Fox and Squirrel Help Out

Written and illustrated by Ruth Ohi

North Winds Press (Scholastic Canada)

978-1-4431-6320-0

32 pp.

Ages 2-7

August 2018

Teaching young children about empathy is not always easy because our expectations of when they should express empathy does not always jive with their feelings that empathy is necessitated. Programs like Roots of Empathy–a program in which babies visit classrooms so that students might develop their own emotional literacy–work well because children have a natural empathy for babies and those smaller and more vulnerable than themselves. That's why Ruth Ohi's latest picture book, Fox and Squirrel Help Out, her fourth Fox and Squirrel book, provides a literary model for teaching empathy while charming little ones with the honest and endearing friendship of two special friends.

From Fox and Squirrel Help Out by Ruth Ohi

When something falls onto Fox's head, squeaking frantically and loudly, the two friends are flummoxed as to how to help the little creature. Though Fox sees beyond the noise and delights in the bat's warmth and softness, he recognizes the need to appease Squeak. Like a parent or babysitter trying to calm a restless baby, Fox and Squirrel try food and entertainment but it's only when Fox rocks back and forth on one leg that the little guy is calmed and comforted.

From Fox and Squirrel Help Out by Ruth Ohi

Squirrel may be a little disgruntled because Fox insists on focusing on Squeak's needs but it's upon Squirrel's head that Squeak finds the coziness necessary for sleep. But that's only before his real family comes looking for him and Fox and Squirrel must say goodbye.

I know that everyone thinks they can write a picture book but they can't. I get a lot of picture books for review by writers who have not learned what it takes to make one great. Ruth Ohi knows how to do it right, with each and every book she creates. (Check out Kenta and the Big Wave and Shh! My Brother's Napping as two important examples of her work.) Fox and Squirrel Help Out checks off all the boxes: it tells a charming story, with simple but impactful text, which is enhanced with unique illustrations that tell more about the characters and their motivations than the words alone. Ruth Ohi's artistic style which blends daintiness with cartoons invites readers in to her scenes. (Has anyone ever thought of how awesome stuffies of Fox and Squirrel would be?)

From Fox and Squirrel Help Out by Ruth Ohi

I could tell you that Fox and Squirrel Help Out has an important message about the empathy needed to "babysit" a young one who is away from its own family, but anyone who reads the story will get it. The book doesn't preach or need to in order to impress lessons upon the reader.  What is does do is share an anecdote of two friends spending time with another who needs their help. Sure there's acceptance of differences and appreciation of diversity of needs–Squirrel's attempts at entertaining, while adorable, just don't cut it with Squeak– but it's the two friends working together that continues to create the intimacy necessary to speak to children, here helping young ones see that they have the capacity to make things right in the world just on their own scale. It would appear that Fox and Squirrel Help Out more than just a young bat.

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If you head to author-illustrator Ruth Ohi's website at http://www.ruthohi.com/fox-and-squirrel-activities, you can get a variety of Fox and Squirrel activities, including bookmarks, cut-outs for stick puppets, etc. for Fox and Squirrel Help Out, as well as the other three books in the series.

Those Who Run in the Sky

Written by Aviaq Johnston

Illustrated by Toma Feizo Gas

Inhabit Media

978-1-77227-121-8

200 pp.

Ages 10+

April 2017

The young hunter knew that the sky above danced in joy with northern lights.  Since it was rare at this time of year, it meant that this day was going to go well, and that the spirits were on the side of the living, allowing them to carry on with their lives. (pg. 1)

Piturniq, or Pitu as he is often called, is the young hunter, a boy of sixteen who is becoming known as the Great Hunter.  This is his coming-of-age story.

From Those Who Run in the Sky 

by Aviaq Johnston 

illus. by Toma Feizo Gas

As a young man, Piturniq is already acknowledged as a good hunter, helping to provide for his mother, brothers and sister as well as sharing with the family of Saima to whom he wishes to become betrothed. But he senses a disquiet in himself and others towards him, particularly from his mother.  He grapples with his pride, jealousy, annoyance and anger, and the meaning of his nightly dreams of a fox and an old man on an island.  Though he wishes he might be as great as his father, Piturniq is surprised when Tagaaq, the camp leader and son of a shaman mother, suggests Pitu might be the village's next leader.  In fact, Tagaaq tells Pitu that the spirits have whispered to him and told him that Pitu is to become a shaman, though there is much darkness in his future.

