Little Moons

Written by Jen Storm

Illustrated by Ryan Howe

Coloured by Alice RL

Lettered by Nickolej Villiger

HighWater Press

978-1-774921074

64 pp.

Ages 12–18

September 2024

 

Little Moons is a story of great loss. It's also a story of family and connection, even after loss. Sadly, it's also a story based too much in reality.

From Little Moons, written by Jen Storm, illustrated by Ryan Howe, coloured by Alice RL, lettered by Nickolej Villiger

Reena lives on the reserve with her mom, Andrea, 15-year-old sister Chelsea, young brother Theo and grandmother Koko. The kids' dad, Anthony, also lives there though Mom and Dad are not together anymore. Mom works tirelessly at traditional bead work which Chelsea learned to do, beading her own regalia after her woman's ceremony. 

 

And then Chelsea does not return from going shopping after school. Even with a community helping in the search and getting news out via social media and with involvement of the police, she is not found. The seasons come and go and still no Chelsea. 

From Little Moons, written by Jen Storm, illustrated by Ryan Howe, coloured by Alice RL, lettered by Nickolej Villiger

But what changes is the family. While Reena tries to connect with Chelsea, wearing her regalia to a Pow Wow, beading, and watching flickering lights that may mean Chelsea's spirit is around, Mom has gone beyond her depression and has headed to the city. First, it's just for a break but then she decides to move there. 

"I don't want to live and die on the Rez." (p. 23)

From Little Moons, written by Jen Storm, illustrated by Ryan Howe, coloured by Alice RL, lettered by Nickolej Villiger

Mom may think this will work to alleviate her grief, meeting new people, getting a non-Indigenous boyfriend–who is both a jerk and racist–and getting a job away from the Rez but Dad convinces her to let the kids remain with him. And Theo reveals to Reena that he sees ghosts that look like little moons, and that "Sister" has told him that she's sorry.

When Chelsea's bag is found buried in the forest near the highway, the family finds a way to connect with each other and to follow their traditions "to light her way to the other side." (p. 52)

From Little Moons, written by Jen Storm, illustrated by Ryan Howe, coloured by Alice RL, lettered by Nickolej Villiger

Little Moons may be another story of another missing or murdered Indigenous woman but it's not just another story. Jen Storm, an Ojibwe writer from Couchiching First Nation, has put her own experiences with a loved one who went missing and was later found dead into her story. She witnessed the range of expressions of grief and guilt and coping that family and friends showed. Most just do their best with what they have available and with what is familiar. Running away, looking for answers, insulating from others, these are just some ways, and Jen Storm does not judge. She just shows what it can be like. But she always shows that there is solace in spirituality and in traditions. Theo, based on Jen Storm's own son, is reassured when he connects with Chelsea who approaches him via his toys and the orbs that he sees. Reena buries medicine pouches, burning her cut braid in the sacred fire, and more. We all know there is no one way to grieve but it all changes when it is a missing and then presumed murdered Indigenous woman. Connecting with their sacred traditions and each other worked for this family.

From Little Moons, written by Jen Storm, illustrated by Ryan Howe, coloured by Alice RL, lettered by Nickolej Villiger

A lot of talent went into the creation of the graphics for Jen Storm's story. Saskatoon's Ryan Howe has created people and places that reflect the reserve on which this family resides, as well as the city to which Andrea moves. He gives us a family of a wise elder, a young and playful child, a forlorn Reena, and a restless Andrea, as well as a present but reserved Anthony. We see a community that sits around a fire but will take to social media when needed. He's given us the traditional and the urban, and his concepts of people and place evoke both the familiar and the less familiar. Ryan Howe's artwork is brought to life by the colouring of Alice RL, a non-binary Ojibwe artist living in Winnipeg, and the lettering of comic book artist and illustrator Nickolej Villiger of Lethbridge. Without these, the book would not be the graphic novel that is both heartrending and uplifting. There is no happy ending but there is still family and traditions that bind and elevate.

A Box of Bones

Written by Marina Cohen

Roaring Brook Press

978-1-250-17221-1

288 pp.

Ages 8-12

May 2019

Sometimes people need lies. Little lies to help them deal with truths that are too huge and too difficult to face. (pg. 273)

Twelve-year-old Kallie is only interested in facts and the organized and logical world that she and her father, who works in risk management for an insurance company, live in. She has no appreciation for the arts, turning her nose up at music and seeing stories as "ugly little lies wrapped in pretty packages" (pg. 59), going so far as to refer to her dead mother only with disdain as "The Writer." Unfortunately, the world seems to want something different for her than she expects.

