Standoff (Kidnapped From Ukraine, #2)

Written by Marsha Forchuk Skrypuch

Scholastic
978-1-5461-0454-4
288 pp.
Ages 8–13
October 2025

 

As it had been for me reading Under Attack, the first book in Marsha Forchuk Skrypuch's Kidnapped From Ukraine series, delving into Standoff was a challenge. I knew to expect a sensitive but authentic story about the Russian invasion of Ukraine in 2022, but I also knew that it would be emotionally demanding of me because of my heritage. It was. But it was also eloquent and inspiring and well worth the read.

 

In the earlier Under Attack, readers are introduced to the Popkov family: dad Ivan who worked at the Azovstal steel plant in Mariupol, mom Yaroslava who worked at a nail salon, and twelve-year-old twin sisters Dariia and Rada. When the first attack occurs in February of 2022, Dariia and her mom are separated from Rada and their dad. The first book covers Dariia's perspective and experiences, while Standoff is told from Rada's point of view from the onset of the first attack. While Dariia and their mom find shelter at a salon and other commercial buildings, Rada and her dad head to the steel plant with its extensive bunkers, and from which he will join up with the Territorial Defense . With the wise words, "Be brave but not stupid" (pg. 42), her dad leaves Rada in the care of the Yanin family: Mr. Yanin, an engineer; his son Viktor, a classmate of Rada's; and his nine-year-old daughter Alina. (Mrs. Yanin was killed in the attack on their apartment building.)

 

Each day is a scramble for food, clothing, water, heat and more. Still, the make-shift family connects with another family when Rada meets Lesia Stepanova. Lesia is sheltering in another bunker at the plant with both her grandmothers (Baba and Babushka), her sister-in-law Maiia, and Lesia's baby nephew Oleh. Lesia's mother is also in the Territorial Defense, while Lesia's older brother is in Moscow on a business trip. After they attempt to evacuate Mariupol during a ceasefire—which the Russians failed to observe—they add nine-year-old Mychailo Voron and a woman named Svetlana Boyko to their little group.

 

Their lives become a series of routines to help them get through each day, whether it is doing lessons, or toileting, or preparing and sharing their meager provisions. Hope comes with the promise of a ceasefire—more than once—though the Russians are quick to apprehend and attempt to transport Ukrainians to Russia. It's only when the Red Cross, the UN, and other international observers and aid are involved that those efforts are stymied.

 

Life is tenuous. On the inside of the plant, Rada and her new family struggle and worry and grieve. Outside, their challenges are both the same and different: worried for their loved ones, grappling with a lack of resources, terrified of being injured or killed, and never knowing whom they could trust. 

 

The attack and war on Ukraine has sadly been part of the news cycle for almost four years, but for many it is a story from "over there." Marsha Forchuk Skrypuch's stories, both Under Attack and Standoff, take a distant conflict and make it personal. This isn't happening faraway to people we don't know. It's happening to children, to the elderly, to parents, and to shopkeepers, neighbours, and people we care about. We feel their horror, recognize their anxieties, grasp their grief, and acknowledge their needs to hold on to whatever might offer comfort, whether a cat or a Motanka doll. Whether it's a middle grader reading this book and stunned by the horrific circumstances that Rada and her families, born and made, endure, or an older reader who understands the cruelty of others and the grief of loss, Standoff will hit hard. But Marsha Forchuk Skrypuch knows how to tell a story of immense tragedy by pairing it with resilience, affection, and hope. Even the title of the third book in the series, which releases in April, tells us that there is more to the twins' stories and, even with more hardships and loss, they endure. 

 

For an authentic and very personal perspective on the war in Ukraine, Marsha Forchuk Skrypuch offers a story of Ukrainians from Mariupol and what they saw and felt when the Russians attacked. She even offers more background in her "Author's Note" and the Q & A with which she appends Standoff, helping young people gain greater understanding about the events and the history behind the Russian invasion. We can only hope that with awareness comes understanding, and with time there will be a favourable resolution for the people of Ukraine.  

