Showing posts with label Marsha Skrypuch. Show all posts
Showing posts with label Marsha Skrypuch. Show all posts

January 21, 2014

Marsha Skrypuch: Author Event (Toronto)

YoungCanLit Author Marsha Skrypuch
 
 
presents her Silver Birch Fiction Award-winning novel
and 
2014 Kobzar Literary Award nominee

Making Bombs for Hitler
by Marsha Forchuk Skrypuch
Scholastic Canada
978-1-4431-0730-3
186 pp.
Ages 8-12
2012
   
and 

its new companion book

 Underground Soldier
by Marsha Forchuk Skrypuch
Scholastic Canada
978-1-4431-2437-9
208 pp.
Ages 8-12
January 1, 2014

on
 
Wednesday January 29, 2014

 at 7 p.m.

St. Vladimir Centre
620 Spadina Avenue (below Bloor St.)
Toronto, ON

This presentation is part of A Series of Readings with the 2014 Kobzar Literary Award Nominees


In addition to a presentation about her books and launching Underground Soldier, books will be available for sale and autographing.

November 02, 2013

Marsha Skrypuch: Book Launch (Paris, ON)

Author Marsha Skrypuch 
 

will launch her two newest picture books


When Mama Goes to Work 
by Marsha Forchuk Skrypuch
Illustrated by Jessica Phillips
Fitzhenry & Whiteside
978-1-55455-314-3
32 pp.
Ages 3-6
 
 and

 
The Best Gifts
by Marsha Forchuk Skrypuch
Illustrated by Elly MacKay
Fitzhenry & Whiteside
98-1-55455-283-2
32 pp.
Ages 4-8
 

on


Thursday, November 21, 2013

at 7:00 p.m.

at the  
County of Brant Public Library,
12 William St.
Paris, Ontario

October 06, 2013

The Best Gifts

Written by Marsha Forchuk Skrypuch
Illustrated by Elly MacKay
Fitzhenry & Whiteside
981-1-55455-283-2
32 pp.
Ages 4-8
May, 2013

Throughout Sara's life, she is wrapped in love and celebrated with joy and gifts.  From birthdays, to graduation, to marriage, Sara is showered with adoration.  But the very best gift is the one that she receives at her mother's breast with her father beside them, and the one that she gives her own child, Sam, at the conclusion of the book.

This new edition of Marsha Skrypuch's The Best Gifts (originally illustrated by Halina Below; Fitzhenry & Whiteside, 1998) is the story of a new life that is nurtured and treasured, and allowed to grow and flourish so that she may share the same gifts with her newborn son.  And the final message,
"...the best gifts can never be bought"
is warmly extended through the unique paper art of Elly MacKay.

Award-winning author of children's fiction and non-fiction Marsha Forchuk Skrypuch has always been able to touch readers' hearts with her poignant takes on historical circumstances of the Ukrainian Holodomyr, the Armenian genocide, airlifts from Vietnam and immigration. But this story comes from the past, the present and the future, for every child born and yet to be born, in love and care, and blessed with a mother's milk, sharing the most natural of first gifts.  Complemented with Elly MacKay's soft, ethereal paper artwork, Marsha Skrypuch's text gently shares the importance of breastfeeding without insisting that readers get up close and personal with it.  While resources and links to organizations and research into the valuable nature of breastfeeding are provided, Marsha Skrypuch and Elly MacKay have taken a step back from lauding breastfeeding directly and allowed The Best Gifts to be introduced to a younger readership with the aim of appreciating the nature of all gifts (though The Best Gifts is still a great gift for new parents!)

