Love, Panda

Written by Elaine Su

Illustrated by Charlene Chua

Orchard Books (An imprint of Scholastic)

978-1-5461-7958-0

32 pp.

Ages 4–8

July 2026 

 

Who wouldn't love to cuddle a super-squishy stuffie of a panda? Apparently Baby Lou does, but Panda, who has always been Benny's, is having none of it.

 

After Panda gets left in the baby's room, Baby Lou is smitten. But Panda, distressed by the unfamiliar, from diapers aplenty and the baby sucking on its ear, begins a letter campaign to get his original boy, Benny, to retrieve him. 

Illustration by Charlene Chua from Love, Panda, written by Elaine Su

In letter after letter, delivered by Dump Truck, Panda describes what he has had to endure—the elephant mobile, a lift-the-flap book, annoying parents who are thrilled with the baby's simplest efforts—and begs Benny to come and get him. But, with each new letter, Panda begins to appreciate Baby Lou and even recognize things familiar to his time with Benny. By learning Baby Lou's routines and finding the familiar, Panda finds it's not so bad after all.

Illustration by Charlene Chua from Love, Panda, written by Elaine Su

Elaine Su's bio speaks of her own favourite stuffie which has since been passed down to her own children. There's always one toy, especially a stuffed one, that is fondly remembered as bringing comfort. (Mine was a pink and green stuffed snake named Horace.) But, what happens when a child outgrows it, and another child covets it? In Love, Panda, the stuffie has something to say about that. Without realizing it, Panda's perspective changes. He learns to recognize that different isn't bad and that perseverance can help one transition from the scary and unknown to something unexpected good.

Illustration by Charlene Chua from Love, Panda, written by Elaine Su

Without Charlene Chua's digital art, Panda would never be so adorable and heartwarming. She gives him the textures and expressions of the sweetest of stuffies. His shape and cushiony appearance will remind young readers of Squishmallows toys, but his facial expressions, from his eyes and brows to his mouth, give us the full range of feelings. He's distressed, he's surprised, he's resigned, and he's joyous.

 

I know Panda is a stuffie and his dilemma—being unceremoniously adopted by a new child—will not be a familiar one to most children, but Love, Panda is a lesson in persevering through that which might seem unimaginably challenging. Perhaps, for children, it will attending a new school, accepting a new baby, or welcoming a new teacher when one goes on maternity. For children, different can be overwhelming. But with time and with the clarity that can come with getting thoughts down on paper, they can triumph. Panda did, and he's not even mobile.

If I Could Draw...

Written and illustrated by Patricia Storms

 ‎ DC Canada Education Publishing

978-1-834140667

36 pp.

Ages 4–8

April 2026 

 

A boy is bored. He is dismayed that he can't draw and that's what's holding him back from eliminating that boredom. If only he could draw, all would be well.

From If I Could Draw..., written and illustrated by Patricia Storms

 He then imagines all the wonderful things he would draw if he could draw. There would be dancing skyscrapers, unicorns playing ukuleles, and robots that served desserts. (Yum!) But as he imagines all the things he would draw, his little brother interrupts him, wanting to play. 

From If I Could Draw..., written and illustrated by Patricia Storms

In fact, he's so delighted to hear his big brother's ideas that he draws them, giving his brother the tangible art he so longs to create. What comes from that is a mutual admiration of their skills to imagine and to draw making a collaboration to chase away any boredom.

From If I Could Draw..., written and illustrated by Patricia Storms

Patricia Storms's story is one of creativity and self-awareness. It's reminds young children to identify the skills they have and not focus on the ones they don't have. (There will always be things we can't do.) Even better, she lets a younger brother help his older sib recognize what he himself cannot see. This lovely sibling relationship is one of support, not competition. And even though the older brother is initially reluctant to engage with his younger sib, he is moved by his words and takes the time to listen. By doing so, he learns to see his little brother's drawing skills and accept appreciation for own imagination. 