 

 • • • • • • •

 

Under Attack (January, 2025)

Standoff (October, 2025)

Still Alive (April, 2026)
 

Trapped in Hitler's Web

Written by Marsha Forchuk Skrypuch

Scholastic

978-1-338-67258-9

240 pp.

Ages 8-12

October 2020

 

Marsha Forchuk Skrypuch first addressed the impact of World War II on Ukraine and its people by the Soviets and then the Nazis in her series which included Stolen Child, Making Bombs for Hitler and Underground Soldier. With Don't Tell the Enemy (alternate title Don't Tell the Nazis), she began a different story, one of protecting Jewish friends in the Ukrainian village of Viteretz after the Nazis began to show their true colours. In Trapped in Hitler's Web, Marsha Forchuk Skrypuch takes us beyond Viteretz, following Maria and Nathan after they've run away in the effort to keep Nathan's Jewish identity hidden and survive.

When the occupying Nazis started killing Jews in their village, eleven-year-old Maria Fediuk leaves her mother and older sister Krystia, whose story is told in Don't Tell the Enemy, to save her friend Nathan Segal from imminent death. Using the identity papers of a boy killed by the Soviets, Nathan becomes Bohdan Sawchuk, and the two sign up for work in the Reich, believing the promises of pay, food and shelter. Heading to Austria with others who'd been captured as slave labourers, their hope for safety is shattered when the two are separated in Salzburg, Nathan taken for bridge building while Maria is sent to the Huber farm near Innsbruck. 

The Huber farm is currently run by Frau Huber and her parents, Frau and Herr Lang. Frau Huber's husband and son are both fighting for the Reich and her fourteen-year-old daughter Sophie is a staunch Hitler Girl. Soon enough Maria learns that she and Bianka, a Polish girl captured two years earlier, are little more than slave labourers, sleeping in the barn and allotted minimal food, though not as badly off as the Ukrainians labelled as Ostarbeiters who return to a slave camp nightly. Though Frau Huber and her parents show kindness when they can, they are very cautious as their harvest is monitored, their actions are regularly scrutinized by Blockleiter Doris Schutt and they fear that the inexorable Sophie might betray them.

Realizing that her plan to help Nathan escape and to send money home to her mother and sister has failed, Maria does what she must to survive, knowing that she may be better off than some, but that she must find a way to make things right for Nathan and her family. Coming to realize that there are many trapped in Hitler's organization of cruelty and propaganda, from the Jewish people, to slave labourers, farmers, and even soldiers, Marie watches and listens and learns what she must to persevere and help those she cares about do the same.

As historical fiction, Trapped in Hitler's Web, like its companion novel Don't Tell the Enemy, is tragically honest and heartbreaking. The story is even more anguished as it is inspired by real events and people. But it is a telling story, from the perspective of a brave child who endured excruciating physical and emotional hardship, driven by hope to help those dear to her. It's also revelatory about the many victims of the Reich, borne in a manufactured hierarchy of discrimination. Hearing Maria and others referred to as "subhumans" and starved and abused is crushing. Still Marsha Forchuk Skrypuch writes to reveal another story of WWII, specifically about Ukrainians, and she does so with much heart and compassion, reminding us that there are sometimes more than two sides to a story and to war itself.

 

• • • • • • • 

Don't forget the virtual book launch coming up for Trapped in Hitler's Web.  Teachers and their classes are encouraged to attend for an opportunity to listen to Marsha Forchuk Skrypuch speak about her newest book of historical fiction. Register for this free event at the Brantford Public Library.

Don't Tell the Enemy

Written by Marsha Forchuk Skrypuch

Scholastic Canada

978-1-4431-2839-1

184 pp.

Ages 10-14

January 2018

The Soviets have oppressed the Ukrainian homeland of twelve-year-old Krystia Fediuk for centuries but their occupation since 1939 has been a reign of terror for the Ukrainians, Poles and Jews in the town of Viteretz with appropriation of homes, imposed hunger, deportation to slave camps and execution.  With the Germans marching into Ukraine in 1941 and the Soviets fleeing, there are initial hopes and even proclamations of Ukrainian independence.  But the good spirits that come with the egress of their oppressors and the bestowing of food, as well as the opening of the church, are soon suspended as the Nazis begin to show their true objectives.

