A Door Is to Open

Written by Kyo Maclear

Illustrated by Julie Morstad

Tundra Books

978-1-77488-744-8 

48 pp. 

Ages 3–7 

April 2026 

 

Doors come in all sizes and shapes. They can be opened and closed. They can protect and invite. They offer so many possibilities. And Kyo Maclear and Julie Morstad show us the promises that come with those doors.

From A Door Is to Open, written by Kyo Maclear, illustrated by Julie Morstad

Kyo Maclear begins her reflective exploration of doors and all they entail with the simplest of functions. As a child opens a blue door, a mother cat and a trail of kittens, each a little different, follow. But there are many doors still be put to work. There are doors that are knocked upon, doors to walk through (into a birthday party), and to close. There are house doors, classroom doors, frosty doors and tent doors. There are automatic doors, turning doors, clear doors, and colourful ones. And there are doors that are organic portals used by animals, both on land and in the water, opening to places of shelter and family.

From A Door Is to Open, written by Kyo Maclear, illustrated by Julie Morstad

But doors can be as imaginary as they are real.

Some doors are made of words
and lead to places you’ve never imagined. (pg. 17)

And all these doors can make us feel different ways, whether nervous or calm, excited or creative. Each offers something.

From A Door Is to Open, written by Kyo Maclear, illustrated by Julie Morstad

I could not have predicted that a book about doors would make me feel so much. While many may see doors as barriers, Kyo Maclear gets on the other side of doors and revels in the potential that each presents. I've always appreciated the physical nature of doors, but never have I really looked at what doors offer. With this new perspective, all readers, young and old, are invited to think about what these physical and intangible portals bring to our lives. And Kyo Maclear presents this perspective with few but powerful words—I love writers who use few words to tell big stories (probably explains why I love novels in verse)—and helps us to see more than a barrier.

From A Door Is to Open, written by Kyo Maclear, illustrated by Julie Morstad

But, with few words, Julie Morstad's illustrations have to be equally powerful, imparting the story graphically. Her art uses pencils, coloured pencils, markers, and watercolours, and then assembled digitally. Because of the variety of media, Julie Morstad's art unlocks details and insight, showing us feeling, opportunity, and children as they live. 

From A Door Is to Open, written by Kyo Maclear, illustrated by Julie Morstad

A Door Is to Open is a triumph of perspective in storytelling. Not only are we invited to think more about doors and see the promise of their structure and function, both real and imaginary, Kyo Maclear and Julie Morstad have invited us to see more than doors. They've opened something else for us. They let us see possibility.

Story Boat

Written by Kyo Maclear

Illustrated by Rashin Kheiriyeh

Tundra

978-0-7352-6359-8

40 pp.

Ages 3-7

February 2020

A young girl and her little brother begin a journey with family and others, travelling from one "here" to another "here" and finding comfort where they may in a cup, a blanket, and especially in a story of hope.

From Story Boat by Kyo Maclear, illus. by Rashin Kheiriyeh

As they travel, the girl tries to explain the concept of "here" to her little brother. The concept can be a difficult one for very young children to grasp, especially as "here" is constantly changing for the travellers. But here becomes whatever is on hand that creates a permanency of people and emotion. It's the cup "Old and fine, warm as a hug" or a "song that every can sing." And, always, that cup or song, or blanket or lamp, or flower, becomes part of a story boat that takes the two children and their cat to see hope amidst a turbulent sea.

From Story Boat by Kyo Maclear, illus. by Rashin Kheiriyeh

Kyo Maclear, author of my favourite Virginia Wolf (2012), consistently tackles big issues by making them personal and intimate. Leaving one's home for something safer, travelling into uncertainty, and looking for hope wherever it may reside will sadly be familiar to most refugees looking for new homes after violence, persecution, and instability compels them to leave the homes they've always known.

Here is our journey
That holds the warmth of a cup,
The softness of a blanket,
The brightness of a lamp,
The strength of a flower
And the openness of a story.

Imagine what it must be like for young children for whom the destination is a grey hole of nothingness, unable to anticipate where home may be or who will be there or what it will look like. Kyo Maclear's wonderful child's storytelling transports them to a new here.

From Story Boat by Kyo Maclear, illus. by Rashin Kheiriyeh

Award-winning Iranian-born illustrator Rashin Kheiriyeh, who currently lives in Washington D.C., fuses the gravity of the refugees' lives with their comforts from home and hope for something good. She does this primarily through her palette of backgrounds of muted blue green and splashes of brightness in the oranges, though much is still black and white, not unlike their circumstances. However, Rashin Kheiriyeh's art, created with coloured pencil and watercolour, oil and acrylic paint, along with some cut paper and other media, also uses shape to infuse the story with the activity of movement, whether it is the travellers' journey on foot or on water or the children's jaunts by story boat. Thankfully, it's all forward from an old here to a new one.

