).

The characters are wacky and the dialogue between them is priceless. It's this humour, including their gaffes that take Night of the Living Zed from mystery to a romping good time. From doing their Halloween-O-ween inspection–and learning Mrs. Gianelli is upgrading from licorice sticks to candy bars–or Gabe explaining to Zed that "i.e." is Latin for "Id est" and they answer, "You dest? What's a 'dest'?" (p. 80), there's a rich but underlying humour that will make readers smile and laugh out loud. And then there's the mystery. It is not easily solved, neither by Zed and Gabe nor the readers, so we have to hang in through all the ups and downs, and twists and turns, to get our "Aha!" moment.

I know it's a long way off until Halloween–maybe we can look at January as pre-pre-pre-Halloween-O-ween–but a mystery is a great read anytime, and Night of the Living Zed is a great one. With their open heart and enthusiasm for life and for exploring the unknown, Zed can take us and Gabe along on any new adventure they want, ghosts or no ghosts.

 

 • • • • • •

 

The Fabulous Zed Watson (2021)

Night of the Living Zed (2024)

 

Standing on Neptune

Written by Valerie Sherrard

DCB

978-1-77086-687-4

160 pp.

Ages 13+

April 2023

Brooke Wells's story begins with an important line:

…this is about what happened (pg. 1)

But the seventeen-year-old explains that it’s only a moment in her story, not her whole story. It's less than a week, in fact, but a monumental one of a secret, hidden beneath the facade of being a daughter, a sister, a girlfriend, a friend and a classmate. It's a moment and one that may, or may not, change her life.

 

x + y = -5 is the equation Brooke envisions for her situation on the Monday of her story. What this means is she and her boyfriend Ryan had sex and now her period is five days late. Standing in Neptune is primarily her story, told in free verse, as she comes to terms with what it means, who to tell, and what to do. While she grapples with the shock and enormity of the possibility of a pregnancy, Brooke is almost frozen in place, telling only Ryan and only in the briefest of terms. She sees his panic, his anger, his fear, and even hope, and, instead of supporting each other, Brooke becomes more aloof and distant. 

Her bestie Emma knows something is up, but Brooke lies, worried that Emma may let her secret slip. Brooke's nine-year-old brother Kevin can also see that she is distracted, but she denies it and lies to him as well. Her thoughts are her only support, though she finds a convenient distraction in a science project on Neptune. As she learns about the frozen planet, she finds parallels to her own situation, like how it was detected mathematically and what is visible and not visible.

Our shared truth, I suspect, is that

it too has secrets, hidden beneath

what can be seen.      (pg.79)

Like Neptune, with so much more to it than the obvious, Brooke is more than her relationships with others. She is more than Ryan's girlfriend or Emma's friend. She is holding in a secret that might impact her whole life. Or will it? The frozen blue planet of Neptune with its orbiting moons is easily recognizable but, like Brooke, there is much beneath the surface that is unknown. And, until she knows the truth, i.e., is she pregnant or not, she is frozen with inaction, with hesitancy to share, and projecting a facade that all is normal.

Perhaps I am simply frozen in place, afraid of

facing things, of

getting it wrong.      (pg. 99)

Novels in free verse are one of my favourite genres, packing so much emotion and storytelling in few but well-chosen words, structured for meaning. Valerie Sherrard, whose earlier novel in verse Counting Back from Nine (2013) was nominated for a Governor General's Literature Award for children's text, knows how to use the genre to tell gripping stories. She takes us into the thoughts of teens as they contend with issues of teen pregnancy, shaky friendships, blended families, insecurities, and self-awareness. There's a lot going on in Brooke's head, more than she reveals to others, and Valerie Sherrard lets us hear Brooke's thoughts. Though Ryan's point of view is occasionally shared in excerpts of prose, it is Brooke we hear. It's her perspective that is paramount in Standing on Neptune. Whether she is pregnant or not, or right or wrong in her choices is irrelevant. They are hers. And as she studies Neptune and sees herself as a lone planet with moons that orbit her, perhaps someday being torn apart by her gravitational force, Brooke still knows she's part of something far greater.

Denial

Written by Lorna Schultz Nicholson

Lorimer

978-1-4594-1671-0

176 pp.

