Two Times a Traitor

Written by Karen Bass

Pajama Press

978-1-77278-031-4

240 pp.

Ages 9-12

May 2017 (Canada), August 2017 (US)

Selected as a Junior Library Guild Selection, Two Times a Traitor may seem a departure for award-winning author of historical fiction, Karen Bass, who won the Geoffrey Bilson Award for her books Graffiti Knight (Pajama Press, 2013) and Uncertain Soldier (Pajama Press, 2015) in consecutive years.  But, Karen Bass knows how to seamlessly weave a bit of the unexpected into her fiction, as she did in her suspenseful The Hill (Pajama Press, 2016), and as she does in Two Times a Traitor which blends a contemporary setting with Canada's past in Louisbourg 1745 through the use of time slip.

Twelve-year-old Lazare Berenger is still angry with his father who moved the family from Ottawa to Boston while Laz was visiting his Grandmère's farm in New Brunswick the previous summer.  And now, when he'd been saving up for a parkour camp for spring break, Laz is with his parents and younger sister Emeline visiting Halifax.  With every new suggestion of his father, Lazare is reeling with anger so, while visiting the Citadel, Laz takes off on his own.

The air seemed to push against Laz, as if it didn't want him to return down the tunnel.  Something strange was happening, but he didn't know if it was this chamber, the whole tunnel, or if he'd had too much bacon for lunch.  He took a deep breath and his lungs refused to fill. (pg. 19)

When he knocks himself out, he awakens in an unfamiliar landscape of pirate-looking men at bonfires on shore, old-time sailing ships moored in the bay and a man with a sword taking him to Captain Hawkins on the ship called the Constance.  Believing it's all a role play as boot camp punishment from his father, he spouts off about 2017 and more, leading the captain to believe he is pretending madness to distract them from recognizing him as an Acadian in league with the French at Louisbourg.  His clothes, which might conceal weapons, are taken away, as is his grandmother's St. Christopher medal ("Papist witchery"; pg. 38) and he is put in fetters.  Ben, a young boy who has been apprenticed to the Constance, befriends him and Laz learns that it truly is 1745 and they are transporting militia to Canso to fight King George's War against the French.

With a militiaman named Cooper seeking retribution on "Master Berenger" and Commander Pepperell, the commander of the expedition, ready to hang Laz for treason, the boy is put to work alongside the militia and then blackmailed–he is convinced his medal is the means to getting back to the future– into going into Louisbourg as a spy to seed doubt and do mischief.  Under the guise of a farm boy warning the French of an incoming barrage of British ships, Laz is welcomed into Louisbourg, becoming the messenger of Port Commander Pierre Morpain, a man who treats Laz as the boy wishes his own father would.  As Laz builds a new family amongst the residents of Louisbourg, he is haunted by his need to fulfill his obligation to the British if he is ever to return to his true family and life in 2017.

Privileged Laz may think his life with his father is impossible but, after facing treason charges twice, once by the British and later with the French after he sabotages their gun powder, he realizes how easy life has been.  Still he wonders about remaining in the past, one in which Morpain keeps him safe and shows him deep affection and respect and Laz has a purposeful life which, though dangerous and unpredictable, feels like home.

While taking the reader into both sides of the 1745 siege of Louisbourg, Karen Bass makes sure that Two Times a Traitor is about Laz recognizing what home is to him.  He may have been angry with the move to Boston but he soon realizes that what matters are the people.  It's evident he adores his sister and is determined to get home for her but he has some qualms when Louisbourg starts to feel like home too.  But before he can make the decision about where he belongs, he has to stay alive. With both sides believing him to be a traitor and an angry militiaman out to kill him, not to speak of the cannon balls, mortar and muskets and bayonets, safety is a commodity in short supply. Readers will adore the action adventure story of  Two Times a Traitor but its story of historical events is extraordinary and not to be relegated to second place. Karen Bass does comprehensive research, providing astounding detail to setting and characters, plunging readers into the fray that was war.  By allowing Laz to be part of both sides and emphasizing his confusion about which side to favour, Karen Bass allows readers to see the conflict from different perspectives and takes history away from the one-sidedness of most textbooks. Moreover, she allows us to see that conflict, whether personal or historical, always has two sides that need to be seen.  Resolution may be amicable or there may be victors and those defeated, but how it plays out is all about point of view.

