You Owe Me a Murder

Written by Eileen Cook

Houghton Mifflin Harcourt

978-1-328-51902-3

359 pp.

Ages 13+

March 2019

Travel provides opportunities for new experiences, for meeting new people, and for personal growth.  But for seventeen-year-old Kim, her summer trip to London with Student Scholars for Change seems doomed from the beginning. Not only is she no longer in a relationship with Connor for whom she'd initially signed up for the trip, he is travelling with new girlfriend Miriam, and Kim has to watch it all from the sidelines of their small group of eight Vancouver high schoolers. But after meeting English girl Nicki, who challenges her to steal a bottle of duty-free vodka and lets her vent about Connor all the way to London, Kim is ready to find "a new me" (pg. 41), one that could be daring and isn't a quitter.

Being good at something doesn't mean that it isn't hard or scary–it just means that you keep moving forward when other people quit. (pg.25)

But in that vodka-infused venting session, Kim prepares a list titled "WHY I HATE CONNOR O'REILLY AND WHY HE DESERVES TO DIE" and Nicki suggests that she will kill Connor and Kim could kill Nicki's mom whose alcoholism is making her life miserable. Of course, Kim barely remembers their laughable discussion until Connor is killed in a Tube station and she gets a message that reads "You're welcome" along with the news story about his death.

Panicking, Kim doesn't know to whom she can turn. Worse still, the police begin investigating and Kim realizes her silence about her relationship with Connor is going to make her look suspicious. Worst of all, Nicki still has the incriminating document and is using it to blackmail Kim into murdering her mother.

So while sightseeing in London and relishing a budding romance, Kim tries to evade a drunken commitment to homicide, investigate the mysterious Nicki, and keep herself and others safe from a girl who purports to be owed a murder.

I would call You Owe Me a Murder a roller-coaster except that ride suggests highs and lows and twists and turns and this young adult novel has no lows. From start to finish, it's more like a high-wire act: tense, dangerous, and unrelenting. With Eileen Cook's exceptional plotting, You Owe Me a Murder becomes a magnificent melding of relationship angst with psychological thriller. It's a waiting game for the reader who is compelled to read through to learn whether Kim will go with through the murder pact or become victim to Nicki's vengeance. With characters like Kim and Nicki, and even secondary ones like Connor, Miriam and Alex, You Owe Me a Murder becomes a complex study in human behaviour as young people fall in and out of love or lust, seek revenge and fulfilment, and try to discover who they really are and what they are capable of being and doing.

Like Hitchcock's movie Strangers on a Train, Eileen Cook's You Owe Me a Murder demonstrates that meeting the right or wrong person can turn your life upside-down, and finding the way to right things may require courage and recognition that the truth hides in the details. (pg. 324)

The Hanging Girl

Written by Eileen Cook

Houghton Mifflin Harcourt

978-0-544-82982-4

308 pp.

Ages 13+

October 2017

Skye Thorn is a tarot card reader, helping her peers with their questions about love, school and more.  But, though she cultivates an image of having psychic powers, Skye is just an astute observer of human nature and a sneak at private files and conversations.  Her mother might purport to have the gift but Skye knows she herself does not.

Still Skye is a teen who has always wanted a certain life and had a willingness to make it happen. 

Destiny is like a boulder.  Bulky and hard to move.  It's easier to leave it alone than to try to change it.  But that never kept anyone from trying.  Trust me: I'm a professional. (pg. 1)

She hates her name, Candi, the one she was given by her 15-year-old mother, and has managed to get her friends and school to use her middle name, Skye.  She had woven a story about her father, whom she has never known, being a military hero.  That story ended badly, though, and had her labelled a liar and headed for counselling.  Now, she’s telling her best friend Drew that she’s saving her money so that they’ll be able to get an apartment in New York City when Drew heads to art school next year.  But she hasn’t. 

When she is approached to use her psychic flair in a scheme to kidnap popular and wealthy Paige Bonnet, Skye convinces herself that it would be alright.  Paige would not be hurt and Skye would get some of the ransom money.  Her role would be negligible: all she had to do was convince the police that she was having visions of Paige’s disappearance and to help direct their investigation.  Ah, the best laid plans…

Like the tarot card called the Hanged Man, which suggests someone at the crossroads, Skye is balancing who she really is with what she wants people to see and what they actually do see in her.  From her mother to Drew and classmates and then the police and others, Skye's self is hanging, perhaps precariously as she makes choices.  She truly is The Hanging Girl. But the mystery that is Skye extends beyond her, embedding readers in a young adult thriller with a myriad of twists and reversals and red herrings.  Never, never can the reader tell what will happen next or whom to believe.  The tagline "Trust no one. Deceive everyone" is especially apt.  The plot is intricate and multilayered and, even when Skye figures things out in a climactic graduation ceremony setting, I was never convinced I knew the truth. That just tells you how convincing Eileen Cook's writing is.  It is tight but complex, and she never lets the plot lag or the storyline get caught on ineffectual plot twists.

