Govern Like a Girl: The Women Who Became Canada's First Ministers

Written by Kate Graham

Second Story Press

978-1-77260-210-4

112 pp.

Ages 9-12

August 2021

Any book that focuses on the accomplishments of women in Canada needs to be applauded. There are already more than several that have highlighted women athletes, scientists and pioneers among others and several that celebrate individual achievements. But Govern Like a Girl is a bit different in that it honours political leaders who have reached premier or prime minister status in our country. Thirteen women across the provinces and territories have been recognized for their leadership and, while not every province is represented, Govern Like a Girl shows us the promise for greater equity in reaching influential government positions in Canada.

From Govern Like a Girl: The Women Who Became Canada's First Ministers by Kate Graham

After a brief introduction about government and voting, and the need for diversity at all levels of government but the paucity of women throughout, Kate Graham highlights thirteen incredible women who were able to rise to the top jobs in our governments. The women selected for this book are: 

• Premier Eva Aariak (NU);
• Premier Catherine Callbeck (PE);
• Premier Christy Clark (BC);
• Premier Caroline Cochrane (NT);
• Premier Nellie Cournoyea (NT);
• Premier Pat Duncan (YT);
• Premier Kathy Dunderdale (NL);
•  Premier Rita Johnston (BC);
• Premier Pauline Marois (QC);
• Premier Rachel Notley (AB);
• Premier Alison Redford (AB);
• Premier Kathleen Wynne (ON); and
  
• Prime Minister Kim Campbell.
  

For each leader, Kate Graham provides details about their personal life, including place of birth, parents and schooling, their employment history and their motivations for entering politics. Whether their trajectories for leadership began with careful steps up the ladder as school trustees or committee chairs, community involvement or advocacy, these women all chose to enter politics to enact change and to work for the people of their province or territory. In addition, the details of their elections and their defeats are recorded as is the work they were able to accomplish. But along with each exposé, Kate Graham gives readers a personal look at women who saw the opportunities lost to their female ancestors, or who endured discrimination because of the limitations some placed on their gender, and who were still able to move forward for change.

From Govern Like a Girl: The Women Who Became Canada's First Ministers by Kate Graham

Every story is different yet the same. They had support and they had opposition. They struggled to be seen as leaders and be effective fighters for their communities and counter those who perceived women as limited by their gender. But how their stories played out are all different. It's evident that there is not just one route to leadership, with many rocky and some longer than others. What matters most is the action.

These women have lots to say and I could quote each one, as Kate Graham does, to highlight their perspectives, from Catherine Callbeck who said that "the strength of a society rests on the willingness and ability of its citizens to share in the decisions which affect it" (pg. 14) to Nellie Cournoyea who spoke of "an evolutionary need to do something about something" (pg. 32) and Christy Clark who addressed opportunities by saying that,

"My view of life is that opportunities are raining down around us all the time. Some people have fewer opportunities , as their circumstances haven't put them in a particularly rainy spot–but, opportunities are always there. Look around, figure out what opportunities are there, and choose which ones to grab." (pg. 22)

With each, Kate Graham has given young readers role models of civic duty and reinforced the idea that governing like a girl is a compliment. 

A Funny Sort of Minister

Written by Dominique Demers

Illustrated by Tony Ross

Translated by Sander Berg

Alma Books

978-1-84688-456-6

96 pp.

Ages 7-11

January 2020 

The unconventional and spirited woman of Dominique Demers's The Adventures of Miss Charlotte has returned and this time she's accidentally delving into politics (hence the ministerial role in the title).

Miss Charlotte is heading by train to see her friends in Saint-Anatole when she accidentally grabs the bag of the Prime Minister, Roger Rarejoy. When she goes to the address with which it is labelled, she is sent away as a crazy lady (she doesn't just tell them outright she has his bag). But the prime minister's son, Gustave-Aurèle, wants to help her find his father and make his father proud, something the boy never feels he has accomplished, no matter how hard he works.  So together Miss Charlotte and Gustave-Aurèle follow the prime minister's schedule, hoping to catch up with him.

