The Space Between Here and Now

Written by Sarah Suk

Quill Tree Books

978-0063255135

320 pp.

Ages 13-17

October 2023

I know I'm a little late to review Sarah Suk's second young adult book (she wrote Made in Korea in 2021) but I just recently heard of this novel from the Red Maple panel of the Forest Kid Committee who recommended it for their summer reading list. (Each year that I help out with this committee, I learn of new Canadian titles for young readers. These young people are amazing readers!) After checking out their recommendation, I was intrigued by the blurb about The Space Between Here and Now and was not disappointed.

 

Aimee Roh is a typical 17-year-old Korean Canadian living in Vancouver, BC with Appa, her father. She's thinking about university, she hangs with her friends, she has a passion for photography, and she and her father have a close but respectful relationship. She's typical in every way except that she has a rare condition called Sensory Time Warp Syndrome a.k.a. STWS. Those with STWS have different triggers for memories that can transport them back to the time of the memory. When triggered by smells, Aimee disappears, travels back to a memory usually for just few minutes. Some people grow out of the condition, but Aimee is finding that she's experiencing more frequent episodes and wonders if it is because of the stresses of being a senior and anticipating the next phase of her life. What doesn't help is that it is impossible to talk to her father about it or get the supports she needs to help her cope.

 

After a particularly lengthy disappearance in which she is taken to a long-forgotten memory of a family outing to Kitsilano Beach, before her mother abandoned the family when Aimee was 6, Aimee is confused. Her memory doesn't match what she remembers and she begins to wonder whether her mother perhaps had STWS. Taking matters in hand, and with the encouragement and help of best friend Nikita, Aimee embarks on a spring break trip to Korea, hopeful of finding out some answers about her mother and family that her father doesn't seem to want to share with her.

 

With Nikita researching online for clues, and Aimee reconnecting with her Aunt Gomo and childhood friend Junho, the search for Aimee's mom begins. With some new insights into her STWS and into her relationship with her father, Aimee finds herself gaining clarity and even confidence where there was once only confusion.

Teen angst is not unusual but the angst that comes from a chronic condition that unexpectedly disappears you from your life, even if temporarily, is beyond typical. It has left Aimee in a precarious position, in a space between then and now, unclear as to her memories of her past and her understanding of her present. Sarah Suk, a Vancouver author, gives Aimee a story that might appear tenuous, never knowing when she might disappear or where she will end up or even if there is a possibility of ending up in a time loop. But Aimee's story is not anxiety-driven; it is driven by a need to know. Young adults will appreciate that push to become self-actualized, to understand oneself. Aimee's life is many layered, between her issues of abandonment by her mother, being disaffected with her father, and struggling not to stand out because of her STWS. While today's teens may not have a memory-driven time-travel condition, they have their own issues that challenge them in their drive for understanding and satisfaction. They can learn from Aimee who faces peer pressures and family pressures and uncertainty and is still able to resolve things well enough for herself. She may not get the answers she was specifically looking for, but she gets what she needs and learns things that will help her, as well as others. 

Though the fantastical nature of Aimee's STWS elevates The Space Between Here and Now from the drama of teen angst to the realm of science fiction,  Sarah Suk gives a story that is both enlightening about one Korean-Canadian family as well as familiar. For that reason, I urge young people to read The Space Between Here and Now for some insight into their own lives and relationships with others, particularly parents, to see how reconciliation may be reached with patience, effort and, most definitely, compassion.

Oculum Echo: Guest review

This review was written by student Bronte L.

 

Written by Philippa Dowding

DCB

978-1-770866652

231 pp.

Ages 9-12

2022 

The robot Echo1 awakes from slumber and, with the help of Guide, a voice in its ear, and the robot bird Peregrine1, travels the continents’ four Oculum domes and the barren deserts. Echo1's task is to search for life and monitor the starting of a civilization of humans to make sure they don’t make the mistakes of the past. 

 

Outside of Oculum, Grannie’s farm is bombed, and Miranda1, Mannfred, and Grannie must lead the children originally from Oculum to safety. But their attackers, the UnRuly, are hunting them down, and they’ve got a new secret weapon. So, Grannie sends Mannfred and his friends to spy on the UnRuly, maybe even to try and stop them, but things soon go wrong. 

 

Meanwhile, after many weeks of travelling, Echo1 is starting to lose hope in finding life. Along the way, he learns much from his guide about Earth, humans, and his many special capabilities. But lots of questions remain unanswered, including what is life, what his name means, and what happened to the world of the Olden Begones? 

Oculum Echo by Philippa Dowding is the sequel to Oculum, the Silver Birch-nominated first book in The Children of Oculum series. It’s a middle school level dystopian, sci-fi novel, told from multiple points of view.  There's Miranda1, the oldest girl from Oculum, who now must help Grannie lead the rest of the children; Echo1, who is led by the voice in his ear and a robot bird that sends him videos of his surroundings; and Mannfred, who lived outside Oculum on the farm with Grannie before the UnRuly destroyed it. The book has important themes of leadership, curiosity, perseverance, collaboration, and showing the importance of taking care of our world and each other.

Although I haven’t read Oculum, the book before this one, it didn’t take long for me to become invested in the storyline. Each character’s experiences are so wildly different and inspirational in their own ways that it makes for quite a fun read! My favourite part of the book was definitely getting to see the world through Echo1’s and Miranda’s eyes. The lives they are accustomed to are so different from our current world, and, even though their Earth was mostly destroyed, there are hints at what it was like before the disaster, with playgrounds, paper, drum kits, pigs, fish, and all kinds of other things we take for granted. I would recommend Oculum Echo to any sci-fi loving kid that enjoys adventures. 

~ Written by Bronte L., Gr. 9

The Children of Oculum, Books 1 and 2

Made 4 You

Written by Eric Walters

DCB

978-1-77086-661-4

296 pp.

Ages 13+

September 2022

 

Except for the headaches which have started plaguing her–and for which she has had multiple MRIs–seventeen-year-old Becky James's senior year is mapped out as getting good grades, prepping for the SATs, volunteering at a seniors' residence, and partaking in extracurricular activities like school band and social justice club and managing the boys' basketball team.  Then she meets Gene Newman, a previously-homeschooled student from New York state whom she will host and offer assistance.

As smart as Gene is, he needs support to fit in at their Nobleton, Indiana high school. His first-day blue suit and shiny brief case, as well as his formal speech, make him a standout. But he's a fast learner, following Becky's advice with respect to dress and more. Soon he's not just fitting in but he's attracting attention as an exceptional student, saxophone musician and basketball player. As they spend more and more time together, and Gene reveals the research his adoptive parents have been conducting on human intelligence and strategies for learning, the two teens become closer. But it's not smooth sailing for the young couple as there are secrets that could put them both in danger and perhaps keep them separated forever.

