The Prisoner and the Writer: Guest review

This review was written by student Bronte L.

 

Written by Heather Camlot

Illustrated by Sophie Casson

Groundwood Books

978-1-773066325 

64 pp.

Ages 9-12

2022

The year is 1895 and Alfred Dreyfus is imprisoned on Devil’s Island off the coast of South America. The French government has accused him of selling military secrets to the German government. All he has are the books and letters his wife sends him and the memories. There are the memories of the day the stripes were ripped off his military uniform and his sword broken in two, and all the people shouting for him to be dead, because of the crime he did not commit, and because he was a Jew. And, of course, there are the memories of his children and wife back in Paris. Dreyfus had been sentenced here for life, and, although he knows he is innocent, there is nothing he can do.

From The Prisoner and the Writer by Heather Camlot, illus. by Sophie Casson

Back in France, in 1897, Emile Zola hears Dreyfus’ story. The newspapers say he is guilty, but many people think otherwise. Zola is captivated by this debate. He learns about the trial, searches for the facts, and eventually he is led to the truth that Alfred Dreyfus was innocent and a victim of antisemitism, now suffering for a crime he did not commit. Although Zola is a stranger to Dreyfus, and his successful career could be on the line, Zola decides to speak against the government, and tell the country what has happened. Emile Zola writes “J’accuse…!”, an open letter laying out all he has learned, and why Dreyfus should be released. This letter will change both their lives.

From The Prisoner and the Writer by Heather Camlot, illus. by Sophie Casson

The Prisoner and the Writer, written by Heather Camlot and illustrated by Sophie Casson, is a short, nonfiction picture book about the story of Alfred Dreyfus and Emile Zola. It tells how one stranger’s bravery and search for justice saved the life of an innocent man, and made news across the country. The book includes additional notes about this historical event, and teaches the reader how to identify disinformation and biased news, which is certainly an important skill in our current times.

Before reading this book, I had never heard of Dreyfus or Zola, or their incredible story. I can’t believe that’s the case, because it is such an inspirational one! Heather Camlot’s poetic writing, paired with Sophie Casson’s cool pastel illustrations, with dashes of fiery reds and glowing oranges, make you feel as though you’re watching a historical drama. The author’s notes on the affair and issues in the press today were just as essential, tying the story to the work we still have in improving our media, and in becoming more inclusive.

I give The Prisoner and the Writer a rating of 4.5 out of 5. I would recommend it to Grades 4 and up; to anyone trying to teach kids about disinformation, media, or persuasive writing; to those with a passion for history; and, of course, to anyone who hasn’t heard the sensational story of Emile Zola and  Alfred Dreyfus! 

 

~ Written by Bronte L., a Grade 9 student

The House of One Thousand Eyes

Written by Michelle Barker

Annick Press

978-1-77321-071-1

354 pp.

Ages 14+

2018

The House of One Thousand Eyes is a dark book but 1980s East Berlin was a dark time and place. It was a time of the Berlin Wall and the Stasi (the State Security Service) and repression of thought, opportunity and interaction. It was a time of oppression and control and secret-keeping. It was dark and even more so for seventeen-year-old Lena Altmann.

When she lost her parents in a factory explosion, Lena was sent to an asylum. After three years of treatment, she was released into the care of her aunt, a Party member, who treats Lena as a simpleton in need of direction to prevent her readmission to the hospital.

... but Auntie was a good citizen, and goodness was rewarded.
     Badness, however, got you a one-way ticket to smartening up ... (pg. 57)

Unfortunately, her Uncle Erich, whom she adores and visits weekly, is a writer and a man of opinions and insight. 

Paper could get a person in trouble. When you wrote something down, you gave it life and made it yours. (pg. 22)

When she witnesses the removal of his things from his flat and finds a new tenant in place who tells her he has lived there for five years, Lena wonders whether she is delusional. She is told by all that she has no uncle. She cannot locate any of his books at the bookstores or library (her own have disappeared as have her photos of him) and is told there is no birth record of such person.

Working as a night cleaner at Stasi headquarters, also know as the House of One Thousand Eyes, Lena tries to determine what happened to her uncle and cut through the deceit and illusion that all is right in the "Better Berlin." But will the wall she has built up in her own mind continue to protect her from harmful thoughts and brutality such as that she suffers nightly at the hands of one Stasi officer? Or is it like the real Berlin Wall, still in place in 1983, doing more harm than good or in danger of crumbling?

The House of One Thousand Eyes is a brilliant novel of historical fiction. The setting may only have been thirty-six years ago, still in my lifetime, but it's of a time and place so inaccessible, concealed in the propaganda disseminated by those in power and perpetuated by those choosing to survive at all costs, that it will seem far more distant.  It is a hard and dark time for East Berliners who had to choose whether to deceive themselves about the inequities perpetrated by a corrupt regime or to suffer the consequences, as does Lena's uncle, for free thought and disapproval. Just as Uncle Erich knows about veiling one story in another, Michelle Barker's subtext about mental health, social inequalities and the freedom of expression is never lost in the story of Lena as she searches for her uncle and tries to make sense of a world that often made no sense at all. But Michelle Barker builds up Lena's worlds, real and "schrullig," into a monument that honours lives lived with courage and conviction, never blocking the light of truth, and she does so with strength of words and greatness of style.