But, when the two unlikely companions end up at a car factory and learn the prime minister has not arrived to the impatient crowd, Miss Charlotte takes it upon herself to act as his representative, unveiling a new car and renaming it GA-GA after Gustave-Aurèle. She delights everyone with her lively presentation that includes a song and dance and has them heralding her as the new kind of politician. That is, everyone except the prime minister and his entourage who start to believe that Gustave-Aurèle has been kidnapped by the woman who incidentally reminds the PM of happy times with his own Auntie Josephine.

The hilarity continues with Miss Charlotte and Gustave-Aurèle seeking to get the important papers to the prime minister, particularly those that set out a new policy for education that requires more and more time in school and none for play, with the two parties ultimately converging to a charming reunion between father and son and the realization that play is an important part of learning.

Dominique Demers's original French-language series has charmed countless young readers across the world and we're fortunate that these English translations are being published now. These early chapter books provide straightforward but engaging plots with strong characters and subtle messages about creativity and play, bridging the genre between early readers and middle grade fiction beautifully. The writing draws the reader in immediately, as the distracted Miss Charlotte loses her bag and the Prime Minister, through a series of mishaps, enters the station. Then it's one scene after another, visually explicit and always funny with misunderstanding and confusion, that leads to the story's end when Miss Charlotte disappears with only a letter to tie up her latest adventure.

From A Funny Sort of Minister by Dominique Demers, illus. by Tony Ross

Complemented with the illustrations of well-known British artist Tony Ross, A Funny Sort of Minister will tickle young readers with its cheerful yet silly circumstances while they applaud Miss Charlotte's recognition of the value of learning outside the box, and the classroom.

••••••••••••••••••••••
 

I encourage young readers who are looking for funny early chapter books to consider reading the whole series (two of which I have reviewed):

The New Teacher (2016)

The Mysterious Librarian (2017)

The New Football Coach (2019)
A Funny Sort of Minister (2020)

How Samantha Smart Became a Revolutionary

Written by Dawn Green

Red Deer Press

978-0-88995-549-3

312 pp.

Ages 13-17

September 2017

The title How Samantha Smart Became a Revolutionary may sound tongue-in-cheek, but there's nothing whimsical about Dawn Green's newest young adult novel.  It's a serious look at how easily a world can go wrong because of the vision of its leaders and how a relative moderate can become a poster child for a resistance movement.

Told in alternating chapters of "Then" and "Now", How Samantha Smart Became a Revolutionary follows the story of teen Sam Smart who begins university, determined not to be distracted from her studies or soccer, and meets a guy named Brady Smith–that's the "Then"– and who is apprehended as a rebel leader of the Wright Resistance–that's the "Now."  "Then" was a time of political fervour as the election for the country's president pitted charismatic John King against more socially responsive Richard Wright.  Though light on platforms, King wins on a smear campaign and begins rampant changes to address significant issues of food, water and energy shortages, pandemics and terrorist attacks.  Sadly he also institutes a new King's Guard ostensibly to serve the community but which, under the leadership of King's key advisor, General Marcus O'Brien, joins with the police and the military and becomes a force to be feared.  Sam may want to keep out of these matters, especially as Brady's family is so pro-King and Brady is determined to appease his father, but Kayla, Sam's roommate and best friend, is an ardent support of Wright and encourages Sam to join her at protests and rallies.  

Sam, I want you to remember this––you can let the moments define you, or you can define the moments. (pg. 115)

The world is changing around Sam and she doesn't like what she sees in King's treatment of immigrants, restrictions, and favouritism for the Guard and allies.  Though it is starting to impact her life–a scholarship lost, Brady joining the Guard, TA friend Aaron heading west to work with Wright's Equality Organization–it's not until she and Kayla, who is being sought out after an incident at a peaceful protest turned ugly because of the Guard, attend a football game where shots are fired and bombs go off that Sam is seen as the face of the Resistance and a rebel by King and his Guard.

