Seeking Draven

Written by Michael F. Stewart

Red Deer Press

978-0-88995-738-1

204 pp.

Ages 9–12

April 2024

 

The cover of Michael F. Stewart's latest novel, and his first in free verse, is subtle and deceivingly simple. It's not unlike the fungi that ten-year-old Teagan loves to study and draw. But, like the mushrooms and other fungi, what you see is just a fraction of what is there, most hidden and complex. Seeking Draven is a story of such depth of feeling and craft, masquerading as a short novel about a little girl who likes mushrooms and playing with her phone.

 

Teagan's 18-year-old brother Draven has always been there to support her: to find her when she gets lost in the woods, to defend her to their dad, to play basketball bump with her, and more. But when their dad accuses Draven of theft in front of his friends, Draven takes off and everything changes.

But when the smoke clears Dad falls silent,

Draven leaves us in his exhaust and everyone else goes

Home. (p. 13)

Devastated by Draven's absence and Dad's reluctance to tell her anything or to search for her brother, Teagan decides to look for him herself. It's almost impossible–though she breaks into Draven's bedroom to look for clues–until her dad gives her his old cell phone, hoping that it will make her less sad and quiet. (He doesn't realize that she's angry.) Now with a cell phone, which she calls Tab, Teagan goes on the hunt for Draven and tries to reconnect.

 

But that cell phone becomes something more for Teagan as she tries to find Draven, looking for him on social media. Now she sees herself through others' comments and she feels the pressure to share, and to be liked, and even laugh at others' misfortunes. She's taking selfies and listening to the comments. Like the zombie fungus which will alter the behaviour of ants which ingest it, Teagan's cell phone is taking over her life. As her father recognizes her addiction to it, Teagan has a revelation about Draven, piecing together clues from his computer searches and expensive stuff she found in his room, and suspects a gambling addiction.

Addictions make us lie.

     They make us falsify.

     If addiction made Draven a thief

     What is it doing to me? (p. 108)

So begins a new leg of Teagan's search for Draven, and a mission for understanding.

Michael F. Stewart has given us some compelling young adult novels, from his Assured Destruction tech trilogy or Counting Wolves and Heart Sister in which characters deal with mental health issues but, with Seeking Draven, he steps into a whole new genre of writing. The power of the writing is still there but, in its novel in verse form, Michael F. Stewart gives a story of addictions, both gambling and tech, a weightiness to which they are entitled. These are significant issues of chronic mental health, stealing relationships and lives from those afflicted. If they are fortunate enough to acknowledge their addictions, and accept help, and seek treatment, they may be able to break that dependence. The issue is important, and Michael F. Stewart treats it as such but, by juxtaposing Teagan's obsession with her cell and Draven's gambling, and enveloping it all in their close brother-sister relationship, he also manifests it as a family issue. Teagan's insight into what both she and her brother are experiencing is profound, especially for a ten-year-old child. But, if it shows us anything, there is no age limit on compassion and a willingness to help.

I've always been a huge fan of novels in verse and know that those who endeavour to write in this form are challenged with choices that limit text to words and phrases that have impact. Michael F. Stewart has just demonstrated his proficiency with this form, distilling important ideas into fewer words and phrasing that has intensity. 

If anyone's a thief, it's Dad,

Stealing

Hope. (p. 16)

I wish I could tell you how Teagan's story and that of Draven resolve but that will be the story you will need to read for yourselves. Fortunately, good or bad, Michael F. Stewart has the skill and heart to tell their stories from multiple perspectives and with sensitivity to their difficulties and to tell them with an eloquence of verse that makes us understand and empathize.

White Lies

Written by Sara de Waard

DCB

978-1-77086-649-2

224 pp.

Ages 13+

May 2022

Birthdays should be joyful celebrations, especially for young people. I know that lots have elaborate events (perhaps sometimes too extravagant) but for some the mere recognition of the day as auspicious would be enough. Sadly, for 15-year-old Missy Bell, her last three birthdays have been tortuous and her sixteenth is almost upon her and she has no reason to expect any different. Ever since the death of her younger brother Jeremy when she turned 13, Missy's special day has been marked by her parents behaving badly through their grief and Missy dealing with the fallout on top of her own loss and guilt. In fact, most of the time, they don't even recognize her needs, with her father Tim, whom she refers to alternately as Trick or Treat, wallowing in alcohol and other illegal substances, and her mother Susanna now in prison and unable to see beyond herself.  

An untethered Missy has found refuge at the vintage toy store of Ren Lin, where she organizes and cleans voluntarily for multiple hours most days of the week. Even though Ren's perfect daughter Valkyrie doesn't trust Missy and is often rude to her, the store is a far better choice than going home to a house with little, if any, food, and a father often drunk or high on the couch hurling abuse at her. By keeping the routine of working at the store, seeing her psychiatrist Dr. Tandalay every Monday, visiting her mother the first Wednesday of the month, and going to school, Missy is keeping it together. For now. 

But two new people enter her life and offer her something she's rarely experienced. First, there's the new custodian, Miss Maalouf, who extends supportive kindnesses to Missy. And then there's classmate Luke Geurtin, who also visits a mother at the penitentiary. Missy and Luke form an unorthodox relationship that is both supportive and hostile, as the two damaged teens try to navigate feckless parents, poverty and abuse, and systems purported to offer support. Only time will tell whether they can feel beyond their traumas and circumstances.

 

Sara de Waard, an author and screenwriter of Métis descent, has delved into numerous issues in White Lies, giving us a tough story about childhoods, or at least teen years, saturated with misery and discouragement. It's about young people not living their best lives because those who should be there for them aren't and, in fact, work against them, mistreating them with neglect or emotional abuse, and sometimes even physical harm. Those who should love them, their parents, give them very little but strangers like Miss Maalouf, Ren and even Missy and Luke for the other step up, offering what they can. But Missy and Luke are working at a deficit, trying to survive and, knowing that their parents are the only ones they have, make do. And still they persevere.

The soft ceiling tiles soften the profanities of the inmates, but can't silence them. The four-letter words puff from the ladies' mouths like rings of fire, blazing through the massive concrete gathering space. But they fall on my deaf ears. I'm used to it. Nothing shocks me now. I may look like china in a bull's shop, but I'm a matador of life's crap.  (pg. 22)

Thankfully, without solving all of Missy and Luke's problems, Sara de Waard has given them hope, in each other and in others–though perhaps not their parents–that perhaps a little kindness will help lift them out of difficult circumstances or at least sideways so they can avoid harm.