Remember

by Eileen Cook

Simon Pulse

978-1-4814-1696-2

320 pp.

Ages 12+

February 2015

People need to ball up.  Life isn't all sunshine and unicorns.  Now they're selling it to people our age?  What, because not getting into the college of our choice is crushing?  No date for prom causing premature PTSD?  It's not trauma; it's real life.  Life is hard sometimes.  It doesn't mean you don't face it. (pg. 12)

That's best friend Win's assessment of the Memtex treatment that teen Harper Bryne's father's company NeuroTech is now offering, with FDA approval, for the "softening" of painful memories that get in the way of living.  But when Harper's beloved horse, Harry, dies unexpectedly of colic, she is devastated and weeks later still unable to sleep or eat.  Though her parents refuse to allow her to receive treatment, Harper easily convinces her boyfriend, Josh, an part-time intern at NeuroTech–and a protegé of her father's– to sneak her in.  In recovery, Harper is thrilled to know she can still visualize Harry but without the devastating sadness and guilt, feeling like herself again.

That is, until she blacks out over memories of a woman falling and the smell of burning meat, and begins dreams of this woman.  Josh is convinced they are just false memories (he is so pro-NeuroTech).  But, having witnessed her blackout, Neil O’Malley, a college student involved in protests objecting to Memtex’s use, approaches her about the possible side effects of the treatment that he is convinced had a role in his older brother’s suicide.

Now Harper is delving into her past, doing some sleuthing around anomalous information about her horse and her mother, and getting Neil to help her with this research, while her relationship with Josh is put on hold and her friendship with Win takes a tailspin.  And then there’s her dad whom she’d always trusted to do everything and anything for her and now whom she is convinced is harbouring secrets and acting only in the best interests of his company.

Remember is a romance with a cautionary spin on the hazards of expecting lives filled only with lightness and good memories, devoid of the painful ones that help sculpt us into the persons we are.  Win is always remarking about Harper’s Mary Poppins’ positive attitude and is disappointed, almost angry, when Harper begins to be less so.  This is surprising considering she acknowledges that life isn’t all “sunshine and unicorns” (pg. 12). But, Win is not atypical, recognizing that sometimes life sucks while still preferring effusive busyness and happy demeanours at all costs.  Not surprising a lot of work related to PTSD and depression is done quietly and discreetly on the side.

Eileen Cook writes captivating realistic fiction with a hint of romance so well, ensuring some sweetness is always enmeshed in the conflict of keeping secrets and telling of lies.  Unraveling Isobel (SimonPulse, 2012)  and The Almost Truth (SimonPulse, 2012) are two more examples of her gripping YA that I’ve been pleased to review here on CanLit for LittleCanadians.  I know my young readers are as enthusiastic by Eileen Cook’s writing as I am, gripped by complex plotlines beyond their own lives and by romantic, friend and family relationships that reassure them that they are normal.  And Remember is one more YACanLit to add to that collection, albeit with a nuance of science fiction that makes us remember that the speculative may not always been that fantastic after all.

The Almost Truth

by Eileen Cook
Simon Pulse
978-1-4424-4019-7
248 pp.
Ages 14+
2012

Sadie has big plans.  Now that she's finished high school, she's determined to leave her trailer park life on Bowton Island and head to Berkley to study architecture.  Although she's most upset about leaving her best friend, the very hot Brendan, she's been saving her money–often from small cons she pulls, as learned from her father who is currently in jail–and finally has enough.  That is, until her mother, a hotel maid who is always pinching pennies, guiltlessly tells Sadie that she took it for Dad's lawyer.  (Nice parents, eh?)

A poster of a three-year-old child, Ava McKenna, who went missing 15 years earlier gives Sadie an idea for a con that would help her get the money she needs for school.  The wealthy McKenna family who is offering $250,000 for information about Ava's disappearance from the island is slated to attend a big fundraising event for their McKenna's Children's Foundation and Sadie, with Brendan's help and information she gleans from hotel staff, devises a way to get close to the family.

While working to insinuate herself close to Chase Parker, the young man in charge of organizing the charity event, Sadie finds herself at a crossroads with Brendan and navigating her own family obstacles, including her mother who has difficulties with the truth.

For years I thought I was going crazy, since I didn't remember all these things, but then I realized she just made them up.  Cut out any parts of her life she didn't like and squished in a new and better memory to fill the gap. (pg. 59)

The mystery of what happened to little Ava becomes wrapped up in Sadie's desire to know herself better, though she's running from Brendan and can't trust her parents to think about anyone but themselves.

Though the reader might be chagrined by some too-obvious coincidences, the story of Ava McKenna's disappearance is a true mystery that is not solved until the very end, so don't be so sure that you've got the whole truth at any time before then.  Often the truth is tailored for those receiving it and can be interpreted far too many ways.  The Almost Truth makes it clear that sometimes the truth is hidden by a strong desire to make that truth a reality, rather than as a result of omission or outright lies.  But when untruths are piled upon untruths by different parties, it is vey difficult to discern the truth under the burden of imagined realities.  

Having previously reviewed Eileen Cook's Unraveling Isobel (Simon Pulse, 2012), I knew I could expect a well-crafted plot that involved some mystery, romance and teen angst, but I was impressed by the depth of the plotting in The Almost Truth.  While I wondered why Sadie could not see how much Brendan cared for her–I suspect that this is not unusual among teens–and I was convinced that the solution to Ava's disappearance was obvious, I soon realized that there was much more to the story.  And that's because Eileen Cook has established characters who choose to see circumstances that work best with their own interpretations and that become their reality.  They're not living lies, at least they don't all know they are, but they're working with the reality they see.  It can be confusing and sometimes you want to shake one of them and yell, "Don't you see it?" but it wouldn't do any good.  The Almost Truth demonstrates that sometimes the almost truth is the only truth there is, until one person pulls out a single truth that allows the burden of imagined realities to collapse.