Uncertain Soldier

by Karen Bass

Pajama Press

978-1-927485-72-9

288 pp.

Ages 12+

April 2015

Our doubts are traitors and make us lose the good we oft might win, by fearing the attempt. 

- William Shakespeare, from Measure for Measure, 1.4.

If there’s any message that you can take from the latest young adult book of historical fiction from award-winning author of Graffiti Knight (Pajama Press, 2013) Karen Bass is that it isn’t always easy tell who your friends or enemies are, and even more so during wartime.  And the two young men whose stories are told within Uncertain Soldier, 17-year-old German soldier Erich Hofmeyer and 12-year-old Max Schmidt of Horley, Alberta, find themselves navigating uncertain paths as they attempt to survive as Germans in Canada during World War II.

After his German ship is sunk in the North Atlantic in 1943, Erich is sent to a prisoner-of-war camp near Lethbridge.  As decent as the Canadians seem to be, the camp is run by the German prisoners and specifically high-ranking Nazis.  Because he is reluctant to use his command of the English language to spy for the other German prisoners, Erich is suspected of disloyalty to the Fatherland and repeatedly assaulted in camp.  A consequent hospitalization leads to his removal voluntarily, and that of his bunkmate Johann Nikel, to the logging camp of Henry Lane in northern Alberta.  There, ten Germans deemed not to be pro-Nazi, join Canadian lumberjacks to bring down trees and work the sawmill.  Sadly, but not necessarily surprising, Erich must still endure the prejudice and abuse of other logging camp residents, both German and Canadian, and outsiders,  as well as in the local community of Horley.

Meanwhile, the story’s other protagonist, Max Schmidt, son of a German immigrant farmer, cannot seem to appease his father, who chastizes the boy for not standing up for himself and his heritage, and his peers who bully him with vicious taunts and regular beatings, and locals who look down their noses at his family.  His only respite comes when he runs errands to the logging camp where he is treated kindly by the Lanes and meets Erich with whom he becomes friends.

Though the two young men differ in their ages by five significant years–uncommon for lead characters and friends in youngCanLit–Karen Bass capably creates a friendship based in adversity and support that spans the years, experience and even birthplace.  Max and Erich are very different Germans but their hardships are monumental and the brutality they must endure because of their heritage is beyond wrong.  Each is a prisoner to their fears and the fears of others, challenging their loyalty in every direction.

A book like Uncertain Soldier does not go down easily.  It burns in your throat with the rising bile of injustice and cowardice and the horrors of prejudice inflicted in war and out.  It churns in your gut and then sits like a heavy meal of reality and history.  Sometimes getting beyond that all is tough.  Karen Bass again, as she did in Graffiti Knight, examines an ill-fated part of our history (her author’s note is an especially enlightening and valuable read) and textures it with humanity that makes it a touching story of distressing times.  Uncertain Soldier will blow the historical fiction award juries away with its power.

The Stamp Collector

by Jennifer Lanthier

Illustrations by François Thisdale

Fitzhenry & Whiteside

978-1-55455-218-4

32 pp.

Ages 8+

2012 

"A darkly luminous tale about the power of stories, and the bonds of empathy they can weave." - Yann Martel

(cover blurb endorsement for The Stamp Collector)

There is an art to writing blurbs on books and Canadian author Yann Martel (Life of Pi, Vintage Canada, 2002) has produced the epitome of a succinct but comprehensive, precise and genuine book blurb for Jennifer Lanthier's first picture book, The Stamp Collector. It is as perfect as the book itself.

The Stamp Collector tells the story of two boys, ostensibly in China: one who grows up in the countryside drawing upon the richness of words in his reading and then in his writing; and the other who lives in the desolation of a neighbourhood in the shadow of a prison, enthralled by a found stamp that promises worlds and adventures beyond. When old enough, both boys take on jobs to help their families: the writer continues to write of the land dying and the need for change while he works in a factory, and the city boy takes a job as a prison guard. The factory owners, fearful of the writer's skill in promoting hope through action, enlist the help of "the grey men who run the village" and the writer is arrested and sent to the prison where the other young man works.

"The boy who became a writer" is prevented from writing and interacting with others, and knows nothing of the letters of encouragement sent to him from those touched by his writing. But "the boy who became a guard" is instructed to file the letters away, although he admires the beautiful array of stamps that "are like seeds blown by powerful winds from all corners of the world. Like wishes." Though he knows that he must not break the rules, the guard finds the means to offer as well as accept hope.

Jennifer Lanthier's previous novels (The Mystery of the Martello Tower, HarperTrophy Canada, 2007 and The Legend of the Lost Diamonds, HarperTrophy Canada, 2008) pegged her as a middle-grade mystery writer but The Stamp Collector has catapulted (emphatically, if one doesn't regard catapulting as definitive enough) her work into the realm of life-changing social justice writing. While some authors may seem restricted by the limited text of picture books, Jennifer Lanthier has found the means to extend her writing beyond the words themselves. Just as "the boy who became a writer" was able to exert his influence beyond but still from within his prison, Jennifer Lanthier writes between the lines, offering far more insight, empathy and compassion than suggested by the simple text. And with the enhancement of her text by François Thisdale's blended illustrations of drawings and paintings with digital imagery (see http://www.thisdale.com), the message that words have the power to offer hope and freedom is enduring.