While at the buskers' Festival of Fools with her Grandpa Jess, Kallie is handed a small puzzle box seemingly made of bone. After much work to open it, nine smaller cubes fall out of the box, each with its own unique image. Strangely, no matter how she drops these cubes, they always land in the same order: an animal, a goblet, an oval with holes, a castle, a cylinder with flames, a coffin, a skull, a long pointed object, and a blank. Soon, Kallie's life, thrown off kilter by a new imaginative student named Anna and by secrets she is learning regarding her mother's death, is following a path based on those bone images, starting with a strange animal with amethyst eyes that appears to her.

Interspersed with Kallie's story is one of Liah, a bone carver's apprentice. In her story, distinguished to the reader by its italics font, Liah and the bone carver are heading to the evil Empress's palace to sell his carvings, travelling through an ancient forest haunted by those whose bones were buried without ancestral care. Heedless of the bone carver's warnings, Liah removes a skull, hopeful of carving something special from it. But their foray into the palace becomes something dangerous for the bone carver and Liah after a Lie-peddler they meet confronts the Empress with his stories.

There is such a thing as too much truth. (pg. 272)

How Kallie's and Liah's journeys are related is only revealed at the end of Marina Cohen's latest middle grade novel but they are entwined, both learning that

...a good story never really ends. It lives on inside you forever (pg. 222)

and that truths and lies are not very different, both necessary and still tenuous.

While Marina Cohen does creepy middle-grade really, really well–do check out several of her earlier novels such as The Inn Between (2016) and The Doll's Eye (2017)–A Box of Bones tells a great mystery without worries of keeping young readers up at night. There are eerie bits, both in Kallie's and Liah's stories, but they add to the mysteriousness, demonstrating that not everything is straightforward, logical or expected, just like life, and that stories give life as well as honour it.

Strangers: The Reckoner, Book One

Written by David A. Robertson

HighWater Press

978-1-55379-676-3

216 pp.

Ages 14+

October 2017

David A. Robertson, author of the Governor-General's literary awarded illustrated children's book When We Were Young (illustrated by Julie Flett, HighWater Press, 2016), returns his writing to young adults with Strangers, the first book in a new supernatural thriller series called The Reckoner. Still honouring his Cree roots with a story installed in the fictionalized Cree community of Wounded Sky, David A. Robertson shows us life on a remote Manitoba reserve where a past tragedy and current illness and murder have its inhabitants reeling in suspicion and anger.  And it doesn't help that that trickster Coyote is playing a leading role.

Seventeen-year-old Cole Harper has been living in Winnipeg since his Aunt Joan and grandmother moved him there to forget "everything he'd lost in the tragedy and his role in it" (pg. 13) ten years earlier.  Now his friend Ashley Ross is summoning Cole back to Wounded Sky with cryptic messages about needing to come home.   But Cole's return is far from welcome and he learns from Ashley that his phone had been missing and he'd never sent any messages to Cole.  And he tells Cole this minutes before he is shot dead.  While he awaits RCMP Constable Wayne Kirkness, Cole is visited by Choch, the anthropomorphized spirit being Coyote, who reminds Cole of a deal they'd made ten years earlier when Cole had saved two friends, Eva and Brady, from a burning school in which everyone else perished, including Cole's mother. Now Choch expects payback though he doesn't tell Cole exactly what he needs of him.  After Ashley's murder and an illness hits the community, Cole is sure it is to make things right here at Wounded Sky.  But then two more murders and deaths from the illness have the community turning on Cole, whose arrival coincided with the newest tragedies.  How can he do right by Wounded Sky when it's obvious the community, except for a few, resent his return from the city and his earlier role in the fire in which he only saved two lives?

There are mysteries aplenty in Strangers and not all are able to be solved in this first book in the series.  Who murdered Ashley?  How is the research facility, now closed, involved in the tragedies at Wounded Sky? How did the fire at the school start? With the advice of his grandmother to find his peace and "If you accept yourself for who you are, you belong anywhere" (pg. 109), Cole faces the challenges of an angry community, the antics of an arrogant and reckless Choch, and his own anxiety to be the hero needed to heal himself and others.