See, that's what's wrong with this society.  Giving hero status to a girl they don't even know, based on an inflated image with some catchy hashtag underneath. (pg. 158)

Although Sam has come from a difficult background and is fairly opinionated, courtesy of her grandpa, she does not throw herself into the Resistance like Kayla or speak out against Brady's indoctrination into the King politico machine.  Even a photo taken of her at the O2 attack at the stadium is not indicative of her leanings, only her concern for her friend and compassion for others.  That's when it all changes because it's what others see in her that determines her fate.  And yet, she's still the girl in love with Brady Smith.  How Sam, and ultimately Brady, resolve their relationship with their beliefs and their actions, is not straightforward.

Dawn Green, author of When Kacey Left (Red Deer Press, 2015), packs a lot of story into How Samantha Smart Became a Revolutionary and she tells it with daring. There is a love story, a message about absolute power, about action and inaction in the face of injustice, and how everything can change in a moment and put your life on an unexpected path.  It's also a statement about media and how the powerful may attempt to manipulate it but how others may find ways for the truth to be revealed. In our troubled times, How Samantha Smart Became a Revolutionary is a very telling tale of how things can go horribly wrong with those seeking absolute power.  Though Dawn Green doesn't give us a happy ending, she gives us hope that the story will continue. Sometimes that's even better.

Transferral

Written by Kate Blair

Dancing Cat Books

978-1-770864542

194 pp.

Ages 13+

October 2015

Most of us are maddened when a good person becomes ill with a life-threatening disease. It just doesn’t seem fair.  And, even though we know that illness is not a reflection of goodness or badness, it’s hard not to lament an illness with “What did I do to deserve this?”, seeing it as a possible punishment for poor life choices.  But, in Transferral, illness is a punishment, one doled out to convicted criminals, the illness reflective of the severity of the crime.

That’s how Tranferral opens, with sixteen-year-old Talia Hale, daughter of the U.K.’s prime ministerial candidate Malcolm Hale, going to St. Bart’s hospital for a Transfer i.e., to get rid of the cold she was getting, knowing that on the other side of the hospital a criminal would be going through the painful process of being infected with that same cold.  But when leaving the hospital,  Talia witnesses a large black man wielding a meat cleaver at a young girl and Talia clubs him with a chair to protect the girl.  Though Talia’s actions are hailed as heroic and her father’s campaign manager, Piers, spins it to her father’s advantage, as leader of the National Law Party whose mandate is being tough on criminals and supporting the National Transfer Service, Talia begins to realize that the girl’s fear hadn’t been for the man hurting her but for Talia hurting the man.  Recognizing that the loss of her own sister, the same age as the young girl, and their mother to a criminal who broke into their house probably affected her take on the situation, Talia goes in search of girl she rescued.

Forging her dad’s signature, Talia goes to Holloway Quarantine, essentially a prison, to speak to Jack Benson, the man with the cleaver.  His confusion leads Talia to recognize he wasn’t fully cognizant of his actions, and she promises to find a way to look after his daughter, the little girl, Tig.  With that, Talia makes her first foray into the Barbican, the criminal-rich but poverty-stricken estate, where she meets Tig and Galen, a young man who is caring for Benson's daughter.  Sure that she’s doing the right thing, Talia gets Tig taken by social services to a children’s home.  Too late, Talia realizes that she’s been making everything worse, even getting herself convicted for the forgery, though Piers thinks he can spin that too.

We’ll leak the story to the media, along with your apology, and we might be able to get you off with a stomach bug or strep throat. (pg. 105)

Slowly, Talia begins to see that wealth and privilege affect everything, and that because of her perspective, as a rich and advantaged young woman, albeit a victim of a man who murdered her mother and sister, she has not taken the time to learn Tig and Galen’s stories.  Once she does, though, she has to find the means, criminal or not, to make things right.