Krystia, her younger sister Maria and their mother Kateryna live amongst a diverse neighbourhood of Jewish, Ukrainian and Polish families of both modest and wealthier means and a Catholic church with resident priest, surrounded by farms.  Some residents are already gone, whether deported to Siberian slave camps, executed by trigger-happy Soviets or in hiding from the Soviet secret police, the NKVD, like Krystia's Uncle Ivan.  Regardless of atrocities, life must go on, and that includes taking their cow Krasa to pasture daily, tending to the garden, feeding the chickens and fetching water, always keeping their heads down to avoid suffering the wrath of the Soviets.  But when the Germans roll in, their community begins to change in different ways.  In addition to the Nazis, refugees from Germany as well as Volksdeutsche–ethnic Germans from Slav countries–begin to flood the area and force the displacement of residents.  Then the summons from Commandant Hermann begin, first naming a hundred Jewish men and declaring them to be murderers of those imprisoned by Soviets. The community is stunned when the men are shot and amassed in a single grave. 

The terror of the Nazis escalates with their acceptance of Aryan, German and Volksdeutsche as The Master Race and all others as subhuman, with particular targetting of the Jewish people, both in mass executions and then segregation into a Jewish Ghetto.  After her Auntie Iryna goes to live with the insurgents in their forest encampment, Krystia takes on the role of courier of photos and falsified documentation.  With food rationed to starvation levels, fines imposed for random acts and their Jewish friends in danger of imminent death, Krystia and her mother take increasing risks to survive and help their friends and family. 

...that the way to honor our family and friends was to be strong and to live and to tell their stories. (pg. 177)

Based on the true story of Kateryna Sikorska and her daughter Krystia Korpan, Don't Tell the Enemy reveals the often overlooked position of Ukraine during World War II when the terrorism historically imposed by the Soviets escalated to horrors which many believed would be appeased by the Germans.  But invasion is invasion and oppression is still that.  The shift from the Soviets persecuting all in their community to the brutality levelled by the Nazis against the Jewish people and those who might help them is especially tragic.  A simple life of family and work now becomes an exercise in survival and even more perilous with the pitting of groups of people.  No one should have to choose.  While some appear to do so easily and heartlessly, there are others like Krystia and her family who demonstrate incredible courage and resilience in the face of death and fear.  Marsha Forchuk Skrypuch in her author's notes mentions that she almost wrote this as a piece of non-fiction but chose to tell it as a fictionalized account to do the story justice.  She chose well and admirably tells a story that needs to be read to appreciate the circumstances of those living in western Ukraine during World War II when enemies were plentiful, dangers ubiquitous, survival precarious and a few good people could make all the difference.

≥≤≥≤≥≤≥≤≥≤≥≤≥≤≥≤≥≤

Marsha Forchuk Skrypuch launches Don't Tell the Enemy next week in Brantford Ontario.  The author is a passionate speaker and sure to captivate attendees with her reading and sharing of writing this new book.  Details about the launch are provided here.

Internment in Canada: A youngCanLit book list

On August 22, 2014, the 100th anniversary of Canada's first internment operations will be commemorated with the unveiling of 100 plaques across Canada.  These historical plaques will be unveiled at 11 a.m. at Ukrainian, Croatian, Serbian, German, and Hungarian churches and cultural centres, museums and other public venues.

While the internment of Canadians of different nationalities began with the enactment of the War Measures Act at the onset of World War I, there are too many individuals and families that were labeled as enemy aliens during both world wars that we should not forget this blemish in our history.  As such, I've prepared a list of youngCanLit and NFB films that either focus on the tragedy of internment or include characters that have been interned.  The majority of these resources involve the internment of Japanese Canadians during World War II, but please recognize that the commemorative plaques are specifically the work of the Ukrainian Canadian Civil Liberties Foundation to help everyone... Remember, Learn, Never Forget Them. (Further details are available at http://www.internmentcanada.ca/news-events.cfm)

As an aside, I'll be reviewing Marsha Skrypuch's newest book, Dance of the Banished, (listed below) in which a young Alevi Kurd from Anatolia is interned during World War I in a camp in Kapuskasing.  That review will be posted on August 22, and Marsha Skrypuch will answer some questions about her book in a post the following day.