Eileen Cook, whose books Unraveling Isobel (Simon Pulse, 2012), The Almost Truth (Simon Pulse, 2012), Remember (Simon Pulse, 2015), and With Malice (Houghton Mifflin Harcourt, 2016) have been reviewed on CanLit for LittleCanadians, always has some mystery amidst the teen drama but she is particularly adroit at relationship dramas.  Her characterizations and dialogue between characters and inside Skye's head are especially compelling in The Hanging Girl.  Except for several chapters conveyed as Paige's written account of her ordeal, most of Eileen Cook’s text is in the first-person narrative of the young tarot card reader trying to assess her situation prior to Paige's disappearance and then while the teen's family and police investigate.  She's gotten herself involved in something desperate and is in far too deep to get out cleanly.  Still, though she lies and manipulates, it's surprising how sympathetic Skye is as a character.  She always believed that she was destined for a nothing life, so the readers will cheer for the girl who tries to see herself beyond a life at Burger Barn.  As such, the ending will floor you.

See beyond the mess that is Skye and the situation in which she finds herself and discover a thrilling plot of truths and lies and shadows in The Hanging Girl. It's a little dark but more angsty than criminal and definitely an accurate take on the desperate measures people will take to achieve the lives they feel are warranted.

With Malice

by Eileen Cook

Houghton Mifflin Harcourt

978-0-544-80509-5

316 pp.

Ages 13+

June 2016

Eighteen-year-old Jill Charron just wants the truth.  Waking up in a hospital room without any memories of how she got there and struggling to find words because of a brain injury means that getting at the truth is not going to be easy.  As the byline to the book states, "The truth is how you tell it" and it seems the truths are multitudinous and varied.

Jill's divorced parents seem to want to keep a lot of truths from her, especially the key one that Simone McIvory, Jill’s best friend, was killed in the car being driven by Jill while on a school trip in Italy.  The police, both American and Italian, as well as Evan Stanley, her high-priced lawyer, are badgering her for the truths she can’t remember.  And everybody else, from other students on the trip, to newspaper reports, crime drama series, and subscribers to the “Justice for Simone” blog are more than willing to share their opinions as to the truth.  But what is the truth and is there only one?

While Jill, whisked back to the States by her rich and demanding father, endures rehab and counselling to help heal her body and six weeks of memory loss, the police interview Simone’s parents who portray their daughter as a confident and popular teen with old-fashioned values, and Jill as a less well-liked girl from a broken home and desperate for attention.  Though the strength of their friendship is recognized by many who knew them, different stories arise with regards to the two girls-chilly or friendly, studious or popular, jealous or self-centered–by those who knew them well or just marginally and even by those who’d never met them but nastily weigh in on the news story.

“It doesn’t matter what’s true–what matters is what people believe.” (pg. 102)

Eileen Cook brilliantly layers the multifaceted truths recounted in blog posts, transcripts of police interviews, newspaper articles, yearbooks, and other media as she intricately develops the subplots of With Malice, all with the purpose of revealing what actually happened to Simone and Jill in that car in Italy.  Below the very concrete mess of a mangled car lies a substantial mess of romance, anger, pettiness, jealously, hurt and misplaced affection.  The ultimate truth is both expected and surprising and Eileen Cook reveals it with breath-taking patience, taking YA readers on a suspenseful read all the way to the end before exposing a friendship admittedly more fragile than honest.

Remember

by Eileen Cook

Simon Pulse

978-1-4814-1696-2

320 pp.