There’s a lot of edge-of-your-seat storytelling with Talia’s search for Tig and her ventures into the subculture of the Barbican, amidst dealing with her role in her father’s election campaign.  Kate Blair gets the right balance of trepidation and righteousness, with Talia starting to break free from what she has always known and what she is just now learning about the world.  Talia makes a lot of mistakes but her heart is in the right place and she is determined to be part of the solution.

Tranferral is a strongly plotted story that builds on the surreal premise of linking justice with illness and comes through it all with a healthy ending that is neither sappy nor all wrapped up but a convincing remedy for a disturbing basis for dealing with criminality. 

The Hypnotists

Written by Gordon Korman

Scholastic

978-0-545-50322-8 (hardcover)

978-0-545-60272-3 (audiobook)

240 pp.

Ages 8-14

August 2013

Reviewed from audiobook

Just like his earlier series—Macdonald Hall, On the Run, Everest, Island, Dive, Kidnapped and most recently Swindle—Gordon Korman will easily snag young readers with The Hypnotists if they're looking for his characteristic droll humour, kids vs. adult conflict, suspenseful thrills and unique plotting. 

Jackson Opus, 12, has always known that his eyes change extraordinarily from violet to blue then green, but it takes a few perplexing interactions with a bus driver, a basketball rival, his ophthamologist, a psychiatrist and a hypnotist at a vaudeville show for Jax to have his hypnotic ability identified.  (Come on, that's not really a spoiler.  What did you think The Hypnotists was going to be about?)

Selected to attend the Sentia institution of Dr. Elias Mako who,

"has devoted his life to New York City education and is an inspiration to every single one of us" (pg. 34)

Jax is taught how to control his ability to mind-bend (i.e., hypnotize) and challenged to mesmerize volunteers.  As an Opus, a family line well-known for its mind-bending talent, Jax is taken under Dr. Mako's personal tutelage, attempting greater challenges than ever imagined, including attempting post-hypnotic suggestion (i.e., producing a specific action after waking from hypnosis) via video.  But after making the acquaintance of the elderly, hippie-esque Axel Braintree, the head of the Sandman's Guild, a guild of "reformed" mind-benders, Jax learns more about his heritage and the extent of his own ability, as well as about Dr. Mako's true reputation.

It can't be surprising to readers of Gordon Korman's middle grade books that The Hypnotists has a couple of boy in their tweens trying to make sense of bizarre circumstances and erroneously interpreting others' actions, embedding laughs and dynamic surprises with each new development.  Imagine making a passing comment to a bus driver that "You have to get us to Ninety-Sixth Street as soon as possible" (pg. 3) and transforming the transit man into an Indy driver who refuses to stop for passengers, lights and traffic!  Or mesmerizing the lunch lady to provide more gravy for his friend Tommy's Salisbury steak ("Make sure you give him as much as you can" pg. 68) resulting in enough gravy to create a hazard on the floor and Tommy being stalked by the lunch lady.

With the pen (word processor?) in Gordon Korman's control, the main plot of The Hypnotists–Jax attempting to thwart an evil mastermind–is embedded with the boy's introspection of his conscience and motives while others are drawn in, demonstrating their own views on hypnotism and its uses, good or evil. Always enhancing the action with a peppering of pre-teen humour

"Aw, I don't want to see inside my mother's brain.  All those private thoughts and lady stuff.  I get skeeved out just looking at her eyelash curler" (pg. 186)

Gordon Korman will have readers anticipating Book 2 in this series, undeniably set up with Jax's final thought and the last eleven words of The Hypnotists.

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Author Gordon Korman will be attending the International Festival of Authors (IFOA) on Saturday October 26, 2013 at 11:00 a.m. at Toronto's Harbourfront.  Don't miss this opportunity to see one of Canada's legendary youngCanLit authors.