From If I Could Draw..., written and illustrated by Patricia Storms

Patricia Storms has both written and illustrated her own picture books (e.g., Never Let You Go, 2013), written picture books illustrated by others (e.g., The Dog's Gardener, 2021), and illustrated those authored by others (e.g., Moon Wishes, 2023). She obviously has no problems with the drawing component or the writing part. Still she reminds us that sometimes we forget what we can do when we can't do something else. And Patricia Storms helps us see the misery of not being able to do something—those illustrations lack colour and life—but also the brightness and fun when one is free to visualize and create.

 

I'm glad that Patricia Storms continues to delve into her creativity by exploring her art, both written text and visual art, to give colour and shape to the joy of a child's imagination. By showing us the different skills of two siblings, Patricia Storms reminds us to try, to play, and to collaborate if we are to find inventiveness.

Stella and Sam ABC

Written and illustrated by Marie-Louise Gay

Groundwood Books

978-1-77946-067-7

34 pp.

Ages 0–3

May 2026 

 

This is not just another alphabet book. It's Stella and Sam, Marie-Louise Gay's wonderful siblings from countless books including Read Me a Story, Stella (2013), Stella, Princess of the Sky (2004), and Good Night Sam (2003). Together they share, explore, learn, and bond. Now they're helping others learn the alphabet through their relationship and joyous romps through play.

From Stella and Sam ABC, written and illustrated by Marie-Louise Gay

From apple picking to 

moon-watching to 

exploring the jungle, 

every day is a new adventure 

for Stella and Sam. 

Do you want to join them? Let's turn 

the page!

With that first page, Marie-Louise Gay invites us to watch the two children as they play through the seasons. In winter, there's angel-making, ice-skating, and night-time dreaming ... with owls hooting. In the summer, there's fishing and vegetable gardening. And there's always fun in the house like hiding and seeking, reading, rolling and somersaulting, as well as yawning together (Sam and Fred the dog) before falling asleep. These children do so much that I suspect Marie-Louise Gay could write multiple alphabet books for Stella and Sam.

From Stella and Sam ABC, written and illustrated by Marie-Louise Gay

Whether together or off on their own, everything they do gives us new letters to learn, new words to identify, and new qualities to fall in love with. Stella and Sam are filled with joy, whether it's watching the moon, bathing with rubber duckies, or slurping some tasty treat. There are nouns and verbs, sounds and more. Marie-Louise Gay shows us that these kids are into everything, both remarkable and ordinary.

From Stella and Sam ABC, written and illustrated by Marie-Louise Gay

Young children will definitely learn the alphabet as they read along with Stella and Sam ABC, but they'll also be learning to read. The words are simple and will be meaningful to children. Stella and Sam's activities and actions will all be familiar, and easily replicated which will strengthen young children's learning. And because Marie-Louise Gay always gives us more to love in her art, like hiding rabbits, a stray sock, or a hitchhiking snail, children will be pointing and finding and laughing as they learn.

 

It's so lovely to visit with Stella and Sam again. Even though Marie-Louise Gay has continued to give young readers fabulous picture books (e.g., Short Stories for Little Monsters, 2017); The Three Brothers, 2020; and I'm Not Sydney!, 2022) even early chapter books, I've missed Stella and Sam (and Fred too). They are sweet and true. They are delightful to watch in their relationship and in their play. They are different and yet similar in their dispositions—their parents or guardians must be extraordinary—and I want more of Stella and Sam. Please. After all, there is still so much of their world to explore—exploring is the x word, as you were probably wondering—and to see through their eyes and their hearts.

Every Space Between

Written by Naseem Hrab

Illustrated by John Martz 

Groundwood Books

978-1-77306-710-0

48 pp.

Ages 3–7

March 2026

 

There are big, big moments in life that we can't help but acknowledge. For a child, it might be a special birthday, the first day of school, or a new home. Sometimes though big moments are not as positive. But they're all the kind of moments that children don't forget. But not everything is a big moment. And, in order to get the big moments, those other moments have to happen too.