Ages 12+

February 2015

People need to ball up.  Life isn't all sunshine and unicorns.  Now they're selling it to people our age?  What, because not getting into the college of our choice is crushing?  No date for prom causing premature PTSD?  It's not trauma; it's real life.  Life is hard sometimes.  It doesn't mean you don't face it. (pg. 12)

That's best friend Win's assessment of the Memtex treatment that teen Harper Bryne's father's company NeuroTech is now offering, with FDA approval, for the "softening" of painful memories that get in the way of living.  But when Harper's beloved horse, Harry, dies unexpectedly of colic, she is devastated and weeks later still unable to sleep or eat.  Though her parents refuse to allow her to receive treatment, Harper easily convinces her boyfriend, Josh, an part-time intern at NeuroTech–and a protegé of her father's– to sneak her in.  In recovery, Harper is thrilled to know she can still visualize Harry but without the devastating sadness and guilt, feeling like herself again.

That is, until she blacks out over memories of a woman falling and the smell of burning meat, and begins dreams of this woman.  Josh is convinced they are just false memories (he is so pro-NeuroTech).  But, having witnessed her blackout, Neil O’Malley, a college student involved in protests objecting to Memtex’s use, approaches her about the possible side effects of the treatment that he is convinced had a role in his older brother’s suicide.

Now Harper is delving into her past, doing some sleuthing around anomalous information about her horse and her mother, and getting Neil to help her with this research, while her relationship with Josh is put on hold and her friendship with Win takes a tailspin.  And then there’s her dad whom she’d always trusted to do everything and anything for her and now whom she is convinced is harbouring secrets and acting only in the best interests of his company.

Remember is a romance with a cautionary spin on the hazards of expecting lives filled only with lightness and good memories, devoid of the painful ones that help sculpt us into the persons we are.  Win is always remarking about Harper’s Mary Poppins’ positive attitude and is disappointed, almost angry, when Harper begins to be less so.  This is surprising considering she acknowledges that life isn’t all “sunshine and unicorns” (pg. 12). But, Win is not atypical, recognizing that sometimes life sucks while still preferring effusive busyness and happy demeanours at all costs.  Not surprising a lot of work related to PTSD and depression is done quietly and discreetly on the side.

Eileen Cook writes captivating realistic fiction with a hint of romance so well, ensuring some sweetness is always enmeshed in the conflict of keeping secrets and telling of lies.  Unraveling Isobel (SimonPulse, 2012)  and The Almost Truth (SimonPulse, 2012) are two more examples of her gripping YA that I’ve been pleased to review here on CanLit for LittleCanadians.  I know my young readers are as enthusiastic by Eileen Cook’s writing as I am, gripped by complex plotlines beyond their own lives and by romantic, friend and family relationships that reassure them that they are normal.  And Remember is one more YACanLit to add to that collection, albeit with a nuance of science fiction that makes us remember that the speculative may not always been that fantastic after all.

The Almost Truth

by Eileen Cook
Simon Pulse
978-1-4424-4019-7
248 pp.
Ages 14+
2012

Sadie has big plans.  Now that she's finished high school, she's determined to leave her trailer park life on Bowton Island and head to Berkley to study architecture.  Although she's most upset about leaving her best friend, the very hot Brendan, she's been saving her money–often from small cons she pulls, as learned from her father who is currently in jail–and finally has enough.  That is, until her mother, a hotel maid who is always pinching pennies, guiltlessly tells Sadie that she took it for Dad's lawyer.  (Nice parents, eh?)

A poster of a three-year-old child, Ava McKenna, who went missing 15 years earlier gives Sadie an idea for a con that would help her get the money she needs for school.  The wealthy McKenna family who is offering $250,000 for information about Ava's disappearance from the island is slated to attend a big fundraising event for their McKenna's Children's Foundation and Sadie, with Brendan's help and information she gleans from hotel staff, devises a way to get close to the family.

While working to insinuate herself close to Chase Parker, the young man in charge of organizing the charity event, Sadie finds herself at a crossroads with Brendan and navigating her own family obstacles, including her mother who has difficulties with the truth.

For years I thought I was going crazy, since I didn't remember all these things, but then I realized she just made them up.  Cut out any parts of her life she didn't like and squished in a new and better memory to fill the gap. (pg. 59)

The mystery of what happened to little Ava becomes wrapped up in Sadie's desire to know herself better, though she's running from Brendan and can't trust her parents to think about anyone but themselves.

Though the reader might be chagrined by some too-obvious coincidences, the story of Ava McKenna's disappearance is a true mystery that is not solved until the very end, so don't be so sure that you've got the whole truth at any time before then.  Often the truth is tailored for those receiving it and can be interpreted far too many ways.  The Almost Truth makes it clear that sometimes the truth is hidden by a strong desire to make that truth a reality, rather than as a result of omission or outright lies.  But when untruths are piled upon untruths by different parties, it is vey difficult to discern the truth under the burden of imagined realities.  

