Go

Written by Deborah Ellis

Groundwood Books

978-1-77946-133-9
224 pp.
Ages 9–12

June, 2026 

 

What does the word "go" mean to you? Is it related to travel, to movement, or to leaving somewhere? Is it having a go at something, or playing the game? Is it the euphemistic word for passing away? Or does it relate to how something is functioning? Deborah Ellis, as she did in her earlier short story collections Sit (2017) and Step (2022), examines what a single word can and does mean in the lives of young people.

In three sections, titled "On Your Mark," "Get Set," and "Go," Deborah Ellis tells eleven stories. Each story is named for its main character, though three stories, one in each section, are related to one character named Brodie. Brodie's story begins with his incarceration for an accident on a stolen ATV that led to the injury of a farm worker. His story goes from court to four-month detention and finally release. For Brodie, "go" means going to juvenile detention, thinking about where he might like to go with his life, and choosing to go on.

 

Other stories in the "On Your Mark" section have Joan learning more about herself by dealing with her miserable grandmother and self-absorbed parents, and Janine who finds out about secret family and chooses to go forward with that knowledge and not stay silent. Their goings are just beginnings.

 

In the second section, "Set," Deborah Ellis's stories introduce injustices of the past in Diego Garcia, of the present with a boy in foster care when fires hit a community, and of Uyghurs detained in boarding schools, internment camps, and worse. In the final section, "Go," an unaccompanied Libyan boy is forced into the counterfeit trade, a family reconfigures itself after the death of both parents, and a boy's half-marathon run inspires others to action.

 

Deborah Ellis's protagonists may vary in their circumstances and their locations, but they all live with circumstances generally beyond their control. As young people, some barely teens, they are limited to the circumstances determined by their parents, their guardians, their foster families or the state, regardless of the choices they may make for themselves. It's this uncertainly of care that may quietly or publicly compel them to action. But Deborah Ellis gives them the resolve to decide which way they might like things to go. As in all her books, from her highly-acclaimed The Breadwinner series to more recent My Story Starts Here: Voices of Young Offenders (2019) and The Outsmarters (2024), Deborah Ellis gives voice to those who cannot be heard. Whether they are fictional or not is irrelevant. What is relevant is that they are making decisions about where their next steps go. They may be challenging  themselves to grow or to leave, to help others or to counteract the actions of others. But Deborah Ellis gives them the opportunity to express themselves and go wherever those next steps will take them.

 

• • • • • • • 

 

Sit (2017)

Step (2022)

Go (2026)

 

Haunted Canada (Graphic Novel, Volume 2): Four More Terrifying Tales

Written by Joel A. Sutherland

Illustrated by Hannah Barrett, Mike Feehan, Maya McKibbin, and Matt Salisbury

Scholastic Canada

978-1-4431-9630-7

144 pp.

Ages 9–12

September 2025 

 

To follow up on Haunted Canada (Graphic Novel, Volume 1): Four Terrifying Tales (2024), Joel A. Sutherland brings us another four Canadian ghost stories that will thrill, shock, scare, and even delight young readers, especially those who can't get enough horror reading.

 

The first story is "The Bog Wraith," which is illustrated by Maya McKibbon (she illustrated The Song That Called Them Home, 2023). At Pelly River Crossing, Yukon Territory, in 1897, a man leaves his wife and daughter to find gold in the riverbeds of Dawson. When Jerry and his dog Max come across three old-timers, he is warned about crossing the Pelly River because of the muskeg and the ghosts. But when Jerry is forced by a bear to cross, he finds both terror and assistance from spirits trapped there.

From "The Bog Wraith" in Haunted Canada (Graphic Novel, Volume 2): Four More Terrifying Tales, written by Joel A. Sutherland, illustrated by Maya McKibbin

St. John's artist Mike Feehan illustrates the second story which is titled, "The Etobicoke Poltergeist." Set in 1968 Etobicoke, a suburb of Toronto, a family of parents, two young daughters and a baby son is plagued by the ghost of an old woman. The menacing ghost warns the oldest daughter of hardship, sickness, and death. When Dad goes on a strike and the baby is hospitalized, the family brings in a minister to perform and exorcism.

From "The Etobicoke Poltergeist" in Haunted Canada (Graphic Novel, Volume 2): Four More Terrifying Tales, written by Joel A. Sutherland, illustrated by Mike Feehan

The third story is called, "The Bloody Neck Man" and apparently took place in 1802 in the village of Myrnam, Alberta. Matt Salisbury illustrates the story of two fathers who cannot get along and refuse to let their two children, the daughter of one and the son of the other, associate. The two kids, however, like to help each other, sharing fish they've caught and more. When their two fathers and other men go off to trade furs, the two young people realize they've both had a dream about a man with a bloody neck. Pierre believes it is a fetch i.e., a supernatural double of someone and a bad omen. Soon, Lizzie realizes that dream, and the pool of blood she discovers on the floor, has more to do with their fathers than might be expected.

From "The Bloody Neck Man" in Haunted Canada (Graphic Novel, Volume 2): Four More Terrifying Tales, written by Joel A. Sutherland, illustrated by Matt Salisbury

"The Doll That Wouldn't Die" is the final story and the most recent, taking place in 1980s Gatineau Hills, Quebec. In this story, illustrated by Hannah Barrett, a family of three moves into their new house, and the very young son Timothy finds a doll. The pregnant mom thinks it's creepy and intends to get rid of it but Timothy, who has been talking to the doll, demands it back. Whether they can destroy the doll or separate the child from it may not be under their control.

From "The Doll That Wouldn't Die" in Haunted Canada (Graphic Novel, Volume 2): Four More Terrifying Tales, written by Joel A. Sutherland, illustrated by Hannah Barrett

Author Joel A. Sutherland knows how to tell a scary story or five. Just check out his numerous Haunted Canada short story collections (e.g., Haunted Canada: The Second Terrifying Collection) or his middle-grade horror (e.g., The House Next Door). I especially appreciate his highlighting of Canadian ghost stories. In this collection, we travel from Alberta to Ontario, from the Yukon to Quebec. And the stories take us from the time of the fur traders to those seeking their fortune in the Klondike Gold Rush, as well as more contemporary stories. Each has their own supernatural element, though all have frightening natures that need to be braved. And the way Joel A. Sutherland tells these stories makes us believe these things could happen to anyone. Shudder.

 

Because each story is different, each illustrator delivers us to a different time and place. Maya McKibbin gives us remote landscape of bogs and forests, while Matt Feehan takes us to the swinging '60s of sideburns, fabric chokers and peasant dresses. Matt Salisbury gives us the remoteness of Alberta when people fished and trapped, and the men travelled far to trade. Finally, Hannah Barrett delivers us to our most contemporary setting and gives us a creepy doll that is an unlucky, cherished moppet and more the kind of nightmares.