From Every Space Between, written by Naseem Hrab, illustrated by John Martz

Every Space Between is less story and more insight. As two siblings, a younger sister and an older brother, go about their day, there are moments of heightened emotion and moments in between. We might recognize when we start something and anticipate how it will end but what of the space in between? From playing with her dog to reading to going out for ice-cream, this child's day is filled with moments: expected, unexpected, memorable, and forgettable. But there are also bothersome moments—a tuba mishap with the dog ball, a demolished house of cards, a tumbling ice cream—and will these calamities wash out the good?

Certain in-betweens

are as breathtaking

as the shift from

day to night

just before

the starts wake up

and the light scatters

and the sky glows . . . (pg. 46)

From Every Space Between, written by Naseem Hrab, illustrated by John Martz

Naseem Hrab, author of Weekend Dad (2020), Otis & Peanut (2023), and How to Be Brave Like a Snail (2025), takes an almost philosophical approach to the idea of moments in time and the circumstances of those moments. But, though it could be a heavy topic, Naseem Hrab just makes young readers think about those in-betweens. We all remember the great and the horrific moments, but they are rare when we consider all the time and experiences spent in between them. Although it's not a mindfulness practice, thinking about those in-betweens while we're in the in-betweens can give us a different perspective on the big moments and the beginnings and endings of experiences. It's actually insightful to have kids think beyond, or rather between, the occasions. Focus on everyday school work not the exam at the end. Enjoy the moments of camaraderie and comfort of team play rather than the outcome of the game. There is so much special in the in-betweens.

From Every Space Between, written by Naseem Hrab, illustrated by John Martz

I'm embarrassed to say that I've never reviewed a book illustrated by John Martz though his artwork has been nominated for the Governor General's Literary Award, the Eisner Award, and the Doug Wright Award. This Toronto cartoonist, illustrator, and writer creates digital art that is both simple and filled with details that may be ordinary but say a lot. Two kids reading on a couch is more because of the kiss on a forehead, a scratching of a knee, a hamster hiding, a stray playing card, and a dog and a cat napping. And every John Martz illustration makes the reader think about what is happening, what could happen, and what it all means.  

 

There's always more to life than the highlights that others or we remember. There's much more to this sibling relationship than some accidents and bickering. And Naseem Hrab wants us to see all those extras that aren't just in-between but rather the stuff that gives substance and content for the rest. 

Standoff (Kidnapped From Ukraine, #2)

Written by Marsha Forchuk Skrypuch

Scholastic
978-1-5461-0454-4
288 pp.
Ages 8–13
October 2025

 

As it had been for me reading Under Attack, the first book in Marsha Forchuk Skrypuch's Kidnapped From Ukraine series, delving into Standoff was a challenge. I knew to expect a sensitive but authentic story about the Russian invasion of Ukraine in 2022, but I also knew that it would be emotionally demanding of me because of my heritage. It was. But it was also eloquent and inspiring and well worth the read.

 

In the earlier Under Attack, readers are introduced to the Popkov family: dad Ivan who worked at the Azovstal steel plant in Mariupol, mom Yaroslava who worked at a nail salon, and twelve-year-old twin sisters Dariia and Rada. When the first attack occurs in February of 2022, Dariia and her mom are separated from Rada and their dad. The first book covers Dariia's perspective and experiences, while Standoff is told from Rada's point of view from the onset of the first attack. While Dariia and their mom find shelter at a salon and other commercial buildings, Rada and her dad head to the steel plant with its extensive bunkers, and from which he will join up with the Territorial Defense . With the wise words, "Be brave but not stupid" (pg. 42), her dad leaves Rada in the care of the Yanin family: Mr. Yanin, an engineer; his son Viktor, a classmate of Rada's; and his nine-year-old daughter Alina. (Mrs. Yanin was killed in the attack on their apartment building.)