Tagaaq takes Pitu under his wing, teaching him through his stories, including those of his shaman mother and a great shaman who disappeared from the world after the deaths of his beautiful wife and children.  Though both Pitu and Saima are eager to wed, the boy is instructed to wait until he completes his lessons.  But all must wait after a winter hunting trip leaves Pitu alone in the harsh environment and entering the spirit world.  Here Pitu struggles to survive, seeking shelter and food, and then combating supernatural demons, wolves, qallupilluq and more.  But it is also here where Pitu meets the fox, Tiri, who is Pitu's tuurngaq (a shaman's spirit guide), and the old man, an angry and brittle shaman named Taktuq, who will help the boy grow into the shaman he is destined to become.

From Those Who Run in the Sky 

by Aviaq Johnston 

illus. by Toma Feizo Gas

Though Those Who Run in the Sky is Piturniq's journey of becoming a man with the courage and faith to serve his family and his community, as well as attend to the spirit world, it is also a story of an Inuit lifestyle of long ago.  The details provided by Aviaq Johnston, a young Nunavut writer, deal with hunting practices, family and adoption, summer and winter camps, relationships with other communities, and the creatures of the supernatural world, and they become the rich fabric of Piturniq's story.  The traditions of this Inuit culture wrap Pitu' story in a reality that needs to be shared with all youth, Indigenous and otherwise.  It's a glimpse into a time that might once have been shared through the storytelling tradition.  Thankfully Those Who Run in the Sky, which refers to the spirits chasing after a walrus head and thus producing the northern lights, can now share the stories in a text for all to read.

The black and white illustrations by Ottawa animator and digital artist Toma Feizo Gas that dot the text of Those Who Run in the Sky deepen the surreal nature of Pitu's journey, adding to the story without taking over.  With text as lavish in historical and emotive detail as is provided by Aviaq Johnston, Those Who Run in the Sky did not need more.

With the publication of Those Who Run in the Sky, which was recently nominated for the 2017 Governor General's Award for Young People's Literature (Text), the northern lights must be dancing with joy.

Good Morning, Grumple

Written by Victoria Allenby

Illustrated by Manon Gauthier

Pajama Press

978-1-77278-014-7

24 pp.

Ages 2-4

March 2017

According to Victoria Allenby’s dedication, she has a couple of grumples in her life–a big one and a little one–and I suspect that, if you’ve been trying to rouse your kids during March break when they’d much rather sleep, you’ve got some grumples of your own.

A grumple, a grumple is hard to awaken.
It doesn’t like noises. It hates being shaken. 

It loathes and despises a bright, cheery voice,
And big, shiny lights are a terrible choice. (pg. 5)

From Good Morning, Grumple 

by Victoria Allenby 

illus. by Manon Gauthier

In Good Morning, Grumple, a mother fox, who has obviously endured many a morning struggling to get a grumpy young one in rumpled bed clothes out of bed, attempts the near impossible feat with an established process of rhyming song and accompanying actions.  It starts with a soft singing of “Shh–Shh–Slow we go.  The sun is rising on tip-toe, tip-toe.” (pg. 9)  Nice and easy, but the grumple just burrows deeper into the linens, only feet and a paw clutching a stuffie visible.  That’s OK.  Mother knows the next step is getting a little closer and a little louder with “Shush–Shush–There’s no rush.  The sun is gold in the morning hush.” (pg. 10) Mother Fox may rely on the sun for her inspiration but the efforts are all hers, with tickles, kisses, hugs and a dance, all with louder affirmations until both mother and child are out the door, welcoming the new day and its promise for play.

Every household must have one or two grumples, and Victoria Allenby has contrived a playful way of rousing them to waking.  You may need to read the book several times, with your child, to establish the song, and I’m not sure of the melody, but little ones will delight in the role they get to play, even if it means ultimately getting out of bed.

