Winterkill

Written by Marsha Forchuk Skrypuch

Scholastic

978-1-338-831-41-2

288 pp.

Ages 8-13

September 2022

 

Our way of life was being erased. We had to figure out a way to escape before we were erased too. (pg. 38)

With a war currently raging in Ukraine, it's easy to remember that Ukraine has suffered oppression for centuries. As it sought independence and freedom, the country was repeatedly targeted and made to suffer. Winterkill is but one story of an attempt to quash a people with a strong cultural identity and fervor for autonomy. 

In 1930, 12-year-old Nyl Chorny lives on a small farm with his parents and younger siblings Yulia (11) and Slavko (9) in the village of Felivka near Kharkiv. Ukraine is currently under the control of the Soviet Communists led by Stalin whose five-year-plan to modernise the country is really aimed at hurting Ukrainians by eliminating small family farms and combining them under large collectives called kolkhozes. Some villagers are buying into the lies told by Comrades Tupolev and Chort–Russians charged with governing them–and shock workers promising tractors, increased grain, and better opportunities. But for those like Tato, Nyl's father, the collectivisation is just a replacement for landlords and will have nothing to do with them. Still, they must abide by the demands of Communist workers who inventory all their goods, ban religious faith, and requisition their grain with the threat of being labelled kulaks and executed or deported. Some Communists are foreign specialists like Canadian George White who will be working at the future tractor factory and truly believes in Communism as does his young daughter Alice. Others have just found a new way to bully and exert control and gain wealth at the expense of others.

 

If you want to eat, join the kolkhoz. (pg. 50)

 

Still the family farms as best they can, managing with less after Nyl's Uncle Illya is executed for being a kulak, and Auntie Pawlina and baby cousin Tanya move in with the family. A bumper crop of wheat, millet and corn in the summer of 1930 has them all hopeful again and the family considers leaving the Soviet Union via Auntie's cousins in Ternopil, a city across the border in Polish Ukraine. But all those dreams go up in smoke when soldiers steal all the grain while the families celebrate the harvest.

Relying on foraging, hunting and fishing for food, and no way to get money needed for travel, Nyl and Slavko steal away to work in Kharkiv where the tractor plant needs construction workers. But what they find there is as dismal as at home though they are able to make some money. Still, what they return home to is worse than they could have expected. Whether any of them will ever survive, much less escape, a genocide by starvation and violence is Nyl's story to tell.

Winterkill is a big story. It is so big that I can't possibly reveal all the details and nuances of Marsha Forchuk Skrypuch's story in a short review. There are good people and evil ones, both Ukrainian and Russian. There is joy and heartache, resourcefulness and laziness, greed and generosity. And there is oppression. Though much of Winterkill deals with the Holodomor, the 1932-1933 genocide of Ukrainians by starvation, it's a story that's bigger than that. It's about that oppression of people and culture. There is resilience, as Nyl demonstrates with his story, but there is death and destruction and horrific suffering. And Marsha Forchuk Skrypuch tells it with such authenticity that this book of historical fiction could be a biography. Still, she tells it with sensitivity and compassion and allowed this  Ukrainian-Canadian to read it with appreciation, albeit filled with sorrow.

🌻🌻🌻🌻🌻 

Marsha Forchuk Skrypuch will launch Winterkill at the Brantford Public Library’s downtown branch on Thursday, November 24, 2022, at 6 p.m. Copies of the book will be available for purchase from Green Heron Books for signing by the author.  

Trapped in Hitler's Web

Written by Marsha Forchuk Skrypuch

Scholastic

978-1-338-67258-9

240 pp.

Ages 8-12

October 2020

 

Marsha Forchuk Skrypuch first addressed the impact of World War II on Ukraine and its people by the Soviets and then the Nazis in her series which included Stolen Child, Making Bombs for Hitler and Underground Soldier. With Don't Tell the Enemy (alternate title Don't Tell the Nazis), she began a different story, one of protecting Jewish friends in the Ukrainian village of Viteretz after the Nazis began to show their true colours. In Trapped in Hitler's Web, Marsha Forchuk Skrypuch takes us beyond Viteretz, following Maria and Nathan after they've run away in the effort to keep Nathan's Jewish identity hidden and survive.