 

It doesn't matter that Halloween is just days away. Maybe Halloween will be a great time for sharing these ghost stories, but young readers who appreciate horror will find Haunted Canada (Graphic Novel, Volume 2): Four More Terrifying Tales a fabulous read anytime. I just might recommend not saving them for a bedtime reading, especially with illustrations that might pervade your sleep and emerge in your nocturnal visions. 

 

• • • • • • • 

 

Haunted Canada Graphic Novel, Volume 1: Four Terrifying Tales (2024)

Haunted Canada Graphic Novel, Volume 2: Four More Terrifying Tales (2025) 

2025 Stephen Leacock Student Humourous Short Story Competition

Stephen Leacock (1869-1944) was a well-known Canadian writer and humourist as well as academic whose impact on Canadian culture and society has been recognized with countless awards, including being recognized as a National Historic Person of Canada. For me, his book Sunshine Sketches of a Little Town makes him as quintessential a writer of CanLit as Lucy Maud Montgomery, Robertson Davies, Margaret Atwood and Michael Ondaatje. 

 

In 1947, the Stephen Leacock Memorial Medal for Humour was established, and the student writing award in 1977. 

The 2025 competition is now open, closing on April 15, 2025, and I encourage parents and teachers to invite Ontario teens (ages 14-19) to submit their humourous short stories or personal essays to this competition. The prizes are very generous and this contest gives young writers an opportunity to get their work out there and maybe meet a Canadian author of note. (See prizes below.)

 

Details follow. Full details can be found at https://leacock.ca/studentaward.php and inquiries can be made to Christy den Haan-Veltman, Registrar - Student Awards, at studentawards@leacock.ca.

 

🖊💻🖊💻🖊💻🖊💻🖊💻 🖊

 

WHO MAY ENTER?

The contest is open to Ontario students (public, separate, private, home school, university or college) who are of ages 14 to 19.

 

 

WHAT TO SUBMIT?

The contest is looking for:

• an original humourous short story or humourous personal essay;
• maximum word count of 1500 words;
• a titled work; and
• formatted to include page numbers and the title on every page.

Depending on how you submit, whether online or by mail, the formatting will be different, so page attention to the requirements as posted on https://leacock.ca/studentaward.php.

 

HOW TO ENTER?

There is a $5 entry fee.

 

Submit your writing by the deadline of Tuesday, April 15, 2025 through the following link  https://leacock.ca/essayform.php or via mail (so make sure it's postmarked before the April 15th deadline).

 

(All this information are posted on the Leacock Award website at https://leacock.ca/studentaward.php)

HOW WILL SUBMISSIONS BE JUDGED?

Entries will be judged blind. (Entries are opened on arrival in Orillia by a disinterested party who removes the cover page and assigns a number to the entry. The number is placed in a register, along with the student’s name and school, and the numbered entry is then passed to the committee of judges who are all published authors, many of whom have been nominated or have won the Leacock Award. The register is not returned to the committee until the judging is complete.)

WHAT ARE THE PRIZES?

First Prize: $1500

Second Prize: $750

Third Prize: $750 

Winners will be announced on Thursday, May 15, 2025.

 

Winners will read their works at the "Meet the Authors Night" in Orillia on Friday, June 20, 2025 and receive their awards. (Note: All three student winners will receive two tickets, one for themselves, plus one for their guest, though additional tickets may be purchased.) 

The first place winner will also be invited (two tickets) for the Gala Dinner on Saturday, June 21, 2025, at which the winner of the Leacock Medal for Humour will be announced.

 

🖊💻🖊💻🖊💻🖊💻🖊💻 🖊

 

Time to get your funny on and start writing.

 

Good luck to all young writers!

 

Step

Written by Deborah Ellis

Groundwood Books

978-1-77306-815-2

150 pp.

Ages 8-12

March 2022

For many of us, our days are spent stepping out and stepping in and stepping around. These are our everyday lives of going to school or work, dealing with peers and family, and returning home. But there are milestone days. For many children, those days include their birthdays. And, for the children of Deborah Ellis's ten stories in Step, the milestone day of an 11th birthday brings with it a new opportunity to step. 

 

Each of the ten stories within Step is titled with a single and powerful word.  They are Smash, Alone, Rock, Rubber, Shoes, Ride, Laundry, Free, Nails, and Supper. Some take place in familiar North American settings, like Smash in which Connor takes his sister's rejected and fearful dog for a walk and both see and become something different. Or Ride, in which Aislyn is taken to the county fair by her older sister and deserted to spend time with her boyfriend. But there are other stories that take us to the unfamiliar. In Rubber, Oma and her family are escaping on a rubber raft for Europe, and in Free, a child and her mother and sister leave the gangs and deaths of their homeland to walk days into the land of the free. Perhaps the most disparate in setting is Laundry in which Masud shares a cell with twenty-one men at a prison-like Libyan detention facility. Their cell is a community of unrelated persons who have come together to work as family for everyone. Most unusual is the story of Rock. While its setting will be familiar to young readers, Rock is wholly different in that it includes a supernatural element that links our world with another to highlight a social injustice halfway around the world.

 

From the pen of Deborah Ellis always comes brilliant writing but also profound attention to social justice and the courage of children to step up. This is the same in Step. From neo-Nazis, an inhumane detention center, gang violence, poverty, bullying and those seeking refuge, Deborah Ellis lets young readers see from the perspective of eleven-year-olds who are leaving their childhoods behind and looking at people and places with fresh eyes. For many, that one day of transition from 10 to 11 has given them clarity for flawed family members, for right and wrong, and for their own place.

I love that there has been a resurgence of short story collections, especially themed ones such as Deborah Ellis's latest collection, a companion book to her earlier Sit (2017). In Step, eleven-year-olds are stepping into, stepping up and stepping away. And sometimes doing what is actually another, like Lazlo in Shoes who by stepping away is actually stepping up. These children from around the world are dealing with big issues in their own homes, in their communities and in foreign lands. They must deal with their families, with their peers, with strangers, and with authorities. And each time they must decide what they will do in their steps. They could step back or around. They could do what they might have done at age ten and taken the familiar course. Ah, but they have all just turned eleven. That milestone moves them forward to step differently. These children have come of age, some in common circumstances and some in horrific struggles. Each has stepped into their new maturity in their own way, thinking beyond themselves and instead of others and the greater good. They have attained the wisdom that many of their elders have not.

Sunny Days Inside and Other Stories

Written by Caroline Adderson
Groundwood Books
978-1-77306-572-4
176 pp.
Ages 8-12
August 2021

 

The world may be living under the shadow of the same pandemic but our stories are so different. In Sunny Days Inside and Other Stories, author Caroline Adderson takes us into one community, that of a Vancouver low-rise apartment building, and shares the stories of its residents from the eyes of its youth.