Kyo Maclear and Rashin Kheiriyeh's Story Boat may be a story of those seeking refuge and children finding ways to cope with uncertainty but this story transports and guides just like their story boat. For them and for us, stories can save and illuminate new ways.

From Story Boat by Kyo Maclear, illus. by Rashin Kheiriyeh

Operatic

Written by Kyo Maclear

Illustrated by Byron Eggenschwiler

Groundwood Books

978-1-55498-972-0

159 pp.

Ages 10-14

April 2019

We each have a soundtrack for our lives. It may be seem like a temporary playlist of current favourites or be multiple long-playing albums of the tragedies and joys experienced. Charlie's favourite teacher, her music teacher Mr. K, obviously recognizes this, giving his students an assignment for each to select a song for that moment in their lives. While he introduces them to numerous genres of music, from jazz to reggae, 1980s rap and blue grass, and Charlie contemplates her song, she spends some time crushing on Emile, a nice guy with a passion for entomology, and worrying about Luka, a beautiful boy now absent from school who performed at the winter concert, not caring about the reactions he got.

From Operatic by Kyo Maclear, illus. by Byron Eggenschwiler

But when Mr. K introduces them to opera, Charlie finally discovers her passion. Researching the life of opera singer Maria Callas (1923-1977), she learns how an unloved child used her voice to dream and become someone deemed worthy of affection, regardless of the  detractors who ridiculed some elements of her voice.

From Operatic by Kyo Maclear, illus. by Byron Eggenschwiler

As Charlie selects her song and Luka's and Emile's stories are revealed, the three classmates and Charlie's friend Addie find a way to connect in a meaningful and supportive way, creating the beginnings of a new soundtrack as the Freaks of Feeling.

The show goes on. It always does. And somehow hearts don't stop.

Instead they beat out new rhythms. (pg. 147)

These middle school kids, on the cusp of graduating Grade 8, are trying to figure out who they are and what they want and need. Is it to be the centre of attention or remain comfortably in the background? Is it to be laid back and mellow or loud and brash? Like the music they are trying on for size and comfort, there will be missteps and surprises, quieter moments and deafening junctures. And as Maria Callas herself experienced, there will be critics and fans.

From Operatic by Kyo Maclear, illus. by Byron Eggenschwiler

But, there should be none but admirers for Kyo Maclear and Byron Eggenschwiler's Operatic. It's a full opera in stories and pictures. There are duets and solos and choruses that support the leads. There's the ordinary of parlando and the arias that take the plot to greater heights. And fools and villains, lovers and friends. There is the extraordinary and the ordinary, all reflected in Byron Eggenschwiler's artwork. The mostly black with gold and yellow illustrations may emulate the caution and optimism of a coming of age story, as the blues of Luka's story and the reds of Maria Callas's story focus on the nature of their lives, but the art is hardly ordinary. It is effusive with emotion for the angst of finding one's life songs, whether they be for Charlie, Luka, Emile or Maria Callas, and singing them privately or publicly. Fortunately, Kyo Maclear does not end Operatic on a tragedy or comedic note but one of hope, recognizing that wobbles happen but don't define life. 

Another Story Bookshop: 30th Anniversary & Author Event (Toronto, ON)

This year

Another Story Bookshop

turns 30!

🎂🎂🎂🎂🎂🎂🎂🎂🎂🎂🎂

This independent bookstore

located at 

315 Roncesvalles Avenue

Toronto, ON

sells a broad range of literature 

for children, young adults and adults 

with a focus on themes of social justice, equity & diversity

and

it's celebrating with

a great line-up of author readings,

book giveaways,

and

20% off almost every book in the store!

🎂🎂🎂🎂🎂🎂🎂🎂🎂🎂🎂

Tomorrow

Saturday, October 21, 2017

starting at 11 a.m.

check out these author readings:

11 am - Special children's book readings

Kyo Maclear 

Kenneth Oppel

S. Bear Bergman

Kelly Collier

Naseem Hrab

The other authors readings include:

1 pm:   Eva Stachniak,  Catherine Bush,  Carrianne Leung,  Martha Baillie,  Pasha Malla,  Sarah Meehan Sirk and Lillian Allen

3 pm:     Farzana Doctor, Maureen Hynes, Ishara Deen and Jenny Kay Dupuis

Jenny Kay Dupuis 

5 pm:     Alissa York,  Lauren MeKeon,  Bianca Lakoseljac and Ayub Nuri

🎂🎂🎂🎂🎂🎂🎂🎂🎂🎂🎂

Full details at http://www.blogto.com/events/another-story-bookshops-30th-anniversary-bash/

The Wish Tree

by Kyo Maclear

Illustrated by Chris Turnham

Chronicle Books

978-1-452150659

40 pp.

