Before You Came

Writing by Anne Renaud

Illustrated by Nahid Kazemi

Peanut Butter Press

978-1-927735-90-9

28 pp.

Ages 5+

March 2026 

 

From Anne Renaud, author of Mr. Crum's Potato Predicament (2017), Fania's Heart (2018), and The True Tale of a Giantess: The Story of Anne Swan (2018), comes less of a story and more of a lullaby in Before You Came. In words that are warm and sweet, the narrator speaks to a child, recalling the emotions of anticipating the arrival.

By day my heart sang out to you,

close to bursting.

My love did not know where to go. (pg. 11)

From Before You Came, written by Anne Renaud, illustrated by Nahid Kazemi

In gentle but powerful words, Anne Renaud's narrator speaks to a child yet to arrive, perhaps by birth or by adoption, about what they are feeling and imagining. It's all about a bond that is growing, and dreams and love that will be realized. 

The day you came, I gave you

all the pieces of me—

from the very first moment. (pg. 21) 

From Before You Came, written by Anne Renaud, illustrated by Nahid Kazemi

The love that this parent feels for this child, before they are even more than a whisper, is remarkable. It is deep and complex, encompassing the promise of what is and what is to be. Anne Renaud's text is so poignant than the reader, whether adult or child, will appreciate the sentiment. I can only wish that every child could feel the adoration that this child will know.

From Before You Came, written by Anne Renaud, illustrated by Nahid Kazemi

Because Anne Renaud's free verse is so intense, it would have been a challenge to find an illustrator who could match the spirit of that devotion. Nahid Kazemi, who illustrated Joanne Schwartz's picture book The Old Woman (2020) as well as many other wonderful picture books, echoes that sentiment with her PanPastel and pigment art. Her illustrations are delicate and ethereal, matching the love that is felt so intensely. There is a surreal nature to Nahid Kazemi's art, whether it be lungs with a bird in a nest resting there, or arms embracing a house. What her art tells us is the breadth and personal nature of this love. 

Though the words speak to a child, Before You Came would make a lovely gift for a new parent or parent-to-be so that they might read it to their own child. So, keep this elegant book in mind for anyone who will be touched by the tenderness of a parent's love for a child. That love may be difficult to express in words and art, but Anne Renaud and Nahid Kazemi express it with aplomb.

 

• • • • • • • 

 

The French-language edition, Avant que tu ne sois là, was published in 2023 by Les Éditions Héritage.

All We Need is Love and a Really Soft Pillow!

Written and illustrated by

 Peter H. Reynolds and Henry Rocket Reynolds

Orchard Books (An Imprint of Scholastic Inc.)

978-1-338-57233-9

40 pp.

Ages 4-8

October 2023 

In yet another heartfelt book in his collection, Peter H. Reynolds, this time in collaboration with his son Henry Rocket Reynolds, shows us that the Beatles were always right: all you need is love, though a really soft pillow doesn't hurt either!

 

All We Need is Love and a Really Soft Pillow! is a touching dialogue between Little One and their caregiver Poppy. As they are cutie-pie furry creatures, young readers can engender them or not, because it doesn't really matter whether Poppy is mother or father, grandparent, or older sibling. What matters is the love, and the love is stronger than the labels.

 

From All We Need is Love and a Really Soft Pillow!, written and illustrated by Peter H. Reynolds and Henry Rocket Reynolds

It all starts when Little One asks Poppy whether they need anything. That simple question leads to a sweet heart-to-heart discussion about what we really need. 

Little One,

I’ve got YOU!

We’ve got LOVE!

Love is all

we need!

But then Little One thinks about all the other things that might be nice to have, starting with a really soft pillow. Poppy always concurs with Little One’s ideas, from that pillow to a roof, walls, water and more. With each addition, Poppy acquiesces to Little One’s suggestions, recognizing that it would certainly be useful or sweet, something to add to their life together. Their simple life, now immortalized in a wall hanging, grows with their new shelter and water, as well as chocolate, a cooking pot, a bathtub, a toilet, vegetable garden and books. It’s a lovely life. That is, until a storm hits, and all is lost. Poppy reassures Little One that they still have each other and love, so that’s all they really need.

