We stand guard over the night, to protect the living from the wakeful and wicked dead. (pg. 12)
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| From Ghostlight by Kenneth Oppel |
• • • • • • •
Check out the following post for news of an author event with Kenneth Oppel this weekend.
✽ Promoting children's and YA books by Canadian authors and illustrators ✽
We stand guard over the night, to protect the living from the wakeful and wicked dead. (pg. 12)
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| From Ghostlight by Kenneth Oppel |
• • • • • • •
Check out the following post for news of an author event with Kenneth Oppel this weekend.
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| From Me Three by Susan Juby |
My emotions felt tired out. Like someone smeared all the colors together and now I just felt muddy.
The best thing you will ever learn is to deal with what is versus what you wish was.
Sexual harassment and abuse are heavy topics for a middle grade novel but even more so when allegations are made involving a parent. Still Susan Juby keeps her story balanced with humour and candour. The honesty is in the plot and the humour comes through her characters. Both Rodney and Kate are cheeky and have a dry, almost dark, humour. He groans at her fashion sense–"Kate dresses like she wants to hurt people's eyes"–and she can laugh at their situation, claiming that "What doesn't kill you makes a better Instagram poet." But I would expect nothing less from Susan Juby who has won the Stephen Leacock Medal for Humour. She makes us laugh while she makes us think and feel.
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| A Royal Guide to Monster Slaying Books 1-3 |
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| From Willa the Wisp by Jonathan Auxier, illus. by Olga Demidova |
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| From Willa the Wisp by Jonathan Auxier, illus. by Olga Demidova |
...if people take small steps in the right direction, the world will slowly shift. (pg. 158)Mya continues to crusade for herself, others and our world. But Tanya Lloyd Kyi never makes Mya a saint or a tedious rah-rah cheerleader. Rather, Mya is a stalwart advocate for doing one's best. Moreover, there is a freshness to Mya's social activism and her coming of age story. Tanya Lloyd Kyi could have weighed down the story with social issues that are heart-breaking and alarming or she could have steeped Mya's navigation into puberty with angst and confusion. Instead, she chose to offer hope that those small steps would lead somewhere positive, making those baby steps the first steps to social change and, on a personal basis, to being a teenager.

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(Photo from author's website
at http://rachelledelaney.com)
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The truth will only get you in trouble. They say it sets you free, but they are lying. (pg. 114)Unlike the other students, Seb is accepted without an audition as Angélique believes Seb is a charismatic superstar, the highly-skilled son of the wealthy circus impresario Dragan Konstantinov. But Seb’s deception, trying to pass himself off as a circus scholar, is not the only one at play at the Bonaventure Circus School as he soon learns from his observations of everyone, especially Angélique whom we learn has a hidden agenda based on false information about the Konstantinov Family Circus.
In this sequel to How to Curse in Hieroglyphics, Cheryl and Tweed, join their friends Pilot and Artie, in unraveling the mystery of Hecklestone Manor, the haunted house in town, as well as facing off against some new babysitting competition. "Our future, you lunkhead. And it's terrifying." (pg. 52)While the group does some touristing around Prague, their primary purpose is to visit with Nadya's older brother, Niko, a trapeze artist for Circus Sergei, and his ten-year-old daughter, Masha. While Niko can do some extraordinary tricks beyond the trapeze, the circus director, Sergei, will not abide change. Those who want something different have been lured away by the splashy and profitable Circus Magnificus, including Masha's mother and Niko's ex-wife, and now they want Niko too.
"Fluffy?" Beatrix shot him a glare. "Pomeranians are fluffy. We keeshonds are voluminous." (pg. 13)While illustrating the story with Prague's Charles Bridge, Prague Castle, Kafka Museum, the Bone Church (ossuary), and a sweet cake shop (cukrána) or two, Rachelle Delaney provides fodder for George's reluctance to engage in anything that he deems unusual. Sadly, those venues or activities seem to be all those Nadya is interested in seeing. But the friction between George and Nadya, just as it is for JR and Kisa, is ephemeral, lasting only as long as they forget how much they are hurting someone for whom they care. And, with the acceptance that change isn't always a bad thing, whether for a circus, a dog, or a stubborn human, Rachelle Delaney is still able to lace the humourful plot of The Circus Dogs of Prague with a lesson or two, even for those who fight like cats and dogs.
It's so nice to meet pre-teens who still seem like kids. Tweed and Cheryl are what all tweenies should be: creative, friendly, and fun-loving. They're not concerned with looking older than their years or being the most popular or attracting boyfriends. Even Pilot at 14 isn't playing at impressing anyone. Maybe that will happen at 15 or maybe never. In the meantime, all readers will enjoy the kids' exploits as literary entertainment, with some graphic storyboarding and scripting worthy of a favourite family movie."two sets of hockey shoulder-pads rescued from outside Wiggins' only skating rink, a welding mask (Cheryl), a pair of cardboard 3D glasses with one blue lens and one red lens (Tweed), and a gear bag full of 6 cans of Day-Glo Silly String, a homemade crossbow and quiver stocked with two dozen spongy suction-cup Nerf arrows, a couple of coiled lengths of bubblegum-pink skipping rope, a dodge ball, a whiffle bat, collapsible poles with green nylon fishing nets attached to the ends, and a bag of Double Stuf Oreos with the word "BRIBES" written on it in black magic marker." (pg. 132)