Ages 3-5

September 2016

Kids make wishes on shooting stars, on birthday candles, on wish bones and even eyelashes but little Charles is convinced he’s going to find a wish tree, regardless of what his older brother and sister say.  So, dressed warmly for the winter cold and accompanied by his supportive Boggan (a toboggan), Charles sets out in search of this amazing tree.

The two friends make their way through snow-covered fields, up and down hills,  across ice and into a forest, with Boggan singing “Whishhhhh” along the way.  In their search they help a squirrel get his collection of hazelnuts home, transport a load of birch wood for a beaver, assist a fox in getting her berries to her burrow, carry carrots for some hares and apples for a deer, twigs for birds and more.  Not surprising that time passes quickly and little Charles and Boggan become tired, moving ever more slowly until the boy lays down upon the toboggan.  What happens as Charles sleeps is the miracle that comes of helping others and the discovery of the wish tree is but a fraction of the wonder that comes about that evening for Charles and Boggan.

From The Wish Tree 

by Kyo Maclear, illus. by Chris Turnham

Charles’s search for a wish tree seems more a quest for the hope of opportunity.  Though he and Boggan may become tired in their pursuit of that grail, it’s clear that only by making the wishes of others come true that they are able to realize their dream of locating the wish tree.  Charles does leave a wish on the wish tree (little ones can create their own wish tree upon which they post wishes using a downloadable activity from Chronicle Books at http://www.chroniclebooks.com/blog/wp-content/uploads/Make-a-Wish-Tree-Activity-Kit.pdf) and, though the reader never sees what he has written, the illustrations indicate a fulfilled little boy making his way home at the end of the night.

From The Wish Tree 

by Kyo Maclear, illus. by Chris Turnham

Kyo Maclear’s story is very simple: a quest for a wish tree.  But she ties up that quest with doing for others, promoting generosity of spirit and effort as the means for personal fulfillment.  It’s a big message in a simple story but an important one for all dreamers and wishers to recognize.  That simplicity is emulated in American Chris Turnham’s illustrations, demonstrating that empowerment does not just come to the bold and brash but the quiet and determined as well.  I’m glad that Charles found his wish tree as he did; any other way would have been too contrived and unsatisfying.  And Kyo Maclear does not do contrived or unsatisfying.  As with her earlier books, including my very favourite Virginia Wolf (Kids Can Press, 2012), Kyo Maclear fulfills readers' own wishes by eloquently wrapping up big concepts in sweet stories that always charm us with their worthwhile life lessons.

Julia, Child

by Kyo Maclear

Illustrated by Julie Morstad

Tundra Books

978-1-77049-449-7

32 pp.

Ages 4+

July 2014

The real Julia Child, chef extraordinaire and one of the authors of Mastering the Art of French Cooking (Knopf, 1961), would be delighted by Kyo Maclear's latest picture book, though there is a cheery disclaimer that states that "the story contains no true knowledge of (the real) Julia Child" (pg. 1).  Julia, Child may not be the real Julia Child's story but the little girl who looks to sweeten the lives of others with culinary treats provides a savoury tale.

From the taste of an extraordinary sole meunière at a young age, Julia's love of French food was whipped up, and her friendship with another young gourmet, Simca, feeds that passion. The two girls enjoy shopping for food and ideas at the market and experimenting in the kitchen, learning cooking and baking from the experts.  The girls'  goal is to continue cooking happily together even as adults.

But the adults they see around them look harried and starved for the joy of childhood.  And so Julia and Simca attempt to sauté, sizzle, simmer, and fricassee that joie de vivre back into the lives of the grown-ups they know.

The subtle message and word play of Julia, Child is what made me such a fan of Kyo Maclear's first pseudo-bio picture book, Virginia Wolf  (Tundra, 2012).  Within Julia, Child, we are slathered with rich essences of joyous play in the kitchen and life.

"They cooked extra slowly to bring out the flavor of not hurrying.  They used delicate spices so the worries would disappear and wonders would rise to the surface." (pg. 16)

Julie Morstad, award-winning illustrator of How To (Simply Read, 2013) and Singing Away the Dark (Simply Read, 2011), adds her own whimsy to Julia, Child, emphasizing the methodical nature of cooking with her delineating ink lines and the wonder of childhood in her warm, bright gouache.  While Julie Morstad's lines provide that definition and structure, her choices and frugal use of colour play up the extraordinary nature of the true joy of childhood.  The collaboration of Kyo Maclear with Julie Morstad to create Julia, Child is as inspired and scrumptious as Julia and Simca's recipe for reviving youth. Bon appétit!