From All We Need is Love and a Really Soft Pillow!, written and illustrated by Peter H. Reynolds and Henry Rocket Reynolds

Disasters have always hit, from fires and floods to hurricanes and tornadoes, and people have experienced extraordinary losses. While never diminishing the impact of those disasters, Peter H. Reynolds and Henry Rocket Reynolds remind us that, even with the loss of our material things, with love, we can move forward.

Each day
is a new day.
A new chance to count
our blessings and
savor the journey with
those we love.

All We Need is Love and a Really Soft Pillow! is a delightful take on being grateful for what you have and more importantly for the love and support you get. I know many adults who need to understand this message but entitled children who get whatever they want, framing their requests as "I need..." could also benefit from a read of All We Need is Love and a  Really Soft Pillow! Children see what others have and think they need the same, but if this picture book does anything it shows that a close caregiver-child relationship based in love can make room for other things but can also sustain itself with that affection.

From All We Need is Love and a Really Soft Pillow!, written and illustrated by Peter H. Reynolds and Henry Rocket Reynolds

Though Peter H. Reynolds often has stylized people for his characters (see some samples below), the warm-fuzzy creatures of All We Need is Love and a Really Soft Pillow! are anything but human. They may have two eyes, two arms and two legs and walk upright but their similarities to people end there. By drawing them as something other than humanistic, Peter H. Reynolds surprisingly makes the story even more inclusive. Children don't have to see themselves in the characters to empathize with their situations. They will simply understand what it could mean to feel love and to give love and to support those we love, even in times of great loss. Poppy and Little One could be any caregiver and young person, furriness or hairiness aside.

From All We Need is Love and a Really Soft Pillow!, written and illustrated by Peter H. Reynolds and Henry Rocket Reynolds

There's an eyes-wide-open quality to Peter H. Reynolds's stories, demonstrating for us how we can be the best we can be, whether in pursuing our dreams, being ourselves, accepting others, or being grateful for what we have. In collaboration with his son, Henry Rocket Reynolds, Peter H. Reynolds has given us another important message and reminded us that, if we have love, we might just have everything.

• • • • • • •

Some books of the Peter H. Reynolds collection (with Orchard Books)

Happy Dreamer (2017)

The Word Collector (2018)

Say Something! (2019)

Be You! (2020)

Little Happy Dreamer (2020)

Our Table (2021)

Love You By Heart (2022)

All We Need is Love and a Really Soft Pillow! (2023)

While You Were Sleeping

Written and illustrated by Briana Corr Scott

Nimbus Publishing

978-1-77471-205-4

32 pp.

Ages 3-7

September 2023

There are so many versions of families but, when a little one is born, their lives are transformed. Nova Scotian author and artist Briana Corr Scott speaks to all those families as they live, work, play and dream while those little ones, even as they age, sleep.

From While You Were Sleeping, written and illustrated by Briana Corr Scott

In rhyming verse, Briana Corr Scott shows a mother and father with baby strapped in a front-facing carrier preparing a baby's room for wallpaper and paint. As the baby continues to rest in a rocker, the parents finish the room with crib, sheets, and more. But this is but one family. Another is one visited by a trio of aunties, themselves of different skin shades, who coo and admire the child as they sleep. A street scene shows babies and young children in strollers, in front wraps, backpacks and wagons, all sleeping as their caregivers stroll. On a beach, two fathers and their sheepdog wander with their child, while two moms catch their own forty winks in between folding laundry. 

From While You Were Sleeping, written and illustrated by Briana Corr Scott

While their babies sleep, caregivers of all kinds-mothers, fathers, grandparents, and more–go to their jobs and school, do housework, and rest.