Sunny Days Inside relates the story of Danila's family who were finally going on a plane holiday to Días de Sol (Sunny Days) resort in Baja, Mexico, courtesy of her grandmother. Because of the disparity in wealth between their family and her mother's sister, a woman who travels extensively, the holiday becomes a source of conflict, with the children's aunt heading out on a cruise days before they leave. Then the pandemic hits. Danila's family makes their own indoor holiday but it's tinged with sorrow and guilt when her aunt gets COVID-19 on the ship.

Brothers Alek and Ivan decide they're going to become cave men, after all the barbershops close, in the story How to Be a Cave Family. All the strategies that Palaeolithic beings used to survive, from being afraid of everybody, to hunting and gathering and developing their own language, become their guide to getting through the pandemic.

In Reo and Juliet, Grade 7 peers from apartments 3D and 4B become friends across their balconies as Reo, the athlete, struggles with how to train and Juliet works at overcoming her shyness.

In the following four stories–I Like Your Tie, The Entrepreneur's Bible, The Two Harriets, and The Incredible Escaping Bra Man–young people are challenged with parents who are front-line workers, or those who have lost their jobs or closed businesses, or those impacted by illness, including cancer and anxiety. The kids make new friends, become spies and save a resident's life, and face their own fears about the virus, their families and friends, and their new realities. And it's all while adhering to lockdowns and pre-vaccine protocols.

In the final story, Imagine, the young residents and one special one come together in a socially-distanced and rebellious act that brings them together safely and outside.

Caroline Adderson has always written powerful stories (e.g., Very Serious Children, 2007; Middle of Nowhere, 2012; Norman, Speak!, 2014), though with a smidgen of humour that never distracts from serious issues like abandonment, parenting, foster care, and now COVID-19. Told from a variety of perspectives, the pandemic is viewed as an adventure, a source of fear and anxiety, an opportunity, or even a challenge. We've got kids who worry about their parents, who become superheroes, and those who gain perspective on their pre-pandemic lives. They are all different, as are their stories, but somehow young readers will recognize every one them and their issues, sure to see themselves within. These middle-graders are shy and athletic, Deaf and hearing, silly and serious, anxious and confident. Whether annoyed with a younger or older sibling, cooperating with working or non-working parents, cheering the lack of haircuts, or finding new ways to communicate without congregating, these kids are living through this pandemic. In fact, they're staring it in the face, mask securely on and two metres apart, and reclaiming their lives, albeit new configurations of them.

The Missing Donut and The Traveling Dustball

The Missing Donut

Written by Judith Henderson

Illustrated by T. L. McBeth

Kids Can Press

978-1-77138-788-0

56 pp.

Ages 5-8

September 2018

The Traveling Dustball

Written by Judith Henderson

Illustrated by T. L. McBeth

Kids Can Press

978-1-77138-789-7

56 pp.

Ages 5-8

April 2019

In the Big Words Small Stories series, Montreal author Judith Henderson introduces young readers to some very, very big words via some very, very silly stories. It's an entertaining way to learn new vocabulary in context.

From The Missing Donut by Judith Henderson, illus. by T. L. McBeth

In the first book, The Missing Donut, readers are introduced to Cris and his cat Crat, along with the Sprinkle Fairy who has a word factory in Sicily and uses her helpers, the Sprinklers, to add "Big Words"–highlighted in their own font–to the story. In the first tale, The Missing Donut, Cris learns his jelly donut has been "purloined." Readers are introduced to "discombobulated" after Crat rides Cris's new bicycle into an accident in It's All Downhill and to "bamboozled" when the two get into The Trouble with Chipmunks. The final two stories, Museum of Fabulous Art and Mr. Footz's Fine Footwear, will acquaint readers with "smithereens" and "galoshes."

From The Missing Donut by Judith Henderson, illus. by T. L. McBeth

In the second book, The Traveling Dustball, the main characters have changed to Davey and his dog Abigail, though the Sprinkle Fairy and her Sprinklers are still hard at work adding rich vocabulary to the stories. Abigail finds Davey's sweeping  of the troublesome dust bunnies "irksome" in the titular story though that dustball becomes a vehicle for incredible journeys throughout the book. In Spaghetti and Meatballs, that dustball ferries them to Italy and causes quite a "brouhaha" while in The Big Wave, Abigail does some "lollygagging" before they head to the beach for some more relaxing. While young readers will love learning about a Swiss "phenomenon" of a Stinky Cheese that smells terrible but tastes great, I learned the new word "collywobbles" when the Davey travels to China for Cloud Tea to remedy Abigail's stomach ache.

From The Traveling Dustball by Judith Henderson, illus. by T. L. McBeth

And just as a friendly reminder of all the new words highlighted, and that includes a pronunciation guide too, each book ends with a section called A Small Play on Big Words, in which the Sprinklers bring all the words into play (pun intended).

This is a great new series for early and early middle grade readers to learn new vocabulary, complete with pronunciation and definitions. Moreover, with the books topping out at 56 pages each and published in a smaller format (17.5 cm x 22.5 cm), kids will not feel like they're reading picture books, though the illustrations by American T. L. McBeth make the stories the hit they are. The art may be deceptively simple but it emulates the flow of a graphic novel's illustrations without the intensity of frames and speech bubbles and it works so well with Judith Henderson's dialogue and characters. 

I don't want to burden The Missing Donut and The Traveling Dustball with the label of educational so I'll just encourage parents and school libraries to get these quirky stories into young readers' hands so that they can enhance their vocabularies, chuckle at the antics of personality-rich characters like Crat and Abigail and visit some worlds that might be familiar but also fantastic. (But I have to warn you: learning is going to happen.😊) 

From The Traveling Dustball by Judith Henderson, illus. T. L. McBeth

•••••••••••••••••••••

Book 3 in the Big Words Small Stories series, Smell the Daisies, comes out October, 2019.

The Whirlpool

Written by Laurel Croza

Illustrated by Kelsey Garrity-Riley

Groundwood Books

978-1-77306-032-3

96 pp.

Ages 10-14

May 2018

Don't be deceived by the simple cover illustration and the less-than-100 page count. The Whirlpool, a collection of seven short stories from award-winning picture book author Laurel Croza, is not an early reader.  Its stories are sophisticated and aimed at upper middle grades, covering a wide variety of issues from emotional abuse and grief to destiny and bullying.

In It's a Step, the narrator Charity lives with her mother and abusive father.  As her dad rails against her mom taking a job at Tim's, both mother and daughter find the means to take a small step to a better life.  In Book of Dreams, Mike finds the support he doesn't get at home from his mom and her latest boyfriend at a restaurant where he gets respect, appreciation and a turkey dinner. While a very different story in terms of characters, OH! is also about finding home. The Oh! So Perfect Hair Dolly goes from factory to store shelf and dreams of being named by a child. The desolation of being passed over during Christmas shopping and then being relegated to the reduced price bin is reflective of any child who has felt unloved.  

