Visions From the Fire (Dreams, Book 2)

Written by Wanda John-Kehewin

Illustrated by nicole marie burton

Colour by Rhael McGregor 

Lettering by Kielamel Sibal

HighWater Press (Portage & Main)

978-1-77492-065-7

80 pp.

Ages 12+

Releases February 24, 2026 

 

Visions From the Fire starts with a bang. Damon and his classmates are preparing to graduate from high school. And Damon, his mom, and his friend Journey are then heading out to his mom's reserve, which she hasn't visited for fifteen years, for a powwow. And Damon's classmate and bully, Marcus, who'd taunted the teen relentlessly about his Indigenous heritage, has recently learned this his own mother is Cree, part of the Sixties Scoop, though she shrugs it off as "not a big deal." (pg. 2) If that isn't enough happening in Damon's life, then there is the gifting of a bear claw necklace made by his mom that gives him visions of her abandonment on the reserve. He asks her but she doesn't want to talk about it.

What's there to talk about? When stuff hurts, Indians try to forget about it. They bury it deep inside 'til it stops hurting. Counsellors call it suppression. I call it survival. Still not ready, son. (pg. 13)

From Visions From the Fire, written by Wanda John-Kehewin, illustrated by nicole marie burton

Unfortunately, they do have a blow up when Damon's mom inadvertently learns her son has contacted his dad and intends to meet up with him at the powwow. She's angry at him for not trusting her enough to tell her, and he's angry at her for her reaction and trying to control him. It's not a good way to arrive at the reserve. 

 

Soon after, Damon's mom takes off in his car, and he worries she might be drinking and driving. He goes for a walk and meets an older man who seems almost otherworldly, turning rain off and on, making fire of wet wood, and knowing more than Damon thinks he should. 

From Visions From the Fire, written by Wanda John-Kehewin, illustrated by nicole marie burton

But this man is wise, and he has some choice words for Damon about listening instead of talking, about sitting on the fence, and more. When the man is gone, Damon finds the bear claw necklace in his pocket and is transported by vision to see what his mother experienced, what Journey experienced, and even what his ancestors discussed when faced with starvation or signing a treaty.  

When you don't know who you are, life becomes a tough journey. Same for your mother and your father. (46) 

Still, it's what happens afterwards, meeting family he'd never known but who know him and his gifts, attending a sweat lodge, and learning that he has been chosen, that leads Damon into his next story.

From Visions From the Fire, written by Wanda John-Kehewin, illustrated by nicole marie burton

Road trips are often transformative. They give opportunities for discussions either previously avoided or finally deemed necessary. A little thing, like Damon asking his mother why she hated being called, "Ma," opens up a lot about her mother, about Damon's dad and about his mom's relationship with him and with drink. Unfortunately, with the arrogance of youth, Damon goes after his mother, accusing her of trying to control him, never recognizing she knows more than he does about her situation. But this journey is but one step in Damon's exploration of self: where he comes from, and perhaps where he is going. Wanda John-Kehewin, who introduced Damon and Journey and others in Visions of the Crow is taking Damon slowly to where he needs to find himself. And while he sees himself through his experiences and through those of his mother, of Journey, and of others who interact with him, his visions of what has happened to them and his ancestors give him insight into his own actions and needs. This richness of self is embedded in Damon's Cree heritage, especially once he arrives at the reserve in Saskatchewan. From the language—kindly translated as needed—to the cultural traditions like the sweat and the offering of tobacco, Wanda John-Kehewin lets us know that being Cree is part of Damon, though there is still much for him to learn.

From Visions From the Fire, written by Wanda John-Kehewin, illustrated by nicole marie burton

nicole marie burton, who also illustrated Book 1 in the Dreams series (Visions of the Crow, 2023), blends realism with the intangible. Damon is a contemporary teen who listens to his music, goes to school, argues with his mom, and deals with life. But, he sees into the past and into the lives of others, experiencing surreal episodes that nicole marie burton makes believable. They use darkness and textured iridescence to transport the reader to different places and times, convincing us that Damon's vision has shifted. There are hints in the clothing and the scenery, as well as in Wanda John-Kehewin's words, but nicole marie burton shows us without telling us that Damon is going through something cathartic.

