When they advertise their service and get students to submit applications with a $20 fee–money-back guarantee–they are overwhelmed with responses. They pull in over $2000 and Polly is tasked with setting up a dedicated bank account for the money. When she is unable to do so, Polly lies. It becomes the first of several lies she makes to her friends and her mother to cover up her embarrassment and fears of how they will judge her. Readers will wonder what her classmates would think about the accuracy of the nickname they've given her, i.e., Miss Match, if they knew the discrepancy between what she promises and what she actually does.
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August 04, 2025
Miss Match (Orca Currents)
When they advertise their service and get students to submit applications with a $20 fee–money-back guarantee–they are overwhelmed with responses. They pull in over $2000 and Polly is tasked with setting up a dedicated bank account for the money. When she is unable to do so, Polly lies. It becomes the first of several lies she makes to her friends and her mother to cover up her embarrassment and fears of how they will judge her. Readers will wonder what her classmates would think about the accuracy of the nickname they've given her, i.e., Miss Match, if they knew the discrepancy between what she promises and what she actually does.
September 11, 2024
The Outsmarters
We refuse to outmean them and we can never outspend them. We have to outsmart them. (p. 14)
That's the trouble with thinking. One you get started, it's damn hard to stop. (p. 73)
Deborah Ellis has always tackled challenging issues in her writing, whether it be non-fiction or fiction and even short story collections. Her most recent books (e.g., Sit, Step, and My Story Starts Here: Voices of Young Offenders) look at everything from detention and abuse, to conflict and poverty. Similarly, some of her most popular books, including The Breadwinner series and Three Wishes: Palestinian and Israeli Children Speak, started important dialogues on children's lives in Afghanistan and the Middle East. While an Ontario location may seem more familiar to many North American readers, the story within is just as gripping as those in unusual settings because of the issues with which Kate a.k.a. Krate (you'll need to read the story to find out why) grapples. From abandonment by a mother with a drug addiction to bullying at school and a reluctance to connect with others as learned from those seemingly broken by life, Kate has been challenged. But, while Deborah Ellis never sugar coats life's challenges, she shows readers through Kate and Gran and Kate's seekers and new friends that there are opportunities to amend choices and open their once-closed worlds a little.
February 21, 2017
Liam Takes a Stand
In the aftermath of Family Day here in Ontario, I think little Liam would have a thing to say about family and brothers in particular. Twin older brothers actually. And brothers so overwhelmingly competitive that nothing else matters. Fortunately Liam is an insightful child who is determined to “win” his brothers’ attention and, though they are too busy outdoing each other, Liam perseveres, making for a happy family in the end.
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From Liam Takes a Stand
by Troy Wilson
illus. by Josh Holinaty
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From Liam Takes a Stand
by Troy Wilson
illus. by Josh Holinaty
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Fortunately, Lester and Lister recognize what they must do to win even a little bit, and Liam is smart enough to hold onto what he has accomplished while getting what he’d always wanted i.e. play time with his brothers.
Troy Wilson’s take on sibling rivalry is over-the-top and yet so realistic. Two brothers willing to do whatever it takes to succeed over the other—success itself is never the goal—and ignoring their little brother who ends up being their biggest competitor yet. In starting to believe their own hype, they disregard all else in the pursuit of domination. And it’s little Liam who initially loses out but finally wins in the brother game of life.
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From Liam Takes a Stand
by Troy Wilson
illus. by Josh Holinaty
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June 01, 2016
Flannery
Oh, Flannery Malone. Flannery, Flannery, Flannery. You are one of a kind. From your conceptual-artist, parenting-blogger mother, to the father you’ve never met, cherubic-x-devilish half-brother Felix and poor but rich life in St. John’s, Newfoundland, I’m, as they say, delighted to meet you but wouldn’t want to be you. Actually, for that matter, I wouldn’t want to be a sixteen-year-old girl again and maybe that’s what I don’t envy about you, but you are unstoppable–in a good way– and a delight and your readers should be grateful to Lisa Moore for introducing you to us.
Boys are becoming an issue for Flannery. Well, one boy in particular: Tyrone O’Rourke. Though they’d been the closest of friends as kids before he’d moved away when his mom married his step-dad Marty, Tyrone has morphed into a graffiti artist known as SprayPig, sought by the cops, and rarely attends high school. Regardless, Flannery sees the whole package that is Tyrone, past and present, and she is seriously in love. When she is partnered with Tyrone for their Entrepreneurship class project, he suggests they make potions, just like they pretended to make as kids, marketing them as magic. But, except for this suggestion, Tyrone is awol for all work on the project, and Flannery ends up conceiving, creating and packaging the four different love potions herself.
But while she is navigating her working and crushing relationship with Tyrone, Flannery’s best friend Amber seems to be steering herself away from Flannery and her competitive swimming and into an all-consuming first relationship with Gary Bowen, a classmate and lead singer of a band whose music video will be the source of their own Entrepreneurship project. Though Amber is becoming brutally opinionated about Tyrone, Flannery tries to diplomatically warn her friend of Gary’s dark side. But between first loves and parents as well as the trials of high school society, Flannery and Amber and Tyrone would seem to be going against the current and where they end up may not be up to them.
“So love is work and it’s always changing and it’s making and noticing and needing and giving and definite. It’s definite.” (pg. 113)Lisa Moore gets into the head and heart of a sixteen-year-old so effortlessly that it’s surprising that this is her first book of young adult fiction. Of course, from her award-winning adult fiction–Caught (House of Anansi, 2013), February (House of Anansi, 2009) and Alligator (House of Anansi, 2005)–we know Lisa Moore flawlessly tackles issues of youth and relationships and recklessness head on, never wavering from the task of telling the story no matter how fragile the characters or precarious their situations. And her insight into the tenuous nature of…everything, is evident in Flannery’s outlook and beliefs.
"I had understood about evil. I had seen how it was ordinary and stupid and there was nothing magical or fairytale-like about it.While Lisa Moore doesn’t make everything right by Flannery’s conclusion, she does create closure for most story lines and even a bit of hope–in a kiss– which, just as in life, is sometimes all you can expect.
It was just a grown-up taking his problems out on a kid. Because he could. Because nobody stopped him.” (pg. 103)
"Not believing in something requires a lot of effort. It is easier to believe. Once I have accepted that something is true, I have a hard time losing faith in it." (pg. 104)