September 09, 2012

One Step at a Time: A Vietnamese Child Finds Her Way

by Marsha Forchuk Skrypuch
Pajama Press
978-1-927485-02-6
128 pp.
Ages 8-12
2012


Eight-year-old Son Thi Anh Tuyet's story begins in Last Airlift: A Vietnamese Orphan's Rescue From War (Pajama Press, 2011) with her rescue from Saigon when the North Vietnamese and Viet Cong relentlessly bombarded the city at the conclusion of the Vietnam War.  Along with numerous babies from the orphanage, Tuyet is given transport to Canada.  And, regardless of her polio-stricken left foot and leg which she believes makes her unadoptable, Tuyet is welcomed into the Morris household in Ontario.

So begins One Step at a Time: A Vietnamese Child Finds Her Way, the next chapter of Tuyet's life, as a new sister to Beth, 4; Lara, 3, adopted from Calcutta; and baby Aaron, also from Vietnam.  Though far from the bombings and orphanage life in Vietnam, Tuyet is still troubled.  She experiences nightmares and poor sleep, finding reassurance in sleeping on the floor near family so that she might hear them nearby.  She cannot understand English very well yet, so communication is difficult, though she recognizes the love and safety she feels in the Morris' home, now hers.  And she continues to suffer with her disabled foot and leg that prevent her from walking properly, running, and even kicking a ball.  Overriding everything, though, is her fear that she may have to leave the Morris' and perhaps return to Vietnam.

Though it has been explained to her that she will be going to McMaster Hospital for an operation for her leg and foot, Tuyet is not prepared emotionally for being separated from her new family and the aftermath of the operation.  In the 1970's, Canada's multicultural identify had not quite blossomed fully and translation services were essentially non-existent.  Awakening to find her leg "in cement" is distraction enough, but being unable to communicate her overwhelming pain leaves Tuyet feeling even more vulnerable.  Luckily her simple "I want Mom and Dad" brings Dad to help, as he does throughout the whole process of Tuyet using her crutches, being fitted for braces, and getting regular physiotherapy.

Tuyet's new life is filled with many "firsts", which she sometimes sadly connects with her past.  Balloons, the hospital, birthday presents and cake with burning candles, leg casts, and even a crop duster plane cause some confusion and even distress but the compassion and support John and Dorothy Morris extend to their new daughter and the unconditional love of her new siblings remedies most of her fears and pains.  Ultimately, coupled with a pair of little red shoes, Tuyet's life is changed forever.

Just as she so eloquently did in Last Airlift, Marsha Skrypuch gently takes the reader by the hand to observe the young girl's new life from Tuyet's viewpoint.  The thoughts in Tuyet's young mind are varied, complex and even irrational (from an adult's point of view, of course) but they are real and overwhelming to an eight-year-old, and even Tuyet astutely recognizes that "not all hurts show on the outside." (pg. 90) Not the princess dreams and perfect endings of fairy tales, Tuyet's story is all the more satisfying when her anxieties and confusions are resolved fittingly, just as her shoes are, though not perfectly, and provide the hope necessary to help her take her next steps.  A wonderful tale of making things fit, whether they be people or shoes.

* * * * * * * * * *

If you can make the book launch for One Step at a Time: A Vietnamese Child Finds Her Way on Wednesday September 19, you will be fortunate enough to visit with both author Marsha Skrypuch and her guest, Tuyet. 

September 05, 2012

Book Launch: One Step at a Time, A Vietnamese Child Finds Her Way

Join
Marsha Forchuk Skrypuch

author of 
Last Airlift: A Vietnamese Orphan's Rescue from War
on   
Wednesday, September 19, 2012

7:00 - 9:00 p.m.
at
The Station Coffee House and Gallery
5 Wadsworth Street
Brantford, ON
(519) 309-0008

for the launch of the sequel

One Step at a Time
A Vietnamese Child Finds Her Way
Eight-year-old Tuyet's harrowing escape from Saigon in 1975 and adoption by her new family in Brantford, Ontario was the focus of Last Airlift: A Vietnamese Orphan's Rescue from War (Pajama Press, 2011).  One Step at a Time: A Vietnamese Child Finds Her Way recounts Tuyet's true story of adjusting to her new family and country and accepting the unconditional love and support extended to her, regardless of her polio-stricken left foot and leg which she had always believed made her unadoptable.