Ages 14-18

RL 2.7

February 2022

 

When September started, seventeen-year-old Nova's senior year was looking pretty good. She was excelling at her school work and already had early acceptance to U of T for science, as a precursor to med school. She was part of their high school's power couple, having dated star swimmer Leo for the past 5 months. She had a regular gig tutoring students and she was on the swim team too. But Denial begins the following May with Nova covered in blood and worried about what she'd done. Evidently, life wasn't as perfect as Nova had thought.

Though he's not pressuring her to have sex, Leo makes it clear that's what he's interested in. Fortunately, Nova wants her first time to be perfect and to ensure she gets on the pill first, having heeded her mother's own experiences with a teen pregnancy that resulted in Nova's half-brother Brad, currently living in Thailand after dropping out of university. But, while she's anxious and excited at the prospect of losing her virginity to the guy she loves, Nova is also considering it in the context of quitting the swim team–she's probably the weakest on it–and of leaving Leo exposed to the machinations of the star female swimmer, Jada, who seems to be trying to drive a wedge between Nova and Leo.

But that perfect senior year with the love of her life slowly seems to become something else. Battling tension within the family, between her parents who've had to restructure their lives after Dad lost his job and between her parents and Brad after he ditched university, and with her jealousy of Jada and Leo's increasing unavailability as he tries out for the national team, Nova is finding it hard to cope. And, with Lorna Schultz Nicholson peppering the chapters that document the school year with the glimpses into the May fiasco that may result in a death, Denial becomes a heavy but relatable story of first loves and school stresses with a touch of family drama.

Being in denial is an easy attitude. It's sticking with the status quo, the familiar, even if the familiar is unhealthy, suspicious, or jeopardous. And there's a lot of denial in Denial. (Duh.) But, as easy as denial can be, it is also a powerful force. It makes you see things you don't and ignore things that are evident to everyone. So when you're a teen and don't have decades of life experience to inform you, denial is really easy and Lorna Schultz Nicholson gets that. While she is well-known for her stories rich in sports (e.g., rowing in When You Least Expect It and hockey in Taking the Ice), it's her finesse in addressing issues important to teens that has always impressed me. Whether it's trauma or disabilities, peer pressure or teen sex, Lorna Schultz Nicholson knows how to write about the angst of being a teen and balancing friends, family, school and love. She allows teens to be human and make mistakes, even huge mistakes based in denial, but also to recover from them and move forward. And when you're a teen and everything is monumental and seems life-ending, Lorna Schultz Nicholson gives you hope that life-changing is the norm and can be transformative rather than ruinous.

I'm Good and Other Lies

Written by Bev Katz Rosenbaum

DCB

978-1-77086-632-4

211 pp.

Ages 13+

September 2021 

 

It doesn't take long for me to start feeling a constant pit of dread in my stomach. The future... (pg. 108) 

 

Seventeen-year-old Kelsey Kendler has every right to be anxious about her life. If the recent past is any indication, things are not heading in the right direction. And the COVID-19 pandemic hasn't even hit yet. There will be lots more to set her off kilter and how she manages is only partly up to her. Parents, friends, school, work and social media will all have a hand in taking her down or bringing her up.

Kelsey and her parents Hannah and Mark have just moved from fashionable and wealthy Rosedale to transitional Parkdale because of Kelsey's celebrity comedian mom's fall from grace. Perennially stoned, drunk or abusing her pain meds, Hannah Kendler, a former participant on "Those Crazy Comics" TV show, is now unemployable and a raging, confused mess. Sadly, Kelsey's dad is less than helpful, either arguing with his wife or avoiding the household altogether. Not surprisingly, Kelsey vows to make some meaningful connections outside of their rat-infested house. There's Molly, a classmate whose perfect family doesn't prepare her for meeting the out-of-control Hannah, and crush Luca, which whom Kelsey begins a textlashionship. But, best of all, Kelsey gets a part-time job at an ice-cream place called Soft Spot. There she meets Chelsea, Veer, Quinn, Ruby, and Lee in addition to Kira, the owner's stoned niece and ineffective manager. Except for the rats in the house, her sleep paralysis that turns her nights into terrors, her warring and oblivious parents, and missing her only friend from before, Makayla, now in LA, things are stable. Then the pandemic hits.

They'd all been hearing about the virus. Makayla's mom, an actress, gets sick, as do others on her film set, and Kelsey worries that her mom's coughing could be it too. But when school is cancelled after spring break and then returns in some mishmash of independent learning and then virtual lessons, and Soft Spot is closed, and she's stuck at home with her worthless parents, Kelsey is left untethered. She may be saying she's fine but dealing with a tenuous support system and mental health during the trauma of a pandemic with lockdowns is just a lie.