The Whirlpool is the story of fifteen-year-old Jasmine who is the brunt of swirling rumours at the whirlpool that is school about her having a baby. As she deals with the gossip and nastiness, Jasmine resolves to "look the whirlpool in the eye" (pg. 30) and reveal her story. A Beautiful Smile also looks at nastiness at school, this time with a young teen from the north standing up to a mean girl at her new Toronto school. Most satisfying is the public and clever way in which Nicola finds support and salvation.

Although all the stories have something important to impart, my two favourite stories are The Sunflower and Destiny. Though told from the perspective of a squirrel, The Sunflower is neither trite nor silly. It is an emotional story about loss and grief and making connections, and I defy anyone not to sob at its telling.  Destiny is a revealing story about following one's dreams, regardless of others' desires and opinions.  Johnny helped inspire his younger sister Dani to play hockey even when her father thought figure skating would be more appropriate. Dani persevered and changed her father's mind about her playing hockey. Now, with Johnny drafted to the OHL, she wants to help her brother accept his true destiny too.

Each story in Laurel Croza's collection is packed with emotional growth, from taking first steps to fulfilling one's destiny, or saving yourself, or accepting strengths and weaknesses as part of the whole package. The stories may be brief (each less than 20 pages) but they wallop you with the power of their storytelling, dialogue and message. My favourite, The Sunflower, does that all in five pages.

I shouldn't be surprised that Laurel Croza can weave such powerful tales. Her highly-acclaimed picture books, I Know Here and From There to Here, which were beautifully illustrated by Matt James, conveyed amazing stories in few words. But these stories are not picture book tales transformed into text. They are not for our youngest readers, though, because of the length of the books, parents and teachers might expect them to be so.  The stories in The Whirlpool collection deal with issues of abuse, gossip, abandonment, and death. While these are issues with which younger readers may be familiar, the older protagonists in Laurel Croza's stories suggest that older middle grade readers might understand the messages better.

I've always loved short story collections for the breadth of stories that can be told and the piecemeal manner in which the text can be read. They are potent teaching tools and convenient for reading in shorter time periods. With The Whirlpool, Laurel Croza has provided a worthwhile addition to the youngCanLit collection of short story anthologies as it enlightens, reassures and inspires.

Coyote Tales

Written by Thomas King

Illustrated by Byron Eggenschwiler

Groundwood Books

978-1-55498-833-4

60 pp.

Ages 6-9

October 2017

If anyone ever believes that the storytelling tradition of First Nations has disappeared, they need only read aloud the Coyote stories of Thomas King.  Undoubtedly told better in his own booming voice, these Coyote Tales are told with the mischief and wisdom to impart awe and lessons aplenty.

Coyote Tales is actually two previously published Coyote stories by Thomas King.  The first, Coyote Sings to the Moon (originally published in 1999), has that trickster Coyote interrupting the nightly song by Old Woman and the animals praising the Moon.  When Coyote offers to join them, they deny him a voice, knowing how poorly he sings.  Chastized, Coyote leaves in a huff, criticizing the Moon for its disturbing brightness.  Moon, not to take criticism, plunges itself into a pond to enjoy a game of chess with Sunfish.  While Old Woman and the animals search for Moon, Coyote struggles in the darkness, using a skunk as a pillow and falling off a cliff.  But clever Old Woman uses Coyote's horrible singing to force Moon to flee the pond and fating Coyote to a nightly song to keeps Moon from returning to the pond and a life of leisure.

The second story is Coyote's New Suit (originally published in 2004), a charming tale of vanity and envy.  Coyote is perfectly content with his suit of gold, toasty brown until Raven's comments convince Coyote to steal Bear's suit left on a pond's shore. When Bear returns to find his suit missing, Raven tells him that the humans hang clothes they no longer need on ropes and encourages him to help himself.  Coyote continues to steal the suits of Porcupine, Raccoon, Beaver and more animals who, in turn, help themselves to the human clothes hanging on the clothes line.  All orchestrated by Raven, the shenanigans come to a head when Coyote holds a yard sale to clean out his closet and humans and animals alike come in search of new suits.

From Coyote Tales 

by Thomas King 

illus. by Byron Eggenschwiler

Thomas King's Coyote Tales recognizes the traditional Coyote stories of First Nations, taking readers to "a long time ago, before animals stopped talking to human beings" (pg. 11) when lessons were learned at the antics of a mischievous and oft humiliated Coyote and the clever playfulness of Raven and the natural world was honoured and celebrated. The legends are told here as comical allegory but are rich in lessons and advice.

Groundwood Books is doing something very clever in opening up previously published picture books to new audiences.  By re-releasing them as very short anthologies, perhaps only two or three stories, with new and fewer illustrations (here by Calgarian Byron Eggenschwiler), they are capturing the early reader and middle grade reader who might not want to be seen reading "babyish" picture books.  Margaret Atwood's A Trio of Tolerable Tales (Groundwood, 2017) was such a collection and I'm hoping that there are more in the offering from Groundwood, especially for Thomas King who still has more Coyote tales to share.

Sit

Written by Deborah Ellis

Groundwood Books

978-1-77306-086-6

144 pp.

Ages 10-13

October 2017

The premise for Sit is simple.  There are eleven short stories based on chairs and other places upon which the young protagonists sit, rest, work, deliberate, speculate.  Each begins with a name, descriptor of the seat and usually the place.

Jafar was sitting on a work bench in the furniture factory. (pg. 11) 

Miyuki was sitting on a tatami in the evacuation centre. (pg. 72) 

Mike is sitting on his heels on the floor of his cell. (pg. 91)

Except for two scenarios to which the protagonists return in somewhat different settings, each story is unique.  Still all are touching and deeply personal and insightful about the human condition and humanity, all told based on where we sit and why.

The first story, The Singing Chair, is the story of Jafar, a young boy who works in a furniture factory in Jakarta in order to pay off his family's debt.  But his life is more than this because after work he attends a school for working children and he is learning to read and write.  Jafar returns in the final story called The Hope Chair which focuses on the school and the overwhelming hope it gives him to write himself a bigger and better story.

More stories of a contemporary setting but which transport young readers to global locations include an escape from Taliban rule in Afghanistan to an equally reprehensible "safety" (The Hiding Chair) and Miyuki's story of entering the danger zone after the earthquake, tsunami and Fukushima nuclear power plant disaster in order to rescue her mother's donkey (The Glowing Chair).  Still a little different is the story titled The Question Chair in which a Berliner named Gretchen is thrown into intense contemplation about the experiences of the Jewish people and the Germans during World War II after sitting on a toilet at a concentration camp museum outside of Krakow.

