We Belong Here
Written by Frieda Wishinsky
Illustrated by Ruth Ohi
North Winds Press (Scholastic Canada)
978-1-4431-9403-7
32 pp.
Ages 6-8
October 3, 2023
Yesterday, I had the pleasure of reviewing an important picture book, We Belong Here,
about intolerance and kindness. Today, I have the good fortune of sharing with readers a bit more about the book and the creative process through this Q
& A with its author Frieda Wishinsky and illustrator Ruth Ohi.
Helen Kubiw: Whether it be the 1950s, the setting for We Belong Here, or now, there are always those who distrust others who are different, whether in their appearance, their cultures, their faith, language, or something else. Why do you think this still hasn’t changed?
Frieda Wishinsky: That’s an important question. I think some people are afraid or uncomfortable with anyone who is different because they haven’t had the experience of getting to know them. I grew up in New York City where there were always people around from different cultures and backgrounds. I felt comfortable and curious about that difference. I loved the diversity of food, customs and experiences but I think that some people who live in places which lack diversity, feel afraid of what and who they don’t know.
Ruth Ohi: We have a long way to go, but I feel it has changed: I believe there’s been progress. I’d like to see the interest in making things better continue to grow the way I think it already has.
HK: I suspect those children who demonstrate intolerance, including those in the book, are often doing so from observing their own families expressing that same bigotry. While We Belong Here demonstrates the value in getting to know those who are different, how do think it’s possible for those children to rise above their learning when they’re seeing the worst at home?
Frieda Wishinsky: I hope this story and friendship of Eve and Mark will help kids and their families appreciate that although we are different, we are also alike. No one likes being called mean names. Everyone wants to feel appreciated. And being in touch with people from different cultures makes life richer and better. Being open to change and new people makes us less fearful and happier.
HK: The note at the end of the book suggests that the book came about through discussions that you had about your family histories. Once you decide that this was going to become a book, how did the collaborative process work?
Frieda Wishinsky: Over two years ago Ruth and I had coffee and shared our family histories. We talked about how Jewish and Japanese people faced discrimination after the war. I said, "If I can figure out how to write that theme of connection and help as a picture book, would you illustrate it?” Ruth said yes. Now all I had to do was write the story. Not so easy! The story couldn’t be about adults. It had to focus on kids.
It took me over a year and a half to figure out how to create a story about two kids from different places and cultures who help each other in difficult times.
When I finally felt pretty good about my text, I passed it on to Anne Shone at Scholastic. Anne had worked on many books with both Ruth and me. Anne liked what I’d written but made some suggestions. After more revision, the text was approved by everyone at Scholastic. Ruth could now begin to illustrate.
When I finally felt pretty good about my text, I passed it on to Anne Shone at Scholastic. Anne had worked on many books with both Ruth and me. Anne liked what I’d written but made some suggestions. After more revision, the text was approved by everyone at Scholastic. Ruth could now begin to illustrate.
I didn’t see the story with its art till it was almost a finished book. Ruth and I did have a few discussions about historical accuracy, tomato sauce vs. beets, and adding in a carved wooden sculpture but we worked separately.
Seeing the finished book was a delightful surprise. I loved how Ruth added evocative and touching art to the story and theme. I think her art highlighted and elevated my words.
Seeing the finished book was a delightful surprise. I loved how Ruth added evocative and touching art to the story and theme. I think her art highlighted and elevated my words.
Ruth Ohi: Once Frieda’s manuscript was accepted by Scholastic Canada, she and I communicated through our editor, Anne Shone. I read the text many times so that the characters could move about in my imagination for a bit. I then created page breaks and tiny thumbnails to see how action and pacing could work. I researched the 1950s to immerse myself in the time and sent research elements and resulting rough layouts to Anne. Sketches were drawn and redrawn many times with feedback, until approvals were given to begin final art.
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| Rough sketch by Ruth Ohi from We Belong Here |
HK: I appreciate the fact that both of you were able to contribute familial background history to the story of We Belong Here. I like that, by bringing the two together through Eve and Mark, you were able to produce a story of discrimination defeated by kindness. But, in your own family stories, did kindness always conquer the unfairness of intolerance?
Frieda Wishinsky: During the early days of World War Two, my mom met the wives of two Polish Generals when they were all jailed by the Russians as political prisoners. (My mom’s offense was a German sounding last name) These women, Yadviga and Zhosha, treated my mom as a sister, although they came from different religions and backgrounds. The three of them helped each other survive the harshness of a Russian prison for two years. Yadviga and Zhosha also promised my mom that if they were released, they would make sure she was released too. When the Russians changed their political alignment, the Polish women were released, and they got my mom out of jail the next day. Yadviga and Zhosha then opened a children's home in Russia for kids whose parents had been sent to Siberia. My mom worked there till the end of the war. My mom was a natural storyteller and told me what happened to her in those terrible years. I never forgot the kindness and humanity of these two women.