We all know how difficult living through this pandemic has been but it's more than just difficult for some. For a teen, when life is in flux as they transition from dependence to independence, it's even more challenging. And for someone like Kelsey, whose home life is painful, she has no respite from the stress. Couple that with sleep paralysis that pervades her nights, this girl has trauma upon trauma with which to deal. I'm surprised she's as sane as she is. Maybe that's the hope that Bev Katz Rosenbaum has written into her story, reassuring her readers that as crappy as things are, there are glimmers of normalcy and even brightness that can help pull you through and out. Whether it's a socially-distanced get-together, texting with a new friend, connecting with a psychologist or being honest about what you're going through, there is hope even while "learning to accept uncertainty" (pg. 182). I'm Good and Other Lies is a powerfully authentic account of a teen living with a multitude of challenges, both before and during the COVID-19 pandemic. Sometimes Kelsey accepts the challenge and puts it down and sometimes she buckles, but it is always real and enlightening. With I'm Good and Other Lies, Bev Katz Rosenbaum has told us a story of not being fine but finding a way to make it so.

• • • • • • •

If you would like to hear author Bev Katz Rosenbaum talk about I'm Good and Other Lies, register for Future Shock (and Future Hope), a webinar with authors Wesley King and Eric Walters.

Date:  Wednesday, December 8, 2021

Time:  11 AM-12 PM, 1-2 PM

Registration costs:  School ($150), Class ($65), Home ($10)

Details:  https://www.storyninjawritingclasses.com/special-events

When You Get the Chance

Written by Tom Ryan and Robin Stevenson
Running Press Teens
978-0-7624-9500-9
272 pp.
Ages 12+
May 2021

 

(n.b. This review was originally posted in May 2020 but because the release was delayed until this month, I have reposted it here to ensure everyone knows about it.)

 

Teens Talia and Mark may think that their destiny is to attend Toronto Pride when they and their families visit Ontario for a funeral but, though they get there, their stories in When You Get the Chance are all about the journey.

When Talia and her dad Gary come from Victoria and meet up with his sister Janet and two kids, Mark and 10-year-old Paige, who live in Halifax, the atmosphere is cool. Though Gary and Janet are attending their father's funeral and trying to help their mother through the loss, their long-term estrangement causes great friction, especially about the family cottage in Muskoka which Gary thinks should be sold and Janet hopes to visit with her kids. Grandma insists they all go up there and spend a week together before a decision is made.

But, when Grandma has a fall and the adults rush back to Toronto, leaving the kids to fend for themselves–grant you, Talia and Mark are in their late teens–the summer becomes a whole lot more interesting. Paige is determined to discover what lead to her mom's estrangement from her brother so, while she and Talia clean and sort, she speculates and puts clues together. Mark, on the other hand, is smitten with local boy Darren who has come around to help fix a 1970 Ford Mustang discovered in a shed. Mark, unfortunately, is all about Mark and, after he learns what Darren is really like, he decides to head to Toronto for Pride. Talia, whose partner Erin had recently moved to Toronto, is desperate to see them (Erin is non-binary and uses they/them/their pronouns), insists Mark take his cousin and, of course, Paige must come along too.

However, when the old Mustang breaks down, their trip looks like it's ended early. But, after meeting diner owner Shirley Jr. and her mechanic partner Babs who offer to take the kids to Toronto themselves, it's a new journey for Mark and Talia in resolving past relationships, meeting new people, experiencing their first Toronto Pride, and discovering who they are and what they need.

For anyone who doesn't know where they fit in, When You Get the Chance provides the promise that somewhere there is such a place for all. While Mark is confident in being out as gay, Talia has come from a small community where she and partner Erin depended on each other for support. But when Erin leaves for the big city and finds a new community, Talia has to balance what she needed then with what she wants now. Fortunately, with much soul-searching and some heartbreak, Talia finds her way.

These are my people, this is my community. I may not know how I identify or whatever, but I'm pretty sure that whatever I am, there's a place for me under this great big queer rainbow. (pg. 177)

Writers Tom Ryan and Robin Stevenson have given us a road trip story with a twist in When You Get the Chance. By writing in the alternate voices of Mark and Talia who are from different coasts and have different experiences with their sexuality, Tom Ryan and Robin Stevenson present distinct and valid perspectives on being gay or queer or however a young person may identify. By including a myriad of communities from young and old, to gay, straight, non-binary and even polyamorous, they have demonstrated that everyone belongs and sometimes all it takes is one chance and a trip in a vintage yellow Mustang to find one's self, one's voice and community.