Some stories read as more local but of worlds perhaps unknown to many readers and sadly familiar to others. There is the Mennonite community in the aftermath of a horrible tragedy (The Plain Chair) and a prison in which a young man in solitary confinement finds hope from an anonymous source (The Freedom Chair).  Even The Day-off Chair has a little girl on a street bench trying to find calm in her angry world, one in which harm is expected. The Time-Out Chair, represented by the pink chair with dinosaur on the cover, is the chair to which seven-year-old Macie is relegated for her multitude of "sins" but where she finds solace in her imagining of a forest house. The only other stories in which the protagonists are revisited are The Knowing Chair and The War Chair which focus on children in a family in transition.  From a food court table and chairs to a swing outside the neutral location for the family custody switch, Barry and his little sister Sue are pulled along in their parents' conflict. Regrettably this story may be all too familiar to some children.

As very different as the stories are in situation, each is a story with a young person struggling either with others or with themselves in order to survive emotionally and/or physically the trials of their lives.  What they learn of others and themselves in the process of sitting is extraordinary.  For Deborah Ellis's young people, sitting is but a starting point for new life stories.  Given the choice of remaining seated, condemned to a suspended existence, or getting up and moving forward, Deborah Ellis's young people choose life in whatever form is available.

Maybe she would live.  Maybe she would ride a great train of suffering for a long, long time, but there might be one day when that train would stop, and she could have a belly full of food and a face full of sun. (pg. 117)

2018 Stephen Leacock Student Humorous Short Story Competition

The Stephen Leacock Medal for Canadian Literary Humour is a prestigious annual which honours the great humorist Stephen Leacock.  While the award is generally given for books for adults, the Stephen Leacock Associates foundation sponsors a student competition.  What a great way to get more humour in our lives, get your students writing with purpose and maybe even win a few dollars!

Here are the details for the competition, as well as a teacher's guide for writing humour, which are posted at https://www.leacock.ca/studentaward.php.

Stephen Leacock 

Student Humorous Short Story 

Competition 

2018

Criteria:
Write a humorous story or personal essay in English with maximum word count of 1500 words.
• titled
• typed, double-spaced on one side of the page only
• pages numbered and without any other identifying marks
• cover page must be included and provide: title, student's name, name of school, school's telephone and email address


Judging:
Judging by 3 published authors is blind i.e., cover pages with key information are removed and the entry is assigned a number which is logged with student's info in a register which is only seen after judging is complete.


Submission:
Send 3 copies of each entry (plus $5 entry fee) by April 15, 2018 deadline to:
Christine Spear
Contest Registrar
8-40 Victoria Crescent
Orillia, ON
L3V 6N6


Deadline:
Post marked no later than April 15, 2018


Participation:
Limited to Ontario secondary school (public or private) students.


Prizes: 
First prize:  $1,000
  + • 2  tickets to the Stephen Leacock Memorial Medal Banquet gala (June 9, 2018)
     • accommodation for two
     • an autographed copy of the medal-winning
     • 2 tickets for the Authors Night (June 8, 2018) at which all winners will read their stories

Second prize: $700
  + • 2 tickets for the Authors Night (June 8, 2018)

Third prize: $300
  + • 2 tickets for the Authors Night (June 8, 2018)


Announcements and Presentations:
Winners announced: May 15, 2018

Authors Night (for all winners): June 8, 2018, Best Western Mariposa Inn, 400 Memorial Avenue, Orillia

Gala Dinner (for 1st place winner):  June 9, 2018, Geneva Park Conference Centre, Orillia
   

Contact:
Christine Spear
studentawards@leacock.ca

Stephen Leacock Memorial Medal

Retrieved from https://www.leacock.ca/studentaward.php on October 2, 2017.

A Trio of Tolerable Tales

Written by Margaret Atwood

Illustrated by Dušan Petričić

Groundwood Books

978-1-55498-933-1

68 pp.

Ages 7-10

March 2017

I suspect Margaret Atwood doesn’t abide rules for writing, especially ones that insist that alliteration is verboten. Still, writing as she chooses, Margaret Atwood’s style is acclaimed as unique and refreshing and unconventional.  It doesn’t matter whether she writes for adults or for children, dystopia or realistic fiction, graphic novel or picture book.  Her stories poke our psyches into response, whether into delightful laughter or revulsion for worlds gone wrong.  I’m pleased to share A Trio of Tolerable Tales and commend its objective to yield mirth.

The three stories in this tome were originally published as three separate picture books: Rude Ramsay and the Roaring Radishes (Key Porter, 2003); Bashful Bob and Doleful Dorinda (Key Porter, 2004); and Wandering Wenda (McArthur & Co., 2011).  Together the three have become a short story collection for early readers who wish to read beyond picture books and a challenging read-aloud for anyone wishing to trip over their tongues and twist themselves into tenuous ties.

Rude Ramsay resides with his relatives Ron, Rollo and Ruby and is tormented by the horrific food regularly presented.  He finally revolts.  On the advice of his friend, Ralph a red-nosed rat, Ramsay sneaks across (or rather through) the rampart to enter a realm of fresh and inviting food. But when he helps himself to a radish, they attack, calling him a robber.  It is only when a girl named Rillah steps in that Ramsay is made to see that each lives in a world with attributes the other appreciates.

From A Trio of Tolerable Tales 

by Margaret Atwood 

illus. by Dušan Petričić

Bob of Bashful Bob and Doleful Dorinda is abandoned by his mother and raised by a bounty of dogs.

But Bob was bashful.  He did not believe he was a boy, and barked when bothered.  He was bewildered by blithering barbers, blathering butchers, bun-bearing bakers and belligerent bus drivers, and would bound behind bushes or burrow under benches when they blundered by.  He would bite busy businessmen in their briefcases.  (pg. 31)

Dorinda, the Cinderella slave of her distant relatives, runs away and discovers Bob and his doggie family.  She takes it upon herself to teach Bob to speak.  When a buffalo, labelled a begonia, ventures into their neighbourhood, it is Bob who becomes brave and Dorinda who becomes daring and together they save the day.

From A Trio of Tolerable Tales 

by Margaret Atwood 

illus. by Dušan Petričić

Wandering Wenda and the Widow Wallop’s Wunderground Washery is the story of Wenda whose “parents were whisked away by a weird whirlwind” (pg. 45).  She befriends a woodchuck whom she names Wesley. Wenda, with Wesley secreted away in her sweater, is whisked away rather unceremoniously by the Widow Wallop who takes them to her underground washery where three other children–Wilkinson, Wu and Wanapitai–were “washing, rinsing and wringing out the whiter than white washing” (pg. 55).  It is Wesley in doing what woodchucks do who helps the children escape the abuse of the Widow and the horrors of their slavery in the Wunderground, and ultimately, with the help of some wolves, they bring a criminal to justice and ensure the return of their parents.