But while they sleep, those little ones are growing and they are growing up, until they make their own homes. Still the memories that were made remain.

From While You Were Sleeping, written and illustrated by Briana Corr Scott

While You Were Sleeping may be a lovely bedtime story to send your child off to slumber but I read it more as a tribute to the parents and caregivers who live, work, learn, and love behind the scenes. They are the parents who nurture and provide, who cherish and struggle, but who always keep on. Briana Corr Scott, herself a mother of three, undoubtedly knows the wonders and the challenges of bringing up a child and managing a household, a job, and more while caring for that child. And even though it is work, often requiring multitasking and asking for help, the rewards are more than sufficient.

If you know a family with a newborn, I recommend sharing While You Were Sleeping with them. Briana Corr Scott's touching words will surely resonate with them.

We went to our jobs

We woke with the dawn

We longed to be home

And we loathed being gone...

 

          While you were sleeping.

And her paintings, resplendent with colours and patterns, visit the homes of all types of families, from those with single parents to multigenerational ones, and include multiracial and same-sex parents. Everyone is making a family, while their children sleep, and Briana Corr Scott shows them to us. Your children may fall asleep as you read this, but I know a tear or two will venture out onto your cheeks as you do so.

A Kid is a Kid is a Kid

Written by Sara O'Leary

Illustrated by Qin Leng

Groundwood Books

978-1-77306-250-1

32 pp.

Ages 3-6

August 2021

 

Every child may be different but every child is also the same, especially when they're asked insensitive or withering questions about their differences. They just want to be, to feel safe and cared for and to enjoy life. When they are questioned about their family or their gender, their preferences or abilities, or have their "imperfections" pointed out, they do not feel good. Then they are all the same, as are we all.

From A Kid is a Kid is a Kid by Sara O'Leary, illus. by Qin Leng

From the onset, A Kid is a Kid is a Kid reminds us that being a kid is not easy. Starting with a child who's taunted with a question about whether they're a boy or a girl, multiple kids step up to assert what tactless questions have been asked of them. From why one child always has her nose in a book, or why another is small, to where they come from, why they wear the same shirt, or why they don't have any friends. (One boy steps up to negate that question by declaring himself their friend.) There's a child with a prosthetic leg and one with a baby sister in an incubator and twins who always get asked about being twins. (Tiresome, I'm sure.)

From A Kid is a Kid is a Kid by Sara O'Leary, illus. by Qin Leng

But rather than focusing on the differences that the inquisitors see, kids want to be asked about their strengths, what they love and that of which they're proud. And there's one important question that every child likes to be asked.

From A Kid is a Kid is a Kid by Sara O'Leary, illus. by Qin Leng

As Sara O'Leary and Qin Leng reminded us in their earlier book, A Family is a Family is a Family (Groundwood, 2016), there is no one way to be a family, and the same goes for being a kid. Kids come in different shapes, sizes, colours and abilities. Their essences and their histories make them unique. But getting to know kids is not focusing on their vulnerabilities. That's teasing and bullying and says more about the one asking the question than the one answering. Sara O'Leary understands that all people, kids and adults, may say or ask something rude but her emphasis in A Kid is a Kid is a Kid is that the diversity of individual kids is what makes a school, a playground, or a community great. Qin Leng's illustrations of ink and watercolour with pastel give us that diversity while reminding us that children are young and small and must be overwhelmed by being so in a big world. But, what's important is being yourself among others and not being ashamed of what you are. By first focusing on those differences before culminating their story with a universally welcome activity for kids, Sara O'Leary and Qin Leng bring young readers into their story and remind them that being a kid can mean different things and they're all just fine.

Dr. Jo: How Sara Josephine Baker Saved the Lives of America's Children

Written by Monica Kulling

Illustrated by Julianna Swaney

Tundra Books

978-1-101-91789-3

32 pp.

