Forever Truffle

Three Stories by Fanny Britt

Illustrated by Isabelle Arsenault

Translated by Susan Ouriou

Groundwood Books

978-1-77306-070-5

114 pp.

Ages 7-10

August 2022

 

In three stories, Fanny Britt introduces young readers to Truffle, a young red-haired wonder who adores music, falls in love and learns about figures of speech, and contemplates life in a very big and beautiful way. He is Forever Truffle, and occasionally Truffleletto.

From Forever Truffle by Fanny Britt, illus. by Isabelle Arsenault

In the first story, Truffle The Rock Star, Truffle explores his love of music. From childhood and listening to everything from Verdi to Joan Jett, the Beatles and Led Zeppelin, it's obvious that Truffle is a lover of music, especially rock, and he's thrilled when he gets a biker jacket for a birthday gift. Determined to be a rocker, Truffle gets together with best friends Flo and Riad to conceptualize their own rock band.

From Forever Truffle by Fanny Britt, illus. by Isabelle Arsenault

In the second story, Truffle Loves Nina, Truffle has fallen for little Nina. However, ever since he's asked her to be his girlfriend, he can't speak to her. When his father suggests he let his heart do the talking, Truffle tries to understand that figure of speech and many others so that he might express his love to Nina. 

From Forever Truffle by Fanny Britt, illus. by Isabelle Arsenault

The final story, Truffle Tackles Existence, has Truffle asking big questions when attending the funeral of his great-grandma Sybile. The visit brings up Truffle's thoughts on his parents' divorce, including his hope for reconciliation; on his love of dogs and missing their pup Rocket; and about growing old and dying. He's thoughtful and observant, kind and forever Truffle. 

Montreal's Fanny Britt does not do frivolous or cute but she does do real and that's what and who Truffle is. He's a real child who dreams and wishes and imagines, as well as loves, hopes and reflects. And he's got lots to think about, from his divorced parents, to his older brother, his loves and his good friends, to his aspirations and his life. His naiveté is authentic, not silly, and allows his inquisitive nature to learn lessons that all children will learn some time in their lives, some earlier, some later. 

Artist Isabelle Arsenault complements Fanny Britt's text, so expertly translated by Calgary's Susan Ouriou, with illustrations that emulate that sensibility of the story.  The artwork, rendered in pencil, ink and collage, are low key, tempered in doleful tones with splashes of yellow and orange and turquoise. After all, life is not all bright colours, bold in spirit and brash in tones. It's often just a plodding along of trying to understand and manage and find some brightness whenever and wherever possible. 

From Forever Truffle by Fanny Britt, illus. by Isabelle Arsenault

The collaboration between Fanny Britt and Isabelle Arsenault, as in Louis Undercover and Jane, the Fox and Me, has always been a powerful but subtle one of compelling stories of authenticity, told in words and pictures that depict children as they live. The complexity of their lives and their understandings are evident though not belaboured. Forever Truffle will forever be such a story.

Louis Undercover

Written by Fanny Britt

Illustrated by Isabelle Arsenault

Translated by Christelle Morelli and Susan Ouriou

Groundwood Books

978-1-55498-859-4

160 pp.

Ages 9-14

October 2017

From the acclaimed partnership of Fanny Britt and Isabelle Arsenault that brought us the award-winning Jane, the Fox and Me (Groundwood, 2013), which was also translated by Christelle Morelli and Susan Ouriou, comes a second graphic novel of emotional sensitivity, this time in a complex familial context.

The title may suggest a children's game of spying but Louis is more discreet observer and listener.  He watches important people in his life and sees what they do and hears what they say.  These observations form the fabric of his interactions with them, bringing out his sensitivities, fears and compassion. And he has much to observe, as he and his little brother Truffle bounce between their city apartment where they live with their mother and their country house where their alcoholic father still lives.

From Louis Undercover 

by Fanny Britt 

illus. by Isabelle Arsenault

Louis sees the ups and downs of his father's alcoholism: the manic periods of song and big plans and the depressive times of tears and melancholy, especially when the boys leave.  At home, he sees the joy in his mother when they return but also her sarcasm and loneliness.  Louis has his own secret burdens which he only shares with his good friend Boris.  Louis is in love with Billie.

She’s a spectacled siren, a rainstorm,
A chocolate fountain, a silent queen. (pg. 50)

From Louis Undercover 

by Fanny Britt 

illus. by Isabelle Arsenault

He is overwhelmed by his affection for Billie but he is immobilized into inaction.  

