Little Moons

Written by Jen Storm

Illustrated by Ryan Howe

Coloured by Alice RL

Lettered by Nickolej Villiger

HighWater Press

978-1-774921074

64 pp.

Ages 12-18

September 2024

 

Little Moons is a story of great loss. It's also a story of family and connection, even after loss. Sadly, it's also a story based too much in reality.

From Little Moons, written by Jen Storm, illustrated by Ryan Howe, coloured by Alice RL, lettered by Nickolej Villiger

Reena lives on the reserve with her mom, Andrea, 15-year-old sister Chelsea, young brother Theo and grandmother Koko. The kids' dad, Anthony, also lives there though Mom and Dad are not together anymore. Mom works tirelessly at traditional bead work which Chelsea learned to do, beading her own regalia after her woman's ceremony. 

 

And then Chelsea does not return from going shopping after school. Even with a community helping in the search and getting news out via social media and with involvement of the police, she is not found. The seasons come and go and still no Chelsea. 

From Little Moons, written by Jen Storm, illustrated by Ryan Howe, coloured by Alice RL, lettered by Nickolej Villiger

But what changes is the family. While Reena tries to connect with Chelsea, wearing her regalia to a Pow Wow, beading, and watching flickering lights that may mean Chelsea's spirit is around, Mom has gone beyond her depression and has headed to the city. First, it's just for a break but then she decides to move there. 

"I don't want to live and die on the Rez." (pg. 23)

From Little Moons, written by Jen Storm, illustrated by Ryan Howe, coloured by Alice RL, lettered by Nickolej Villiger

Mom may think this will work to alleviate her grief, meeting new people, getting a non-Indigenous boyfriend–who is both a jerk and racist–and getting a job away from the Rez but Dad convinces her to let the kids remain with him. And Theo reveals to Reena that he sees ghosts that look like little moons, and that "Sister" has told him that she's sorry.

When Chelsea's bag is found buried in the forest near the highway, the family finds a way to connect with each other and to follow their traditions "to light her way to the other side." (pg. 52)

From Little Moons, written by Jen Storm, illustrated by Ryan Howe, coloured by Alice RL, lettered by Nickolej Villiger

Little Moons may be another story of another missing or murdered Indigenous woman but it's not just another story. Jen Storm, an Ojibwe writer from Couchiching First Nation, has put her own experiences with a loved one who went missing and was later found dead into her story. She witnessed the range of expressions of grief and guilt and coping that family and friends showed. Most just do their best with what they have available and with what is familiar. Running away, looking for answers, insulating from others, these are just some ways, and Jen Storm does not judge. She just shows what it can be like. But she always shows that there is solace in spirituality and in traditions. Theo, based on Jen Storm's own son, is reassured when he connects with Chelsea who approaches him via his toys and the orbs that he sees. Reena buries medicine pouches, burning her cut braid in the sacred fire, and more. We all know there is no one way to grieve but it all changes when it is a missing and then presumed murdered Indigenous woman. Connecting with their sacred traditions and each other worked for this family.

From Little Moons, written by Jen Storm, illustrated by Ryan Howe, coloured by Alice RL, lettered by Nickolej Villiger

A lot of talent went into the creation of the graphics for Jen Storm's story. Saskatoon's Ryan Howe has created people and places that reflect the reserve on which this family resides, as well as the city to which Andrea moves. He gives us a family of a wise elder, a young and playful child, a forlorn Reena, and a restless Andrea, as well as a present but reserved Anthony. We see a community that sits around a fire but will take to social media when needed. He's given us the traditional and the urban, and his concepts of people and place evoke both the familiar and the less familiar. Ryan Howe's artwork is brought to life by the colouring of Alice RL, a non-binary Ojibwe artist living in Winnipeg, and the lettering of comic book artist and illustrator Nickolej Villiger of Lethbridge. Without these, the book would not be the graphic novel that is both heartrending and uplifting. There is no happy ending but there is still family and traditions that bind and elevate.