When science fiction is written well, it becomes less fantasy and more possibility, and Made 4 You is so plausible that readers will wonder if the story is based in reality. (Of course, that's also the finesse that is Eric Walters's writing.) Research on human intelligence is vast and expanding, as scientists look to how we learn, apply and adapt, so raising a young man like Gene who can learn anything quickly and thoroughly is not surprising. However, the depth of his learning, from math to sports and social interactions, is astounding, especially as it is coupled with empathy and love. Because Eric Walters takes Gene beyond the genius he is and makes him into a teen in love, Gene is a complete, albeit extraordinary, human.  And with dangerous adversaries looking to exploit the science behind Gene's intellectual development, Made 4 You goes beyond a sci fi romance into a thriller and action adventure. It's a story that has it all: sweet moments of falling in love, mysterious scientific research, and chase scenes across land and sky. Moreover, with Eric Walters at the writing helm, not only is it a story made for any middle-grader or teen who reads across genres, Made 4 You is also complex, nuanced and full of heart. (Even the dedication will give readers an "Awww" moment of pause.)

Thrive (The Overthrow, Book 3)

(If you haven't, I encourage you to read Bloom and Hatch, Books 1 and 2 in The Overthrow series, first. You'll want to know the whole story. Really.)

 

Written by Kenneth Oppel

HarperCollins

978-1-4434-5691-3

404 pp.

Ages 10-14

May 2021

 

First there were the black grasses, strangling vines and pit plants (Bloom, 2020). Then came the eggs that developed into mosquito birds, giant water striders and horrific mega-worms (Hatch, 2020). Now, in the conclusion to Kenneth Oppel's The Overthrow trilogy, the cryptogens themselves are coming to invade. But will they succeed in overthrowing humans for the planet?

Being a teen is hard enough but, for Anaya, Petra and Seth who have dealt with strange allergies and physical ailments all their lives, things have gotten a lot stranger since learning that they have cryptogenic DNA that has given them extraordinary powers but also unconventional bodies. Anaya is a runner, with unusual body hair and claws. Petra has an affinity for swimming and has scaly skin and a tail. Seth is a flyer with razor-sharp wings and a powerful sound weapon. During the horrific experimentation on the kids and others like them at the hands of the nasty Dr. Ritter, they learned that they are able to telepathically communicate with each other and Anaya was able to connect with the cryptogen she calls Terra. 

 

This connection has lead to the arrival of a ship, at the conclusion of Hatch and the beginning of Thrive, from which a trio of rebel cryptogens have emerged. Terra, who is a runner and scientist as well as pilot, is accompanied by another scientist, a swimmer for whom Petra uses the pronouns ze and zir, and a flyer who was a military leader, hence their moniker of him as the general. Together the three cryptogens had formed an alliance, and a rebel movement of several hundred was established to overthrow the flyers who have used their sound power to keep runners and swimmers enslaved to them. 

The rebels admit that Anaya, Petra and Seth, as well as the other hybrid children, had been implanted with DNA to help produce a virus to destroy the flyers' ability to use sound as a weapon and thus to help them defeat their oppressors. Now the rebels have come to earth to retrieve that hidden DNA.

 

While Petra helps the swimmer to get materials needed to repair their ship and Anaya works with Terra to develop the virus, Seth worries for Esta, a hybrid flyer such as himself, with whom he'd bonded at Dr. Ritter's bunker facility. Learning that Esta, like most hybrid cryptogens, is being detained at an internment camp, Seth sneaks out to rescue her and ends up captured along with Esta and others by the primary ship of invaders. Now Seth has to decide whether he agrees with Esta who believes the cryptogen commander, a flyer, really has their best interests at heart, or whether a rebellion against the flyers is necessary to stop the oppression of the runners and swimmers and an invasion of earth.

Kenneth Oppel pounds out his story of an alien invasion and rebellion with little respite for the reader, just as there was none for the trio of teens who are thrown from one alarming situation to the next. Even before the initial arrival of terrifying plants and menacing creatures, Anaya, Petra and Seth have had to manage their physical stresses. Now with the menace of extraterrestrials, they have to balance being seen as both threats and saviours, and doing what they can, what they want to and what they'd rather not. There's always some new threat with which they must deal and, as they are punched with pressure after pressure, as each new creature and knowledge is revealed, Kenneth Oppel takes the reader with them. As such, Thrive is an intense read, throwing the reader along with the story's characters, from one dangerous situation to the next, manoeuvring on a flying platform, being swallowed by a wall, fighting off a wolverine squid or plunging through the atmosphere in a pod with limited oxygen. The action is relentless and it's not until the very end that Kenneth Oppel lets us know how The Overthrow, the series and the operation, actually turns out. I won't give away the ending but I will reassure that the wild ride that is Thrive leaves room for a sigh and a promise for resolution.

He was half human, half cryptogen, but for the first time in his life, he was starting to feel whole. (pg. 404)

• • • • • • •

The Overthrow (a.k.a. Bloom Trilogy) 

Bloom (2020)

Hatch (2020)

Thrive (2021)

Hatch

Written by Kenneth Oppel

HarperCollins Canada

978-1-44345-688-3

416 pp.

Ages 10-14

September 2020

 

When readers first met Anaya, Petra and Seth in Bloom, Book 1 in Kenneth Oppel's The Overthrow trilogy, the three teens were helping to battle an alien invasion of plants–black grass, vines and pit plants–that threatened their community on Salt Spring Island and around the world. They had also discovered that they all dreamed of special powers–running, swimming and flying, respectively–that corresponded with the unusual growths that had plagued their bodies, namely claws and excessive hair for Anaya, a tail and scaly skin on Petra, and bony growths akin to wings for Seth.  Now a new threat has arrived.

From a weird rain that deposits eggs, strange new creatures develop that Dr. Weber and the others look to study. But then the military, as led by Colonel Pearson alongside the new Dr. Ritter, having learned of the kids' cryptogenic DNA, announce that brain scans reveal transmitters in their brains, and fear that they have been communicating with the cryptogens who intend to invade. The kids are "detained as a threat to national security under the War Measures Act" (pg. 33) at a secret underground bunker with other young hybrids who are numbered and classified as runners, swimmers and flyers. 

This did not seem like a good sign. If you gave someone a number, it was because you were taking away their home. And once you took away someone's home, it was a lot easier to take away whatever you wanted. (pg. 41)

Under the direction of Dr. Ritter, the young people are measured and tested and drilled to develop their skills. Meanwhile, Anaya, Petra and Seth make new friends within their groupings, with Petra meeting the muscular Darren who is convinced they are being trained to be soldiers and Anaya making the acquaintance of the brilliant Charles. But it's Seth fraternization with the quiet Esta that becomes the most intense, as he makes a real connection with her though she evokes dissension between the friends with claims of the flyers' superiority.

But everything changes when Anaya is taken to the surface and allowed to connect with the cryptogens to pinpoint their location. Instead she learns that they can communicate telepathically and she is able to do so with a cryptogen, learning why they are targeting Earth and involving the hybrids.