Ruth Ohi: My Dad was one of the first Japanese Canadians to be allowed to teach in Toronto. He was also a guidance counsellor. Leafing through photos, he’d tell me stories about his wonderful students and the staff that he worked with then and throughout his career.
HK: How much of the story includes actual events that took place, like the shop, the rock, and the taunts, and how much is fictionalized but based on stories told within the family?
Frieda Wishinsky: The core of the story, that a Jewish family helps a Japanese family, is true. The rest is fiction. We did incorporate elements from our lives in the book though. For example, I was an imaginative kid who loved climbing up on some rocks in a NYC park. My dad carved a beautiful crane out of wood. My dad was a baker and made rugelach.
HK: For each of you, what was the hardest part of creating this story?
Frieda Wishinsky: The hardest part for me was taking a true story and a general theme and creating a picture book that was universal and kid focused.
Ruth Ohi: One of the hardest parts for me was also one of the most interesting as I had the chance to research the 1950s: fashion, cars, buildings, packaging, life in general. Anything I illustrated needed to actually exist. Everyone helped: Frieda sent family photos, my art director Andrea sent some men’s hairstyles, and Anne found a cake plate that inspired a spot illustration.
HK: While many of your picture books, like Fox and Squirrel have important messages about compassion, empathy, emotional support, your books generally have a light-hearted innocence to them that veils those important lessons. How did you approach illustrating We Belong Here knowing that a story of children coping with discrimination could not be couched in sweet and colourful animal characters?
Ruth Ohi: I think Frieda’s story has a sweet innocence as well. My author/illustrated picture books have a lot in common with We Belong Here as they tend to focus on the role of empathy. When finding friends who look different from you, it doesn’t always matter from a young child’s perspective whether it’s an animal or not. I love that there are so many different ways of viewing the world for a child to choose from. My book Scribble is a celebration of what makes us different. Three very different looking shapes (Circle, Square & Triangle), with the help of a non-shape friend, discover how much you can accomplish using your differences. Fox and Squirrel is a celebration of what makes us alike. The series is based on two very physically different animals who discover that they have a lot in common i.e., they both need to eat and sleep and like to play.
Looking back, I think my author/illustrated stories reflect my childhood – someone who looked very different from everyone else in their class (I also wore a metal back brace for over four years for my scoliosis) and was figuring out their place in the world. I never set out to teach a lesson when I write a story, but do enjoy hearing that they help kids and spark conversations about empathy.
Looking back, I think my author/illustrated stories reflect my childhood – someone who looked very different from everyone else in their class (I also wore a metal back brace for over four years for my scoliosis) and was figuring out their place in the world. I never set out to teach a lesson when I write a story, but do enjoy hearing that they help kids and spark conversations about empathy.
HK: I know that We Belong Here is not your first picture book of a fictional account of a historical event. Your own Kenta and the Big Wave (2013) deals with the 2011 earthquake and tsunami in Japan, and Joy Kogawa’s Naomi’s Tree (2008) deals with the internment of Japanese-Canadians during WW2. How do you approach illustrating a book of historical relevance and are there certain challenges you need to address?
Ruth Ohi: Like Frieda’s story, research was required for both. The interiors and houses in Kenta and the Big Wave came from photos taken during my visits to Japan with my Dad and then later with my husband and my own kids. Kenta’s dog is the Ohi’s Shiba Inu that my daughters got to walk. It was an honour to illustrate for Joy and great to finally meet her at the launch, do a library session together and hear her say that she loved my illustrations. She is so gracious and kind. I feel very lucky in the authors I’ve been able to illustrate for.
HK: I had thought it was unusual for an author and an illustrator to query a book together (unless the author is the illustrator). How did you get the publisher to accept a submission with both text and illustrations?
Frieda Wishinsky: We were lucky that we’d both published a bunch of books with Scholastic and we’d both worked with Anne Shone. Scholastic knew our work and we were happy this story resonated for them. Plus it’s great that I’m Jewish and Ruth’s background is Japanese so we could bring each of our cultures into the story authentically.
HK: Do you see a follow-up book or perhaps a companion book that takes the perspective of an older Eve and Mark as teens or as parents themselves, or perhaps a story of a different kind of discrimination experienced by others?
Frieda Wishinsky: I hadn’t thought of a follow-up book, but I’d love to do another book with Ruth. Now all I have to do is think of a story that she might like illustrating!
Ruth Ohi: I’d love to illustrate another Frieda story. Anyone who gets to illustrate one of her manuscripts is very lucky indeed.
• • • • • • •
Many thanks to
author Frieda Wishinsky and illustrator Ruth Ohi
for the privilege of asking them questions
about their new book We Belong Here.
As a story, it has great depth in its history and its lessons,
and both Frieda and Ruth have brought insight and heart to it.
I hope this interview shares all that with you, my readers.
• • • • • • •