Marsha Skrypuch accompanied by Tuyet will generously answer questions and autograph books at this book launch.

April 09, 2012

Last Airlift: A Vietnamese Orphan's Rescue from War

by Marsha Forchuk Skrypuch
Pajama Press
978-0-9869495-1-7
99 pages
Ages 10-15
2011

When the Americans joined to support the government of South Vietnam to prevent a communist takeover, they could not have guessed that the fall of Saigon in 1975 would compel them, among others, to participate in frenetic evacuations of military personnel and civilians.  Most surprising were the targeted efforts, by the U.S., Canada, Australia and France, to ensure that orphaned children were not left behind to face either death or indoctrination with communism.  Because of the escalating attacks by the North Vietnamese and Viet Cong, it was imminent that flight by air would soon be impossible.  As such, the rescue efforts involving both private and military transport would be seen as daring and urgent, especially for a child.

Eight-year-old Son Thi Anh Tuyet knows nothing of the machinations of the Vietnam War except the relentless pounding of bombs and the presence of soldiers.  Her only memories are of life in the orphanage (with random visits from a woman and a boy) and helping to care for the countless infants.  Last Airlift is Tuyet's true story, relating to her exodus and deliverance to a Canadian home for adoption.  Her recollections of the disquiet of war, coupled with her perception of herself as unadoptable, because of her polio stricken left foot and leg, imbue the events of her journey with the colour that is uniquely Tuyet.

From her spartan existence at the orphanage to the white Volkswagen van that takes Tuyet and countless babies (in boxes) through the turmoil of the streets to the fenced airfield, Tuyet relies only on what she knows and what she can see, believing her purpose is to be useful in the care of the infants.  When another child, Linh, joins the orphans, Tuyet learns that the foreigners are speaking English and that, since she cannot communicate with them, "No" is the best answer to give.  Through their numerous flights and eventual arrival in Toronto, Tuyet is flooded with new experiences, from seeing herself in a photograph for the first time (Did she really wear her sadness on her face for all to see? Tuyet asks herself; pg. 43), to wearing underwear, and to being gifted a doll and later a stuffed animal.   Even after she meets Mom and Dad and their daughters, Beth and Lara, Tuyet is still convinced she would be going with them only to help care for the girls and a Vietnamese toddler, Aaron, who was being adopted.  How Tuyet is able to see past her impaired foot and her orphanage experiences to become a sister and a daughter is a testament to the unconditional love of a family who saw past the qualities Tuyet believed defined her.

Marsha Forchuk Skrypuch mentions in her notes that she had initially intended for Last Airlift to be a piece of historical fiction with the main character as a composite of experiences of many orphans.  However, as Marsha Skrypuch pursued her historical research relentlessly, as she always does (see, for example, Making Bombs for Hitler, Scholastic Canada, 2012, and Stolen Child, Scholastic Canada, 2010), the real Tuyet recalled more details about her story, until the author recognized the scope was appropriate for a piece of non-fiction.  Surprisingly, readers will find that Last Airlift still follows like a fictionalized account for the reason that, as the saying goes, truth is stranger than fiction. (Okay, not always.) It seems unimaginable that a child, who had felt disconnected from those who were able, from those who were adoptable and from those who welcomed the soldiers who visited the orphanage with candies and toys, be plunged into chaotic circumstances directed by those who look and speak differently from her, into surreal vehicles, and to follow customs unfamiliar to her.  It would be a story of speculative fiction, except that it isn't.  Tuyet becomes a heroine of her own story, using her fortitude, observations, and humanity to navigate the new territories outside of the orphanage and to make herself fit in.