Kenneth Oppel got our attention with Bloom but he keeps us breathless with the unrelenting action in Hatch. From dealing with dangerous and toxic plants to evolving insects of massive destruction force (the worm has a mouth with "spiraling blades that looked like the turbine of a drilling machine"; pg. 10) and the protagonists learning more about their capabilities, and sadly also their shocking predilections, Hatch reveals a precarious world where aliens i.e., cryptogens look to communicate with humans through hybrid beings like Anaya, Petra and Seth. But who is friend and who is foe both on earth and from other worlds is ever-changing and poses problems for all as the kids try to do the right thing for their families, communities, planet and themselves.

Hatch, as did Bloom, brings one story to an end but introduces a new one with its last words. When the third book in the trilogy, Thrive, finally drops in May 2021, we hope Kenneth Oppel will finally share with young readers the true nature of the aliens and whether they, or even some of them, offer hope or harm. Eight months seems almost too long to wait when the world is in the balance because of an alien invasion.

 

The Overthrow series from Kenneth Oppel:

Bloom (February 2020)

Hatch (September 2020)

Thrive (May 2021)

Rogue Princess

Written by B. R. Myers

Swoon Reads (An imprint of Feiwel and Friends)

978-1-256-30343-1

294 pp.

Ages 13-18

January 2020

There is no greater power than the power of choice. (pg. 175)

Delia is a princess who lives on the planet Astor. With turning 18, she must now choose a prince to marry. In fact, princes from the neighbouring planets of the Four Quadrants are gathering at the palace, ready to win her hand, including Prince Felix, a military man from Trellium, Armano from Delta Kur, Oskar from the Kalasta Belt, and the lovely Prince Quinton. Though Delia knows the importance of her ancestry and the traditions of Astor, as handed down from Arianna, the first queen of Astor, she aspires to more before she weds. This leads her to reprogram her android seamstress Marta so that she might escape, changing into the uniform of the Queen's Guard and hijacking a patrol ship.

But Delia is not alone. Unbeknownst to her, Aidan, a kitchen chore boy at the palace, has just stolen a dagger he found in a prince's room and is making his escape too. Aidan too has aspirations, helping himself to small trinkets so he might earn the money to leave behind the Dark District of Astor where he lives with his cruel stepfather and stepbrothers, Drake and Morgan.

This is Delia and Aidan's introduction to each other and one that will change their lives. He eventually learns that she is Princess Delia but, because he never tells her the truth, she believes he is a prince's bodyguard and then her secret bodyguard. Ultimately she returns to the palace and he to his home to slave to his family but they are thrown together time and time again, each trying to help the other and growing closer in their affections and admiration. But neither is as they appear. She is not the pretty princess who wishes to don beautiful gowns and live away from her people in her glorious palace. He is not just a simple servant. Together the rogue princess and the mysterious boy find their way to something extraordinary for themselves and the planet Astor.

B. R. Myers' new young adult novel of speculative fiction is dense with subplots, with nasty, odd and charming characters–I loved Delia's sister, Shania–

A double stranded necklace of colorful shells hung to his waist...He strode away, the shells clicking softly.
"I like a man who is also a wind chime," Shania remarked smartly. (pg. 13)

and with fantastic settings that my measly review cannot accommodate everything. I'd love to mention the pirates, the six-handed man, the sandworms and the plot to overthrow the Queen but there just isn't the space. But I can tell you that B. R. Myers has written a dashing version of Cinderella in which the princess doesn't need to be saved, that the bad guys are sometimes the good guys, and love can flourish under the oddest of circumstances. And she does it with humour and attention to detail that immerses the reader in circumstances rife with absurdity and tragedy.

"...but I'm hoping you can join me in dessert later."
"Join you in dessert?" Delia had an image of sitting in a large bowl of cream and berries with Prince Felix staring at her from the opposite side of the rim. (pg. 131)

The blurb on the back cover of Rogue Princess accurately describes the novel as a "gender-swapped sci-fi YA retelling of 'Cinderella'" but it's so much more. It's a romantic read in which the girl and boy save each other and a planet and their people by choosing to make paths for themselves while still honouring those who created them.

Bloom

Written by Kenneth Oppel

HarperCollins Canada

978-1-4434-5031-7

312 pp.

Ages 10-14

February 2020

Many Canadians would recognize Salt Spring Island as a popular tourist destination off the coast of British Columbia. But what's happening on this Gulf Island in Kenneth Oppel's latest middle grade novel, Bloom, would have most running away. Unfortunately, there will be nowhere safe to run.

All teens have their angst but Anaya, Petra and Seth have challenges that are unique. Anaya Riggs may have to deal with acne and asthma but she also lives with severe allergies to just about everything: gluten, dairy, eggs, smoke, dust, pollen, etc. Her former friend and all-around popular girl Petra is allergic to water and cannot allow it to contact her skin without developing a burning rash or hives. New kid Seth Robertson, who has been moved from foster home to foster home, is now living with an elderly couple Mr. and Mrs. Antos on their farm and always wears long sleeves to hide the scars that track up and down both arms. 

Then a hard rain comes down for several days and changes everything. Anaya's allergies improve and her acne clears up. Petra can wash with this rainwater–she collects as much as she can–without any reaction. And a strange black grass begins to grow just about everywhere around the world and at an alarming rate.

Pretty much all anyone talked about now was the black grass. How it was crowding out crops, how nothing killed it. You couldn't go on your phone or turn on the TV without people talking about how it was showing up everywhere, and what was this stuff, anyway? (pg. 50)

Attempts to eradicate the grass by mowing or chainsawing it or applying herbicides or fire are futile or dangerous. Anaya's father, a botanist at the Ministry of Agriculture's experimental farm, is working hard to identify the plant, including those germinated in the water Petra has collected, and even Anaya gets involved collecting soil from the school yard, one of the few sites without the black grass. Soon enough, though, the schoolyard becomes a minefield of pit-plants that swallow prey, whether it be a deer or humans. Oddly, Petra, Anaya and Seth are not affected by the pit-plants' acidic walls or tranquilizing gas emissions.

As Mr. Riggs and a research associate head out to the eco-reserve on Cordova Island where the black grass appears to be dying, the three teens are taken by Dr. Stephanie Weber, a scientist with CSIS, to a military base in Vancouver in the hopes of learning what makes them special and possibly developing a vaccine. But what is discovered about the teens is much scarier than anyone ever anticipated.

The word "bloom" suggests something unhurried and beautiful and captivating. The plants in Bloom are nothing like that. They are aggressively growing, violent in their attacks and devastating in their effects. Worse yet, the last line in the book is a harbinger that more, perhaps even worse, is still to come in the next books in The Overthrow series. (Book 2 in the series, Hatch, is set for a fall 2020 release while we'll have to wait until the summer of 2021 for the final book, Thrive.) Bloom is thrilling and scary, a story with all the hallmarks of an edge-of-your-seat cliff-hanger–although you'd more likely be hanging by vines above a lake rife with machine-gun water lilies–blending a survival tale with an action-adventure involving clashes with dangerous life-forms. 

Though Anaya, Petra and Seth, as well as the parents, social workers, and military, carry the story forward, Kenneth Oppel's plot steals the story. It's bizarre, it's compelling and you can't read fast enough to learn what is happening. Kenneth Oppel may resolve Bloom to readers' satisfaction–we do learn what the plants are and how the teens are different–but there's obviously so much more to their story. I'm looking forward to an even more twisted plot when we revisit the kids and the source of Bloom's plants in Hatch and Thrive.