PICTURE BOOKS

Flags

by Maxine Trottier

Illustrated by Paul Morin

Fitzhenry & Whiteside

27 pp.

Ages 8+

1999

Naomi's Tree
by Joy Kogawa
Illustrated by Ruth Ohi
Fitzhenry & Whiteside
32 pp.
Ages 8-11
2008

Silver Threads
by Marsha Forchuk Skrypuch
Illustrated by Michael Martchenko
Fitzhenry & Whiteside
32 pp.
Ages 6-8
2004





FICTION

Beautiful Goodbye
by Nancy Runstedler
Dundurn
146 pp.
Ages 10-12
2013

Caged Eagles
by Eric Walters
Orca Book Publishers
256 pp.
Ages 12-15
2001
Sequel to War of the Eagles

Cherry Blossom Winter
by Jennifer Maruno
Dundurn
174 pp.
Ages 10-13
2012

Dance of the Banished
by Marsha Skrypuch
Pajama Press
288 pp.
Ages 12+
August, 2014

Lesia’s Dream
by Laura Langston
HarperCollins
208 pp.
Ages 11+
2003

My Anastasia
by Sharon Stewart
Scholastic Canada
249 pp.
Ages 11+
1999

Naomi's Road
by Joy Kogawa
Illustrated by Ruth Ohi
Fitzhenry & Whiteside
120 pp.
Ages 9-12
2005

Prisoners in the Promised Land: The Ukrainian Internment Diary of Anya Soloniuk, Spirit Lake, Quebec, 1914 (Dear Canada)
by Marsha Forchuk Skrypuch
Scholastic Canada
243 pp.
Ages 11-14
2007

Sabotage
by Karen Autio
Sono Nis Press
293 pp.
Ages 11-13
2013

Stones for My Father
by Trilby Kent
Tundra Books
170 pp.
Ages 9-13
2011

Torn Apart: The Internment Diary of Mary Kobayashi, Vancouver, British Columbia, 1941 (Dear Canada)
by Susan Aihoshi
Scholastic Canada
209 pp.
Ages 10-13
2012

War of the Eagles

by Eric Walters

Orca Book Publishers

224 pp.

Ages 12-15

1998

When the Cherry Blossoms Fell
by Jennifer Maruno
Napoleon
112 pp.
Ages 9-12
2009

The Whirlwind
by Carol Matas
Orca Book Publishers
128 pp.
Ages 12-14
2007

Winds Through Time: An Anthology of Canadian Historical Young Adult Fiction
Ann Walsh, ed.
Beach Holme Publishing
162 pp.
Ages 10+
1998






NON-FICTION

A Child in Prison Camp
by Shizuye Takashima
Tundra
102 pp.
Ages 10+
1976

A Curious Cage: Life in a Japanese Internment Camp 1943-1945
by Peggy Abkhazi
Sono Nis Press
167 pp.
Ages 14+
2002

Italian Canadian Internment in the Second World War (Righting Canada's Wrongs)
by Pamela Hickman and Jean Smith Cavalluzzo
Lorimer
111 pp.
Ages 14-17
2012

Japanese Canadian Internment in the Second World War (Righting Canada’s Wrongs)
by Pamela Hickman and Masako Fukawa
Lorimer 
160 pp.
Ages 14+
2011

The Kids Book of Canadian Immigration
by Deborah Hodge
Illustrated by John Mantha
Kids Can Press
64 pp.
Ages 8-12
2006

Kobzar’s Children: A Century of Untold Ukrainian Stories
Marsha Forchuk Skrypuch, ed.
Fitzhenry & Whiteside
199 pp.
Ages 13+
2006

This Land We Call Home
by Alison Lohans
Pearson Education
189 pp.
Ages 11-13
2007