All legends, Cole, come from some place of truth. Whether they're about Coyote or a sky that was cut and bled the heavens like tears, or a boy that saved others. Look at your own scars. (pg. 124)

Beyond David A. Robertson's intricate plotting, he creates a character of Wounded Sky itself.  He makes sure that readers, Indigenous or not, get an authentic glimpse of life on a reserve: remote, ignored, self-reliant, challenged, vulnerable and cohesive.  From Elder Mariah making hot muskeg tea and Cole's tobacco tie, to the northern lights of spirits playing and Coyote's pranks, Strangers is both singular and inclusive, educating readers and encircling many in its story. I look forward to Book 2 in The Reckoner series so that I can witness how David A. Robertson resolves mysteries first revealed in Strangers and undoubtedly creates a few more for Cole to confront.

The Spirit Trackers

Written by Jan Bourdeau Waboose

Illustrated by François Thisdale

Fifth House Publishers

978-1-92708-311-6

32 pp.

Ages 4-8

November 2017

It's been far too long since the CanLit world has welcomed a book from Jan Bourdeau Waboose, a First Nation Anishinaabe of the Ojibway Bear Clan of northern Ontario.  Adding to her stunning collection of picture books which includes SkySisters, Morning on the Lake and Firedancers, Jan Bourdeau Waboose's telling tale of Ojibway traditions and the relationship between children and their uncle is breathtakingly illustrated by François Thisdale, award-winning artist of The Stamp Collector, Missing Nimâmâ, and French Toast.  The Spirit Trackers is a magnificent story in words and art, melding together First Nations and an intergenerational relationship with legends and spirits and the wonder of children.

Illustration by François Thisdale 

used in The Spirit Trackers by Jan Bourdeau Waboose

Two cousins are awed by the stories told by their uncle of their clan, the Moose Clan, and their heritage of extraordinary trackers but it's the story of the Windigo that truly captures their attention.  His story of the Wandering Night Spirit of Winter is a warning to the boys. 

"Watch out for the Windigo on a winter night.  It has a heart of ice, and its teeth are like steel.  It will eat anything in its way!" 

"Even the best Trackers disappear in Windigo's footsteps."

In the night, the boys are awakened by a Thump! Bang! and, upon seeing a black shadow cross the window, are convinced the Windigo has visited their uncle's house.  The next day, however, evidence in the snow and on a tree compel the two to put their tracking skills to work.  But far from the house, hearing a sad cry that "slices the air like a trapper's knife" the two are immobilized with terror.  It may not be the Windigo but the boys demonstrate the aptitude in tracking and their reverence for the natural world, especially for an animal they know to honour.

Jan Bourdeau Waboose infuses her atmospheric text with the companionship of family and an appreciation for traditions and legends of First Nations. Because of that, an occasion of storytelling becomes more; it becomes a lesson in caution and curiosity and heritage. Tom and Will are apt students at their Uncle's knee, listening, hearing and learning.  Resplendent in snow, the frigid medium of trackers, The Spirit Trackers is an appropriate visual and textual read for the winter season.  Artist François Thisdale makes sure that his illustrations transport readers to that frosty season and to a life of snowshoes, moosehide clothing, and ravens.  Combining photographs, drawings and paint with digital imagery, François Thisdale lends a supernatural essence to the story, perfect for a pair of boys already spooked by their disquietude about the Windigo but determined to follow the path of their tracker ancestors into the unknown winter stillness shattered by a haunting cry.

Illustration by François Thisdale 

used in The Spirit Trackers by Jan Bourdeau Waboose

Whether you believe in the Windigo is irrelevant.  The boys believe, as does their Uncle, and in the stillness and cold of winter, it's a story, like The Spirit Trackers, that has much to teach.

❅❅❅❅❅❅

The illustrations included in this review are derived from illustrator François Thisdale's Facebook page at Thisdale illustration.

Those Who Run in the Sky

Written by Aviaq Johnston

Illustrated by Toma Feizo Gas

Inhabit Media

978-1-77227-121-8

200 pp.

Ages 10+

April 2017

The young hunter knew that the sky above danced in joy with northern lights.  Since it was rare at this time of year, it meant that this day was going to go well, and that the spirits were on the side of the living, allowing them to carry on with their lives. (pg. 1)

Piturniq, or Pitu as he is often called, is the young hunter, a boy of sixteen who is becoming known as the Great Hunter.  This is his coming-of-age story.