Pulse Point: Q & A with author Colleen Nelson

Written by Colleen Nelson with Nancy Chappell-Pollack

Yellow Dog (Great Plains Publications)
978-1-927855-97-3
192 pp.
Ages 12-15
May 2018

Yesterday I reviewed Colleen Nelson's newest YA novel, Pulse Point, which she wrote with Nancy Chappell-Pollack.  Today Colleen Nelson with input from Nancy Chappell-Pollack answers a few of my questions about the book, their writing process and the future for Pulse Point.

HK:  Pulse Point is totally unlike any YA novel you have written to date both in genre and in its collaborative authorship, and I’d really love to delve into this.  First, how did you come to write the novel with your sister and what did you find most challenging as well as most advantageous about writing Pulse Point as part of a team?

CN:  Pulse Point began as an idea that Nancy had for a screenplay. Her background is in screenwriting and theatre, so we pitched it to a screen writing contest. I wrote the ‘treatment’ which is a type of synopsis used in the television/movie industry. We didn’t win, but the idea was too good to let go. Nancy and I were both invested in the idea, so we decided to work on it together.

One of the challenges writers face is the isolation factor. For hours every day, I sit in a room by myself and tap away on my laptop. Sometimes writing feels like a very slow, uphill slog and what’s worse, I have no idea if what I’m writing is any good! It was motivating to send Nancy a chapter and get her feedback on it. She knew the characters as well as I did and knew the direction of the story. We collaborated on every aspect of the book, even though I did the bulk of the writing.

As for the genre, writing dystopian wasn’t as different from realistic YA as you’d expect. Pulse Point might have a different setting and the characters face unusual challenges, but they still have to be relatable. Just like in realistic fiction, Kaia had to deal with conflicts with friends, family and figuring out who she is. We tried to remember it is the characters, not their dystopian world, driving the story.


HK:  Second, have you always wanted to write speculative fiction or did the idea for Pulse Point originate with your sister Nancy Chappell-Pollack?

CN:  The idea was Nancy’s. It started with a ‘what if’. What if a pulse point, implanted in a finger and meant to control a person’s life, suddenly malfunctions? How would they react to this sudden freedom? Other than continuing on with Kaia’s story, I don’t have any plans to write other speculative fiction.


HK:  Speaking of speculative fiction, do you consider Pulse Point more science fiction or dystopian, and why?

CN:  Nancy and I talked about this and decided that it’s more dystopian than sci-fi. We wanted to create an alternate version of our world where climate change has made it impossible to live outside, or so Kaia thinks. I think in dystopian, a writer can play with politics and economics and world building in a different way than in science fiction. 


HK:  The scientists who created the City under a dome seemed to have good intentions after global warming brought disaster after disaster to their world.  But, like the saying goes about good intentions, their decisions about the nature of the City including who should be allowed in and how relationships are structured, seem to be discriminatory and harmful.  What message did you want readers to get about this new world?

CN:  The scientific minds that created the City were concerned with saving a species. They were intervening with natural selection, or maybe speeding it along, by only selecting people with disease- and ‘defect’-free genetics. We were thinking of a couple of things when we wrote Pulse Point. The first is the Spartan society where weak newborns were left to die because the city-state wanted to raise only the strongest soldiers (and have mothers who would breed the strongest soldiers). The second was the lack of humanity that a purely scientific-based community would develop. In the same way that AI (read Erin Bow’s excellent Scorpion Rules for more on this topic!) uses reason, not empathy, to make decisions, the City relies on efficiency.

While the City’s decisions make sense at a practical level, they are harsh and inhumane. There is so much to discuss about the morality attached to embryonic testing and selection. You might have also noticed that there is no dance, art, religion or literature in the City. All of those things are considered unnecessary and a waste of resources. I’m really glad I don’t live there!


HK:  Because Kaia’s world within the City is very much dictated by genetic rankings in which features like blue eyes and birthmarks are considered defects, there is much discrimination.  Even Kaia expresses this disdain for her newly-discovered brother who is blind.  How difficult was it to have your characters express such negative thoughts and for you to write those ideas?

CN:  Kaia is a product of her environment, so her prejudices are a result of what she has been taught. The flipside is that the people she meets outside of the City do not have those same discriminatory ideas. The conflict that results lets Kaia grow to accept differences and see the value that everyone brings to a community.


HK:  Many young adults will be delighted to know that there is frisson of romance brewing under Pulse Point’s main plot.  But with Lev and Gideon both in the picture, Kaia may have some choices to make. Did you always intend to have a romance as a subplot in Pulse Point or did it develop as your story took shape?

CN:  The truth is, I hate writing romantic scenes. There’s nothing more cringey than a cheesy kissing scene with awkward dialogue. It can kill a story and put a damper on good writing. Nancy was the one who pushed for more romantic tension and the creation of a love triangle between Kaia, Lev and Gideon. Like with most things, Nancy’s instincts were correct and I agreed to write it.

This book went through so many drafts, characters and plots changed drastically with each one. The one thing that never changed was Kaia’s strength and determination as a female lead. We did not want her to be focused on her hunt for a mate, or a potential romance. We wanted this book to be accessible to male and female readers and to make sure the romance furthers the tension, but doesn’t make it seem that all female characters need a male-focused romance.


HK:  Readers will recognize that Kaia’s story is not over at the conclusion of Pulse Point. When you started writing Pulse Point, was it always your intention to have a sequel? What plans are there for publication of a sequel or sequels?

CN:  At first, we envisioned Pulse Point as a trilogy, but our editor suggested we make some significant changes to the ending. Those changes altered our original plan from three books to two. I’d love to write a second book and find out what happens to Kaia and Lev and the Prims. I think there’s more going on in the City than we know about and I hope it doesn’t take us another seven years to find out what it is! 

Thanks to Colleen Nelson and Nancy Chappell-Pollack

for talking about Pulse Point with CanLit for LittleCanadians.  

It's always a pleasure to talk books with writers of wonderful stories 

and to learn about the creative process.

•••••••••••••••••••••••

Check out other blog tour stops for more about Pulse Point

Pulse Point

Written by Colleen Nelson with Nancy Chappell-Pollack

Yellow Dog (Great Plains Publications)
978-1-927855-97-3
192 pp.
Ages 12-15
May 2018

With global warming, many of us acknowledge that things in our world are going awry.  Scientists have been warning about its consequences that include increased flooding, droughts, fires, mudslides and more, though it seems too few are listening now and in the world from the time Kaia's elder Mae (whom we would call grandmother) was much younger. But, in their world, when those impacts escalated and became dire, the scientists had prepared and created self-sufficient Cities run on the energy of its Citizens.