I had no idea that love is like a rock shattering your heart, as painful as it is life-giving, and that even as it makes you want to bolt, it keeps you glued to the spot. (pg. 58)

Though he makes plans to speak with her, just to say a few words to the gutsy girl who stands up to injustice and reads voraciously, he can't do it, even with the summer holidays imminent and a gift of dice for her in his pocket.  

From Louise Undercover 

by Fanny Britt 

illus. by Isabelle Arsenault

But two weeks of the summer at their father's becomes a turning point for the family.  Their father has stopped drinking and seems to be his old positive self, as reflected in the splashes of yellow, hitherto reserved for Billie.  Though their mom is seen as mired in the sadness of the turquoise and the browns of regular life, when Truffle is injured and sent to hospital, she rushes to his side and stays with them at their old house.  She makes breakfast and laughs with their father and sleeps in his bedroom.  They're back to their "normal" family and a trip to New York City holds the promise of a complete reunion.  But, sadly and realistically, the yellows give way to the family's blues of the past.  Returning to school in the fall, Louis can take this experience as a life lesson that love can end badly or he can see the hope that it can conquer the worst.

Fanny Britt has given us a story about a family dealing with an alcoholic parent and creates a story of understanding.  Louis sees what has happened to his family and is disheartened by it.  He recognizes the signs of his father's drinking and the impact on his mother and their family.  He is wary of love and how it can go horribly wrong.  (Note Louis' watching of his sober father playing with the happy Truffle in the illustration above.) Even his mother, ever immersed in the sadness of needing to be separated from her husband, holds out hope for recovery and reconciliation.  How Louis will adapt that understanding to his own crush on Billie, desperate to speak with her but reluctant and apprehensive about the outcome, is an ending that must be read and seen to be fully appreciated.  

From Louis Undercover 

by Fanny Britt 

illus. by Isabelle Arsenault

Isabelle Arsenault does emotional storytelling in illustration. She doesn't just draw pictures to go with the story; she builds the story with surreal elements that create depth and carry the nuance of Louis' family's circumstances.  The use of yellow and turquoise, with the browns and greys, subtly convey the emotion of each situation.  The yellow is positive and hopeful and cheery, as when Louis watches Billie or his family is happy and Dad is sober.  Turquoise permeates those illustrations of lives living with heartbreak.  Real life is brown and grey because it's sobering and no-nonsense.  

There is much sadness in Louis Undercover.  Turquoise and browns and greys are the overwhelming colours.  But be assured that there is yellow in Louis' life and Fanny Britt resolves his story with a subtle explosion of positivity matched by Isabelle Arsenault exquisite artwork.

Once Upon a Northern Night

by Jean E. Pendziwol

Illustrated by Isabelle Arsenault

Groundwood Books

978-1-55498-138-0

36 pp.

Ages 4-7

August, 2013

Think of those cold Canadian winter nights, when the fallen snow has us cocooned inside and a quiet stillness blankets the land.  A confetti of snow flakes drift beyond the windows, mounding on branches, railings, and the hidden promises of spring.  If you can place yourself in this divine winter scene and know of a child with whom you may share this, Once Upon a Northern Night will be a lovely addition to your lullaby collection.

I may be reviewing this in June, and it may be the hot summer of August when Once Upon a Northern Night will be released by Groundwood Books, but those are only dates and seasons.  Jean E. Pendziwol's text will transport you beyond a calendar to a darkened night lit by falling snow, taking a path through the pines and birches, sprinkled with flakes, to a garden and frozen apples.  You'll see the deer, owl, hares, fox and mouse but never hear them as their scampers and play are buffered by the snow.  And the glimmering sky of colours and shapes!  Perfection needs no other words.  And Isabelle Arsenault's gentle and reassuring drawings lighten the night-time fears of darkness and warm the winter's cold, creating a soft shelter of wonder and innocence, life and love.  No meditation or relaxation exercise could ever bring the serenity and adoration the infuses Once Upon a Northern Night, soothing all readers, young and old alike.

   *   *   *   *   *   *  

This lovely book trailer was just uploaded to YouTube from House of Anansi and it's just too precious not to share.

Once Upon a Northern Night

Uploaded by House of Anansi on July 17, 2013 to YouTube

Governor General Literary Awards 2012 Winners announced

Yesterday, the Canada Council for the Arts announced the winners of the prestigious Governor General Literary Awards for 2012  including those in the two (English) Children's categories.

Congratulations to all the award winners and nominees for being recognized for their contributions to enriching our collection of phenomenal youngCanLit.

