Haunted Canada (Graphic Novel, Volume 2): Four More Terrifying Tales

Written by Joel A. Sutherland

Illustrated by Hannah Barrett, Mike Feehan, Maya McKibbin, and Matt Salisbury

Scholastic Canada

978-1-4431-9630-7

144 pp.

Ages 9–12

September 2025 

 

To follow up on Haunted Canada (Graphic Novel, Volume 1): Four Terrifying Tales (2024), Joel A. Sutherland brings us another four Canadian ghost stories that will thrill, shock, scare, and even delight young readers, especially those who can't get enough horror reading.

 

The first story is "The Bog Wraith," which is illustrated by Maya McKibbon (she illustrated The Song That Called Them Home, 2023). At Pelly River Crossing, Yukon Territory, in 1897, a man leaves his wife and daughter to find gold in the riverbeds of Dawson. When Jerry and his dog Max come across three old-timers, he is warned about crossing the Pelly River because of the muskeg and the ghosts. But when Jerry is forced by a bear to cross, he finds both terror and assistance from spirits trapped there.

From "The Bog Wraith" in Haunted Canada (Graphic Novel, Volume 2): Four More Terrifying Tales, written by Joel A. Sutherland, illustrated by Maya McKibbin

St. John's artist Mike Feehan illustrates the second story which is titled, "The Etobicoke Poltergeist." Set in 1968 Etobicoke, a suburb of Toronto, a family of parents, two young daughters and a baby son is plagued by the ghost of an old woman. The menacing ghost warns the oldest daughter of hardship, sickness, and death. When Dad goes on a strike and the baby is hospitalized, the family brings in a minister to perform and exorcism.

From "The Etobicoke Poltergeist" in Haunted Canada (Graphic Novel, Volume 2): Four More Terrifying Tales, written by Joel A. Sutherland, illustrated by Mike Feehan

The third story is called, "The Bloody Neck Man" and apparently took place in 1802 in the village of Myrnam, Alberta. Matt Salisbury illustrates the story of two fathers who cannot get along and refuse to let their two children, the daughter of one and the son of the other, associate. The two kids, however, like to help each other, sharing fish they've caught and more. When their two fathers and other men go off to trade furs, the two young people realize they've both had a dream about a man with a bloody neck. Pierre believes it is a fetch i.e., a supernatural double of someone and a bad omen. Soon, Lizzie realizes that dream, and the pool of blood she discovers on the floor, has more to do with their fathers than might be expected.

From "The Bloody Neck Man" in Haunted Canada (Graphic Novel, Volume 2): Four More Terrifying Tales, written by Joel A. Sutherland, illustrated by Matt Salisbury

"The Doll That Wouldn't Die" is the final story and the most recent, taking place in 1980s Gatineau Hills, Quebec. In this story, illustrated by Hannah Barrett, a family of three moves into their new house, and the very young son Timothy finds a doll. The pregnant mom thinks it's creepy and intends to get rid of it but Timothy, who has been talking to the doll, demands it back. Whether they can destroy the doll or separate the child from it may not be under their control.

From "The Doll That Wouldn't Die" in Haunted Canada (Graphic Novel, Volume 2): Four More Terrifying Tales, written by Joel A. Sutherland, illustrated by Hannah Barrett

Author Joel A. Sutherland knows how to tell a scary story or five. Just check out his numerous Haunted Canada short story collections (e.g., Haunted Canada: The Second Terrifying Collection) or his middle-grade horror (e.g., The House Next Door). I especially appreciate his highlighting of Canadian ghost stories. In this collection, we travel from Alberta to Ontario, from the Yukon to Quebec. And the stories take us from the time of the fur traders to those seeking their fortune in the Klondike Gold Rush, as well as more contemporary stories. Each has their own supernatural element, though all have frightening natures that need to be braved. And the way Joel A. Sutherland tells these stories makes us believe these things could happen to anyone. Shudder.

 

Because each story is different, each illustrator delivers us to a different time and place. Maya McKibbin gives us remote landscape of bogs and forests, while Matt Feehan takes us to the swinging '60s of sideburns, fabric chokers and peasant dresses. Matt Salisbury gives us the remoteness of Alberta when people fished and trapped, and the men travelled far to trade. Finally, Hannah Barrett delivers us to our most contemporary setting and gives us a creepy doll that is an unlucky, cherished moppet and more the kind of nightmares.

 

It doesn't matter that Halloween is just days away. Maybe Halloween will be a great time for sharing these ghost stories, but young readers who appreciate horror will find Haunted Canada (Graphic Novel, Volume 2): Four More Terrifying Tales a fabulous read anytime. I just might recommend not saving them for a bedtime reading, especially with illustrations that might pervade your sleep and emerge in your nocturnal visions. 

 

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Haunted Canada Graphic Novel, Volume 1: Four Terrifying Tales (2024)

Haunted Canada Graphic Novel, Volume 2: Four More Terrifying Tales (2025) 

Little Shoes

Written by David A. Robertson

Illustrated by Maya McKibbin

Tundra Books

978-1-77488-172-9

48 pp.

Ages 3–7

For release July 29, 2025 

In 2023, David A. Robertson, award-winning author of When We Were Alone and On the Trapline, collaborated with illustrator Maya McKibbin to create The Song That Called Them Home. That partnership of story and art is recreated here with another story based on an intergenerational relationship and based in the experiences of Indigenous Peoples. 