Though the Citizens may not consider it to be a problem, happy to be safe under the dome of the City, the social constructs of their new home have been exclusionary and are discriminatory. Only people with the right skills and genetics are allowed to live in the City.  Those excluded, called Prims (for Primitives), retreated to the Mountain outside, and the City is constantly on guard and setting Prim Threat Levels. Within the City, each Citizen is connected via a pulse point or microchip implanted in a forefinger to allow for monitoring of energy generation to ensure balance with energy usage. Kaia, who lives with her birth elder Sy, a gardener, and Mae, works as a fetal assessment technician (where defectives are identified for termination) and endeavours to generate extra energy at the gymnasium to share with the elderly Mae.  Anyone who cannot produce sufficient energy must undergo balancing, the process by which the Council ensures the City stays in equilibrium.

But Lev, the progeny of an Overseer, Kellan, a fallen hero, and Tar, a Councillor, is smitten with Kaia, though her genetic ranking is far beneath him. With Tar manipulating people and circumstances to ease Lev's path to becoming a leader, and Kaia's pulse point no longer working, essentially taking her off the grid, Kaia makes a decision that will take her from the only life and people she has known into a wilderness and on the run.

Colleen Nelson is well known for her dramatic YA fiction (The Fall, 250 Hours, Finding Hope, Blood Brothers) and Pulse Point is no less suspenseful in its story nor less powerful in its delivery.  However, because it is her first speculative fiction and collaborative work with her sister Nancy Chappell-Pollack, Pulse Point reveals layers in characterization and world-building that are new.  It's a tense read with all the attributes of great YA: relationship drama, interfering progenitors (i.e., parents), burgeoning romance, secrets, confusion, and conflict. But, all that takes place in a world in which stasis is achieved through the generation of energy and elimination of the unproductive, in which blue eyes are considered a defect, romantic matches are based on genetics, and everyone is monitored (a.k.a. linked) through their fingertips, making Pulse Point a bigger story. Look carefully and you'll see how Pulse Point's worlds could be our own. The two communities, one outside the City and the other under its dome, are a sharp contrast of old ways and new ways and the distrust and clash between the two is inevitable. While Colleen Nelson and Nancy Chappell-Pollack resolve the story, revealing Kaia's origin story and secrets long kept hidden, they also leave a door open for a sequel. It's a good thing because there's still a whole new world that needs to evolve to make things right for Kaia and Lev, and Citizens and Prims alike.

••••••••••••••••

Check back tomorrow for my Q & A with authors Colleen Nelson and Nancy Chappell-Pollack in which they reveal much about their writing process and story lines from Pulse Point.  Always an insightful discussion when speaking with Colleen Nelson, we learn more than any blurb on a cover could reveal!

Here are all the stops on this blog tour:

• May 28: Stuck in YA Books
• May 29: CanLit for LittleCanadians
• May 30: Reading Maria
• May 31: Chapter by Chapter
• June 1: Biblio Virgo

Be sure to check them all out!

Tangled Planet

Written Kate Blair
Dancing Cat Books
978-1-77086-504-4
260 pp.
Ages 13+
October 2017

Four hundred years of ancestors have travelled on the ship Venture leaving behind Alpha Earth in search of a Beta Earth to colonize.  For seventeen-year-old Ursa, the ship has always been home.  As a junior engineer and daughter of a former captain, Ursa knows every control, vent and tech that keeps the Venture working, now in orbit above the planet being readied for full colonization. But there is silent dissension between those who want to embrace life on Beta fully and those who appreciate the safety and known entity that is the ship.

It smells right, here.  Not like the empty scent of Beta.
     It’s the smell of hundreds of years of skin cells, waste reclamation pipes, and generations of people stuffed in a cramped space. I never noticed it until we went to the planet, where the air is so clod and clear I choked on my first breath.  Here it’s rich and musky.  The smell of home. The Venture is cozy, human-sized, lived-in, unlike the muddy mess of the planet below. (pg. 23)

It’s astonishing, Ursa.  Just being here.  Humanity, stretching out into the stars.  We’re the dream Alpha Earth had so many hundreds of years ago. (pg. 65)

When Ursa  discovers the murdered body of Orion, the husband of her sister Celeste and of former friend Vega, planet-side, Ursa becomes a suspect, though she had observed a wolf-like creature hiding in the forest.  Because of her reluctance to spend much time on Beta and because no animals matching that description or DNA had been created or released onto the planet by the genelab, few believe her.  But then a second murder leaves the crew reeling and Ursa begins to investigate in earnest to clear herself and keep her family and those for whom she cares safe.

Much like Kate Blair’s debut YA novel Transferral (DCB, 2015), Tangled Planet is speculative fiction, asking a “What if?” question, here about inhabiting new worlds of space or on new planets.  It’s about choosing that which is familiar but limited over that which is unknown but holds much potential.  Kate Blair makes it clear that in this sci-fi setting, even with the development of astounding tech, genetic manipulation and more, people are still human, enduring grief and resentment, loss and jealousy, and making decisions that are both selfish and selfless, resulting in the murder mystery at the book’s heart.  In this well-plotted and suspenseful novel, belied by its unremarkable cover, it’s clear that for all its newness, Beta Earth is nevertheless being colonized by those driven by old hurts and fears and the future may still be determined by what has happened in the past.

(A version of this review was originally written for and published in Quill & Quire, as noted in the citation below.)

Kubiw, H. (2018, January/February). [Review of the book Tangled Planet, by Kate Blair]. Quill & Quire, 84 (1): 48.

The Winnowing blog tour: Q & A with author Vikki VanSickle

Let's celebrate the release of Vikki VanSickle's newest novel!

The Winnowing

Written by Vikki VanSickle

Scholastic Canada

978-1-4431-4886-3

312 pp.

Ages 12+

September 2017

Reviewed yesterday here

As part of the blog tour for The Winnowing, Vikki VanSickle kindly answered some questions about her new book.  Her answers are revealing and provide background to the book's premise and her writing of it, and I am delighted to share this interview with readers of CanLit for LittleCanadians.

HK:  Using the word “winnowing”–an agricultural term for cleaning the chaff from the grain–is a brilliant term for the process to which adolescents are subjected in The Winnowing.  How did you ever come up with this term?

VVS:  I actually came up with the title long before the plot or characters, which is something that has never happened to me before. I stumbled across the word in another book and even though it's an agricultural term, it felt eerie to me. I walked around for days thinking 'the winnowing, the winnowing' and eventually ideas started to come together. The first image I had was of the kids gathering at the abandoned pool in the middle of the night for a secret meeting. I didn't even know why they were there, I just liked the image. Things started to snowball from there.



HK:  The process of winnowing comes about to help alleviate the detrimental effects of puberty, like going ACES (Adolescent Chronosomniatic Episodes) and imps (Adolescent Physical Impairments).  The coming of age that is puberty is never an easy transition for young people and this has been a common theme in your earlier novels.  Why make puberty a focus of the government’s control? 

VVS:  I'm obsessed with puberty! I have very vivid memories of that period (pun intended) and how out of control I felt. Everything was so intense. I wanted SO much to be an adult, but I also felt a deep sense of loss, as if childhood was something physical I had left behind and could never get back. It didn't help that the transition was rockier than I expected. I found a lot of solace in books, which is one of the reasons I write for this age group. It's really for my 11-year-old self. Years later as a camp counselor I worked with kids in the midst of puberty and found I was STILL fascinated by it. There's still a lot of shame, confusion, and a lack of conversation around puberty. I like to think I'm adding to the conversation in small ways.

