When I'm a Moshom

Written by David A. Robertson

Illustrated by Corrie Hill

Tundra Books

978-1-77488-174-3

40 pp.

Ages 3–7

May 26 2026 

 

This is a story of remembrance and celebration. It's also a story of expectation and promise.

From When I'm a Moshom, written by David A. Robertson, illustrated by Corrie Hill

The narrator remembers all the lovely memories he has with his moshom, his grandfather. He begins each memory with:

When I'm a moshom,

A long, long time from now,

before stating what he promises to do, "Just like Moshom did." He will watch his grandchildren in their activities, whether dancing, swimming, playing hockey, or doing gymnastics. But he will also share with them activities important to him. And so many of these shares are traditions and cultural legacies from past generations, whether hunting for muskrat, making bannock, telling stories, or speaking to them in Swampy Cree. There is also the feelings that Moshom extended to him, from a deep love to respect and pride. The narrator has not forgotten his moshom's legacy of teachings and devotion, and he intends to do the same for another generation, for his own grandchildren. 

From When I'm a Moshom, written by David A. Robertson, illustrated by Corrie Hill

David A. Robertsona is the author of picture books like The Song That Called Them Home (2023) and Little Shoes (2025), both illustrated by Maya McKibbin; middle grade novels like The Misewa Saga series (2021–2015); graphic novels including Sugar Falls: A Residential School Story (2021); and YA (e.g., Strangers, 2017). While his skill at writing different genres for a variety of audiences is clearly evident, David A. Robertson excels at embedding his stories in the traditions of his Indigenous culture. He does the same in When I'm A Moshom. Not only do we learn about that which his grandfather taught him and shared with him, we see a pride in a legacy of culture. From visiting his community, teaching traditions of celebration and food, and sharing in ceremonies, both moshoms, past and future, embrace the richness of their cultures and strive to impart it to their grandchildren. But it's not heavy-handed sermonizing. Instead, it is the gifting, almost a bequest, of that which is treasured and appreciated. 

From When I'm a Moshom, written by David A. Robertson, illustrated by Corrie Hill

While David A. Robertson's words are based in reminiscences of his moshom, When I'm a Moshom is not a story of sadness of loss. It is one of hope and promise for the future. It's a man looking to a time when he can emulate the memories he had with a beloved grandfather and create lasting ones with his own grandchildren. Illustrator Corrie Hill, a member of the Mohawk Nation, Bear Clan, from Six Nations of the Grand River, ensures that expectation of legacy in her digital artwork. While her art may seem restrained with its clean lines and shapes, Corrie Hill endows her illustrations with joy and family in simple touches. It could be hand-holding, a hug, a smile, laughing eyes, or attention. Because of the depth of heart in her artwork, I am in awe that When I'm a Moshom is her debut picture book.

From When I'm a Moshom, written by David A. Robertson, illustrated by Corrie Hill

When I'm a Moshom is a story that looks to the past to guide in the future. It's looking to that which was lived and experienced to help advise that which will be. Here, the narrator remembers his moshom and the ways his moshom made him feel loved and cherished. Through his actions and communications, his moshom made sure the child felt like he mattered. Whether taking them fishing, speaking to them in Swampy Cree, smudging them, or teaching them to play cribbage, this grandfather and this future moshom know what it means to be a caring elder and unexpected mentor to his grandchildren. How fortunate to be the nôsisimak of either moshom.

Little Shoes

Written by David A. Robertson

Illustrated by Maya McKibbin

Tundra Books

978-1-77488-172-9

48 pp.

Ages 3–7

For release July 29, 2025 

In 2023, David A. Robertson, award-winning author of When We Were Alone and On the Trapline, collaborated with illustrator Maya McKibbin to create The Song That Called Them Home. That partnership of story and art is recreated here with another story based on an intergenerational relationship and based in the experiences of Indigenous Peoples. 

From Little Shoes, written by David A. Robertson, illustrated by Maya McKibbin

James is a kid who thinks big thoughts. His thinking is so big that it keeps him from sleep. What are his thoughts? He thinks about the earth's movements and gravity, about the stars and the constellations. He seeks consolation and wisdom from his mom, and the comfort he finds in her arms helps him sleep. But the next night, his sleeplessness returns. Even remembering the stories his kōkum had told him about the constellations and such, it's James's mother who reassures him.