March 01, 2012

Making Bombs for Hitler: Book Launch


BOOK LAUNCH
for Marsha Skrypuch's
MAKING BOMBS FOR HITLER
the story of Lida, a young Ukrainian girl
who is taken by the Nazis in 1943 and forced into slave labour as an Ostarbeiter

Wednesday, March 7, 2012 
7:30-9:30 p.m.
At the UNF Toronto Community Centre
145 Evans Avenue
Etobicoke, Ontario
 


Marsha Skrypuch 
will present a brief talk about her book and then take questions from the audience.  Books will be available for sale and autograph.


This event is sponsored by The World Federation of Ukrainian Women’s Organizations and the Ukrainian Women’s Organization of Canada, Toronto Branch

December 20, 2011

Making Bombs for Hitler

by Marsha Forchuk Skrypuch
Scholastic Canada
978-1-4431-0730-3
186 pp.
Ages 8-12
2012

The title of Marsha Skrypuch's newest book may blindside you, even knock you senseless about reading it, but it would be a shame for anyone not to read this compassionate historical fiction about a little known tragedy of World War II.  As always, Skrypuch demonstrates that she is to be trusted and respected for her ability to transform even horrific history into gentle but honest and enlightening stories.

With Russian Communist rule in Ukraine and Stalin determined to destroy the country to keep it from the Germans coupled with the Nazis heading for Moscow by invading Ukraine, Ukrainians were in an unfortunate position, territorially and psychologically, during World War II.  Sadly, this senseless situation leads to the murder of eight-year-old Lida Ferezuk's father by the Russians and her mother by the Nazis.  Separated from her younger sister, Larissa, Lida is taken with numerous Ukrainian children to Germany to be Ostarbeiter (eastern workers) for the Nazis.

Housed in barracked camps, provided with no clothes or shoes, and essentially starved on watery broth once a day, Lida and other children are slave workers for the Nazis, kept only as long as they are useful.  After showing her skills with needle and thread, Lida is assigned to the Nazi laundry. But, after being gifted a cast-off shirt by the laundress, Officer Schmidt decides Lida has been too privileged and assigns her with five others girls to construct bombs in a compound away from the camp. 

With repeated defeats at the front, many Nazis retreat and, without supervision, the girls begin to sabotage the bombs to ensure they are ineffective.  But, relentless bombing by the Allies destroys the camp, allowing many to escape. Unfortunately, a number of them, including Lida, are captured and taken to a German town where their enslavement is reimposed under a man manufacturing ammunition.  Locked in a basement, they endure inhumane conditions, worsened when they are abandoned by the departing Germans feeling the threat of the Allied forces.

The inevitable arrival of Allied soldiers and their discovery of Lida and others brings the reader small pleasure, as the deaths of many and the images of the starved with legs turning to sticks and teeth loosening cannot be erased or ameliorated.  Even with their rescue and care by compassionate soldiers and nurses, the Ukrainian children are in jeopardy from the Soviets who view them as Nazis, deserving of punishment.  If they do survive the machinations of the Soviets to retrieve and punish them, many will spend years in displaced persons camps, waiting, hoping to be reunited with family.

This heart-breaking story, as told from Lida's young eyes and heart, offers an opportunity for our young readers to get a different perspective of World War II beyond the battles expounded upon in history books or Remembrance Day activities at school or the tragedy of the Jewish people.  It provides an opportunity to see war from a Ukrainian child's perspective, hopefully sparking discussions with grandparents or research to understand more fully the plight of so many during war.  [n.b.  I may begin my own research with A History of Ukraine by Paul R. Magocsi (University of Toronto Press, 1996)]

Being of Ukrainian heritage, recalling vague discussions about Ukrainians dealing with the enemy they knew and the enemy they didn't, I recognize that choices were more akin to gambles, made with the single goal of survival.  As Lida acknowledges, even with the difficulty in believing that people could be so cruel, they saw hope even when there was none, just as Lida tries to see beauty anywhere, just as her mother deemed it was possible.