I'm highly aware of the ways in which governments control our bodies already, mostly through health care and legislation. I'm thinking specifically of women's bodies, but this extends to children's bodies and our health and autonomy over our bodies as a human race. I don't think it's that farfetched to imagine a situation in which a government intervenes as drastically as it does in The Winnowing.



HK:  There is much discussion about natural vs. normal when someone who is Natural i.e., conceived without aid of SuperGen hormone, is made to feel abnormal.  The idea of different being worrisome is especially poignant in today’s world.  What message did you hope readers would take from this in light of our current climate?

VVS:  I want readers to think carefully about labels and what they imply. Natural vs unnatural, villain vs hero, conqueror vs refugee, all of these labels depend on the perspective of the person doing the labeling. At the beginning of the book Marivic is a black or white kind of thinker, but as the book progresses she learns to live in the grey space between these opposites. This is also part of adolescence. We teach the concept of opposites very young (think of all those board books: cold/hot, wet/dry, up/down), but as we grow up we learn about ranges, spectrums, and all the possibilities that exist between those opposites. Most importantly, we learn that these differences are okay. Adolescence is an age where people should be expanding their horizons, not limiting them.



HK:  When I saw Dr. Roddenberry’s name, it brought to mind the creator of the original Star Trek TV series, Gene Roddenberry.  Then I noticed several other characters shared surnames with key writers of speculative fiction like J. J. Abrams, William Barton and Lois Lowry.   Is it just a coincidence or did you honour more than several characters with famous writers’ names? 

VVS:  This is definitely intentional! I am a science fiction fan and I wanted to pay homage to creators who made an impact on me. Some of them (like Roddenberry and Lowry) are more obvious than others. I also like the idea of leaving Easter eggs for readers to discover throughout the book. Because there is so much secrecy and conspiracy in the book I thought it would be fun to drop hints and references here and there for the reader in a way that doesn't affect the narrative.



HK:  On your blog at www.vikkivansickle.wordpress.com you write about being a fan of The X Files TV show, even winning a story pitch contest.  The  Winnowing has so many of the elements that made the series popular: conspiracy theories, aliens, the little guy fighting nefarious plots, secret government practices.  Is there any overlap between that story pitch and The Winnowing?

VVS:  That's a great question! The pitch was a response to a scenario the moderator gave us, which was "How does Mulder find out the truth about his sister?" (I'm paraphrasing a bit here). If you're not familiar with The X-Files, Mulder's sister Samantha was abducted (potentially by aliens) when they were kids. This mystery drives him to become an FBI agent and study the supernatural and unexplained. In my pitch, Mulder is called into an FBI tribunal and discovers his sister Samantha is not only in charge of covert FBI operations, but is a double agent for the aliens. So not exactly related, but this is essentially Abrams' biggest fear come to life. I never made that connection before! The mind works in mysterious ways.



HK:  There are probably quite a few YA readers who will be craving a romance between characters.  Is there a reason you chose not to include one?  

VVS:  First love and crushes are definitely a huge part of adolescence, but I think this need is very well serviced in YA and even middle grade fiction. It can be trickier for kids who are not into romance to find books that don't go down that route. I wanted The Winnowing to be another kind of love story, about the love between friends. Marivic isn't motivated by heroism or altruism- in fact she has very little interest in 'saving the world.' She wants to avenge/save her best friend, Saren. At no point during the writing process did it feel natural to give Marivic (or Abbot or Kamal) a crush–they were all far too busy!



HK:  Though you tie up all loose ends in The Winnowing, making it a perfect stand-alone novel, there are many stories within that could still be told.  Abbot’s, Kamal’s or Ren’s stories could all reveal so much more about their world.  Even a story from the perspective of the Kesla is viable.  Are there any plans for follow-up stories? If not, will you continue to write science fiction or speculative fiction?

VVS:  After doing all the world-building for The Winnowing I understand why fantasy and science fiction writers create series.  I have so much material that no one will ever see! It feels like an awful lot of work for one book. That being said, I don't have any plans for a direct sequel. At one point I conceived of a three book ARC for The Winnowing, but in the end I was more interested in telling a small, singular story (Marivic's tale) in the midst of a big, highly conceptual story (what if puberty was dangerous and controlled by the government?) I would like to explore science fiction again. I have been noodling a time travel story around in my head for ages, maybe I'll try that next!

⇲⇲⇲⇲⇲⇲

Thank you to Vikki VanSickle

for sharing her writing with us,

 in The Winnowing and in this Q & A,

 and for allowing us a glimpse into her world.

⇲⇲⇲⇲⇲⇲

You can learn more about Vikki VanSickle 

and her books and writing

at

her blog at https://vikkivansickle.wordpress.com

If you're in southern Ontario this weekend, you can purchase 

a copy of The Winnowing at the Eden Mills Writers' Festival this Sunday 

and even get Vikki VanSickle to autograph it.  Bonus!

The Winnowing

Written by Vikki VanSickle

Scholastic Canada

978-1-4431-4886-3

312 pp.

Ages 12+

September 2017

“If powerful people believed in a theory, it became real.  It didn’t matter if it was crazy.” (pg. 292)

In Marivic Stone’s world, there are many beliefs that are accepted as real.  There’s the Infertility Crisis that was only resolved by SuperGen, a hormonal shot developed by the Barton Five scientists. There are the stigmatizing changes at puberty that include the Adolescent Physical Impairments a.k.a. imps which produce bizarre traits of superhuman eyesight or hearing or speed or strength, and the ACEs, Adolescent Chronosomniatic Episodes, which are vivid night terrors.  No wonder young people who begin to experience the imps and ACEs are eager to be winnowed at their local center for adolescent health to stop the progression of these horrors.

When the ACEs and imps arrive for Marivic, she is fully prepared to be checked into the Barton Center for Adolescent Health, the facility to which best friend Saren Silver had only gone the day before.  Though she doesn’t know what to expect, as those winnowed have memory impairment, and though she knows complications can lead to death, as they did for Saren’s older brother Lex, Marivic sees the winnowing as a rite of passage in which she is eager to engage.  But things seem less clear when a group of new intakes, including Marivic and Saren and classmates Kamal, Quin, and Tavi, are invited to a covert “Dis-orientation.”  There a young teen, Abbot, tells them that everything they’ve been told about the winnowing and Barton is untrue and that the organization called Winfree, the People for a Winnowing Free World, wants to help them escape before they come to harm. Most of the teens scoff at the idea of the authorities conspiring to hide the truth about the winnowing, ACEs, imps and more but, after learning the next day that Saren died during her winnowing, Marivic goes rogue–“Mrs. Silver could be sad for both of us.  I was going to be angry.” (pg. 121)–and joins Kamal in escaping the facility.