From Little Shoes, written by David A. Robertson, illustrated by Maya McKibbin

And then James joins his kōkum on a march that ends at a memorial for children who'd attended residential schools and had never come home. There are numerous little shoes, teddy bears, tobacco ties, and flowers. When his grandmother shares with him that her own sister did not return from their residential school, James is overcome. That night when he again cannot sleep, he thinks about all those little shoes.

 

Little Shoes is both a big story about generational trauma of residential schools but a story that focuses on the comfort that comes from family. James's empathy is extraordinary in depth but perhaps not uncommon. Children, especially those who are empathetic, can feel so intensely about others' traumas and other experiences. David A. Robertson's "Author's Note" indicates a familial connection to this story, and I am impressed by the depth of feeling and thinking James, or David A. Robertson's son, demonstrates. I'm also saddened to think about the children in the residential schools and the children like James who empathize with them feeling so much trauma. I'm also thankful for those who are there to reassure, to illuminate, and to love those children through their challenges. 

From Little Shoes, written by David A. Robertson, illustrated by Maya McKibbin

Maya McKibbin, a Two-Spirited multidisciplinary visual artist living on the unceded traditional territories in BC, uses an interesting palette in their digital illustrations. Many of the double spreads are bathed in the dark blues of a night sky that are only lightened with the moonlight and stars. When the story turns to James' walk with his kōkum to the memorial, the colours meaningfully turn to the many hues of oranges, both a reminder that every child matters, and that there is hope for a better future. Beyond their colour palette, Maya McKibbin evokes comfort and discomfort, as well as affection and thoughtfulness, with great sensitivity.

 

Little Shoes, the book, will be a great discussion starter for families and classes about residential schools, about Every Child Matters, and about asking questions. But it will also inspire understanding and empathy for that which has happened so that tragedies like residential schools are not repeated.

The Song That Called Them Home

Written by David A. Robertson

Illustrated by Maya McKibbin

Tundra Books

978-0-7352-6670-4

52 pp.

Ages 4-8

April 2023

 

A day out with their Moshom becomes a supernatural experience when a child must enter the world of the Memekwesewak to rescue her little brother.

From The Song That Called Them Home by David A. Robertson, illus. by Maya McKibbin

During a trip to the land with their grandfather, Lauren and her little brother James head out in their canoe to fish while Moshom takes a nap. But after stirring up the waters to attract the fish, the waters become violent, and the kids are tossed into the lake.

From The Song That Called Them Home by David A. Robertson, illus. by Maya McKibbin

When Lauren resurfaces, she sees the Memekwesewak, or Little People, dragging her brother beyond a waterfall. Following, Lauren discovers a portal to their world where the Memekwesewak dance with James around a fire and sing a song to keep him with them. Things worsen when Lauren tries to release him from their supernatural bindings, and she too is ensnared. Only when a song from their own world penetrates and beckons them home do the kids return to their Moshom.

Come back! You've been gone so long!

What places have you found to roam!

Come back! Hear my welcome song!

My beating drum will guide you home!

Governor General's Literary Award-winning author David A. Robertson tells his best stories when he reaches into the stories of his family and people, as he has done here with his father's story of an encounter with the mischievous Memekwesewak. Perhaps that is why the story of The Song That Called Them Home seems so believable. It is rooted in the ordinary, in an outing with a grandfather who takes a nap as the children fish. What happens when they fall in the water, though, is perhaps the stuff of legends and the supernatural. But, as David A. Robertson's "Author's Note About the Memekwesewak" tells us, perhaps this part of the story is just as real. Regardless, this story reminds us that when we're lost, whether to the surreal or the dangerous, there is hope that those who love us will call us home and we will hear them. The threatening voices of the Memekwesewak, or contemporary dangers of risky behaviours and unsafe friendships, may seem unyielding but there are those who would guide us back to safety, as does Moshom with his song and drum.