 

Each day is a scramble for food, clothing, water, heat and more. Still, the make-shift family connects with another family when Rada meets Lesia Stepanova. Lesia is sheltering in another bunker at the plant with both her grandmothers (Baba and Babushka), her sister-in-law Maiia, and Lesia's baby nephew Oleh. Lesia's mother is also in the Territorial Defense, while Lesia's older brother is in Moscow on a business trip. After they attempt to evacuate Mariupol during a ceasefire—which the Russians failed to observe—they add nine-year-old Mychailo Voron and a woman named Svetlana Boyko to their little group.

 

Their lives become a series of routines to help them get through each day, whether it is doing lessons, or toileting, or preparing and sharing their meager provisions. Hope comes with the promise of a ceasefire—more than once—though the Russians are quick to apprehend and attempt to transport Ukrainians to Russia. It's only when the Red Cross, the UN, and other international observers and aid are involved that those efforts are stymied.

 

Life is tenuous. On the inside of the plant, Rada and her new family struggle and worry and grieve. Outside, their challenges are both the same and different: worried for their loved ones, grappling with a lack of resources, terrified of being injured or killed, and never knowing whom they could trust. 

 

The attack and war on Ukraine has sadly been part of the news cycle for almost four years, but for many it is a story from "over there." Marsha Forchuk Skrypuch's stories, both Under Attack and Standoff, take a distant conflict and make it personal. This isn't happening faraway to people we don't know. It's happening to children, to the elderly, to parents, and to shopkeepers, neighbours, and people we care about. We feel their horror, recognize their anxieties, grasp their grief, and acknowledge their needs to hold on to whatever might offer comfort, whether a cat or a Motanka doll. Whether it's a middle grader reading this book and stunned by the horrific circumstances that Rada and her families, born and made, endure, or an older reader who understands the cruelty of others and the grief of loss, Standoff will hit hard. But Marsha Forchuk Skrypuch knows how to tell a story of immense tragedy by pairing it with resilience, affection, and hope. Even the title of the third book in the series, which releases in April, tells us that there is more to the twins' stories and, even with more hardships and loss, they endure. 

 

For an authentic and very personal perspective on the war in Ukraine, Marsha Forchuk Skrypuch offers a story of Ukrainians from Mariupol and what they saw and felt when the Russians attacked. She even offers more background in her "Author's Note" and the Q & A with which she appends Standoff, helping young people gain greater understanding about the events and the history behind the Russian invasion. We can only hope that with awareness comes understanding, and with time there will be a favourable resolution for the people of Ukraine.  

 

 • • • • • • •

 

Under Attack (January, 2025)

Standoff (October, 2025)

Still Alive (April, 2026)
 

A Summer Without Anna

Written by Kate Jenks Landry

Illustrated by Risa Hugo

Kids Can Press

978-1-5253-1025-6

32 pp.

Ages 3–7

June 2025 

 

For children, every summer is different and still the same. There may continuity in activities undertaken or camps attended, in visits with family or in hanging out with friends. But with each year that a child gets older, things will change for them and for their families. Some changes will be welcome and others not. For Junie, this will be a summer without her sister Anna.

From A Summer Without Anna, written by Kate Jenks Landry, illustrated by Risa Hugo

This summer Junie will be visiting her Nan and Pop's house while her parents take care of her hospitalized sister. To help ease Junie into this new set of circumstances, Anna lends her little sister her camera, instructing her to use it if she sees Edmund, a very old turtle. As Junie continues to do many of the activities she and Anna had often done at her Nan and Pop's, such as swimming and catching minnows for bait, Junie takes photos of what she sees, keeping a record of her time away from Anna, and always looking for Edmund.

From A Summer Without Anna, written by Kate Jenks Landry, illustrated by Risa Hugo

But even as she bakes and fishes, swims and relaxes, Junie has a quiet solitude about her. For her, a summer without Anna means so much more than just missing a companion with whom to play and to look for Edmund. Her parents arrange phone calls with Anna so the girls can keep in touch, and Junie takes lots of pictures of everything from the recipes she and Nan use to the water as it ripples with the wind. And when Anna's return home is delayed, Junie is both angry and saddened. 