Victoria Allenby has proven that she can write light and refreshing books for pre-readers and early readers (Nat the Cat Can Sleep Like That, Pajama Press, 2013; Timo’s Garden, Pajama Press, 2015; Timo’s Party, Pajama Press, 2016; Rhino Rumpus, Pajama Press, 2016) but now she’s bringing that novelty to helping parents parent, all without preaching about how to do it right.  I wonder if she even intended to provide a wake-up protocol for grumples or just share an engaging practice that might work for others.

From Good Morning, Grumple 

by Victoria Allenby 

illus. by Manon Gauthier

Manon Gauthier lends her trademark cut paper collage (see Elliot, Pajama Press, 2016, and All to World a Poem, Pajama Press, 2016) to Good Morning, Grumple, establishing evocative scenes with her artistry.  Colour is limited but effective, with the neutrality of a grumple atmosphere evident throughout.  No grumple would ever see much in the way of colour before deigning to open his/her eyes completely, and Manon Gauthier supports this premise wholeheartedly.  But Manon Gauthier refuses to keep things stark and uninspiring.  All indoor and outdoor scenes, before and after waking, are freckled with birds, flowers, and household furnishings and decorations that invite readers in.  Collage art has never been so expressive and atmospheric.

Enjoy the smaller and inviting format of Good Morning, Grumple with Pajama Press’ unique padded cover, rounded corners and heavy-duty paper that make it a pleasure to hold.  Let me know whether the premise works for your own little grumples but remember: it may take a few tries, and a little more sunshine than we’re seeing in March, for it to work.  Even if it doesn’t, you’ll enjoy a great read with your youngest ones and perhaps lead them to the self-discovery of their grumple status and ultimately to an appreciation of the efforts made on their behalf.

Fox and Squirrel, The Best Christmas Ever

by Ruth Ohi

North Winds Press, an imprint of Scholastic Canada

978-1-4431-5703-2

32 pp.

Ages 2-7

September 2016

Now that the train of Santa Claus parades has begun and Christmas decorations are splattering front yards and homes throughout the country (yes, I know stores have been on the Christmas bandwagon for months!), it feels right to start reviewing some Christmas-themed books.   With Ruth Ohi’s Fox and Squirrel (Fox and Squirrel, 2013; Fox and Squirrel Make a Friend, 2014) making their own plans for the holidays, this might just get everyone else in the mood too.

From Fox and Squirrel, The Best Christmas Ever 

by Ruth Ohi

Once the snow comes, the two unlikely friends are definitely excited about Christmas. But while Fox is enjoying playing in the snow, Squirrel is enthusiastically planning colours, foods and starting a tower of evergreen twigs and red berries.  When Fox wants to help, Squirrel emphatically, almost rudely, fends him off, telling him, “Don’t touch! You’ll ruin it.” (pg. 11)

From Fox and Squirrel, The Best Christmas Ever 

by Ruth Ohi

Squirrel continues to go deeper into the forest, looking for more touches for his Christmas creation, until he realizes he cannot find his way back.  Fortunately, though chastized, Fox continued to try to contribute and was there with his friend to help make their way home.  With an apology and forgiveness, and the partnering of true friends, Fox and Squirrel do make the best Christmas ever.

From Fox and Squirrel, The Best Christmas Ever 

by Ruth Ohi

It’s hard not to love Ruth Ohi’s Fox and Squirrel (actually all her characters). Their eyes beam with joy, their mouths laugh with happiness, and their camaraderie is infectious.  In Fox and Squirrel, the Best Christmas Ever, the two are able to work through the ever-common stress of the holidays and find it’s the gift  of their friendship that makes the season.  This is sweetly conveyed in Ruth Ohi’s words, primarily simple dialogue between Fox and Squirrel, but more so in her cartoon-like illustrations of the two companions.  Their large oval heads with half-faces and bellies of white may be distinct, but it’s the body language and facial expressions that Ruth Ohi communicates with limited strokes that make Fox and Squirrel the lovable creatures they are.  In their watercolour landscapes of snow-covered fields, falling flakes, evergreens, and majestic trunks of bare deciduous trees, Fox and Squirrel exude affection for each other and life, and young readers will feel welcomed to enjoy the snow and the season with the two friends.
 