From The Song That Called Them Home by David A. Robertson, illus. by Maya McKibbin

That ordinary and extraordinary is conveyed in the art of Maya McKibbin, an Ojibwe, Yoeme, and Irish-settler artist who illustrated the Governor General nominated Swift Fox All Along. Maya McKibbin's digital art transitions from the calm and comfort of family and the land and water to that of the turmoil of the Memekwesewak's world. They plunge us into the danger and the fears associated with the Little People through their use of line and shape as well as colour, emphasizing the wildness and the uncertainly that comes with the rush of the Memekwesewak, pasty creatures with purplish ink and long pale hair. Still, if you're worried about little ones being frightened, don't be. Maya McKibbin does not play up the fearful elements; instead, they emphasize the bonds of family and connection in Lauren and her brother, and the strains of a drum beat that can "Thum Thump" to draw them home.

 

While a story based in an Indigenous legend of the Little People, The Song That Called Them Home speaks to everyone. I can only hope that everyone will always have a song to call them home and the heart to hear it.

Sugar Falls: A Residential School Story (10th Anniversary Edition)

Written by David A. Robertson

Illustrated by Scott B. Henderson

Colours by Donovan Yaciuk

HighWater Press

978-1-55379-975-7

48 pp.

Ages 14-18

May 2021 

In my family, silence has been the currency of injustice.

~ Senator Murray Sinclair, Foreword to Sugar Falls

 

Too many of the truths about injustices perpetrated against Indigenous peoples have been hidden, suppressed and ignored. With the original publication of Sugar Falls: A Residential School Story in 2011, some of those truths were told, based on the true story of Betty Ross, Elder at Cross Lake First Nation. Today with the release of this tenth anniversary edition of Sugar Falls, I hope even more readers are ready to hear those truths.

 

When a present-day class is given an assignment to look at the residential school system, with strict instructions to approach Elders with respect and an offering, Cree student April offers to introduce Daniel to her Kōkom, an Elder who survived it but whose story even April had not heard.

From Sugar Falls by David A. Robertson, illus. by Scott B. Henderson, colours by Donovan Yaciuk

April's Kōkom takes them into her round room "with all the sacred medicines and within the star blanket of the four directions" (pg. 4) where she would be safe. She prepares by wearing traditional attire, holding an eagle feather and doing a cleansing before she begins her story.

Abandoned at age five into the winter's cold by her own mother who had survived the residential school system, she is found and brought up as a daughter and sister in a loving family. A few years later, after he has a vision of darkness in her future, her father takes her to Sugar Falls where he teaches her to feel the beat of their hearts as drums in rhythm with that of the falls, and that "The beat of the drum represents the strengths of our relationships, between our ancestors, our traditions with Mother Earth, and with each other" (pg. 13) and that remembering this would keep her strong.

From Sugar Falls by David A. Robertson, illus. by Scott B. Henderson, colours by Donovan Yaciuk

Strength is what she will need when soon a grim priest comes and drags her away from that love and comfort to an ominously-large institution where Sister Marie scrubs at her skin and cuts her long hair. There Betsy meets Flora and begins an endless routine that includes prayer and chores and classes. Sadly there is also the abuse, a crack against the knuckles, a slap or a kick for speaking Cree, and the sexual abuse by the priest to whom the girls would close their minds and numb their bodies and pretend the visits were nightmares to be left in the night.

From Sugar Falls by David A. Robertson, illus. by Scott B. Henderson, colours by Donovan Yaciuk

Though Betsy can see across the water and envision home, she has made a promise to her father to be good and listen, so when Flora and a couple of other girls escape across the water, she remains behind. But Flora's death steels Betsy until one day "All I wanted to see was my family again, to wake up from the nightmare and have them by my side." (pg. 34) She walks into the water and remembers Sugar Falls. She is dragged back from the water but her resolve has returned and "no matter what they did to me, I held onto myself, my language and my spirit." (pg. 38)

 

From Sugar Falls by David A. Robertson, illus. by Scott B. Henderson, colours by Donovan Yaciuk

Betsy endured that place for several more years, and later attended high school in Winnipeg. She also changed her name to Betty to honour her friend Helen Betty Osborne who would be murdered.

I did it to keep her memory alive. My story, her story are stories that we should never forget, no matter who we are, they are important to all of us. (pg. 39)

Governor-General award-winning author David A. Robertson does so much in the telling of Sugar Falls. He honours Betty Ross by giving her story new life so that more will know of her courage and resilience and that of so many who endured and those who did not at the hands of a brutal system that never should have happened. Generations later, Indigenous people continue to live in the aftermath of that horrific injustice and with each story told, the silence is broken a little more, allowing an opportunity for justice to manifest.  By giving voice to Betty to speak of her past, from abandonment to loving family and residential school nightmare, and those of her granddaughter and non-Indigenous friend to hear her story from their own perspectives, David A. Robertson lets us see Betty as a survivor with heart, strength and compassion.