Treaty Words: For As Long As the Rivers Flow

Written by Aimée Craft

Illustrated by Luke Swinson

Annick Press

978-1-77321-496-2

60 pp.

Ages 10+

March 2021

At a size of 17 cm x 12 cm (6.75" x 4.75"), Treaty Words: For As Long As the Rivers Flow is a small book. But its small size belies the depth of lesson and sharing about relationships with the land and water that Indigenous Peoples have and what a treaty really means.

From Treaty Words: For As Long As the Rivers Flow by Aimée Craft, illus. by Luke Swinson

A girl and her Mishomis (grandfather) sit by the kitchi sipi (great river), where he'd lived all his life, on the land, in the bush and on the river. Though she'd grown up in the city, she has always considered the land home. This is where he'd taught her to listen to the land and remind her of her responsibilities to it and the water and to their stories.

From Treaty Words: For As Long As the Rivers Flow by Aimée Craft, illus. by Luke Swinson

He tells her of the original treaty, with their grandfather sun and grandmother moon working with mother, the earth, to create life. The agreement to work together, known as aagooiidiwim for the Anishinaabe, is the basis for collaborations with all nations, whether deer, human or other, to ensure respect and find solutions to always honour the treaty.

From Treaty Words: For As Long As the Rivers Flow by Aimée Craft, illus. by Luke Swinson

We were given the ability to learn from our relatives on this earth about their treaty relationships and through what we call natural law, or earth's law. (pg. 50)

As I read Aimée Craft's words, I wanted to make sure that I fully respected their profound meaning, evocative of culture and history, and ever enduring. An Anishinaabe-Métis lawyer and professor from Treaty 1 in Manitoba, Aimée Craft crafts her words from a place of understanding, both of people and place and time, taking the lessons from her elders and seeing their place in making treaties then and now. The magnitude of treaty words is never in question.

This is why the Treaty is for as long as the sun shines, the grass grows, and the river flows. (pg. 23)

The reverence of Treaty Words: For As Long As Rivers Flow comes through in Aimée Craft's words, resonant and weighty, steadfast and dynamic. Luke Swinson, an Anishinaabe illustrator who is a member of the Mississaugas of Scugog Island First Nation, could have attempted to match that weightiness with complex and detailed artwork but he chose better. His lines create the necessary movement, from and to place and time, to carry the same messages. Digitally created to reflect and honour the natural environment of water, land and sky, Luke Swinson takes us to the place in which treaties were and are made and demand awe and deference. 

Don't let the small size of Treaty Words: For As Long As the Rivers Flow mislead you into believing this book is anything but very, very big and important. Its lessons that relationships are the basis for making treaties are everything and should help us all understand how to ensure those relationships are sound, fair and lasting.

When You Get the Chance

Written by Tom Ryan and Robin Stevenson

Running Press Teens

978-0-7624-9500-9

272 pp.

Ages 12+

May 2021
(n.b. The original release date was May 2020 but I have been informed by author Robin Stevenson that the date has been changed to May 2021)

Teens Talia and Mark may think that their destiny is to attend Toronto Pride when they and their families visit Ontario for a funeral but, though they get there, their stories in When You Get the Chance are all about the journey.

When Talia and her dad Gary come from Victoria and meet up with his sister Janet and two kids, Mark and 10-year-old Paige, who live in Halifax, the atmosphere is cool. Though Gary and Janet are attending their father's funeral and trying to help their mother through the loss, their long-term estrangement causes great friction, especially about the family cottage in Muskoka which Gary thinks should be sold and Janet hopes to visit with her kids. Grandma insists they all go up there together and spend a week before a decision will be made.

But, when Grandma has a fall and the adults rush back to Toronto, leaving the kids to fend for themselves–grant you, Talia and Mark are in their late teens–the summer becomes a whole lot more interesting. Paige is determined to discover what lead to her mom's estrangement from her brother so, while she and Talia clean and sort, she speculates and puts clues together. Mark, on the other hand, is smitten with local boy Darren who has come around to help fix a 1970 Ford Mustang discovered in a shed. Mark, unfortunately, is all about Mark and, after he learns what Darren is really like, he decides to head to Toronto for Pride. Talia, whose partner Erin had recently moved to Toronto, is desperate to see them (Erin is non-binary and uses they/them/their pronouns), insists Mark take his cousin and, of course, Paige must come along too.