But getting out is just the beginning.  In addition to Abbot, who harbours a secret about his own origins, Marivic and Kamal are introduced to Dr. Lowry, one of the original Barton Five, who reveals the source of the SuperGen and her research on the ACEs; Ren, a young man with whom Marivic is able to communicate telepathically; and Daisy, the proprietor of the Starlight Diner and adopted mum of Abbot.  There are a lot of theories to sort through regarding the truth and lies about the winnowing and SuperGen but some answers will only come when Marivic breaks back into Barton.  She may be on a rescue mission, but she has no idea that she is the key to blowing open the whole conspiracy.

Reaching adolescence is never easy but not as problematic as in Vikki VanSickle’s first novel of speculative fiction for teens.  Just as the term winnowing suggests–cleaning of the chaff from the grain–the adolescents are sanitized from the effects of puberty.  But it’s the wholesale acceptance of the need for this process that is so alarming.  It’s easy to understand how a crisis, like infertility, can establish fear but it’s this fear that allows government and experts to make recommendations that are accepted as necessary.  There’s a type of internal terrorism to promote compliance.  Only when anomalies such as death at winnowing and the existence of those conceived without benefit of SuperGen–Abbot is one of these Naturals–contradict the accepted belief system that the faith and submission are shattered.  But it takes courage and conviction to see beyond the established way of doing things and Vikki VanSickle makes sure that readers see Marivic as someone who is enlightened enough to question these incongruities as important.

In fact, it’s Marivic who is astute enough recognize that it’s the fears of those who are different that are the source of the problems, leading to paranoia and violence.  Whether it’s seeing the Naturals like Abbot as a threat–“…if superhuman is the new normal, then where does that leave me?” (pg. 238)–or seeing danger from those only seeking refuge, fear distorts thinking and creates the very problems they hope to avoid.

Vikki VanSickle has lots to say about fear, distrust, manipulation, and blind submission but also about defiance, courage and winnowing the irrational to reveal the truth.  What The Winnowing teaches us is that there is a need for caution in construing meaning within the realm of fear, as well as for openness and respect for all.

Look for my Q & A with author Vikki VanSickle tomorrow as part of the blog tour celebrating the release of The Winnowing.  Vikki VanSickle reveals much about her path to writing speculative fiction and her enthusiasm for sci-fi and The X Files.

Icarus Down

by James Bow

Scholastic Canada

978-1-4431-3913-7

374 pp.

Ages 12+
September 2016

Icarus Down may be science fiction but it is truly a cautionary tale of environmental destruction, colonization, genocide and cultural discrimination.  Their world, or rather planet, may be foreign to our 2016 one, but it’s what happened on Old Mother Earth that resulted in this new world.

After the Extinction Wars which took place following the Great Warming, the Icarus, a colonizing spacecraft, travelled 25,000 light years into the darkness, spending 72 years looking for a new planet to inhabit.  They called the planet upon which they crashed and settled Icarus Down, a web-like world of thirteen cities tethered by cables to anchors in cliffs far above the fog forest and the ticktock monsters below.

Simon Daub, who begins the telling of Icarus Down, is on his maiden flight as an ornithopter pilot with his older brother Isaac, a senior pilot and all-around golden boy.  Shortly after Isaac reveals to Simon that he believes their mother was murdered, not as a result of jumping to her death, something goes awry with the battery and Isaac, attempting to repair it, is burned to death by the powerful sun.  Simon manages to parachute out but he is badly burned and scarred.  Nathaniel Tal, chief of security for their city of Iapyx and older brother of Mayor Matthew Tal, questions Simon about the “accident” and Grounders, those supporting the move of the colonies into the foggy land below.  His questions make Simon begin to wonder whether Isaac and perhaps his mother had been Grounders themselves.

When lights start flickering, and steam-pipes burst, and message canisters travelling by pneumatic tubes are misdirected, the troubles are attributed to  Grounders terrorism.  Simon, having met with Grounders via Isaac’s betrothed Rachel, suspects the sabotage is being used to discredit their movement and he begins to investigate.  Suspecting Nathaniel Tal of the sabotage, Simon gets in a little too deep and, after witnessing the actions that would result in the inevitable destruction of their city, Simon and Rachel jump into the oblivion beyond Iapyx, hopeful of safety, fearful of death.

Our second narrator in Icarus Down is a human girl known as Small, Fierce-Hearted One to her people, which sounded like Ek-Taak-Tock-Taak in their language.  When she goes in pursuit of revenge on the invaders who destroyed her people and now reside in the air, she is witness to the literal fall of Iapyx, and discovers Simon, injured but alive.

I did not know what I had expected after travelling nine dozen sleeps to one of the invaders’ giant metal hives, but surely not to have it fall and almost crush me.  one of my dreams of revenge were so large. (pg. 163)

Simon, or Silly Strange Boy as she thinks of him, and Ek-Taak-Tock-Taak whom Simon eventually calls Eliza, must find a way to communicate and trust each other in order to survive and attain that which each seeks: justice or revenge.

This is but a slice of James Bow’s complicated story of conflict and colonization and conspiracy.  Though an unfathomable world of tethered cities and planetary travel and lizard-like creatures, the worlds of Icarus Down are reflective of the atrocities perpetrated here on earth in the name of exploration and colonization with the usurping of land and culture for our own purposes.  The truth is out there in Icarus Down but, like with all conspiracies, it is hidden away from those who might demand change.

“If I didn’t do something, this would stay a lie.” (pg. 272)

Icarus Down is about the clash of cultures, invader and indigen, so seemingly different in dress, manner and language at first encounter but who find a way to work together and appreciate their commonalities.  By creating a cosmological allegory of settlement and occupation, with a thrilling adventure of intrigue and treachery, carried out by good guys and bad guys and a few playing both sides, James Bow has made Icarus Down a turbulent bit of travel into an unsettled future, perhaps a little too much like some historical disgraces from which we’ve yet to learn.

Flashback

by Simon Rose
Tyche Books
978-1-928025-23-8
155 pp.
Ages 8-12
2015

Max seems like a typical fourteen-year-old boy: he hangs out with his friends; he has to endure parenting, or lack thereof, from his father; and he keeps secrets, especially the one that would make him look like he was going crazy.  You see, Max keeps seeing this boy, about his age, with a thick mop of black hair watching him and then disappearing.  And Max continues getting these bizarre images of being restrained on an operating table and a hypodermic needle and a girl with green hair.  It’s all very weird and frightening.

Since the images began at the cemetery when he’d stood beside the stones of Jonathan Dexter and his son David, Max does a little research.  He meets a man named John Carrington, a retired private investigator, who had been involved in a case twenty years earlier when the fourteen-year-old son, David, of politician Jonathan Dexter went missing.  With the tip from a psychic, the boy’s remains were found a few years later, just prior to Jonathan Dexter’s own death in a fire.  But just when Carrington found a connection to other missing persons’ cases, the whole investigation was shut down.

The next day, Max is shocked to learn that Carrington has been found dead in the park.  Slipping into the private investigator’s office while renovations are being done, Max uncovers documents and photos related to the Dexter case, including a connection to a researcher named Aleksander Kovac. Following the clues revealed within, Max makes the acquaintance of the psychic named Deanna Hastings and the teen bizarrely time slips into David’s life twenty years earlier.  And from there and then, Max tries to solve the mystery of David and Kovac and a weird headache-causing young man named Kane.