From A Trio of Tolerable Tales 

by Margaret Atwood 

illus. by Dušan Petričić

If you feel there’s a Roald Dahl flavour to Margaret Atwood’s stories, you’d be right.  There are children who must find the means, often humourous though sometimes tragic, to survive selfish or evil adults.  They make comrades of unlikely animals and children, and restore their lives to some semblance of contentment.  As Wesley often says, “Could be worse.”

Dušan Petričić illustrated the original picture books but the black and white drawings in this volume lend a dark air that emphasizes the darker aspects of Margaret Atwood’s stories.  There’s a bleakness that seems more appropriate for readers who are too old for picture books–perhaps only in their own minds–but too young for really disturbing stories.  So, courtesy of Margaret Atwood and Dušan Petričić, A Trio of Tolerant Tales, brought to you by the letters R, B and D and W, fits that bill in all its alliterative glory.

Short Stories for Little Monsters

Written and illustrated by Marie-Louise Gay

Groundwood Books

978-1-55498-896-9

48 pp.

Ages 5-8

March 2017

Whether they’re your little monsters, rugrats, toads, or anklebiters, you can bet that little children will be up to no good and good when March break comes around in a few weeks.  You can either prepare yourself for those days with these humourous stories or share them with your own little monsters to while away the days or nights with some imaginative fun, or save them when your own creativity is waning.

From Short Stories for Little Monsters 

by Marie-Louise Gay

In nineteen short-stories told on single pages or double spreads (except for the final story "The Secret Life of Rabbits" that needs four pages to show us what magnificent worlds rabbits make), Marie-Louise Gay takes readers into the fantastical minds and play of children.  From imagining what can be seen when eyes are closed ("When I Close my Eyes") or fantasizing that no one sees them when clad in pillowcases ("The Incredible Invisible Boy" and "The Incredible Invisible Twins") or outrunning monsters that lurk in the wild ("Monster!"), Short Stories for Little Monsters celebrates the creativity of children in their minds and their play, alone and with others.  And beyond child’s play, Marie-Louise Gay takes their visualizations into the worlds of cats, snails, trees and rabbits, for example exposing what our feline friends really see in a dust bunny or a chess game  ("What Do Cats See?" and "What Games Do Cats Play?") and giving us  a snail’s-eye view into "Snail Nightmares" (who knew?) and "The Secret Life of Snails."  Of course, amidst all the fun there is still the apprehension of every day life, when the teacher may call on you ("Who? Me?"), that your mother can see all you do always ("Zombie Mom") or that your friends might see through your façade of wisdom ("Rhisonoros") but this is all life, told in the splendour of colour, line, shape and ingenuity of the very original and inventive creator of Stella and Sam, Marie-Louise Gay.

From Short Stories for Little Monsters 

by Marie-Louise Gay

The wealth of stories about imaginative fun and speculation abounds in this compendium of illustrated stories.  The stories are a delight, both humourous and insightful, but it's Marie-Louise Gay's illustrations that will grab readers first, as they always have. (She has been honoured with numerous awards including three Governor General's Awards for illustration in English-language children's books.)  In her artwork, that often resembles the loose frames of graphic novels, she tells of childish diversions but gives them life with her effusive children, and ever-present secondary characters of bunnies, cats, snails, birds and other creatures.  The details are whimsical and ever-present, and children will delight in spotting the stray underwear, the fish that can't add 2 + 2, and the rabbit flying a carrot plane.  And the colours, glorious colours! And the swirls, the patterns, the textures of her lines and watercolours!  There is a gaiety to Marie-Louise Gay's art (it's okay to pun; Marie-Louise Gay does it too) that is like no other, and brings merriment to each story, even if it's about "Lies My Mother Told Me."

It's always a celebration when Marie-Louise Gay publishes a new book but this multi-story illustrated format is certainly unique and worthy of attention.  Moreover, because it's not a book that needs to be read in any order or all the way through in one sitting, I suspect Short Stories for Little Monsters will be appreciated by all readers and listeners, whether they be little monsters or not, who will continuously find nuggets of wisdom and whimsy throughout.

From Short Stories for Little Monsters 

by Marie-Louise Gay

Short Stories Collections of youngCanLit: Book list

Not every reader or student is interested in reading full-length novels, and short stories offer the perfect alternative, with shorter reads that pack a punch in fewer pages.  Just as picture books are certainly not easier to write just because they are shorter (a caution to those wannabe writers who are convinced anyone can toss off a picture book!), short stories are definitely not lesser works of story-telling.  In fact, I defy anyone to write a short story, with adequate character development and plotting to sustain the attention and interest of readers of youngCanLit.  It can be a daunting challenge that not everyone can meet.  Thankfully, these 53 books of short stories and excerpts from novels demonstrate the strength of this type of writing in Canada, though I would like to see more published.  And I believe that these books, for all reading levels though many are for young adults, are valuable tools for teaching everything from history to writing to humour or just allowing readers to see themselves in their reading.

Check the recommended ages for which these short stories collections have been published, and I trust that all young readers and teachers will find something here to satiate their reading appetites.

101 Ways to Dance 
Written by Kathy Stinson
Second Story Press
150 pp.
Ages 12-15
2006
Fourteen stories about the joys and anxieties of sexual anticipation.

All Sleek and Skimming: Stories
Edited by Lisa Heggum
Orca Book Publishers
240 pp.
Ages 14+
2006
Stories by Gil Adamson, Diana Aspin, Gary Barwin, Martha Brooks, Ivan E. Coyote, Brian Doyle, Anne Fleming, Lee Henderson, James Henegan, Sheila Heti, Susan Kernohan, Carrie Mac, Derek McCormack, Janet McNaughton, Joe Ollmann, Michel Rabagliati, Stuart Ross, Arthur Slade, Susannah M. Smith, Ania Szado, Madeleine Thien and Tim Wynne-Jones

Apples and Angel Ladders: A Collection of Pioneer Christmas Stories
Written by Irene Morck
Illustrated by Muriel Wood
Fitzhenry & Whiteside
80 pp.
Ages 8-11
2001
Six stories emphasize Danish-Canadian pioneer traditions

Back of Beyond: Stories of the Supernatural
Written by Sarah Ellis
Simon & Schuster
144 pp.
Ages 11-15
1997
Twelve stories involving the supernatural.

Be Afraid!: Tales of Horror
Edited by Edo van Belkom
Tundra Books
184 pp.
Ages 11+
2000
Fifteen scary stories by authors including Robert J. Sawyer, Monica Hughes, Tim Wynne-Jones, Ed Greenwood, Nancy Kilpatrick, Joe R. Lansdale, Ed Gorman, Steve Rasnic Tem and Richard Laymon.