When the occupying Nazis started killing Jews in their village, eleven-year-old Maria Fediuk leaves her mother and older sister Krystia, whose story is told in Don't Tell the Enemy, to save her friend Nathan Segal from imminent death. Using the identity papers of a boy killed by the Soviets, Nathan becomes Bohdan Sawchuk, and the two sign up for work in the Reich, believing the promises of pay, food and shelter. Heading to Austria with others who'd been captured as slave labourers, their hope for safety is shattered when the two are separated in Salzburg, Nathan taken for bridge building while Maria is sent to the Huber farm near Innsbruck. 

The Huber farm is currently run by Frau Huber and her parents, Frau and Herr Lang. Frau Huber's husband and son are both fighting for the Reich and her fourteen-year-old daughter Sophie is a staunch Hitler Girl. Soon enough Maria learns that she and Bianka, a Polish girl captured two years earlier, are little more than slave labourers, sleeping in the barn and allotted minimal food, though not as badly off as the Ukrainians labelled as Ostarbeiters who return to a slave camp nightly. Though Frau Huber and her parents show kindness when they can, they are very cautious as their harvest is monitored, their actions are regularly scrutinized by Blockleiter Doris Schutt and they fear that the inexorable Sophie might betray them.

Realizing that her plan to help Nathan escape and to send money home to her mother and sister has failed, Maria does what she must to survive, knowing that she may be better off than some, but that she must find a way to make things right for Nathan and her family. Coming to realize that there are many trapped in Hitler's organization of cruelty and propaganda, from the Jewish people, to slave labourers, farmers, and even soldiers, Marie watches and listens and learns what she must to persevere and help those she cares about do the same.

As historical fiction, Trapped in Hitler's Web, like its companion novel Don't Tell the Enemy, is tragically honest and heartbreaking. The story is even more anguished as it is inspired by real events and people. But it is a telling story, from the perspective of a brave child who endured excruciating physical and emotional hardship, driven by hope to help those dear to her. It's also revelatory about the many victims of the Reich, borne in a manufactured hierarchy of discrimination. Hearing Maria and others referred to as "subhumans" and starved and abused is crushing. Still Marsha Forchuk Skrypuch writes to reveal another story of WWII, specifically about Ukrainians, and she does so with much heart and compassion, reminding us that there are sometimes more than two sides to a story and to war itself.

 

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Don't forget the virtual book launch coming up for Trapped in Hitler's Web.  Teachers and their classes are encouraged to attend for an opportunity to listen to Marsha Forchuk Skrypuch speak about her newest book of historical fiction. Register for this free event at the Brantford Public Library.

The House of One Thousand Eyes

Written by Michelle Barker

Annick Press

978-1-77321-071-1

354 pp.

Ages 14+

2018

The House of One Thousand Eyes is a dark book but 1980s East Berlin was a dark time and place. It was a time of the Berlin Wall and the Stasi (the State Security Service) and repression of thought, opportunity and interaction. It was a time of oppression and control and secret-keeping. It was dark and even more so for seventeen-year-old Lena Altmann.

When she lost her parents in a factory explosion, Lena was sent to an asylum. After three years of treatment, she was released into the care of her aunt, a Party member, who treats Lena as a simpleton in need of direction to prevent her readmission to the hospital.

... but Auntie was a good citizen, and goodness was rewarded.
     Badness, however, got you a one-way ticket to smartening up ... (pg. 57)

Unfortunately, her Uncle Erich, whom she adores and visits weekly, is a writer and a man of opinions and insight. 

Paper could get a person in trouble. When you wrote something down, you gave it life and made it yours. (pg. 22)

When she witnesses the removal of his things from his flat and finds a new tenant in place who tells her he has lived there for five years, Lena wonders whether she is delusional. She is told by all that she has no uncle. She cannot locate any of his books at the bookstores or library (her own have disappeared as have her photos of him) and is told there is no birth record of such person.

Working as a night cleaner at Stasi headquarters, also know as the House of One Thousand Eyes, Lena tries to determine what happened to her uncle and cut through the deceit and illusion that all is right in the "Better Berlin." But will the wall she has built up in her own mind continue to protect her from harmful thoughts and brutality such as that she suffers nightly at the hands of one Stasi officer? Or is it like the real Berlin Wall, still in place in 1983, doing more harm than good or in danger of crumbling?