     I run down to the lake and hurl Anna's tarts into the water.

     The air feels electric. Rain is coming. I tilt the camera straight up to the sky. A fat drop hits the lens and turns the world all wibbly-wobbly.

From A Summer Without Anna, written by Kate Jenks Landry, illustrated by Risa Hugo

When the two sisters are finally reunited, there is much sharing that happens, demonstrating that the two were never far apart in their thoughts and their hearts.

 

This is the first book that I have reviewed of Kate Jenks Landry and Risa Hugo (though both have written or illustrated others). Both take a sensitive perspective to the story, emphasizing Junie's muted experience of a summer without her sister. Though there would be no story without Anna's illness and hospitalization, that all happens outside of Junie's immediate experience. Kate Jenks Landry makes the story all about Junie; in fact, Risa Hugo does not include Anna until the older sister is set to come home and be reunited with Junie. The tenderness of the girls' relationship and the lingering days of summer that Junie experiences are paramount. Without that closeness, there would be no wistfulness or the stillness of play without a playmate. Kate Jenks Landry makes us feel Junie's longing for her sister and the stillness of her summer, even as she is occupied by her grandparents with typical bonding experiences in and outside of their house. 

From A Summer Without Anna, written by Kate Jenks Landry, illustrated by Risa Hugo

The quiet of A Summer Without Anna calms me, even as I feel for a family dealing with an ill child. That quiet, which comes through in both Kate Jenks Landry's words and Risa Hugo's art, is both reassuring and hopeful, and I was left knowing that all would be well in the end. Whether I hear that assurance in Kate Jenks Landry's poetic language ("My belly's full of moth-wing flutters") or in the emotions of her words ("The smile in her voice feels like a promise") or in Risa Hugo's illustrations rendered in gouache, coloured pencils and soft pastel, or in both, I could not speculate. All I know is that, if I had child undergoing medical treatment and wanted to comfort a younger sibling, a reading of A Summer Without Anna would be restorative.

Astronautical!

Written and illustrated by Brooklin Stormie

Annick Press

978-1-77321-942-4

248 pp.

Ages 8-12

May 2025 

 

In the Zephyr Galaxy a long time ago, the planet Zephyr exploded into chucks. The inhabitants were ever hopeful that the great Cynosure would fix it and reunite the Chunk Planets but a hundred years later, nothing has changed. The Zephyrians, which include everything from parrot-like beings to human-like creatures and stars with appendages, travel by vessels that look like sailing boats and ships between Chunk Planets. In fact, it's on a visit to the Star Bird store that Max and Lari's dad, Robert Cherryhair, is apprehended by Cynosure's security Foxes while the brothers are inside the store. So begins the story of Astronautical! and the boys' mission to find their father.

From Astronautical! written and illustrated by Brooklin Stormie

With their own ship set aflame by Cynosure's Foxes, Max and Lari join twin yellow dwarf stars Dez and Ori on their ship, the Dove, intent on heading to Cynosure's hideout. But when you're travelling with twin stars one of whom rarely speak the truth and the other who believes almost everything–great lessons in fake news here–the journey is not a straightforward one. In fact, it is a drawn-out quest that takes them to different Chunk Planets, comets and more where they meet a blue supergiant star, a protostar and even a disguised black hole.

From Astronautical! written and illustrated by Brooklin Stormie

Even with obstacles thrown at them, the two boys, very different in their personalities, work together and discover that their differences are their strengths and would allow them to not only find their father but to also find a way to make things right for the Planet Zephyr.

From Astronautical! written and illustrated by Brooklin Stormie

Astronautical! is a rollicking middle-grade adventure for lovers of fantasy, astronomy, and good humour. The plot is wholly unpredictable, mostly because the characters range from human-like creatures to astronomical ones with the powers to alter their structures and abilities and interact with others. Brooklin Stormie, an artist from Peterborough, Ontario, has found an imaginative way to blend fantasy with science, merging a heroes' quest in a cosmic setting with legitimate elements of which young readers will want to learn more. (Brooklin Stormie includes extensive notes about sky-whales, black holes, star songs, and more in her appended notes called, "The Real Science (and Totally Not-Real Science) in Astronautical!") It's all very accessible, playful and captivating, and readers will never anticipate how it will end. 