From Those Who Run in the Sky 

by Aviaq Johnston 

illus. by Toma Feizo Gas

As a young man, Piturniq is already acknowledged as a good hunter, helping to provide for his mother, brothers and sister as well as sharing with the family of Saima to whom he wishes to become betrothed. But he senses a disquiet in himself and others towards him, particularly from his mother.  He grapples with his pride, jealousy, annoyance and anger, and the meaning of his nightly dreams of a fox and an old man on an island.  Though he wishes he might be as great as his father, Piturniq is surprised when Tagaaq, the camp leader and son of a shaman mother, suggests Pitu might be the village's next leader.  In fact, Tagaaq tells Pitu that the spirits have whispered to him and told him that Pitu is to become a shaman, though there is much darkness in his future.

Tagaaq takes Pitu under his wing, teaching him through his stories, including those of his shaman mother and a great shaman who disappeared from the world after the deaths of his beautiful wife and children.  Though both Pitu and Saima are eager to wed, the boy is instructed to wait until he completes his lessons.  But all must wait after a winter hunting trip leaves Pitu alone in the harsh environment and entering the spirit world.  Here Pitu struggles to survive, seeking shelter and food, and then combating supernatural demons, wolves, qallupilluq and more.  But it is also here where Pitu meets the fox, Tiri, who is Pitu's tuurngaq (a shaman's spirit guide), and the old man, an angry and brittle shaman named Taktuq, who will help the boy grow into the shaman he is destined to become.

From Those Who Run in the Sky 

by Aviaq Johnston 

illus. by Toma Feizo Gas

Though Those Who Run in the Sky is Piturniq's journey of becoming a man with the courage and faith to serve his family and his community, as well as attend to the spirit world, it is also a story of an Inuit lifestyle of long ago.  The details provided by Aviaq Johnston, a young Nunavut writer, deal with hunting practices, family and adoption, summer and winter camps, relationships with other communities, and the creatures of the supernatural world, and they become the rich fabric of Piturniq's story.  The traditions of this Inuit culture wrap Pitu' story in a reality that needs to be shared with all youth, Indigenous and otherwise.  It's a glimpse into a time that might once have been shared through the storytelling tradition.  Thankfully Those Who Run in the Sky, which refers to the spirits chasing after a walrus head and thus producing the northern lights, can now share the stories in a text for all to read.

The black and white illustrations by Ottawa animator and digital artist Toma Feizo Gas that dot the text of Those Who Run in the Sky deepen the surreal nature of Pitu's journey, adding to the story without taking over.  With text as lavish in historical and emotive detail as is provided by Aviaq Johnston, Those Who Run in the Sky did not need more.

With the publication of Those Who Run in the Sky, which was recently nominated for the 2017 Governor General's Award for Young People's Literature (Text), the northern lights must be dancing with joy.

Game's End

Written by Natasha Deen

Yellow Dog, an imprint of Great Plains Publications

978-1-927855-85-0

240 pp.

Ages 13+

November 2017

     “He’s not my real brother, we’re soul-bonded.”
     “If he’s not your brother, why do you call him that?” asked Zeke.
     “Because.” Serge wriggled into the spot between us. “It sounds better than ‘hi, meet Serge. We used to go to school together and he bullied me until I wanted to die. Luckily, he was the one who stopped breathing.  I helped him figure out that his so-called suicide was a murder, and then we discovered in this life we were both scripted to become guardians.  We watch over the dead and living, transition souls from this plane to the next, and make sure the bad spirits from hell stay there.’”
     “Yeah,” Zeke nodded. “I can see how that’s a mouthful.” (pg. 25)

That's essentially the creation story of Maggie Johnson and Serge Popov though there is so much more to their story.  There's Maggie's supernatural boyfriend Craig who is a ferrier of the dead, and her extremely plucky (her word, not mine) and loyal best friend Nell, and her dad Hank and his girlfriend Nancy who is the sheriff.  They all "live"–some more than others–in Dead Falls, Alberta where Maggie has been involved, with some supernatural help, in exposing those responsible for the deaths of several people, sadly raising the ire of some local citizens who consider the teen "a death magnet" (pg. 159) who has ruined the reputations of the town and some people like Serge's father, Reverend Popov.  The vibe in the town is definitely off but there's something worse coming as foretold by The Voice–the disembodied voice that comes through radios and whom Maggie suspects is her mother–and it's coming for Maggie.  Craig believes it's as a power-seeking soul-eater, which appears and swallows up lost and wandering dead just as Maggie is trying to help the newly dead Zeke cross over with his little brother Homer.  If the soul-eater is the only threat is yet to be seen.