However, when the old Mustang breaks down, their trip looks like it's ended early. But, after meeting diner owner Shirley Jr. and her mechanic partner Babs who offer to take the kids to Toronto themselves, it's a new journey for Mark and Talia in resolving past relationships, meeting new people, experiencing their first Toronto Pride, and discovering who they are and what they need.

For anyone who doesn't know where they fit in, When You Get the Chance provides the promise that somewhere there is such a place for all. While Mark is confident in being out as gay, Talia has come from a small community where she and partner Erin depended on each other for support. But when Erin leaves for the big city and finds a new community, Talia has to balance what she needed then with what she wants now. Fortunately, with much soul-searching and some heartbreak, Talia finds her way.

These are my people, this is my community. I may not know how I identify or whatever, but I'm pretty sure that whatever I am, there's a place for me under this great big queer rainbow. (pg. 177)

Writers Tom Ryan and Robin Stevenson have given us a road trip story with a twist in When You Get the Chance. By writing in the alternate voices of Mark and Talia who are from different coasts and have different experiences with their sexuality, Tom Ryan and Robin Stevenson present distinct and valid perspectives on being gay or queer or however a young person may identify. By including a myriad of communities from young and old, to gay, straight, non-binary and even polyamorous, they have demonstrated that everyone belongs and sometimes all it takes is one chance and a trip in a vintage yellow Mustang to find one's self, one's voice and community.

You Owe Me a Murder

Written by Eileen Cook

Houghton Mifflin Harcourt

978-1-328-51902-3

359 pp.

Ages 13+

March 2019

Travel provides opportunities for new experiences, for meeting new people, and for personal growth.  But for seventeen-year-old Kim, her summer trip to London with Student Scholars for Change seems doomed from the beginning. Not only is she no longer in a relationship with Connor for whom she'd initially signed up for the trip, he is travelling with new girlfriend Miriam, and Kim has to watch it all from the sidelines of their small group of eight Vancouver high schoolers. But after meeting English girl Nicki, who challenges her to steal a bottle of duty-free vodka and lets her vent about Connor all the way to London, Kim is ready to find "a new me" (pg. 41), one that could be daring and isn't a quitter.

Being good at something doesn't mean that it isn't hard or scary–it just means that you keep moving forward when other people quit. (pg.25)

But in that vodka-infused venting session, Kim prepares a list titled "WHY I HATE CONNOR O'REILLY AND WHY HE DESERVES TO DIE" and Nicki suggests that she will kill Connor and Kim could kill Nicki's mom whose alcoholism is making her life miserable. Of course, Kim barely remembers their laughable discussion until Connor is killed in a Tube station and she gets a message that reads "You're welcome" along with the news story about his death.

Panicking, Kim doesn't know to whom she can turn. Worse still, the police begin investigating and Kim realizes her silence about her relationship with Connor is going to make her look suspicious. Worst of all, Nicki still has the incriminating document and is using it to blackmail Kim into murdering her mother.

So while sightseeing in London and relishing a budding romance, Kim tries to evade a drunken commitment to homicide, investigate the mysterious Nicki, and keep herself and others safe from a girl who purports to be owed a murder.

I would call You Owe Me a Murder a roller-coaster except that ride suggests highs and lows and twists and turns and this young adult novel has no lows. From start to finish, it's more like a high-wire act: tense, dangerous, and unrelenting. With Eileen Cook's exceptional plotting, You Owe Me a Murder becomes a magnificent melding of relationship angst with psychological thriller. It's a waiting game for the reader who is compelled to read through to learn whether Kim will go with through the murder pact or become victim to Nicki's vengeance. With characters like Kim and Nicki, and even secondary ones like Connor, Miriam and Alex, You Owe Me a Murder becomes a complex study in human behaviour as young people fall in and out of love or lust, seek revenge and fulfilment, and try to discover who they really are and what they are capable of being and doing.

Like Hitchcock's movie Strangers on a Train, Eileen Cook's You Owe Me a Murder demonstrates that meeting the right or wrong person can turn your life upside-down, and finding the way to right things may require courage and recognition that the truth hides in the details. (pg. 324)

The Moon Watched It All

Written by Shelley A. Leedahl

Illustrated by Aino Anto

Red Deer Press

978-0-88995-537-0

32 pp.