This year's winners in the two (English) Children's categories are: 

For Children’s Text:

Susin Nielsen
for  
The Reluctant Journal of Henry K. Larsen
 

 

Tundra Books
978-1-77049-372-8
243 pp.
Ages 11-14
2012 

Reviewed here on CanLit for LittleCanadians just days ago!

For Children’s Illustration:

Isabelle Arsenault
for

Virginia Wolf

 Text by Kyo Maclear

Kids Can Press
978-1-55453-649-8
32 pp.
Ages 5-10
2012

Reviewed here on CanLit for LittleCanadians on March 13, 2012. 

Virginia Wolf

Written by Kyo Maclear
Illustrated by Isabelle Arsenault
Kids Can Press
978-1-55453-649-8
32 pp.
Ages 5-10
2012

As all readers do, I tried to predict the story of Virginia Wolf, without reading the jacket flaps or blurbs. I was sure it was a retelling of a story in which a wolf named Virginia went after a little girl in a yellow dress, treeing her. I should have known that Kyo Maclear, author of Spork (Kids Can Press, 2010) and adult book, The Letter Opener (HarperCollins Canada, 2007) could not pen such a superficial story.  She didn't.

Virginia, awakens feeling "wolfish": dark, unhappy, reclusive, determined to shut out the noises of the world. Her sister, Vanessa, is surprised by the extent of Virginia's doldrums, and unsuccessfully tries to cheer her up. Only when she makes the effort to ask Virginia what she needs is Vanessa successful in using her artistry to engage Virginia and brighten her mood.

In Virginia Wolf, Kyo Maclear's Virginia suffers from "wolfishness", expressively represented by Isabelle Arsenault's frenetic, shadowy illustrations. But Isabelle Arsenault's joyous Bloomsbury of flowers, greenery and iced cakes exemplifies the soothing beauty of Vanessa's artwork which brings relief to her sister's dark mood.

Kyo Maclear's text accentuates the overwhelming nature of Virginia's mood while depicting the nebulous attempts by Vanessa to help her sister. Appropriately, the reversal is gradual, with a swing to help change direction, a ladder to lead upward, and a gray snail that unanticipatedly reaches a mountain top.

"Down becomes up. Dim becomes bright. Gloom becomes glad."

Virginia Wolf is loosely based on the relationship between writer Virginia Wolf (1882-1941) and her sister, painter Vanessa Bell (1879-1961), who both helped establish the Bloomsbury Group, a guild of creative thinkers. The real Virginia Wolf suffered from mental illness, which manifested itself in depression, nervous breakdowns and ultimately her suicide. The sisters' names and the references to their brother Thorby and Bloomsbury suggest that Virginia Wolf is Kyo Maclear's uncomplicated take on depression and how it is experienced intrinsically and extrinsically. The alliance of Maclear's tale with Arsenault's illustrations has produced an accurate, touching, and enlightening portrayal of caring.

***

This unique book trailer for Virginia Wolf, narrated by a young voice, helps promote the need to understand how to help anyone who may feel "wolfish".

Uploaded by kyomaclear1 on Feb 13, 2012 to YouTube.

2012 Notable Children's Books

The Association for Library Service to Children (ALSC), a division within the American Library Association announced its 2012 Notable Children's Books on January 22, 2012 at the ALA's Midwinter Meeting in Dallas.  For the committee, the term "notable" is used to refer to a book that is...

...worthy of note or notice, important, distinguished, outstanding.  As applied to children's books, notable should be thought to include books of especially commendable quality, books that exhibit venturesome creativity, and books of fiction, information, poetry and pictures for all age levels (birth through age 14) that reflect and encourage children's interests in exemplary ways.

Retrieved from http://www.ala.org/alsc/awardsgrants/notalists/ncb on January 25, 2012

 The final (but uncorrected) list, posted at the ALSC website, is lengthy and the reader can peruse it at his/her leisure.  However, I would like to note those Canadian books that made the list, bolding the Canadian author or illustrator or publisher. Congratulations to all of you for creating outstanding literature for our children.

Notables for Younger Children
I Want My Hat Back by Jon Klassen  Published by Candlewick Press

Notables for Middle Readers

Migrant by Maxine Trottier and illustrated by Isabelle Arsenault  Published by Groundwood Books

No Ordinary Day by Deborah Ellis  Published by Groundwood Books  

Notables for Older Readers

Queen of Hearts by Martha Brooks  Published by Farrar Straus Giroux (from Groundwood Books) 

Sita's Ramayana by Samhita Arni and illustrated by Moyna Chitrakar   Published by Groundwood Books

Stones for My Father by Trilby Kent  Published by Tundra Books