Outside In

by Sarah Ellis

Groundwood Books

978-1-55498-367-4

208 pp.

Ages 10-13

For release May 2014

It's very reassuring to feel part of something–a family, a group of friends, a choir–and to be appreciated by the others.  Though thirteen-year-old Lynn is hardly part of a "typical" family, she has enjoyed the parental love of and stable home of her mother's boyfriend, Clive, for the past five years.  And with a mother like Shakti, Lynn's life hardly felt stable.  Shakti's self-absorption and twisted decision-making skills continue to wreak havoc in Lynn's life.  Take her recent affair with Brandon, the husband of a nurse at the extended care facility at which Shakti works.  Not only does Shakti put her relationship with Clive in jeopardy, she's oblivious to the real possibility of losing their home in Clive's townhouse and she's not willing to give Brandon up.  Then Lynn's mother quits her job because

"...it was a good opportunity because Shakti felt that it was time for a realignment of her energies and a reevaluation of her skills." (pg. 23)

Luckily, Lynn has got some exceptional friends in Celia and Kas and the three are looking forward to attending a choirfest in Portland, Oregon, giving Lynn a chance to extricate herself from an uncomfortable situation, at least temporarily.  But that doesn't happen either, because Shakti had forgotten to send away Lynn's passport application, as promised, too busy with her own dramas.

No Clive, no friends, no choir, and just her mother.  Lynn is ripe for finding something, anything, to keep her occupied while her friends are away.  She begins spending time with a girl named Blossom whose unusual nature intrigues Lynn.  Blossom admits that she is an Underlander and lives with her father Fossick and brothers, Tron (17) and Larch, in a cottage they've constructed and hidden beneath the reservoir.  The family is definitely different:  avoiding attention, using invisibility mugs, setting idea Traplines, and differentiating between steals and finds, and throwaways or keepsakes.  Lynn becomes "the visitor" at their home, promising that she will always keep it secret for them.

While Lynn is anticipating the collision of her old friends and new friends, the greatest threat to the familial goodwill she is enjoying with Blossom is Shakti.  And the resulting implosion is inevitable and devastating.

Sarah Ellis' writing has always juxtaposed the tenuous nature of family with its strength.  There's The Baby Project (Groundwood, 1986), Pick-Up Sticks (Groundwood, 1991) and Odd Man Out (Groundwood, 2006).  In Outside In, Sarah Ellis illustrates the fragility of our worlds and our families, both traditional and not, when secrets are kept, promises broken and new beliefs or ideas introduced.  Fossick has devised an alternative lifestyle for himself, Tron, Blossom and Larch, with their version of family functional as long as they all support and work towards its success.  While Lynn sees them as refreshing, their family is also in jeopardy when outsiders bring in new ideas or family members want to explore the outside world.

Bringing the outside in can be dangerous, as Fossick fears, and the disaster experienced because they trusted Lynn would bear witness to the validity of that view.  Lynn's own "family" knows that conundrum of letting someone from outside in with Shakti's involvement with Brandon.  But Sarah Ellis makes it clear that it's not that simple.  Whether it's Lynn appropriating some of Fossick and Blossom's views, or Larch venturing outside when he'd rather not, the outside and inside of anything are never clearly defined as good or bad.  Having witnessed this herself, Lynn could only hope that Shakti would embrace this learning herself.  But the imperfect family is a reality.  Sadly, I believe that Shakti has a lot more growing up to do if her selfish insideness is ever to be open to the goodness that Lynn and the world has to offer. 