Ages 5-9

February 2019

The moon may watch over all of us, sometimes only shining light or hiding in the dark, but, like a watchful deity, it is omnipresent, guiding with a subtle beacon for those seeking direction.

An orphaned boy with only vague memories of a woman's voice and a gentle hand survives alone seeking food and clothing wherever and living in the forest. Elsewhere a woman known as Miranda lives in her home near the woods, rocking and talking to the moon.

She praised it, like she once prized her children, in a time before a time that was then.

From The Moon Watched It All by Shelley A. Leedahl, illus. by Aino Anto

After a man brutally chases the boy away–"Get you, Boy"–he runs far away, finding shelter in a chicken coop and food in an adjacent garden. The moon whispers to Miranda of the boy in the garden but it is not until she is ready to invite him inside for better food and shelter that the two become true companions, finding a way to be themselves with each other.

The Moon Watched It All may be marketed for ages five to nine but I think it is an allegory of such depth that it can and should be read beyond those ages. At its foundation, it is a story of an orphan boy, scorned and rejected, who finds a home with a woman alone who talks to the moon. But, in each, they find the family that they have lost.

From The Moon Watched It All by Shelley A. Leedahl, illus. by Aino Anto

Shelley A. Leedahl's intense story may be in prose form but its intensity parallels that of poetry, steeped in the melancholy of Miranda ...

Her face in the moon's unwavering spotlight. She was a lake unruffled, the coal fire's glow. 

... and the isolation and trepidation of the boy.

Night came calling, and he thought of boots, of heels, and the finger-quick hands. He thought of the children with sticks, and villagers who possessed the power to look right through him. The boy held out his own hand, and could not keep it steady.

From The Moon Watched It All by Shelley A. Leedahl, illus. by Aino Anto

There is a stillness of person and place that seeps into the story which is far more extensive in text and lyricism than in books typically for the very young. As such it has a strength of message that is both serene and profound. It bears being read over and over to capture the importance of the text and its voice of solemnity and grace.  I don't know if that comes from Shelley A. Leedahl's skill as a poet but her words lull and inspire and tug and reassure.

The same goes for Aino Anto's illustrations that take the readers through the forest and beneath the moon, watching and waiting as the boy and the woman do. This is Aino Anto's first picture book and her paintings evoke such emotion without indignation at what are sad circumstances for both the boy, whose identity is only that of Boy, and for Miranda, who endures the passage of time rather than biding it for hope. Or that was the situation until they make a family of their own.

I wept for a mother alone and forgotten and a boy ignored and abused. Each alone in their own ways, one speaking to the moon and one living outside in its light. And the moon watched it all as the two come together, as a waxing moon, growing into something important.

How Samantha Smart Became a Revolutionary

Written by Dawn Green

Red Deer Press

978-0-88995-549-3

312 pp.

Ages 13-17

September 2017

The title How Samantha Smart Became a Revolutionary may sound tongue-in-cheek, but there's nothing whimsical about Dawn Green's newest young adult novel.  It's a serious look at how easily a world can go wrong because of the vision of its leaders and how a relative moderate can become a poster child for a resistance movement.

Told in alternating chapters of "Then" and "Now", How Samantha Smart Became a Revolutionary follows the story of teen Sam Smart who begins university, determined not to be distracted from her studies or soccer, and meets a guy named Brady Smith–that's the "Then"– and who is apprehended as a rebel leader of the Wright Resistance–that's the "Now."  "Then" was a time of political fervour as the election for the country's president pitted charismatic John King against more socially responsive Richard Wright.  Though light on platforms, King wins on a smear campaign and begins rampant changes to address significant issues of food, water and energy shortages, pandemics and terrorist attacks.  Sadly he also institutes a new King's Guard ostensibly to serve the community but which, under the leadership of King's key advisor, General Marcus O'Brien, joins with the police and the military and becomes a force to be feared.  Sam may want to keep out of these matters, especially as Brady's family is so pro-King and Brady is determined to appease his father, but Kayla, Sam's roommate and best friend, is an ardent support of Wright and encourages Sam to join her at protests and rallies.  