Because this is a graphic novel, less needs to be said in text and more can be carried by the artwork, and illustrator Scott B. Henderson and colourist Donovan Yaciuk take on their task with reverence and empathy. The despair of life at the residential school is clear in the starkness and gloom of the shapes, lines and colours of those scenes, with Scott B. Henderson and Donovan Yaciuk saving the brightness for outdoor scenes with family and the contemporary settings of school and Kōkom's home. It was clear where the lightness in Betty's life is, past and present.

Today, with the release of David A. Robertson's tenth anniversary edition of Sugar Falls, there is a new opportunity for the world to listen and see this story, to silence the silence and give survivors of the residential school system, both those who lived it and those whose legacy it is, a chance to tell their stories and have them remembered.

Ghosts: Book launch (Winnipeg, MB)

The final book in David A. Robertson's 

The Reckoner Trilogy 

is set to be released!

•••••••••

First came

Strangers

  Written by David A. Robertson
HighWater Press
978-1-55379-676-3
216 pp.
Ages 14+2017

Reviewed here

then 

Monsters

 Written by David A. Robertson
HighWater Press
978-1-55379-748-7
246 pp.
Ages 14+

2018 

Reviewed here

and now

Ghosts

 The Reckoner Trilogy, Book 3

Written by David A. Robertson

HighWater Press

978-1-55379-762-3

241 pp.

Ages 14+

May 2019 

which launches

Thursday, May 30, 2019

at

7 p.m.

McNally Robinson Booksellers

Grant Park in the Atrium

Winnipeg, MB

Author David A. Robertson 

will be in attendance at this event

hosted by CBC's Shelagh Rogers

with

special guest writer Warren Cariou

Monsters: The Reckoner, Book Two

Written by David A. Robertson

HighWater Press

978-1-55379-748-7

246 pp.

Ages 14+

October 2018

Trust comes from truth. (pg. 199)

In Strangers, the first book in David A. Robertson's The Reckoner series, Cole Harper returned to the Cree community of Wounded Sky, a reserve constantly in recovery from tragedy. At that time, he'd been lured back by Coyote a.k.a. Choch with whom Cole had made a deal when the supernatural being helped save Cole's two friends, Eva and Brady, from a school fire ten years earlier that killed so many others. Though treated as a pariah, Cole helped stop a murder spree and provided a cure, with his unique blood, for a flu affecting the community. Now, in Monsters, that trickster Choch expects Cole to stick around and try to expose the truths about the mysterious experimentation that had taken place at the research facility and help heal a community.

Cole's first step is to recover the files he'd discovered in Strangers that revealed how he and others had been test subjects at the former Mihko Laboratories research facility. However, with Mihko returning to the community and quarantining all those who had been cured but now were looking worse, and Victor, a local resident, and Jayney, a spirit girl, talking about a monster or bogeyman or perhaps even Upayokwitigo, Cole's task becomes more complicated. Who is this creature? Why are the "flu" patients looking sick again? Why are guards posted at the clinic and the research facility? With the residents of Wounded Sky vacillating between acclaiming Cole as a hero and a criminal, Cole is finding it hard to learn anything. And did I mention how flummoxed he is about his feelings, particularly for best friend Eva, who has a boyfriend, and for another girl, Pam? Cole's probably feeling like it sucks to be him. No wonder his anxiety is out of control and he's struggling between choosing to take meds and trying to cope without. But can he quash that debilitating anxiety sufficiently to save himself and Wounded Sky from monsters of so many manifestations?

"...if there's somethin' that evil, there's gotta be somethin' that good." (pg. 236)

There is a lot of evil hanging around Wounded Sky and, at this time of year, many will think those monsters will all be vicious creatures that inspire fear. But, though there are a lot of monsters in Monsters, not all are physical beings. Some are inner demons, like Cole's overwhelming anxiety founded in his past but pervading his present and undoubtedly ready to affect his future. But they are also the community's fears that it will be unable to recover from its tragedies and that it's in danger of losing its identity. Those are monsters like no other. Fortunately, there is still much goodness and strength in Cole and the community, and readers will be hopeful that there are some happy endings for both.