A Taste of Heaven

by Meg Tilly
Puffin / Penguin Canada
978-0-14-318249-8
258 pp.
Ages 8-12
2013

With the recent presentation of the inaugural Canadian Screen Awards, more Canadians will know the name of actress Meg Tilly, who won Best Actress in a Drama Series for her work in Bomb Girls, Global TV's original series about women working in a 1940's munitions factory.  Some may even recall her noteworthy performances in the highly-acclaimed movies The Big Chill (1983) and Agnes of God (1985).

But, readers of youngCanLit have had Meg Tilly on their radar more recently with the short-listing of her middle-grade novel Porcupine (Tundra, 2007) for the 2008 Canadian Library Association's Book of the Year for Children Award.  Now Meg Tilly has come back to the youngCanLit stage with her newest book, A Taste of Heaven.

For some, A Taste of Heaven may be chocolates and candies, as the cover suggests, but everyone has their own vision of what constitutes heaven. In this "the-grass-is-always-greener" story, the town of Rosedale is delighted with the news that a TV series starring Hollywood actors Jessica Ashton and Grant Palmer will be filming there. The book's protagonist, Madison Stokes, is thrilled at the prospect, even if her five-year-old sister Gina can't appreciate it, and her mom is just too busy going to her bank job while her dad keeps looking for more than a part-time job.  A lot of the kids at school are also hyped about the filming, especially snooty Olivia who is convinced she'll get a part, since her mother runs modelling and tap classes.  But when a new girl arrives the second week of school, Olivia finds Alyssa Hawkins to be a snob, though Madison is happy to befriend her.  

In fact, Madison and Alyssa become fast friends, with Alyssa spending a lot of time at Madison's house, playing in the room she shares with Gina and enjoying helping with chores and eating with the family.  When Madison asks about visiting Alyssa at her house, Alyssa is reluctant but welcomes her new friend to the massive house with its flawlessly decorated rooms, elaborate menus and staff, including a housekeeper and driver.  Alyssa may feel imperfect in her own home but her art studio where she paints allows her the freedom to be herself.  When Madison learns that Alyssa's mom is the actor Jessica Ashton, she promises to keep her secret, even if Madison then feels more embarrassed about her own family.  Understandably so, especially after a very funny scene in which little Gina is sitting on the toilet using her sister's baseball mitt to catch her poop!

But the friendship falters when Madison becomes uncomfortable with the lies she must tell her family in order to keep her promise to Alyssa.  So, though she has been discretely helping Alyssa to learn the identity of her father, Madison is accused of wanting to tell the tabloids and of revealing Alyssa's secret to her classmates.

Having moved regularly because of her mother's profession, Alyssa is new to having and being a friend. As such, she purports to trust Madison but she is too ready to accept that Madison would deceive her to the paparazzi and the tabloids. Similarly, Alyssa has not given her own mother a chance to do the right thing with regards to sharing the identify of Alyssa's father. Given the opportunity to share or defend Alyssa, both Madison and Jessica Ashton are respectful and accommodating. But, like many young people, having taken few opportunities to develop friendships or engage her mother, Alyssa doesn't know what to expect and consequently she is most comfortable expecting disappointment. There are more than a few lessons to learn about friendship here.

But the message, that we often wish for that which another has, is explicitly depicted in A Taste of Heaven.  While Alyssa truly believes what Madison has is A Taste of Heaven, Madison revels in the wealth, celebrity and independence of Alyssa's existence.

"My crazy family ... and especially since yours is so fancy, I wanted everything to be perfect when you stayed overnight." 
...
"Coming here," Alyssa continued, "for me, it's like a taste of heaven." (pg. 102)

Meg Tilly shows that, while the worries of these middle-grade girls may not be life-threatening but rather anticipated stresses based in perception and humiliation, they are very real.  Madison and Alyssa each worry about others' perceptions of their wealth or lack thereof, their appearances, their acceptance by others, and their privacy.  Essentially they are concerned with possible emotional bullying that comes with rejection and dejection from those about whom they care and even those they don't. Luckily they both learn a little bit more about appreciating what they have rather than what they don't, a valuable lesson for anyone to learn or at least of which to be reminded.