On a Canadian Day: Nine Story Voyages Through History
by Rona Arato
Illustrated by Peter Ferguson
Maple Tree Press/Owlkids Books
96 pp.
Ages 9-13
2009






FILM

Barbed Wire and Mandolins
Directed by Nicola Zavaglia
Produced by Sam Grana
National Film Board of Canada
46 min., 45 sec.
Ages 14-17
1997

Freedom Had a Price
Directed and produced by Yurij Luhovy
National Film Board of Canada
55 min.
Ages 12+
1994

Obachan's Garden
Directed by Linda Ohama
Produced by Selwyn Jacob and Linda Ohama
National Film Board of Canada
94 min.
Ages 13+
2001



################################

Additional books more appropriate for adults, such as Blood and Salt by Barbara Sapergia (Coteau, 2011), are available but not listed here because of their unsuitability for youngCanLit readers.  But do seek them out for greater depth into the history of internment in Canada, sadly a less than proud part of our heritage.

Underground Soldier

by Marsha Forchuk Skrypuch

Scholastic Canada

978-1-4431-2437-9

192 pp.

Ages 8-12

January, 2014

OK–I admit it.  I love everything Marsha Forchuk Skrypuch writes.  Maybe it's because she writes to inform and touch, eloquently accomplishing both without teacher- or preacher-speak.  Maybe it's because we're both Ukrainian, though not all her stories have a Ukrainian focus.  Maybe it's just because she writes great books.  I suspect it's the latter but I would never deny the others.  I knew that I would appreciate Underground Soldier, as I did its prequels: Stolen Child (Scholastic Canada, 2010) and last year's Silver Birch Fiction award winner Making Bombs for Hitler (Scholastic Canada, 2012), reviewed here.  See if I'm not right.

Stolen Child focused on Larissa, a young Ukrainian girl, who struggles to deal with confusing memories before her adoption by a Ukrainian family in Brantford.  Her older sister, Lida, is the primary focus of Making Bombs for Hitler, as an enslaved Ostarbeiter taken by the Nazis.  Another Ukrainian, Luka Barukovich, becomes an ally of Lida's, though his escape from the camp hospital leaves her wondering and worrying about his fate.  Underground Soldier is Luka's story, from his escape to his desperate need to return to Kyiv (the largest city in Ukraine) and reconnect with his father who was taken to Siberia by the Soviets.

Sent to the camp hospital from whence most leave dead, Luka is encouraged by Lida to find a way out which he does, hidden in a truckload of dead bodies.  His escape from the truck is just the beginning of a tortuous journey towards the mountains that he knows will link with the Ukrainian Carpathians and home.  It's not surprising that, with the Nazis taking his mother and enslaving him while the Soviets arrested his father and oppressed the people of his homeland, Luka is cautious and suspicious of anyone he encounters on his journey.  The enemy is everywhere and everyone.  A Ukrainian-speaking German couple, Helmut and Margarete, are one of his first allies, though he has much to fear when he learns that both their sons are Nazis.  As he continues his trek, Luka is reminded of the many incidents, both personal and national, that have shaped his distrust of both the Nazis and the Soviets.  With the repeated and horrific losses of life and whole-scale destruction, Luka realizes Ukraine and its people are spoils of war, to take or destroy as need be.

His journey is helped when he meets Martina Chalupa, a Czech girl, whose skills in tracking, evading detection and survival are superior to his.  After they are helped at an underground hospital of the Ukrainian Red Cross, Luka and Martina join the Ukrainian Insurgent Army (UPA) to help protect and defend against both the Soviet Red Army, the NKVD (the brutal Soviet law enforcement agency) and the Nazis, both from targeted attacks, death camps, and large-scale destruction.  Even after Hitler commits suicide in 1945, UPA is still committed to fighting Stalin and his NKVD, as Luka is to finding his loved ones: his father, his mother and Lida.