Becoming Fierce
Edited by Allister Thompson
Fierce Ink Press
205 pp.
Ages 13+
2014
Ten stories by Chris Benjamin, Ben Boudreau, Gerard Collins, Alison DeLory, Jamie Fitzpatrick, Patti Larsen, Cale Liom, Chad Pelley, Lee D. Thompson and Jo Treggiari tell of becoming fierce so as to release them from the holds of fears, bullies, confusion, family, drugs, and even country.
Reviewed here

Beginnings: Stories of Canada's Past
Edited by Ann Walsh
Ronsdale Press
227 pp.
Ages 12+
2001
Fourteen fictional historical vignettes by Ann Walsh, Barbara Haworth-Attard, Beverley Brenna, Constance Horne, Margaret Thompson, Anne Metikosh, Carolyn Pogue, Margaret Florczak, Jean Rae Baxter, Catherine Goodwin, Victoria Miles, Susan Lee, Laura Morgan and Cathy Beveridge.

The Blue Camaro 
Written by R.P. MacIntyre
Thistledown Press
160 pp.
Ages 12-15
1994
Ten short stories dealing with youth and their problems and concerns.

The Blue Jean Collection 
Edited by Peter Carver
Thistledown Press
240 pp.
Ages 12-15
1992
Nineteen stories selected from a national writing contest.

The Book of Changes
Written by Tim Wynne-Jones
Puffin
160 pp.
Ages 8-12
1997
Seven stories about change.

Boys' Own: An Anthology of Canadian Fiction for Young Readers
Edited by Tim Wynne-Jones
Penguin Canada
320 pp.
Ages 9-14
2001
Twenty stories and excerpts from novels by authors including Sarah Ellis, Martha Brooks, Tim Wynne-Jones, Monica Hughes, Brian Doyle, Ken Roberts, Richard Scrimger, Jordan Wheeler, John Cuthand and William Bell.

A Christmas to Remember: Tales of Comfort and Joy (Dear Canada)
Edited by Sandra Bogart Johnston
Scholastic Canada
241 pp.
Ages 9-14
2009
Eleven stories of historical short fiction that revisit characters from the Dear Canada books including those of Carol Matas, Maxine Trottier, Julie Lawson, Sarah Ellis, Perry Nodelman, Jean Little, Karleen Bradford and Marsha Forchuk Skrypuch.

City of the Dead
Written by Sharon Stewart
Red Deer Press
240 pp.
Ages 12+
2002
Dark stories to scare and terrify.

Cleavage: Breakaway Fiction for Real Girls
Edited by Deb Loughead and Jocelyn Shipley
Sumach Press
192 pp.
Ages 12+
2012
Fifteen stories of girls navigating puberty and adolescence by Kellee Ngan, Wendy A. Lewis, Claire Tacon, Ann Sutherland, Lisabeth Jackson, Jennifer Filipowicz, Karen Krossing, Robin Stevenson, Marce Merrell, Amanda Hartley, Ev Bishop, Patricia McCowan, Anne Ptasznik, Anna Warje and Valerie Hunter.

Close Ups: Best Stories for Teens
Edited by Peter Carver
Red Deer Press
223 pp.
Ages 14+
2000
Stories by Bonnie Blake, Rick Book, Martha Brooks, Anne Carter, Gillian Chan, Brian Doyle, Sarah Ellis, Bernice Friesen, Linda Holeman, Jillian Horton, Sheley A. Leedahl, Alsion Lohans, R.P. McIntyre, Kevin Major, Kathy Stinson, Budge Wilson and Tim Wynne-Jones.

The Complete Chronicles Of Avonlea 
Written by L. M. Montgomery
Wilder Publications
350 pp.
Ages 8-12
2010
Stories from The Chronicles of Avonlea and The Further Chronicles of Avonlea, all based in the town of Avonlea on Prince Edward Island.

The Courtship 
Written by Budge Wilson
Fitzhenry & Whiteside
160 pp.
Ages 13-17
2003
Nine short stories about the trials and tribulations of life.

Dark Times 
Edited by Ann Walsh
Ronsdale Press
184 pp.
Ages 12+
2005
Twelve stories about young people’s experience of loss and grief with contributions by Sarah Ellis, Lee Maracle, Alison Lohans, Diana Aspin, Carolyn Pogue, Gina Rozon, Jessie Mae Keller, Libby Kennedy, Donna R. Gamache, Patricia McCowan, Betty Jane Hegerat and Carrie Mac.

Dead Man's Gold And Other Stories
Written by Paul Yee
Illustrated by Harvey Chan
Groundwood
104 pp.
Ages 11+
2003
Ten ghost stories of Chinese immigrants struggling to make new lives in North America.

Feeding at Nine
Written by R.P. MacIntyre
Thistledown Press
187 pp.
Ages 14+
2006
Fourteen short stories about adolescence.

First Times
Edited by Marthe Jocelyn
Tundra Books
191 pp.
Ages 11-15
2007
Fourteen stories by Martha Slaughter, Curtis Parkinson, Susan Juby, Alan Cumyn, Susan Adach, Ted Staunton, Richard Scrimger, Gillian Chan, Bill Habeeb, Nancy Hartry, Bill Richardson, Tim Wynne-Jones, Marthe Jocelyn and Sarah Ellis.

Fractures: Family Stories
Written by Budge Wilson
Penguin Canada
195 pp.
Ages 13-17
2002
Twelve stories about families and dealing with family issues.

Garbage Creek and Other Stories 
Written by W. D. Valgardson
Groundwood Books
132 pp.
Ages 8-12
1997
Eight short stories involve children coming to terms with a variety of problems.

Girls’ Own: An Anthology of Canadian Fiction for Young readers
Edited by Sarah Ellis
Puffin
360 pp.
Ages 9-14
2002
Twenty stories and excerpts from novels by a variety of Canadian authors including Cora Taylor, Jan Hudson, Kit Pearson, Deborah Ellis, Joan Bodger, Jean Little, Teresa Toten, Joan Clark and Linda Holeman.

Glory Days and Other Stories 
Written by Gillian Chan
Kids Can Press
118 pp.
Ages 12-15
1996
Stories about high school.

God Loves Hair
Written by Vivek Shraya
Illustrated by Juliana Neufeld
Arsenal Pulp Press
110 pp.
Ages 14-17
2014
Twenty-one stories about sexuality, gender, racial politics, religion, and belonging.

Golden Girl and Other Stories 
Written by Gillian Chan
Kids Can Press
119 pp.
Ages 12-15
1994
More stories about high school.