Mr. Flux

by Kyo Maclear

Illustrated by Matte Stephens

Kids Can Press

978-1-55453-78-5

32 pp.

Ages 3-7

 April 2013

For some, change is a way of life and, for others, it is the traumatic departure from the expected.  Young Martin and the members of his neighbourhood despair when Mr. Flux, an artist who "enjoyed mixing things up," moves in.  When Mr. Flux receives a box labelled "Property of Mr. Flux", he gives it to Martin, telling him that it's full of change.

 He suspected it contained cacophony, disorder and germs.

When Martin expresses his reluctance to experience any change, Mr. Flux explains that everything changes and that it's best to start with little changes.  With carefully chosen samples, Mr. Flux introduces Martin to new things, allowing Martin to share these with others.  In return, he reveals his own art to Mr. Flux.

With the essence of the artist and the spirit of a sensualist, Mr. Flux changes the way his neighbours think about change, allowing them to experience life and art more fully without negating their own choices for change. 

While all readers of picture books may not be interested in the art history or movement of creative thinking associated with Fluxus, based on the premise that the art of life always changes, Kyo Maclear does introduce readers to the idea that art is experiential and malleable, as is life.  Young Martin may not know much about change, though he obviously has an opinion about it, preferring to ride his familiar old bike rather than his new one.  But with a little exposure to new ideas and an open mind (though not wide open!), Martin, his family and neighbours come to appreciate Mr. Flux for the experiences and new truths he has brought into their lives.  And Matte Stephens' gouache illustrations, which have a 1950's feel, emphasize the people and places of an urban neighbourhood predominated by straight lines and polygon-flavoured structures and spikes them with intriguing animal and decorative elements that ameliorate the harshness of single truths. 

Recommended for ages 3-7, Mr. Flux may just be a delightful picture book that helps children see that change can be fun, even if they anticipate it to be traumatic.  Accept Mr. Flux as you feel appropriate.  Just be prepared to accept it as much more once you've enjoyed it for yourself.

Virginia Wolf

Written by Kyo Maclear
Illustrated by Isabelle Arsenault
Kids Can Press
978-1-55453-649-8
32 pp.
Ages 5-10
2012

As all readers do, I tried to predict the story of Virginia Wolf, without reading the jacket flaps or blurbs. I was sure it was a retelling of a story in which a wolf named Virginia went after a little girl in a yellow dress, treeing her. I should have known that Kyo Maclear, author of Spork (Kids Can Press, 2010) and adult book, The Letter Opener (HarperCollins Canada, 2007) could not pen such a superficial story.  She didn't.

Virginia, awakens feeling "wolfish": dark, unhappy, reclusive, determined to shut out the noises of the world. Her sister, Vanessa, is surprised by the extent of Virginia's doldrums, and unsuccessfully tries to cheer her up. Only when she makes the effort to ask Virginia what she needs is Vanessa successful in using her artistry to engage Virginia and brighten her mood.

In Virginia Wolf, Kyo Maclear's Virginia suffers from "wolfishness", expressively represented by Isabelle Arsenault's frenetic, shadowy illustrations. But Isabelle Arsenault's joyous Bloomsbury of flowers, greenery and iced cakes exemplifies the soothing beauty of Vanessa's artwork which brings relief to her sister's dark mood.

Kyo Maclear's text accentuates the overwhelming nature of Virginia's mood while depicting the nebulous attempts by Vanessa to help her sister. Appropriately, the reversal is gradual, with a swing to help change direction, a ladder to lead upward, and a gray snail that unanticipatedly reaches a mountain top.

"Down becomes up. Dim becomes bright. Gloom becomes glad."

Virginia Wolf is loosely based on the relationship between writer Virginia Wolf (1882-1941) and her sister, painter Vanessa Bell (1879-1961), who both helped establish the Bloomsbury Group, a guild of creative thinkers. The real Virginia Wolf suffered from mental illness, which manifested itself in depression, nervous breakdowns and ultimately her suicide. The sisters' names and the references to their brother Thorby and Bloomsbury suggest that Virginia Wolf is Kyo Maclear's uncomplicated take on depression and how it is experienced intrinsically and extrinsically. The alliance of Maclear's tale with Arsenault's illustrations has produced an accurate, touching, and enlightening portrayal of caring.

***

This unique book trailer for Virginia Wolf, narrated by a young voice, helps promote the need to understand how to help anyone who may feel "wolfish".

Uploaded by kyomaclear1 on Feb 13, 2012 to YouTube.