Sam, I want you to remember this––you can let the moments define you, or you can define the moments. (pg. 115)

The world is changing around Sam and she doesn't like what she sees in King's treatment of immigrants, restrictions, and favouritism for the Guard and allies.  Though it is starting to impact her life–a scholarship lost, Brady joining the Guard, TA friend Aaron heading west to work with Wright's Equality Organization–it's not until she and Kayla, who is being sought out after an incident at a peaceful protest turned ugly because of the Guard, attend a football game where shots are fired and bombs go off that Sam is seen as the face of the Resistance and a rebel by King and his Guard.

See, that's what's wrong with this society.  Giving hero status to a girl they don't even know, based on an inflated image with some catchy hashtag underneath. (pg. 158)

Although Sam has come from a difficult background and is fairly opinionated, courtesy of her grandpa, she does not throw herself into the Resistance like Kayla or speak out against Brady's indoctrination into the King politico machine.  Even a photo taken of her at the O2 attack at the stadium is not indicative of her leanings, only her concern for her friend and compassion for others.  That's when it all changes because it's what others see in her that determines her fate.  And yet, she's still the girl in love with Brady Smith.  How Sam, and ultimately Brady, resolve their relationship with their beliefs and their actions, is not straightforward.

Dawn Green, author of When Kacey Left (Red Deer Press, 2015), packs a lot of story into How Samantha Smart Became a Revolutionary and she tells it with daring. There is a love story, a message about absolute power, about action and inaction in the face of injustice, and how everything can change in a moment and put your life on an unexpected path.  It's also a statement about media and how the powerful may attempt to manipulate it but how others may find ways for the truth to be revealed. In our troubled times, How Samantha Smart Became a Revolutionary is a very telling tale of how things can go horribly wrong with those seeking absolute power.  Though Dawn Green doesn't give us a happy ending, she gives us hope that the story will continue. Sometimes that's even better.

Road Signs That Say West

Written by Sylvia Gunnery
Pajama Press
978-1-77278-023-9
216 pp.
Ages 12+
May 2017

Three sisters. One road trip.  No regrets?

When their parents go off on their European holiday, 19-year-old Hanna convinces her sisters Megan, 17, and Claire, 15, to head west on a summer road trip from Nova Scotia to Vancouver.  But the Three Sisters' Road Trip, with multiple stops at roadside attractions, camping and hostelling and the meeting of new friends, becomes more of an unloading of secret baggage and a clash of personalities than a sisterly bonding experience.

From their photo at the statue of Glooscap, to Montreal where their clubbing leads to Megan's hospital visit and her wrist in a sling, Hanna directs, Claire worries and Megan remonstrates her sisters.  Meeting a group travelling from PEI, Hanna accepts an invitation to a wedding they're attending in North Bay.  Onto Marathon and the Terry Fox memorial, the girls pick up the hitchhiking teen named Bear with his beagle Jake and end up driving them all the way to Pinawa, Manitoba to the home of his aunt and uncle where he intends to help out since his cousin Lenny joined the armed forces.  Bear and Megan make a connection but around that swirls unrest with a man sexually harassing Hanna and the fears Bear's uncle has about his son's safety.

Manitoba leads to Saskatchewan and Alberta where they meet a flutist-busker named Charley who encourages Hanna in her song-writing as healing for Claire's grief before the three head to BC where their road trip takes a sudden turn from which the three sisters may or may not find their way back.

It's evident from the onset that Hanna and Claire have back stories that affect their current interactions with others and between the sisters, though there's a lot more story to how the three became who they are than is ever told.  Hanna had gone to university but had left mid-term to take on an au pair position in Italy from which her parents had to involve lawyers to extricate her safely.  Though involved in scandalous circumstances beyond her control, Hanna parcels out little bits about it to her sisters, and still manages to keep mum about that of which she is most ashamed or embarrassed.  Claire is dealing with the recent suicide of her boyfriend Matt's best friend and still coming to terms with what Caleb had done.  Worried about leaving Matt behind and trying to resolve Caleb's death in her own mind leads Claire to contemplate depression and her own grief.  Megan is given no back story, except for having given up a summer job and anticipating starting university and continuing with her swimming.  Sadly, she is continuously vilified by her bossy and self-centred older sister and complacent younger sister for her cautious, more rational approach.  And, even though Sylvia Gunnery has written Road Signs That Say West from third-person omniscient point of view, critical commentary about Megan, the "grouchy complainer" (pg. 128) skews the narration for me.