Having previously reviewed Eileen Cook's Unraveling Isobel (Simon Pulse, 2012), I knew I could expect a well-crafted plot that involved some mystery, romance and teen angst, but I was impressed by the depth of the plotting in The Almost Truth.  While I wondered why Sadie could not see how much Brendan cared for her–I suspect that this is not unusual among teens–and I was convinced that the solution to Ava's disappearance was obvious, I soon realized that there was much more to the story.  And that's because Eileen Cook has established characters who choose to see circumstances that work best with their own interpretations and that become their reality.  They're not living lies, at least they don't all know they are, but they're working with the reality they see.  It can be confusing and sometimes you want to shake one of them and yell, "Don't you see it?" but it wouldn't do any good.  The Almost Truth demonstrates that sometimes the almost truth is the only truth there is, until one person pulls out a single truth that allows the burden of imagined realities to collapse.

Unraveling Isobel

by Eileen Cook

Simon Pulse (Simon & Schuster)

978-1-4424-1327-6

290 pp.

Ages 14-18

2012

No seventeen-year-old likes being yanked away from her friends at the beginning of her graduating year. That's pretty tough on Isobel, but she also has to deal with her mother's new husband, Richard (who Isobel insists on calling Dick) and her new gorgeous stepbrother, Nathaniel, who is still getting over the deaths of his mother and younger sister less than a year ago and seems less than welcoming. Plus, she has to move to an "estate" on a small island where the community's predominant gossip is related to her new family and home.  Isobel definitely finds it hard to keep herself together and even hold her tongue sometimes.  But, with her birth father having given up his career to become an artist (her own passion, though stifled by her mom) and suffering from schizophrenia (which is known to have a genetic component), Isobel starts worrying that the unraveling means she's going crazy.

She'd like to turn to someone, so she tries calling her best friend, Anita, but she seems pretty busy with new friends. Her mother is too gaga over her wealthy, new husband to do anything except chastise Isobel for not appreciating their new life.  Although her step-brother, Nathaniel, tries to be available to her, he is just a little too attractive for comfort.  At school, though, Isobel is taken under the wing of popular alpha-girl, Nicole, and her entourage of cheerleaders, and starts to feel like she's settling in a bit (even if Nicole insists she join the cheer leading squad).  Of course, there are the drawings that Isobel doesn't recall sketching,  and the recurring visions of a young girl, and things in her room being rearranged.

Given time, Isobel probably would have worked things out for herself, but with Dick and her mom insisting that she see a therapist, and Nicole's gossip and machinations making life just a bit more difficult, and Nathaniel starting to share his feelings with her while continuing to be so good-looking, everything just works against her.  Luckily her humour and nerve help Isobel unravel appropriately while keeping her whole.  Her snarky comebacks to the comments of others continued to keep me laughing and cheering for her, pleased with her strength of character. When Nathaniel questions how she could possibly see with her heavy, dark make-up (crap, he calls it), she fires back with, "How do you see with your head shoved so far up your ass?" (pg. 14).  She doesn't hold back, not even with the profanities.

Isobel's fear, that she is losing her mind and is not "normal", is indicative of the stigma that her mother, and too often society, attach to issues of mental health.  She even acknowledges that it would have been easier to tell others that her dad had leprosy or was a terrorist than that he was mentally ill.  But, even though frightened, Isobel continues to evaluate her mental health quite rationally, for example, recognizing that she didn't really have crazy thoughts because, "I didn't think I was Napoleon, or that my bagel was an alien," (pg. 48), relieving her tension, as well as that of the reader who could feel witness to a breakdown.  She regularly assesses the unnerving criticisms from her mother and Dick ("I love how when you have a opinion different from your parent's it's an 'attitude'"; pg.95) or to creepy sounds ("...was a wind chime, some type of sea glass and shell thing.  Fantastic.  I had been attempting to communicate with a home accessory"; pg. 47).

Although I thought Nathaniel came around a little too quickly, especially while still dealing with his grief and his father's prompt remarriage, I relaxed when Isobel found an ally in him and one who appreciated things about her that she did not recognize herself.  Any way, when you have to solve a mystery, it's always nice to have a sidekick, especially one with whom you could fall in love.  (Remember: they're only step-siblings, as Isobel constantly reminds everyone. No reason to chastise them.  It's legal.)