 

There is still story to be told, including Damon meeting his father, Damon and Journey's relationship, and Marcus's identification as Cree. But I know that, like Damon's journey, it will happen in due course, with help from those past and present, and be revealed as necessary. Wanda John-Kehewin cares enough to ensure the story is told in its time, making sure that Damon's self-actualization is real, personal, and complete.

 

• • • • • • •

 

Dreams 

 

Visions of the Crow (2023)

Visions From the Fire (2026)

 

Little Moons

Written by Jen Storm

Illustrated by Ryan Howe

Coloured by Alice RL

Lettered by Nickolej Villiger

HighWater Press

978-1-774921074

64 pp.

Ages 12–18

September 2024

 

Little Moons is a story of great loss. It's also a story of family and connection, even after loss. Sadly, it's also a story based too much in reality.

From Little Moons, written by Jen Storm, illustrated by Ryan Howe, coloured by Alice RL, lettered by Nickolej Villiger

Reena lives on the reserve with her mom, Andrea, 15-year-old sister Chelsea, young brother Theo and grandmother Koko. The kids' dad, Anthony, also lives there though Mom and Dad are not together anymore. Mom works tirelessly at traditional bead work which Chelsea learned to do, beading her own regalia after her woman's ceremony. 

 

And then Chelsea does not return from going shopping after school. Even with a community helping in the search and getting news out via social media and with involvement of the police, she is not found. The seasons come and go and still no Chelsea. 

From Little Moons, written by Jen Storm, illustrated by Ryan Howe, coloured by Alice RL, lettered by Nickolej Villiger

But what changes is the family. While Reena tries to connect with Chelsea, wearing her regalia to a Pow Wow, beading, and watching flickering lights that may mean Chelsea's spirit is around, Mom has gone beyond her depression and has headed to the city. First, it's just for a break but then she decides to move there. 

"I don't want to live and die on the Rez." (p. 23)

From Little Moons, written by Jen Storm, illustrated by Ryan Howe, coloured by Alice RL, lettered by Nickolej Villiger

Mom may think this will work to alleviate her grief, meeting new people, getting a non-Indigenous boyfriend–who is both a jerk and racist–and getting a job away from the Rez but Dad convinces her to let the kids remain with him. And Theo reveals to Reena that he sees ghosts that look like little moons, and that "Sister" has told him that she's sorry.

When Chelsea's bag is found buried in the forest near the highway, the family finds a way to connect with each other and to follow their traditions "to light her way to the other side." (p. 52)

From Little Moons, written by Jen Storm, illustrated by Ryan Howe, coloured by Alice RL, lettered by Nickolej Villiger

Little Moons may be another story of another missing or murdered Indigenous woman but it's not just another story. Jen Storm, an Ojibwe writer from Couchiching First Nation, has put her own experiences with a loved one who went missing and was later found dead into her story. She witnessed the range of expressions of grief and guilt and coping that family and friends showed. Most just do their best with what they have available and with what is familiar. Running away, looking for answers, insulating from others, these are just some ways, and Jen Storm does not judge. She just shows what it can be like. But she always shows that there is solace in spirituality and in traditions. Theo, based on Jen Storm's own son, is reassured when he connects with Chelsea who approaches him via his toys and the orbs that he sees. Reena buries medicine pouches, burning her cut braid in the sacred fire, and more. We all know there is no one way to grieve but it all changes when it is a missing and then presumed murdered Indigenous woman. Connecting with their sacred traditions and each other worked for this family.

From Little Moons, written by Jen Storm, illustrated by Ryan Howe, coloured by Alice RL, lettered by Nickolej Villiger

A lot of talent went into the creation of the graphics for Jen Storm's story. Saskatoon's Ryan Howe has created people and places that reflect the reserve on which this family resides, as well as the city to which Andrea moves. He gives us a family of a wise elder, a young and playful child, a forlorn Reena, and a restless Andrea, as well as a present but reserved Anthony. We see a community that sits around a fire but will take to social media when needed. He's given us the traditional and the urban, and his concepts of people and place evoke both the familiar and the less familiar. Ryan Howe's artwork is brought to life by the colouring of Alice RL, a non-binary Ojibwe artist living in Winnipeg, and the lettering of comic book artist and illustrator Nickolej Villiger of Lethbridge. Without these, the book would not be the graphic novel that is both heartrending and uplifting. There is no happy ending but there is still family and traditions that bind and elevate.