As Craig and Serge attempt to get more info from the other side about her mother, Maggie is being pulled into her own investigations.  She tries to learn more about her mother from Hank who reveals that she too had powers that were tearing her apart.  On top of that, Maggie is experiencing unusual out-of-body experiences that take her to different times and places to witness the rescue of children's souls by a serengti, a supernatural called Serena, who compassionately tries to spare them the trauma of their deaths.

Then a murder shatters Maggie's world, and she's on the trail, both of our world and a supernatural one, to find the killer and keep those she loves safe.

Game's End is the conclusion of Natasha Deen's Guardian trilogy that began with Guardian (Great Plains Teen Fiction, 2014) and led to Gatekeeper (Great Plains Teen Fiction, 2016), all stories that embed the reader in the worlds of the dead.  For the dead in Game's End those worlds includes both the good and the bad, those who attempt to ease the dead to the other side and those, both living and supernatural, who seek to harm for the sake of power.  The evil that kills and aims to destroy is palpable in Game's End and, except for those who attempt to harm the children Serena wishes to rescue, not always easily identifiable.  Like evil everywhere, it is masked with lies and smiles and facades of rational behaviour.  The only reassurance is that, whether they are the self-righteous or domestic abusers or murderers, justice, in this world and the next, will be levelled against them.  That's the reassuring message of Natasha Deen's paranormal mystery: revenge is not necessary because there's karma.

Even so, Natasha Deen makes Game's End a story about a typical teen who is trying to find her niche in the world.  What she has on her plate is a little different than most teens, balancing being a friend and daughter with battling evil on both sides of the death divide.  But it all reads so naturally because of Natasha Deen's characters and a healthy infusion of comic relief.  While Maggie may be playing "demonic whack-a-mole" (pg. 29) with some unfriendly entities, she's rolling her eyes at Serge's wisecracks and Nell's off-hand comments that always alleviate the tension.

“Oh, he’s cute,” said Nell.
“Calm down,” I said. “He’s dead.”
“I could make him feel alive again.” (pg. 21)

I know it's bizarre to match Natasha Deen's intense plotting with her tongue-in-cheek humour but the two work so artfully together, one escalating the drama and the other cushioning it, that Game's End would be a very different entity without this curious pairing.

Game's End may be Book 3 in this series but it's far from game over for Natasha Deen.  And if you're a new reader to the Guardian series, you've got three books of robust plotting, clever characters and bright banter ahead of you. Enjoy!

•••••••••••••••••

Look for my in-depth interview with author Natasha Deen tomorrow.  She graciously answered some tough questions about her writing, her beliefs and plotting for Game's End and her whole Guardian series. 

•••••••••••••••••

The Disappearance

Written by Gillian Chan

Annick Press

978-1-55451-983-5

197 pp.

Ages 12+

September 2017

The who of the disappearance is Jacob but the why and where and how are answers that the police are  trying to extract from his group home roommate Mike McCallum, a teen who obviously has something to hide and is pleased to do so.  

It's pretty hard for Mike to stay under everyone's radar.  He's a big guy and his face is massively disfigured after his mother's boyfriend Danny brought a cleaver down on it.  Still Mike's internal scarring, from the death of his little brother Jon by Danny's drunken hand, is far worse.  Taken from his mother, a woman who regrets Danny being in prison, Mike has been in foster care for three years before he ends up at Medlar House.  There amongst the foster kids he meets the enigmatic Jacob, a boy who'd been found beaten up and unconscious in Dundas Valley Conservation Area and rarely speaks and shuts down in body and spirit when overwhelmed.  But when Jacob finally speaks to Mike it is to tell him that Jon has been there and has told Jacob about his death and more.

As Mike learns the routines of Medlar House and the personalities of the other kids, especially keeping an eye on the vicious Paddy and his lackey Matt, the fearful Adam and the victimized Jacob, he finds his role changing from thug to protector.  In his own way, Mike is trying to right his own wrong i.e., not saving Jon. But before he can really help, Jacob is exposed to far greater danger and horrific bullying that compels Mike to try to find a happy ending for this boy.  What he learns, with the help of Adam, is as mysterious as Jacob himself.