Henry Chow and Other Stories
Edited by R. David Stephens
Tradewind Books
134 pp.
Ages 14-17
2009
Stories of Asian Canadian writers Annie Zhu, Kwai-Yun Li, Marty Chan, Evelyn Lau, Kellee Ngan, Tony Wong, Fiona Tinwei Lam, Paul Yee, Hanako Masutani, Kagan Goh, Taien Ng-Chan, Linda Mah and Kentaro Ide.

How We Were
Written by Teddy Jam
Illustrated by Ange Zhang
Groundwood Books
64 pp.
Ages 8-13
2008
Four illustrated stories of Canada in the past century.

Laws of Emotion 
Written by Alison Lohans
Thistledown Press
208 pp.
Ages 14+
1993
Eleven short stories that deal with young people’s emotions.

Leslie McFarlane’s Hockey Stories
Written by Leslie McFarlane
Edited by Brian McFarlane
Key Porter Books
138 pp.
Ages 10-12
2005
Four hockey stories from 1930s Canadian towns.

Lord of the Fries and Other Stories
Written by Tim Wynne-Jones
Groundwood books/Douglas and McIntyre Ltd.
208 pp.
Ages 10-14
1999
Seven stories perfect for middle grades.

Lunch with Lennon and Other Stories
Written by Deborah Ellis
Fitzhenry & Whiteside
169 pp.
Ages 12-17
2008
Ten stories dealing with drugs and addictions.

Metis Spirits
Written by Deborah L. Delaronde
Pemmican Publications
106 pp.
Ages 8-10
2006
Six short stories with time travel or ghost elements to them.

Notes Across the Aisle 
Edited by Peter Carver
Thistledown Press
188 pp.
Ages 12-15
1995
Seventeen stories from the 1994 cross Canada Young Adult Short Story Competition.

Opening Tricks 
Edited by Peter Carver
Thistledown Press
177 pp.
Ages 12+
1998
Thirteen humourous stories from Cheryl Archer, Karen Krossing, R.P. MacIntyre, Eric Nicol, Jacqueline Pearce, Diana C. Aspin, Sharon Stewart, Beverley Brenna, Shelley A. Leedahl, Barry Mathias, Janice Scott, Jennifer Taylor and Ed Yatscoff.

Paradise Cafe and Other Stories
Written by Martha Brooks
Thistledown Press
110 pp.
Ages 12+
1988
Fourteen stories about teens.

Rude Stories 
Written by Jan Andrews
Illustrated by Francis Blake
Tundra Books
88 pp.
Ages 6-9
2010
Eight irreverent stories from around the world.

A Season for Miracles: Twelve Tales of Christmas (Dear Canada)
Edited by Sandra Bogart Johnston
Scholastic Canada
256 pp.
Ages 8-13
2006
Twelve stories of historical fiction from Dear Canada authors by Jean Little, Kit Pearson, Michelle Trottier, Gillian Chan, Sarah Ellis, Barbara Haworth-Attard, Julie Lawson, Karleen Bradford, Janet Lunn, Carol Matas and Sharon Stewart.

Secrets
Edited by Marthe Jocelyn
Tundra
184 pp.
Ages 9-12
2005
Twelve stories by Susan Adach, Anne Carter, Gillian Chan, Nancy Hartry, Marthe Jocelyn, Julie Johnston, Dayal Kaur Khalsa, Loris Lesynski, Anne Gray Sarndal, Martha Slaughter, Teresa Toten and Elizabeth Winthrop

Some of the Kinder Planets
Written by Tim Wynne-Jones
Groundwood Books
136 pp.
Ages 10-13
2000
Nine stories full of humour, surprise, fear and wonder.

Stories at the Door
Written by Jan Andrews
Illustrated  by Francis Blake
Tundra Books
80 pp.
Ages 6-9
2007
Fun stories based on tales from around the world.

Take the Stairs
Written by Karen Krossing
Second Story Press
184 pp.
Ages 12+
2003
Fourteen stories of limitations experienced by inner-city teens who live at 64 Wilnut Street.  A teacher's guide is available http://karenkrossing.com/wp-content/uploads/2009/04/take-the-stairs-teachers-guide.pdf

Takes: Stories for Young Adults
Edited by R.P. MacIntyre
Thistledown Press
152 pp.
Ages 15 +
1996
Fourteen short stories present a character’s take on an unfamiliar or negative experience.

A Time for Giving: Ten Tales of Christmas (Dear Canada)
Edited by Sandra Bogart Johnston
Scholastic Canada
216 pp.
Ages 8-13
2015
Ten stories as epilogues to the Dear Canada books of Jean Little, Barbara Haworth- Attard, Sarah Ellis, Susan Aihoshi, Norah McClintock, Karleen Bradford, Janet McNaughton, Carol Matas and Ruby Slipperjack.

Toxic Love (originally Saying Goodbye, 1995)
Written by Linda Holeman
Tundra Books
184 pp.
Ages 10+
2003
Stories about love and the various ways it can express itself.

Traveling On Into the Light and Other Stories
Written by Martha Brooks
Scholastic
146 pp.
Ages 12+
1994
Eleven stories about teens facing adversity.

Up All Night
Edited by R.P. MacIntyre
Thistledown Press
160 pp.
Ages 15+
2001
Fourteen stories from Thistledown’s young adult short story competition.

Weeds and Other Stories 
Written by Jacqueline Pearce
Thistledown Press
208 pp.
Ages 13-16
2003
Twelve stories about teens and their relationships with others.

What Happened This Summer
Written by Paul Yee
Tradewind Books
178 pp.
Ages 13+
2006
About the turbulent lives of Asian-Canadian youth.

What If...?: Amazing Stories
Edited by Monica Hughes
Tundra Books
208 pp.
Ages 10+
1998
Stories that answer and ask, “What if?” by Alison Baird, Edo van Belkom, Lesley Choyce, Joan Clark, Charles de Lint, Sarah Ellis, Marcel Gagné, Priscilla Galloway, James Alan Gardner, Monica Hughes, Jason Kapalka, Eileen Kernaghan, Alice Major, Robert Priest, Jean-Louis Trudel and Tim Wynne-Jones.

When Apples Grew Noses and White Horses Flew: Tales of Ti-Jean
Written by Jan Andrews
Illustrated by Dušan Petričić
Groundwood Books
72 pp.
Ages 7-10
2011
Three stories based on Ti-Jean, Quebec’s traditional folktale hero (or perhaps anti-hero would better describe him).

When I Went to the Library: Writers Celebrate Books and Reading
Edited by Debora Pearson
Groundwood Books
128 pp.
Ages 8-12
2002
Nine stories about books and libraries and reading by authors Sarah Ellis, Budge Wilson, Ken Roberts, Celia Barker Lottridge, Jean Little, Ken Setterington, Paul Yee, Marc Talbert and Tim Wynne-Jones.