The road trip scenario is an irresistible plot line, forcing the three sisters to interact (haven't we all been trapped in cars with those we may or may not like?) while they experience life and meet new people of all backgrounds and take in the diversity of places that make up Canada.  Roads Signs That Say West could be a travel commentary of places east to west (I found myself looking up information about Glooscap, Weyburn, and more) but it's really a story of family, a real family, of siblings with secrets, weaknesses, strengths and ambitions that they may or may not share.  The baggage that the girls take with them is far greater than their back stories and drives them to behave in complex and justifiable ways.  Though I would have preferred if Megan had been developed more as a character and not delivered as a scapegoat, especially since middle children are more often cooperative team players than embittered sulkers, young adult readers will appreciate the three different personalities Sylvia Gunnery has created as well as her story which takes the three to new places in their relationships within a colourful national landscape.

Me (and) Me

Written by Alice Kuipers

HarperCollins Canada

9781443448826

288 pp.

Ages 14+

April 2017

Lark Hardy’s seventeenth birthday should’ve been a fun day, and it had begun that way, a first date with Alec Sandcross canoeing at Pike Lake.  But one moment changes everything.  As the teens are about to embark on some swimming, a cry from Suzanne Fields, the mother of five-year-old Annabelle whom Lark had babysat, draws their attention to the child face down in the water. Alec dives in but hits his head and starts going down.  And as Suzanne yells at Lark to do something, the teen hesitates, not knowing whom to save.  So begins a novel split in two voices, both Larks and both Lark’s.

The first Lark begins to describe the days after the near drowning in which Alec has been saved and Annabelle lays in a hospital bed in a coma. Alec and Lark’s new relationship is blossoming, and he begins to teach her how to do parkour, climbing, running and jumping across obstacles such as buildings and bridges. Becoming so entwined with the attentive and charismatic Alec, Lark starts blowing off best friend Lucy and bandmates Nifty, Reid and Iona to spend time with Alec.  When she starts getting weird messages on her phone about Alec not being saved, Lark is disconcerted but has no answers. But when she visits Annabelle in the hospital, and hallucinates that she’s drowning in water and then glimpses a girl who is but isn’t her, Lark starts to think she’s going crazy.

In an alternate voice and chapters, a second Lark, one who cuts her hair short and dyes it red, recounts those same days, but ones in which music exec Martin Fields and wife Suzanne are ever grateful to her for saving their young daughter while Alec’s family sits by his hospital bedside, contemplating turning off the machines that are keeping him alive.  Lark still harbours much anger about her mother’s passing and translates that anger into petty shoplifting of items she doesn’t even want.  But though this Lark is starting to connect with bandmate Reid, she too is baffled by freaky messages including those of a not-hospital bound Alec and an intimate relationship with him.

Lark, whether the long- and dark-haired one or she of the red hair, have similar circumstances: a musical mother who has passed; a dad with heart issues; best friend Lucy; a passion for writing songs; and playing with bandmates Reid, Iona and Nifty.  She is also starting to suspect she’s losing it, seeing things like imaginary water near drowning her and disappearing messages.

The linchpin for Lark becomes the lyrics her mother started penning before her death.

Perhaps you see it differently
You and me
It’s just a case of who tells the story
Perhaps you see it differently. (pg. 86)

Showering her intense text with astounding lyrics, Alice Kuipers  brings both Larks together to juxtapose the parallel lives they lead after the near drowning at the lake.  Confused by grief, fears and even guilt, both girls (or are they really two?) attempt to make sense of a world in which their own choices for actions have consequences that they wish they could undo.  They are two halves of the same whole, different but similar. They are Me (and) Me.  (There’s even a crazy moment when the two face off and shout, “Who even are you?” “Who the hell are you?”; pg. 240) It’s hard to say whether the two will come together equally, though Lark recognizes that,

I have to stitch myself back together.  I have to make myself whole. (pg. 270)

or whether Lark will become more of one than the other.  However, it’s clear that Alice Kuipers in her daring storytelling and almost maternal concern for her characters wants to help keep Lark together. Life is hard enough without questioning your decisions, especially those made under pressure, and when literally being torn apart by them.  I can’t tell you how it ends (you’ll see when you read Me (and) Me) but I can tell you that the story comes full circle, secured in its own way, though not tied up as you might expect.

Check back tomorrow for my Me (and) Me blog tour stop with a guest post by author Alice Kuipers.  Ever enlightening, Alice Kuipers speaks about why she writes YA.