Without spoiling Gillian Chan's extraordinary plot twist, I can say that The Disappearance includes a supernatural element that has never been handled as eloquently as it has here. It is unexpected and unique and wholly convincing. (I want to share.  Really I do.  But I can't.) Still, even beyond her fantastic plot, Gillian Chan creates rich characters–Mike, Jacob, Adam, Chaz, Paddy, and others–that carry this story of hurts.  What has happened to Mike and Jacob is tragic.  Their lives have been destroyed by vicious and uncaring people whose choices superseded benevolence.  Even the charity granted the boys is tempered by the personalities of those involved: some do-gooders, some lazy, others greedy and some, like Chaz, compassionate and effective.  All they can do is endure and hopefully survive.  Without giving the reader a fairy tale ending of rainbows and sunshine, Gillian Chan resolves the story with realism and justness and the anticipation that sometimes you can save another.

```````````````````````````

The launch for The Disappearance is tomorrow in Hamilton.  Do go if you're in the area.  Details are provided here.

Guardian

by Natasha Deen

Great Plains Teen Fiction

978-1-927855-09-6

192 pp.

Ages 13+

October, 2014

Guardian is buried in death, haunted by ghosts and plagued by bullies, youthful and not.  But Natasha Deen guards against wallowing her readers in the sobriety of these elements and instead pens an intricate plot that lacks any predictability, even that which we expect with death.  

Seventeen-year-old Maggie Johnson lives with her father, the local undertaker, in Dead Falls, and she sees dead people.  Actually she sees those confused dead who need her help to let go of life.  Her dad knows about her "gift" and her best friend Nell knows about Maggie's "woo-woo" feelings, but the teen has enough strife with bully Serge Popov that she's definitely not going to let this little secret out.  Unfortunately, when a creepy radio poltergeist sends Maggie to a deserted old mill to find Serge's murdered body, she can't help but become involved, especially when she finds his ghost inexplicably tied to her, 

"...the one person he hated most in the world, and it struck me as funny. Hilarious. Karma was a bitch, but she has a dark sense of humour and I was laughing at the punchline." (pg. 51)

But, it's not until Maggie visits Serge's girlfriend, Amber, and learns the girl is thrilled with Serge's death, and that his parents, the Reverend and Mrs. Popov, plan to have his body cremated without a service, as though he'd never existed, that Maggie actually reveals to Serge that she can see and hear him.  Though relieved that he still has a voice with someone, even Deadhead as he calls her, Serge needs to know what happened if he is ever to move to the next world, wherever that may be.

Luckily Dead Falls is a small enough community that Maggie's innocent (?) sleuthing generally looks like nosiness and gossip. She learns much through her friends including her crush Craig MacGregor, the captain of the water polo team on which Serge played, as well as from her father's love interest, the sheriff Nancy Machio. But it's Serge's reactions and commentary with her visits to those who knew him best (like Amber, his parents, etc.) that elicit the most revealing of secrets, some which Serge is not ready to have exposed. And I did mention the threatening poltergeist that continues to send creepy messages to Maggie, right?

"Help Serge or be killed by the poltergeist. Help Serge and possibly be killed by his psychotic father. What a set of options." (pg. 196)

Guardian is at its heart a murder mystery, albeit a paranormal one, and a superb one at that. But it defines itself with its characters whose thoughts and actions are unpredictable, as are most of ours, and with their development as they learn new things about themselves and others.  Even for Serge, a truly nasty bully, there is hope. And Natasha Deen's writing is a blend of smart dialogue and brisk action that effortlessly takes the reader looking for the "who" who did it. She has a real knack for creating the right atmosphere for friendly discussions and creepy scenarios, as well as thoughtful moments and teen angst.  And Natasha Deen has a wit that seems to infuse her words (or rather those of her characters) taking the edge off frightening elements. Everything is believable (even the poltergeist and Serge).

I don't know what Natasha Deen has in store for Maggie after Guardian but there is a perfect set up here for a sequel, not to complete the story but to examine how Maggie's psychic nature and her relationship with Craig both develop, and I look forward to reading about both.

~  ~  ~  ~  ~  ~  ~  ~  ~  

Consider watching the book trailer for Guardian that Natasha Deen posted in August (I've included it here) and taking a look at her website www.natashadeen.com for more about the author and her writing.

Jeremy Stone

by Lesley Choyce

Red Deer Press