Astronautical! is Brooklin Stormie's story but, as an illustrator, the artwork is what makes Astronautical! sparkle. Between weird characters and some strange abilities–though perhaps not really strange in an astronomical setting–as well as a variety of settings, from a convenience store to a desert, a planet separated into chunks, and more, Brooklin Stormie gives readers something fantastical and scientific. Quite extraordinary or, dare I say it, Astronautical!

The Crayon Stub

Written and illustrated by Marcus Cutler

G. P. Putnam's Sons (An imprint of Penguin Random House)

979-8-217-00333-4

40 pp.

Ages 3-7

May 2025 

 

Judging by the plethora of artwork on the refrigerator and adoring the walls, Big Cat loves to draw. He draws dinosaurs and robots and unicorns and pizzas and more. But when he's ready to attempt his next masterpiece, he is dismayed to find only a small nub of red crayon left in his box.

From The Crayon Stub, written and illustrated by Marcus Cutler

As he comes unglued, Big Cat looks at his previous works and deliberates about what he'll use his limited resource on. Little Cat, who may or may not be responsible for the lack of crayons, accompanies Big Cat as he ponders and worries and stresses.

From The Crayon Stub, written and illustrated by Marcus Cutler

But then Big Cat tosses his red crayon stub and drawing paper away in frustration and Little Cat grabs them. After a chase ensues, a masterpiece may be created but through extraordinary means.

From The Crayon Stub, written and illustrated by Marcus Cutler

While I have reviewed a number of books which Marcus Cutler has illustrated (e.g., Do Not Turn the Page!, and The Walrus and the Caribou), this is the first picture book of his that I've reviewed that he has both written and illustrated. (Note: he does have an earlier story, I Do Not Eat Children, that I have not read.) And, what I've realized is that there's a difference when he is the author-illustrator. Marcus Cutler's digital artwork has always had a degree of silliness that brings a playful mood to the stories but, when he also writes the text, the funniness is enhanced. Most young readers would recognize the distress of missing all their crayons, but Marcus Cutler gives us an over-the-top reaction in Big Cat's response. And then we've got a younger sibling who gets into an older sibling's things and uses them indiscriminately–wait until readers see what Little Cat does with the crayon stub–and the laughs continue. The art is both straightforward and clever in its simplicity but also filled with little details that captivate. Together Marcus Cutler gives us the funny in the story and the art.

From The Crayon Stub, written and illustrated by Marcus Cutler

There may only be a stub of a red crayon left in Big Cat's box but it's enough to create a tale rich in humour, colour, and character, courtesy of Marcus Cutler.

The Moon's Journey

Written by Beryl Young

Illustrated by Sean Huang

Red Deer Press

978-0-889957473

32 pp.

Ages 6-8

November 2024 

 

When Faith and her family are set to leave Wales and join her father in Canada, Faith is devastated with all she must leave behind, from their home and their cat Blackie to her best friend and even the caterpillars she was nurturing. And what about the moon?

 

I especially can't leave the moon.

 

From The Moon's Journey by Beryl Young, illustrated by Sean Huang

   

But her brother Gareth has a way to reassure her.

 

After boarding the ship, finding their berths, and exploring the ship, Faith looks for the towline tethering the moon to the ship's funnel. And though she cannot see it and worries that the rope has come loose, Gareth always reassures her, as he does day after day and night after night of their journey.

From The Moon's Journey by Beryl Young, illustrated by Sean Huang

When they finally arrive in Canada and are picked up by the children's father, Faith's concerns continue.

Would the captain remember to untie the rope so the moon could stay in Canada?

And though their dad does everything to ensure that their new home feels like home, including a new kitten, it's not until the moon reappears, seemingly bigger and closer than in Wales, that Faith that knows she's home.