From Little Shoes, written by David A. Robertson, illustrated by Maya McKibbin

James is a kid who thinks big thoughts. His thinking is so big that it keeps him from sleep. What are his thoughts? He thinks about the earth's movements and gravity, about the stars and the constellations. He seeks consolation and wisdom from his mom, and the comfort he finds in her arms helps him sleep. But the next night, his sleeplessness returns. Even remembering the stories his kōkum had told him about the constellations and such, it's James's mother who reassures him.

From Little Shoes, written by David A. Robertson, illustrated by Maya McKibbin

And then James joins his kōkum on a march that ends at a memorial for children who'd attended residential schools and had never come home. There are numerous little shoes, teddy bears, tobacco ties, and flowers. When his grandmother shares with him that her own sister did not return from their residential school, James is overcome. That night when he again cannot sleep, he thinks about all those little shoes.

 

Little Shoes is both a big story about generational trauma of residential schools but a story that focuses on the comfort that comes from family. James's empathy is extraordinary in depth but perhaps not uncommon. Children, especially those who are empathetic, can feel so intensely about others' traumas and other experiences. David A. Robertson's "Author's Note" indicates a familial connection to this story, and I am impressed by the depth of feeling and thinking James, or David A. Robertson's son, demonstrates. I'm also saddened to think about the children in the residential schools and the children like James who empathize with them feeling so much trauma. I'm also thankful for those who are there to reassure, to illuminate, and to love those children through their challenges. 

From Little Shoes, written by David A. Robertson, illustrated by Maya McKibbin

Maya McKibbin, a Two-Spirited multidisciplinary visual artist living on the unceded traditional territories in BC, uses an interesting palette in their digital illustrations. Many of the double spreads are bathed in the dark blues of a night sky that are only lightened with the moonlight and stars. When the story turns to James' walk with his kōkum to the memorial, the colours meaningfully turn to the many hues of oranges, both a reminder that every child matters, and that there is hope for a better future. Beyond their colour palette, Maya McKibbin evokes comfort and discomfort, as well as affection and thoughtfulness, with great sensitivity.

 

Little Shoes, the book, will be a great discussion starter for families and classes about residential schools, about Every Child Matters, and about asking questions. But it will also inspire understanding and empathy for that which has happened so that tragedies like residential schools are not repeated.

The Song That Called Them Home

Written by David A. Robertson

Illustrated by Maya McKibbin

Tundra Books

978-0-7352-6670-4

52 pp.

Ages 4-8

April 2023

 

A day out with their Moshom becomes a supernatural experience when a child must enter the world of the Memekwesewak to rescue her little brother.

From The Song That Called Them Home by David A. Robertson, illus. by Maya McKibbin

During a trip to the land with their grandfather, Lauren and her little brother James head out in their canoe to fish while Moshom takes a nap. But after stirring up the waters to attract the fish, the waters become violent, and the kids are tossed into the lake.

From The Song That Called Them Home by David A. Robertson, illus. by Maya McKibbin

When Lauren resurfaces, she sees the Memekwesewak, or Little People, dragging her brother beyond a waterfall. Following, Lauren discovers a portal to their world where the Memekwesewak dance with James around a fire and sing a song to keep him with them. Things worsen when Lauren tries to release him from their supernatural bindings, and she too is ensnared. Only when a song from their own world penetrates and beckons them home do the kids return to their Moshom.

Come back! You've been gone so long!

What places have you found to roam!

Come back! Hear my welcome song!

My beating drum will guide you home!

Governor General's Literary Award-winning author David A. Robertson tells his best stories when he reaches into the stories of his family and people, as he has done here with his father's story of an encounter with the mischievous Memekwesewak. Perhaps that is why the story of The Song That Called Them Home seems so believable. It is rooted in the ordinary, in an outing with a grandfather who takes a nap as the children fish. What happens when they fall in the water, though, is perhaps the stuff of legends and the supernatural. But, as David A. Robertson's "Author's Note About the Memekwesewak" tells us, perhaps this part of the story is just as real. Regardless, this story reminds us that when we're lost, whether to the surreal or the dangerous, there is hope that those who love us will call us home and we will hear them. The threatening voices of the Memekwesewak, or contemporary dangers of risky behaviours and unsafe friendships, may seem unyielding but there are those who would guide us back to safety, as does Moshom with his song and drum.

From The Song That Called Them Home by David A. Robertson, illus. by Maya McKibbin

That ordinary and extraordinary is conveyed in the art of Maya McKibbin, an Ojibwe, Yoeme, and Irish-settler artist who illustrated the Governor General nominated Swift Fox All Along. Maya McKibbin's digital art transitions from the calm and comfort of family and the land and water to that of the turmoil of the Memekwesewak's world. They plunge us into the danger and the fears associated with the Little People through their use of line and shape as well as colour, emphasizing the wildness and the uncertainly that comes with the rush of the Memekwesewak, pasty creatures with purplish ink and long pale hair. Still, if you're worried about little ones being frightened, don't be. Maya McKibbin does not play up the fearful elements; instead, they emphasize the bonds of family and connection in Lauren and her brother, and the strains of a drum beat that can "Thum Thump" to draw them home.

 

While a story based in an Indigenous legend of the Little People, The Song That Called Them Home speaks to everyone. I can only hope that everyone will always have a song to call them home and the heart to hear it.