978-0-88995-504-2

184 pp.

Ages 14-18

November 2013

Lesley Choyce has a new voice.  In general terms, it's novel in verse.  Specifically, it's the voice of Jeremy Stone.

Jeremy Stone is a sixteen-year-old whose story begins with his return to school after a three-year silence.  Voice silence, that is.  (He was always being told that he was too loud, too rude, too curious.  So he shut up.)  Though he learned from his grandfather–a survivor of the residential school system–never to live in the past, the baggage that Jeremy carries is critical to his present.  Jeremy had been close to his grandfather, Old Man, when they lived on the reserve.  Old Man has since passed, though his spirit regularly visits Jeremy and advises him on all matters of the heart and mind.  Jeremy's father suffers with the black dogs of depression and is now living Out West, cleaning on oil rigs and making money, though he always seems to be running out of minutes on his cell phone.  Jeremy lives in town with his mother, who has kicked most of her drug addictions except for cigarettes and alcohol, but still has a few demons to wrestle.

Though pegged fairly quickly as a boy of First Nations heritage, Jeremy tries to stay under the radar, often quiet still, rarely engaging with others.  But the flicking of a paper clip at Jeremy's cheek by Thomas Heaney brings Jeremy some attention, especially after he capably wins against Thomas a.k.a. Paper Clip in a phys ed wrestling match.  Caitlan, a girl with "Indian eyes", tells Jeremy about a boy she'd loved, Jenson Hayes, who committed suicide after jerks such as Thomas Heaney broke him down with their emotional assaults. When Jeremy learns Caitlan is cutting herself and thinking of joining Jenson, he realizes that he must make things right, and that does not include revenge.  Through his spiritual interactions with Old Man and others, Jeremy finds a way to help others and ultimately help himself as well.

Lesley Choyce often takes on mature issues, even discomforting ones, in his young adult books, from life on the street in Last Chance (Lorimer, 2009), to grief in Shoulder the Sky (Dundurn, 2002), imprisonment in The Book of Michael (Red Deer Press, 2008) and physical bullying in Gone Bad (Lorimer, 2011).  But in Jeremy Stone, Lesley Choyce has taken on the voice of a First Nations teen and channelled the issues of dysfunctional families, bullying, grief, spirituality and suicide from his perspective.  Perhaps I shouldn't have been surprised, but Lesley Choyce achieves this with resounding success, never making the reader believe that anyone but Jeremy Stone, with his own strengths and weaknesses, has shared these thoughts and feelings.

Novels in free verse have to say a lot without a lot of words at their disposal.  For that reason, Jeremy Stone is a fast read.  But it is also one that must be contemplated in depth.  In all novels in verse, the reader must read between the spaces and the lines and the letters to see beyond that which the author chooses to share up front.  Jeremy Stone, the book, is very much like Jeremy Stone, the teen: there is so much more than the words.  The richness is realized by those who take the trouble to see beyond the cover and the obvious.

From Lands of the Night

by Tololwa M. Mollel

Illustrated by Darrell McCalla

Red Deer Press

978-0-88995-498-4

32 pp.

Ages 7+

January 2014

An ill child is great cause for concern and worthy of a heroic pursuit for a remedy. But, after fruitless hospital visits, futile treatments and prayer, the only potential help may come From Lands of the Night where the ancestors reside.  In fact, a joyful celebration of family, friends and neighbours with music, food and drink is deemed necessary to save the life of the young narrator's baby brother, Samson.

An angel, sent by God–Mola–to request they turn down the music, actually heralds the arrival of more angels, moved to dance to the rhythmic sounds.  That is, until the brilliant light of Mola draws the celebration to a stunning silence.  But the young girl invites Mola to be their guest, and soon the ancestors resplendant in colourful and unique regalia appear.  Samson's parents and other relatives greet their ancestors with respect and gifts, hopeful that they may help.

A new picture book from Tololwa M. Mollel is always cause for celebration.  Though illustrators may change, the text will always be powerful and inspired and immersed in his African heritage.  From Lands of the Night is no different, depicting the joy of community and tradition, culture and history.  Though the story may reflect Tololwa M. Mollel's African (Tanzanian) heritage, the colours and vibrancy of Darrell McCalla's illustrations definitely have a warm Caribbean flavour.  As such, From Lands of the Night may be more universal than initially thought, reflecting the similarity of stories told across regions.