The House of One Thousand Eyes is a brilliant novel of historical fiction. The setting may only have been thirty-six years ago, still in my lifetime, but it's of a time and place so inaccessible, concealed in the propaganda disseminated by those in power and perpetuated by those choosing to survive at all costs, that it will seem far more distant.  It is a hard and dark time for East Berliners who had to choose whether to deceive themselves about the inequities perpetrated by a corrupt regime or to suffer the consequences, as does Lena's uncle, for free thought and disapproval. Just as Uncle Erich knows about veiling one story in another, Michelle Barker's subtext about mental health, social inequalities and the freedom of expression is never lost in the story of Lena as she searches for her uncle and tries to make sense of a world that often made no sense at all. But Michelle Barker builds up Lena's worlds, real and "schrullig," into a monument that honours lives lived with courage and conviction, never blocking the light of truth, and she does so with strength of words and greatness of style.

How Samantha Smart Became a Revolutionary

Written by Dawn Green

Red Deer Press

978-0-88995-549-3

312 pp.

Ages 13-17

September 2017

The title How Samantha Smart Became a Revolutionary may sound tongue-in-cheek, but there's nothing whimsical about Dawn Green's newest young adult novel.  It's a serious look at how easily a world can go wrong because of the vision of its leaders and how a relative moderate can become a poster child for a resistance movement.

Told in alternating chapters of "Then" and "Now", How Samantha Smart Became a Revolutionary follows the story of teen Sam Smart who begins university, determined not to be distracted from her studies or soccer, and meets a guy named Brady Smith–that's the "Then"– and who is apprehended as a rebel leader of the Wright Resistance–that's the "Now."  "Then" was a time of political fervour as the election for the country's president pitted charismatic John King against more socially responsive Richard Wright.  Though light on platforms, King wins on a smear campaign and begins rampant changes to address significant issues of food, water and energy shortages, pandemics and terrorist attacks.  Sadly he also institutes a new King's Guard ostensibly to serve the community but which, under the leadership of King's key advisor, General Marcus O'Brien, joins with the police and the military and becomes a force to be feared.  Sam may want to keep out of these matters, especially as Brady's family is so pro-King and Brady is determined to appease his father, but Kayla, Sam's roommate and best friend, is an ardent support of Wright and encourages Sam to join her at protests and rallies.  

Sam, I want you to remember this––you can let the moments define you, or you can define the moments. (pg. 115)

The world is changing around Sam and she doesn't like what she sees in King's treatment of immigrants, restrictions, and favouritism for the Guard and allies.  Though it is starting to impact her life–a scholarship lost, Brady joining the Guard, TA friend Aaron heading west to work with Wright's Equality Organization–it's not until she and Kayla, who is being sought out after an incident at a peaceful protest turned ugly because of the Guard, attend a football game where shots are fired and bombs go off that Sam is seen as the face of the Resistance and a rebel by King and his Guard.

See, that's what's wrong with this society.  Giving hero status to a girl they don't even know, based on an inflated image with some catchy hashtag underneath. (pg. 158)

Although Sam has come from a difficult background and is fairly opinionated, courtesy of her grandpa, she does not throw herself into the Resistance like Kayla or speak out against Brady's indoctrination into the King politico machine.  Even a photo taken of her at the O2 attack at the stadium is not indicative of her leanings, only her concern for her friend and compassion for others.  That's when it all changes because it's what others see in her that determines her fate.  And yet, she's still the girl in love with Brady Smith.  How Sam, and ultimately Brady, resolve their relationship with their beliefs and their actions, is not straightforward.

Dawn Green, author of When Kacey Left (Red Deer Press, 2015), packs a lot of story into How Samantha Smart Became a Revolutionary and she tells it with daring. There is a love story, a message about absolute power, about action and inaction in the face of injustice, and how everything can change in a moment and put your life on an unexpected path.  It's also a statement about media and how the powerful may attempt to manipulate it but how others may find ways for the truth to be revealed. In our troubled times, How Samantha Smart Became a Revolutionary is a very telling tale of how things can go horribly wrong with those seeking absolute power.  Though Dawn Green doesn't give us a happy ending, she gives us hope that the story will continue. Sometimes that's even better.

The Pact

by Amanda West Lewis

Red Deer Press

978-0-88995-544-8

352 pp.

Ages 10-15

September 2016

Remember there are always two sides to the same coin. (pg. 15)

The two-sides-to-the-same coin is a game ten-year-old Peter Gruber plays with his mother in order to see any set of circumstances from different perspectives but the reader would be well advised to heed this advice as well.  It’s very easy to sit back in the comfort of our lives today, wherever they may be, in the hindsight of World War II as a global entity.  It’s even easier to judge those involved in the war when we have countless sources of information about how it played out.  But we shouldn’t do so when reading The Pact by Amanda West Lewis because Peter Gruber’s story offers an opportunity to witness the then and there, starting in Hamburg Germany in 1939, when information was filtered and limited and reality was what you faced daily.