David A. Robertson continues the thriller he began in Strangers by setting up new mysteries built on those established in Book One. However, although Monsters may answer a few questions, David A. Robertson leaves the reader still wondering about that research facility and what they did to Wounded Sky's inhabitants, past and present, and hoping that Cole will not lose himself in his struggle to find the answers.

Still, without spoiling the ending, readers need to be prepared for David A. Robertson's plot twist. A monster may be revealed, seemingly tying up a plot line, but Monsters closes out with a shock and a gasp that will have readers waiting for Book Three in the series, Ghosts, to learn how Cole, the Reckoner, is able to make peace for himself and Wounded Sky.  Spring 2019 can't come soon enough.

 

••••••••••••

Just a quick note that

MONSTERS

launches

Tuesday, October 30, 2018

7 p.m.

at

McNally Robinson

Grant Park in the Atrium

Winnipeg, MB

and

will be hosted by

Katherena Vermette

A portion of book sales from that night will be donated to

Anxiety Disorders Association of Manitoba

Details here

Strangers: The Reckoner, Book One

Written by David A. Robertson

HighWater Press

978-1-55379-676-3

216 pp.

Ages 14+

October 2017

David A. Robertson, author of the Governor-General's literary awarded illustrated children's book When We Were Young (illustrated by Julie Flett, HighWater Press, 2016), returns his writing to young adults with Strangers, the first book in a new supernatural thriller series called The Reckoner. Still honouring his Cree roots with a story installed in the fictionalized Cree community of Wounded Sky, David A. Robertson shows us life on a remote Manitoba reserve where a past tragedy and current illness and murder have its inhabitants reeling in suspicion and anger.  And it doesn't help that that trickster Coyote is playing a leading role.

Seventeen-year-old Cole Harper has been living in Winnipeg since his Aunt Joan and grandmother moved him there to forget "everything he'd lost in the tragedy and his role in it" (pg. 13) ten years earlier.  Now his friend Ashley Ross is summoning Cole back to Wounded Sky with cryptic messages about needing to come home.   But Cole's return is far from welcome and he learns from Ashley that his phone had been missing and he'd never sent any messages to Cole.  And he tells Cole this minutes before he is shot dead.  While he awaits RCMP Constable Wayne Kirkness, Cole is visited by Choch, the anthropomorphized spirit being Coyote, who reminds Cole of a deal they'd made ten years earlier when Cole had saved two friends, Eva and Brady, from a burning school in which everyone else perished, including Cole's mother. Now Choch expects payback though he doesn't tell Cole exactly what he needs of him.  After Ashley's murder and an illness hits the community, Cole is sure it is to make things right here at Wounded Sky.  But then two more murders and deaths from the illness have the community turning on Cole, whose arrival coincided with the newest tragedies.  How can he do right by Wounded Sky when it's obvious the community, except for a few, resent his return from the city and his earlier role in the fire in which he only saved two lives?

There are mysteries aplenty in Strangers and not all are able to be solved in this first book in the series.  Who murdered Ashley?  How is the research facility, now closed, involved in the tragedies at Wounded Sky? How did the fire at the school start? With the advice of his grandmother to find his peace and "If you accept yourself for who you are, you belong anywhere" (pg. 109), Cole faces the challenges of an angry community, the antics of an arrogant and reckless Choch, and his own anxiety to be the hero needed to heal himself and others.

All legends, Cole, come from some place of truth. Whether they're about Coyote or a sky that was cut and bled the heavens like tears, or a boy that saved others. Look at your own scars. (pg. 124)

Beyond David A. Robertson's intricate plotting, he creates a character of Wounded Sky itself.  He makes sure that readers, Indigenous or not, get an authentic glimpse of life on a reserve: remote, ignored, self-reliant, challenged, vulnerable and cohesive.  From Elder Mariah making hot muskeg tea and Cole's tobacco tie, to the northern lights of spirits playing and Coyote's pranks, Strangers is both singular and inclusive, educating readers and encircling many in its story. I look forward to Book 2 in The Reckoner series so that I can witness how David A. Robertson resolves mysteries first revealed in Strangers and undoubtedly creates a few more for Cole to confront.