There will be some (there always are) who will question the inclusion and appropriateness of angels and spirits and even a God in a children's book.  Tololwa M. Mollel, ever the sensitive statesman, addresses this potential concern in his poignant author notes, which should be read by all for greater understanding.  But I see the global nature of From Lands of the Night by including common elements of faith and belief systems to which so many turn when crises of body or spirit arise.  The reassurance that our world extends beyond the here-and-now and includes a rich support system of ethereal entities is both reassuring and hopeful.

Such Wicked Intent: The Apprenticeship of Victor Frankenstein, Book Two

by Kenneth Oppel

HarperCollins Canada

978-1-55468-342-0

310 pp.

Ages12+

Released August 28, 2012

Wicked.  Intense.  Dark.  A dash of sweetness. 

It could be dark chocolate I'm describing but it's Such Wicked Intent, the sequel to This Dark Endeavour, Kenneth Oppel's first book in The Apprenticeship of Victor Frankenstein series.  Just like a good dark chocolate, Such Wicked Intent is a treat that should be savoured slowly, with pauses to contemplate the richness of the experience, even smoother than its predecessor.

In This Dark Endeavour (reviewed here on October 5, 2011), teen Victor Frankenstein pursues an alchemical cure for his deathly-ill twin brother, Konrad.  Following the tomes in the Dark Library of his ancestor Wilhelm Frankenstein, Victor sacrifices much, including two of his own fingers, to save his brother, sadly unsuccessfully.

Such Wicked Intent begins just three weeks after Konrad's death, with Victor's father destroying the Dark Library.  First the books are burned and then the structure itself dismantled, with two significant finds revealed.  Below the former Dark Library, workers discover caves with primitive art etched in the walls.  Perhaps more significant is Victor's discovery of a book-like metal box amongst the burnt books.  Within the box, a pendant and materials and instructions for building a Spirit Board for communicating with the dead capture Victor's attention.

With the help of Elizabeth, Konrad's love, and their friend Henry Percival, Victor unearths an elixir, spirit clock and directions for visiting the spirit world.  Victor is delighted to find Konrad, still in his funeral clothes, as well as another spirit, Analiese, a former servant at the chateau.  Awaiting their "gathering" by the brilliant light, Konrad and Analiese endure the terrorizing thumps and groans heard within the chateau, and the swirling mist outside that Analiese believes is an evil entity.  Sadly, seeing his brother and Elizabeth is almost unbearable for Konrad, as they emit blinding light and heat.  On the other hand, Victor finds that being on the other side leaves him empowered, energized and even pain-free. Victor is determined to deliver Konrad back to the world of the living.

And so begin the psychological and moral debates within and between the characters.  Should Konrad be allowed to remain in a kind of purgatory, waiting for the angels, or returned to his family and Elizabeth?  Should Victor pursue Elizabeth though he has vowed not to covet what was his brother's?  How can Elizabeth justify her visits to Konrad with her religious convictions?  What of the jealousies Victor, Elizabeth and even Henry seem to be experiencing?  Most importantly, are they playing God in recreating life and returning Konrad from the dead?

Victor may feel guilt due to his jealousy of Konrad and this may be colouring his actions, including attempting to save Konrad's life and now retrieving him.  But, Victor cannot resolve what he wants to do with what he feels he should want to do.  He is passionate about unlocking the secrets of the universe, especially those contrary to the laws of nature. But this passion, almost a compulsion, torments him when balanced against his family: his father who has asked Victor to cease his unnatural investigations; his mother debilitated with grief; his young brothers who love him; and Elizabeth who is contemplating entering the convent.  How can he ensure his decisions are just? And does it matter if they aren't?

Kenneth Oppel takes the turmoil of Victor's position, as the twin of a more highly admired brother to whom Victor feels disloyal, and embeds it in the darkness of the unknown afterlife and sorcery.  Embroiled in a shifting matrix of grief, lust, affection and faith, Victor's intents, as well as those of the others, seem to shift in response, vacillating between selfish and compassionate.  The Frankenstein madness of Mary Shelley may be growing in Victor but the elaborate veneer of creativity and ancestry may keep it from erupting. Only Kenneth Oppel's imagination and foresight will determine the full extent of Victor's apprenticeship. 

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Uploaded by HarperCollins Canada to coincide with the release of Such Wicked Intent on August 28th, the book trailer can be viewed at CanLit for LittleCanadians: BookTtrailers here.