Although Peter is without a father and adept at black market trading of goods he scavenges at the port of Hamburg, he is probably a typical ten-year-old.  He goes to school (or he did until an accident that has him falling in the water leads to a case of diptheria and an extended hospital stay); he has his friends, Gunter and Eugene, who attend Hort, the youth organization, together; he has some family, notably his Tante Elsa and cousin Gerta who live in the country at Eutin; and he has hobbies like black-market trading and reading–his favourite is the western The Treasure of Nugget Mountain, though he gets into the Russian classics of Tolstoy, Chekhov and others after his hospital stay.  But Germany’s economy is in ruins after World War I and most Germans are happy to follow Chancellor Hitler’s directives to be dutiful and responsible to make Germany strong again.

In the fall of 1939, Peter begins Gymnasium, the elite school for privileged boys such as Hermann Weber, Peter’s trading nemesis and a bully, with friends Gunter Schmidt and Otto  Brandt, and participating in Jungvolk, the youth organization for boys of ages 10-14 that is all about training to fight.  But conflict with Poland and Great Britain’s declaration of war on Germany ramps up fears and patriotism, affecting work, food, education, and spirit.  Amidst lessons of ethnology of the German people and daily reminders that the boys are the future of Germany as well as celebrating the surrender of countries such as Denmark, Norway and Belgium, Peter is sometimes perplexed by what he previously thought or read in light of new and propagandist information (though he does not know it to be so).

With frequent air raids and bombings through 1940, Peter and his Gymnasium cohorts are evacuated as part of the Kinderlandverschickung south to Neumarkt where they are schooled and trained in all things Nazi, made to feel pride for the Party’s accomplishments, and reassured that the war would soon be over.

But the war is not soon over and Peter and his friends hear little news except that Britain is close to surrendering and on the brink of defeat. After returning to Hamburg in 1941, Peter is whisked away to his aunt’s for the summer.  Troops marching by share news of work camps where prisoners ("He wasn't sure where all of the prisoner were coming from, though."; pg. 136-7) work to support Germany’s economy and hears news of the conflict with the Soviet Union. Upon his return to Hamburg, though, pamphlets encouraging Germans to overthrow Hitler begin to surface and the BBC radio broadcasts his mother enjoys, illegally, have Peter revisiting what he hears and knows and fears.

Peter knew the British were lying.  But the broadcasts gave him this odd sense of huge events taking place somewhere else, things he wasn’t supposed to know about.  He tried not to think about it. (pg. 138)

The Pact is an involved and complex story, not unlike the war itself, and Peter’s experiences from 1939 through 1945 are no less so.  As a student of Gymnasium and a part of Jungvolk and then Hitlerjugend when he turns 14, Peter is shunted between home to safer evacuation locations in Neumarkt, Germany and Bistriz, Hungary and back to a demolished Hamburg, with forays to his aunt’s country home.  He begins to see that all he has lived through and experienced is “a life he now knew he didn’t want any part of.” (pg. 210)

“…we’re going to lose this damn war, and then it will be just like the last time, only worse.  They’ll take away our land; they’ll take away our food.  And this time, we’ll deserve it.  We’ll deserve to be punished.”  (pg. 218)

And even though he knows this, Peter is compelled to report to the Hitlerjugend office to avoid being deemed a deserter and begins apprenticing at an airplane engine factory in Klockner.  Still he is not free, ultimately commanded to attend a training camp in Denmark in November of 1944, a camp where the hundreds of young men are guarded by armed soldiers with dogs and forced to pledge allegiance to the Führer.  There is so much story to tell–hence my lengthy review–and yet Amanda West Lewis grips the reader with each scene, discussion, piece of propaganda, excursion, lesson, danger and thought that Peter faces and endures.  The Pact, which is based on a true story (the author's note and interview at the conclusion of the book reveal everything), will transfix readers with the story of war from a rare perspective, that of a child growing up in Germany, for whom home is everything, even if not everything is as it seems or should be.

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Take advantage of upcoming book launches for The Pact in Toronto, Kingston and Ottawa and Amanda West Lewis' reading at this weekend's Eden Mills Writers' Festival to hear from the author herself about this extraordinary, extraordinary story of historical fiction that will both enlighten and engross.