 

While Faith's family's experience aboard the ship may be far more upscale than those of most immigrants, with gleaming silverware and white serviettes, Beryl Young still encompasses the tenuous nature of migration from the familiar to the unknown. By tethering Faith's disquiet about the move with the moon, a familiar and ever-present entity, even when it's not always visible, Beryl Young gives a common feature to which all immigrants can relate. The sun and moon are forever present, no matter where we are. It's a shared experience and one that we can all rely on, at least most of the time. And by reconnecting with the moon in her new country, Faith gets the reassurance she needs that things would be okay.

In addition to coping with migration, Beryl Young includes a sweet brother-sister relationship that helps Faith persevere and look for the familiar. How lovely for Gareth to create a scenario in which the moon is dragged along by the ship to their new country just to comfort the young girl.

From The Moon's Journey by Beryl Young, illustrated by Sean Huang

For historical fiction, Saskatchewan artist Sean Huang's illustrations are an excellent fit. Previously he illustrated I Am Not a Ghost: The Canadian Pacific Railway, another picture book of historical relevance, and his realistic art here in The Moon's Journey just as capably transports us to the 1950s and post WW2 immigration by ship.  Even though his artwork is digitally rendered, it leans towards the realism of classic oil paintings from the 19th c., focusing on landscapes of the sea and the ship along with portraits of the children at play or contemplation. For the historical events of post-war immigration, Sean Huang's art is befitting.

 

The Moon's Journey is a simple tale of how a natural connection between places can make all the difference in easing the hardship of something like immigration. In this case, it was most fortuitous that the moon was able to join Faith and her family on their journey and in their new country.

If We Tell You

Written by Nicola Dahlin

Kids Can Press

978-1-5253-1147-5

400 pp.

Ages 12-15

October 2024

 

A truth relies on what came before it. (p. 32)

 

There's something about the cover that tells you that If We Tell You is going to be a thriller. And if that doesn't give it away it then the first pages in which fifteen-year-old twin brothers Lewis and Cameron Larsen are running from a "serious event" at their home outside of Calgary and heading to the airport and then to Scotland definitely would. The "serious event"? It was a man and a woman who crashed their BBQ and held guns on the boys before Mom and Dad expertly put the strangers down with a knife and a gun. Mom and Dad have taken off and left the boys with a backpack of passports with new names and a load of money. Now the twins are heading to find Maggs, a woman who runs a guest house in Edinburgh, determined to find their parents again and figure out why this is all happening.

Because they had been told by their mother to stay together but avoid being seen together–they are identical twins–the boys experience things differently, not the least of which is because the two are not identical in dispositions. Cameron is the more impetuous boy but optimistic and more street savvy of the two, while Lewis is the smarter one and the one who does not believe that his parents have done anything wrong to get them to this state.

Though they hope getting to Maggs will answer all their questions, Lewis and Cameron just get more perturbed by what they learn and are left with more questions including finding out who their parents really are. The parents they knew as Jennifer Reid and David Larsen are known by different names. They're suspected of being terrorists and thieves and are still wanted by the police. It's going to take a whole host of characters, including family they never knew existed and an assortment of guests and neighbours at Maggs's, to keep the boys safe and help them figure out whether all their lives are based on lies.

 

Told in the alternating voices of Lewis and Cameron, If We Tell You is an action thriller that offers different perspectives on the same circumstances. They are twin teens who witness a terrifying situation and are separated from the only family they know, and they see their circumstances differently. Of course, they are both devastated but Lewis adheres strictly to what his parents told him to always do and not to trust anyone and is convinced that their parents are not the criminals they are assumed to be. Cameron jumps in and follows his heart, doing what he thinks is right and hoping that it will help them find their parents and the truth. As the two boys grapple with their circumstances, including posing as one boy Will, their trust of each other and others becomes limited. But Calgary author Nicola Dahlin brings the boys full circle, from only seeing their own perspectives to appreciating those of the other. In fact, it is only because of those differences that the two are able to face a myriad of challenges, including kidnapping, assaults, and romance, and come out the other side.