Flashback is an action-packed adventure perfect for middle grade readers.  Young readers will enjoy the plot-driven story rife with the supernatural, bad guys, evil experimentation, and time slip. While I found some of the plot progressions to be a little contrived, I think younger readers will appreciate the fast pace and suspenseful thrill of learning what really happened to David Dexter courtesy of a middle-grade sleuth.

Movers

Written by Meaghan McIsaac

Tundra Books

978-1-7049-818-1

288 pp.

Ages 12+

February 2016

Reviewed from Advance Reader's Copy

Forget today's world.  Meaghan McIsaac will take you into the new world of 2083 when people live in tiny apartments, use droidlets as keepers of all information, where schools are 64 floors high, water is scarce, powerful winds called Eventualies bombard everyone and everything, and there are Movers, people with the special ability to move others called their Shadows from the future of war, famine and disease to their own time.  And, because there are Movers, there is the Bureau of Movement Activity Control (BMAC) and the anti-Mover group, We Are Now, and Movers' Prison and Shelving–whereby Movers convicted of moving their Shadows are Shelved i.e., put into "An endless sleep. A living kind of deadness" (pg. 2).  It's a totally different world and it's the world of fourteen-year-old Patrick Mermick whose father Michael was Shelved after Moving his Shadow, Oscar Joji, from the future, killing him in the process and causing considerable damage.  Problem is that Michael Mermick was a Phase 2 Mover and incapable of Moving his Shadow.

Now Pat and little sister Maggie, both Phase 1 Movers, and Mom Izzy, a Non-Mover, must live in a world of monthly Mover renewal forms and much discrimination.  Not surprising Mom is known as a Mover symathizer, protesting Shelving, and helping Movers falsity their FIILES–digital accounts of their lives–to keep them from being treated as criminals.

Then everything goes from bad to worse.  Mom gets called into Maggie’s school, because of Mags' new behaviours suggesting the need for a Phase upgrade, and they are both being taken to BMAC headquarters when Mom tells Maggie to make a run for it.  Maggie heads to Pat’s school where a Movement creates destruction and chaos while bringing over the Shadow of Gabby, a classmate of Pat’s and a favourite target of the bullies. Together, Pat and Gabby and Maggie become fugitives and must delve into the underworld of Mover society in order to survive and avoid Shelving.

Movers is an earth-shattering, action-packed futuristic adventure of the heightest proportions.  Set in a future that appears to be of our own making–depletion of most resources, scarcity of others, continued discrimination for those who are different–with new technology and supernatural elements of time-travel, Movers is incessant in its fast pacing and rife with villains of all natures–bureaucratic, school bullies and future warlords–keeping the action steady and plot unravelling.

Another blast sends tremors rippling through the building.  The cement begins to give way under my right foot and there’s nothing I can do.  My body is in freefall and I cry out.  My brain shuts down, and there’s only one thought–I’m so dead–but my hand still has a grip on the metal bar.
I dangle there, scream-crying with Gabby while the rough rusty bar cuts into my palm.  My vocal cords feel ready to snap while the rest of me is consumed by fear.  No Gabby, no Movement, just – falling.
My temples start buzzing, like the lightning has shot right through them, and I can feel him, my Shadow, suddenly aware of me.  He’s angry, overwhelmed by the emotion flooding out of my body and suddenly I’m furious too. (pg. 50-51)

It’s like Die Hard meets The Time Traveler’s Wife for teen readers except the threat is from within and a romance doesn’t drive the story.  But the threat is real and the time travel is real and the horrors of discrimination are real.  And, to cause even more discomfort for readers, the story of Movers isn’t over because Meaghan McIsaac leaves readers on the edge of time and place, literally, with an ending that can’t even begin to be resolved until Book 2 of this new series is announced.  Hang on.

Transferral

Written by Kate Blair

Dancing Cat Books

978-1-770864542

194 pp.

Ages 13+

October 2015

Most of us are maddened when a good person becomes ill with a life-threatening disease. It just doesn’t seem fair.  And, even though we know that illness is not a reflection of goodness or badness, it’s hard not to lament an illness with “What did I do to deserve this?”, seeing it as a possible punishment for poor life choices.  But, in Transferral, illness is a punishment, one doled out to convicted criminals, the illness reflective of the severity of the crime.

That’s how Tranferral opens, with sixteen-year-old Talia Hale, daughter of the U.K.’s prime ministerial candidate Malcolm Hale, going to St. Bart’s hospital for a Transfer i.e., to get rid of the cold she was getting, knowing that on the other side of the hospital a criminal would be going through the painful process of being infected with that same cold.  But when leaving the hospital,  Talia witnesses a large black man wielding a meat cleaver at a young girl and Talia clubs him with a chair to protect the girl.  Though Talia’s actions are hailed as heroic and her father’s campaign manager, Piers, spins it to her father’s advantage, as leader of the National Law Party whose mandate is being tough on criminals and supporting the National Transfer Service, Talia begins to realize that the girl’s fear hadn’t been for the man hurting her but for Talia hurting the man.  Recognizing that the loss of her own sister, the same age as the young girl, and their mother to a criminal who broke into their house probably affected her take on the situation, Talia goes in search of girl she rescued.

Forging her dad’s signature, Talia goes to Holloway Quarantine, essentially a prison, to speak to Jack Benson, the man with the cleaver.  His confusion leads Talia to recognize he wasn’t fully cognizant of his actions, and she promises to find a way to look after his daughter, the little girl, Tig.  With that, Talia makes her first foray into the Barbican, the criminal-rich but poverty-stricken estate, where she meets Tig and Galen, a young man who is caring for Benson's daughter.  Sure that she’s doing the right thing, Talia gets Tig taken by social services to a children’s home.  Too late, Talia realizes that she’s been making everything worse, even getting herself convicted for the forgery, though Piers thinks he can spin that too.

We’ll leak the story to the media, along with your apology, and we might be able to get you off with a stomach bug or strep throat. (pg. 105)

Slowly, Talia begins to see that wealth and privilege affect everything, and that because of her perspective, as a rich and advantaged young woman, albeit a victim of a man who murdered her mother and sister, she has not taken the time to learn Tig and Galen’s stories.  Once she does, though, she has to find the means, criminal or not, to make things right.

There’s a lot of edge-of-your-seat storytelling with Talia’s search for Tig and her ventures into the subculture of the Barbican, amidst dealing with her role in her father’s election campaign.  Kate Blair gets the right balance of trepidation and righteousness, with Talia starting to break free from what she has always known and what she is just now learning about the world.  Talia makes a lot of mistakes but her heart is in the right place and she is determined to be part of the solution.

Tranferral is a strongly plotted story that builds on the surreal premise of linking justice with illness and comes through it all with a healthy ending that is neither sappy nor all wrapped up but a convincing remedy for a disturbing basis for dealing with criminality.