Underground Soldier is not an action war story; it is a sobering tale of a people wedged between two evils with no "winning" possible.  Those who seek the thrill of an enemy-laden, gun-fighting game between good guys and bad guys will not find it here.  The horrors of war are evident as is the compulsion to save loved ones and survive.  But Underground Soldier is a more involved story, obviously painfully researched by Marsha Skrypuch, to include all aspects of World War II and its aftermath as endured by Ukrainians such as Luka, Lida and Larissa and by so many others.  The story revealed information that I could link to my own family's history, as I'm sure it will for many Ukrainians whose parents or grandparents lived through WWII in Ukraine and environs.

In this emotion-laden plot-driven story, Marsha Skrypuch will touch new readers to this trilogy and provide closure for those who've read Stolen Child and Making Bombs for Hitler.  There is no happy ending for any of war's victims, but by providing clarifying details and authentic experiences of those whose stories are embedded here, Marsha Skrypuch honours both the past and the future of Ukrainians and other victims of World War II everywhere.  Informing and touching, Underground Soldier is Marsha Skrypuch through and through.

Making Bombs for Hitler

by Marsha Forchuk Skrypuch

Scholastic Canada

978-1-4431-0730-3

186 pp.

Ages 8-12

2012

The title of Marsha Skrypuch's newest book may blindside you, even knock you senseless about reading it, but it would be a shame for anyone not to read this compassionate historical fiction about a little known tragedy of World War II.  As always, Skrypuch demonstrates that she is to be trusted and respected for her ability to transform even horrific history into gentle but honest and enlightening stories.

With Russian Communist rule in Ukraine and Stalin determined to destroy the country to keep it from the Germans coupled with the Nazis heading for Moscow by invading Ukraine, Ukrainians were in an unfortunate position, territorially and psychologically, during World War II.  Sadly, this senseless situation leads to the murder of eight-year-old Lida Ferezuk's father by the Russians and her mother by the Nazis.  Separated from her younger sister, Larissa, Lida is taken with numerous Ukrainian children to Germany to be Ostarbeiter (eastern workers) for the Nazis.

Housed in barracked camps, provided with no clothes or shoes, and essentially starved on watery broth once a day, Lida and other children are slave workers for the Nazis, kept only as long as they are useful.  After showing her skills with needle and thread, Lida is assigned to the Nazi laundry. But, after being gifted a cast-off shirt by the laundress, Officer Schmidt decides Lida has been too privileged and assigns her with five others girls to construct bombs in a compound away from the camp. 

With repeated defeats at the front, many Nazis retreat and, without supervision, the girls begin to sabotage the bombs to ensure they are ineffective.  But, relentless bombing by the Allies destroys the camp, allowing many to escape. Unfortunately, a number of them, including Lida, are captured and taken to a German town where their enslavement is reimposed under a man manufacturing ammunition.  Locked in a basement, they endure inhumane conditions, worsened when they are abandoned by the departing Germans feeling the threat of the Allied forces.

The inevitable arrival of Allied soldiers and their discovery of Lida and others brings the reader small pleasure, as the deaths of many and the images of the starved with legs turning to sticks and teeth loosening cannot be erased or ameliorated.  Even with their rescue and care by compassionate soldiers and nurses, the Ukrainian children are in jeopardy from the Soviets who view them as Nazis, deserving of punishment.  If they do survive the machinations of the Soviets to retrieve and punish them, many will spend years in displaced persons camps, waiting, hoping to be reunited with family.

This heart-breaking story, as told from Lida's young eyes and heart, offers an opportunity for our young readers to get a different perspective of World War II beyond the battles expounded upon in history books or Remembrance Day activities at school or the tragedy of the Jewish people.  It provides an opportunity to see war from a Ukrainian child's perspective, hopefully sparking discussions with grandparents or research to understand more fully the plight of so many during war.  [n.b.  I may begin my own research with A History of Ukraine by Paul R. Magocsi (University of Toronto Press, 1996)]

Being of Ukrainian heritage, recalling vague discussions about Ukrainians dealing with the enemy they knew and the enemy they didn't, I recognize that choices were more akin to gambles, made with the single goal of survival.  As Lida acknowledges, even with the difficulty in believing that people could be so cruel, they saw hope even when there was none, just as Lida tries to see beauty anywhere, just as her mother deemed it was possible.