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Downloadable activities plus cards and bookmarks are available at Ruth Ohi’s website at http://www.ruthohi.com/fox-and-squirrel-winter-fun

The French-language version, Rikii et Rouquin, Le plus beau Noël (texte français de Josée Leduc) is also available.

Little Fox, Lost

by Nicole Snitselaar

Illustrated by Alicia Padrón

Translated by Erin Woods

Pajama Press

978-1-77278-004-8

32 pp.

Ages 3-6

September 2016

This is certainly a week for Pajama Press on CanLit for LittleCanadians with Little Fox, Lost being the third book from this publisher that I've reviewed in the past 4 days.  That says a lot about Pajama Press's releases. Except for review copies, which I get from many publishers, I receive no renumeration for any reviews. I just review those books that I believe need to be read and Little Fox, Lost is such a book.  Written by French author Nicole Snitselaar and illustrated by Venezuelan Alicia Padrón, and translated by Pajama Press’s own Erin Woods, Little Fox, Lost is a beautiful, soft book in textual sentiment and physical texture (it has that wonderful cushioned cover) with illustrations evocative of the majesty and solitude of a forest in winter.

After a brilliant snowfall, Mama Fox takes Little Fox out of their den for a walk.  Though cautioned to stay close, Little Fox becomes distracted by his paw prints in the snow while his mother chats away with Mrs. Gray Fox.  It doesn’t take long for Little Fox to realize that he’s gone a little deeper into the forest than he’d planned.  He can’t even retrace his steps which run in every direction.  Fear overcomes Little Fox who starts to cry.  Even when an old owl tries to reassure Little Fox and suggests leading him out of the forest, Little Fox recalls his mother’s wise words:

"If ever you are lost, my child,
Don’t let a stranger guide you.
Be still, and I will search the wild
Until I am beside you." (pg. 20)

From Little Fox, Lost 

by Nicole Snitselaar 

illus. by Alicia Padrón

Even better, Little Fox begins to sing his mother’s rhyme aloud, with the owl’s help, hoping to draw his mother to him.  With the help of some other animals who are also drawn to the singing, Little Fox is reunited with Mama Fox.

From Little Fox, Lost 

by Nicole Snitselaar 

illus. by Alicia Padrón

Little Fox, Lost has a happy ending to a fearful situation for both parent and child, and I suspect that the rhythmic verse in Little Fox, Lost could become a go-to teaching tool for telling a child what to do when lost.  If there is a tune with it, that verse could become widespread in child safety measures.  But, in the meanwhile, read Little Fox, Lost with your children at home and at school to inform them about what to do if lost and reassure them that they will be found.  Because of Alicia Padrón’s stunning artwork, children will lulled into the story and captivated by her delicate creatures and expansive landscapes. There’s a softness and quiet that comforts and envelops the reader in a blanket of safety and support, and even have you looking forward to winter and snow. (I just wish my scanner could depict more accurately the colours within.)

Everything about Little Fox, Lost is sublime, from the lyrical text and its message, to the artwork, the cover, the framing of the words on the page, and the endpapers. Little Fox, Lost is lovely, through and through, and deserving of appreciative readings, over and over.

Ooko

by Esmé Shapiro

Tundra Books

978-1-101-918449

40 pp.

Ages 3-7

July 2016

Looks like foxes are the newest thing in children’s picture book characters and, though Esmé Shapiro has made Ooko a darling of a fox, he/she could be any creature, human or otherwise, who just wants a friend (though Ooko is incredibly lovable!)

In simple statements, Ooko takes stock of all he has: a stick, a leaf, a rock.  But he doesn’t have a friend with whom he can play.  So, Ooko goes looking: in a hole, in a tree, under a moose.  When he witnesses another four-legged creature playing with a furless, two-legged one called a Debbie, he comes to the revelation that he needs a Debbie too!  

But all the Debbies around seem to be enamoured with their own “foxes” and pay him no heed, even when he tries to emulate all the attributes he is convinced make them so lovable.  That is, until a Debbie who is missing her eyeglasses mistakenly grabs Ooko and “plays” with him as she would her true pet.  

From Ooko by Esmé Shapiro

Only when he meets a raccoon who wants to be his friend does Ooko accept himself as he is, not how he believes others want him to be.