This is Nicola Dahlin's debut novel and, because of her own background, living in Calgary and growing up in Scotland, there is an authenticity of voice and place. Her placement of the bulk of the story in Scotland, a place of rich history, of the Edinburgh Festival, and more, adds a unique dimension, in language and landscape. Moreover, she brings in all sorts of characters, from teens to tourists, police and historians, some friend, some foe, such that it's difficult for the boys, and readers, to tell the difference. If We Tell You is as rich in storytelling as it is in people and place.

The title may be If We Tell You but there's not a whole lot of telling that is happening that is the complete truth, though for the boys and the readers, figuring it out when they're on the run and in a different country makes for a good story. And a good story it is with action and history, mysteries and even a little romance. In the end, it's a whodunit or maybe even a what-did-they-do story, and its ending promises more to come.

 

The Hawk Shadow

Written by Jan Bourdeau Waboose

Illustrated by Karlene Harvey

Kids Can Press

978-1-5253-1084

32 pp.

Ages 4-7

September 2024

 

When Serenity's older brother, Big Ed, decides to go fishing with his shiny new store-bought rod, she tags along with the hand-made one of spruce and moose sinew that her father has given her. But, though Big Ed is focused on the fishing he will do, Serenity's focus is elsewhere.

From The Hawk Shadow, written by Jan Bourdeau Waboose, illustrated by Karlene Harvey

As the two head out along Big Ed's fishing path to the river, Serenity revels in all the wonders of the natural world, from the sun and the singing robin, to a raven and some chokecherries. Big Ed may walk faster than Serenity but, even as she dawdles, he watches out for her. He also teaches her about their cultural beliefs from why the river is called Hawk River, the value of the cedar tree, and more.

From The Hawk Shadow, written by Jan Bourdeau Waboose, illustrated by Karlene Harvey

But when they start fishing and Serenity is distracted by a Red-Tailed Hawk that circles around her, and then leaves and returns, she realizes that he wants her to follow him. Fortunately, she does and finds that a little sister's help is needed.

From The Hawk Shadow, written by Jan Bourdeau Waboose, illustrated by Karlene Harvey

It's always a treat to read a Jan Bourdeau Waboose picture book. It's been far too long since her The Spirit Trackers (illustrated by François Thisdale) and it's lovely to revisit a sibling relationship that is embedded in an Indigenous community. The Hawk Shadow may be considered an Indigenous story–Jan Bourdeau Waboose is First Nation Anishinaabe of the Ojibway Bear Clan–but it also speaks to the interactions of an older brother and younger sister, an appreciation for the natural world, and a mindfulness to it and the messages within. Serenity is like her brother's shadow, following him, listening to his teachings, asking him questions, and ultimately freeing him from a dangerous situation. If she hadn't been mindful of him and of her surroundings, including listening to the Hawk, the siblings' outing may have had a far worse outcome. Jan Bourdeau Waboose shows us that even though  Serenity is watching and listening to everything around her, and is ostensibly distracted from her brother's words and quicker step, she is fully engaged. It's a lesson in being wholly present in place and with people.

Karlene Harvey, who has illustrated several other picture books including Melanie Florence's Kaiah's Garden, is a Tsilhqot'in and Syilx illustrator who respects the Indigenous basis for the story without highlighting any of the major styles such as the Woodland Style.  The realism of the Hawk's morphology is blended with the bold and the bright of the characters as they journey and fish but Karlene Harvey still adds light touches to remind readers of the community from which Big Ed and Serenity were born. In addition to the glorious end papers of beaded flowers, there's Big Ed's beaded bear paw medallion necklace and the bead work on Serenity's collar.

From The Hawk Shadow, written by Jan Bourdeau Waboose, illustrated by Karlene Harvey

Here's to listening, seeing, and being a part of something, whether it be a sibling relationship, the natural world, or a community. There is always much to learn and appreciate, even from the shadows.