Esmé Shapiro’s story is sweet and quirky with a positive message of self-acceptance and friendship but it’s her illustrations that make Ooko a truly special achievement.  From uniquely-shaped Ooko, with his rotund orange body highlighted by massive and bright eyes to the assorted dogs, bizarrely-coiffured humans and bold and leafy landscapes, Ooko is a fun and imaginative story that celebrates the individuality of friendships.

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Check out these Ooko extras:

•  Esmé Shapiro's Ooko book trailer at https://vimeo.com/161983649 

• The Globe and Mail's video of Esmé Shapiro drawing her cute characters at http://fw.to/2bq9S5c

Hannah and the Wild Woods

by Carol Anne Shaw

Ronsdale Press

978-1-55380-440-6

240 pp.

Ages 10+

September 2015

Author Carol Anne Shaw introduced West Coast Hannah and her supernatural affinities in Hannah and the Spindle Whorl (Ronsdale Press, 2010) and followed up with Hannah and the Salish Sea (Ronsdale Press, 2013).  In both stories, Hannah, a teen who lives in Cowichan Bay, had been touched by First Nations spirits of the past, giving her a greater appreciation for their history and for the environment.  Though Hannah and the Wild Woods is the third book in the series, I  am pleased to say that it can be read without reading Books 1 and 2, capably standing alone with a new set of characters and story line, while keeping Hannah tethered in spirit to her roots and passions.

It’s spring break and fifteen-year-old Hannah is heading to the Pacific Rim National Park Reserve to work with the Coast-is-Clear program, clearing beach debris, much washed up from the Japanese tsunami of 2011.  Surprisingly, also going is Sabrina Webber, Hannah’s rich-girl nemesis, who has to do some eco-community service to avoid juvie for shoplifting.

Things at home are a little tenuous with Hannah’s dad considering moving them from their houseboat at Cowichan Bay to a home in Victoria with his girlfriend, Annie.  Moreover, Hannah’s boyfriend Max is in Mexico vacationing with his family and seemingly at arm’s length.  But Hannah does have Jack, her raven buddy, who follows her to the Tofino area where she will be staying at the lodge called the Artful Elephant with other Coast-is-Clear volunteers.  Led by the program facilitator, Peter, and his girlfriend Jade, Hannah and Sabrina are joined by an older teen, Kimiko, who reveals that she lived through the tsunami and has lost her father.  But there is something unsettling about Kimiko, from the way she moves and disappears sometimes to her relentless questioning of Hannah, and it’s evident that the lodge’s resident dog, Norman, thinks things are off with Kimiko too, kicking up a fuss whenever she’s around.

When a glass ball with curious markings on a gold chain that Jack finds for Hannah goes missing, Hannah begins to suspect Kimiko.  But, Hannah has no idea how weird things are going to get, especially when she spies a fox with multiple tails and the glass ball and chain hanging from one of them.  There’s also a lone wolf that appears to be watching the lodge and the volunteers.  With Jack’s help, Hannah tries to learn Kimiko’s secret and that of the fox and wolf, and make things right for the whole lot of them, while still working to clean up the environment.  She’s one busy girl.

It’s evident that Carol Anne Shaw has great affection for the West Coast, its people and environment, and she takes the reader into that milieu easily.

I push my hair under my hat and face the sea, leaning into the wind at a forty-five degree angle.  It's as though the wind up here is on steroids! I hang for a couple of moments, feeling weightless before allowing myself to be blown back upright.  I feel a little bit like the shrubs and western hemlock out on the point, all of them growing in the same direction, shaped by years of being hammered by the relentless winds. (pg. 38-39)

Everything Hannah feels and does is embedded in that caring and concern and she is a totally believable character.  She wants to be good and do good but is still human with her distress, frustration, suspicion, worry and anger.  But by tying in elements of Japanese folklore, specifically the kitsune and Okami, Carol Anne Shaw makes Hannah and the Wild Woods into a bigger story of finding oneself and one’s family and accepting mistakes as learning steps.  Kimiko has lots of learning to do (even if she is almost 900 years old!) but, at 15, Hannah has lots of life wisdom to share.  Though there are multiple harrowing circumstances and even a devastating loss, Hannah and the Wild Woods will deliver the reader to a calm that can only appear after the storm.  Look forward to the ending.