Ages 5-8

October 2018

Sara Josephine Baker (1873-1945) had always been an unconventional person. She didn't hold by conventions that only boys played ball and climbed trees and became doctors. Fortunately, the Women's Medical College of the New York Infirmary had been established in 1868 and accepted her as a student of medicine. But, after setting up a practice with a fellow female physician, Florence Laighton, in 1898 and providing excellent care to her patients, Dr. Jo realized she did not have enough patients to stay in business and instead she became a health inspector for the city of New York.

Working in the neighbourhood of Hell's Kitchen, Dr. Jo was saddened to see so many immigrant families living in harsh conditions and subject to terrible illnesses and health issues, especially the children. She helped establish courses for midwives, nurse visits for new mothers, milk stations, and antiseptic beeswax containers for silver nitrate drops used on newborns. She even designed infant wear that was less restrictive and could regulate temperature–preventing heatstroke from typical swaddling–in babies. Her efforts on behalf of the children helped reduce New York City's infant mortality rate to levels not seen in other major American cities.

From Dr. Jo: How Sara Josephine Baker Saved the Lives of America's Children by Monica Kulling, illus. by Julianna Swaney

Monica Kulling always tells a good story in her illustrated biographies. (Check out all the books in her Great Ideas series including Clean Sweep! Frank Zamboni's Ice Machine and Zap! Nikola Tesla Takes Charge) She knows the right balance of information and text to educate and enlighten. Although she provides a brief page "More about Dr. Jo" with a few more details, Monica Kulling never makes the information read like an encyclopedic notation about the doctor's accomplishments. Instead, it focuses on Dr. Jo's motivations and achievements in terms of service to others, specifically children. Young readers will know about pediatricians, hopefully through their own health care, but will be surprised to learn that Dr. Jo was the first. Moreover, they will learn about a time and place when health was not a given, and the most vulnerable, children such as themselves, needed someone to advocate for them and care enough to help. Personally I appreciated hearing about a woman who broke down barriers in the medical field while managing to do extraordinary things.

From Dr. Jo: How Sara Josephine Baker Saved the Lives of America's Children by Monica Kulling, illus. by Julianna Swaney

Monica Kulling's stories come to life with exceptional illustrators like American artist Julianna Swaney who balance the real with the fictionalized. Images depicting the conditions of Hell's Kitchen would have been tragic yet Julianna Swaney shows the reality with a subtle touch of colour and shape. It is honest without being scary, and bright without being saccharine.

Learning about great people through illustrated biographies is always a winner for children. There's history being told but at a level relevant to them. I'm especially delighted that Monica Kulling has shared one about a female physician who never let societal conventions hold her back and was able to achieve much good by not doing so. It's an important lesson for all of us.

•••••••••••••••
 

A free educator's guide for Dr. Jo is available from Tundra Books at https://tundrabooks.files.wordpress.com/2018/05/dr-jo_educator-guide.pdf

Eden Mills Writers' Festival: 2018 Poetry Contests for young people

Eden Mills Writers' Festival, one of Canada's foremost literary festivals, will be celebrating 30 years of wonderful readings by and discussion panels with Canadian authors of literature.  But the Eden Mills Writers' Festival offers more than an extraordinary contingent of authors whose words fill our idyllic valley just outside of Guelph. It also hosts a number of writing contests, two of which target children and young adults.

For each contest, a Canadian resident may submit one poem no longer than a single page by the May 30, 2018 deadline.  All details regarding the entry form, prizes, and submission are posted at https://edenmillswritersfestival.ca/contests/.

For elementary students, young writers may enter one of three age categories:

• Primary (Grades 1 to 3)
• Junior (Grades 4 to 6)
• Intermediate (Grades 7 to 8)

For high school students, teens may submit their poem to one of two age categories:

• Junior Teen (Grades 9 and 10)
• Senior Teen (Grades 11 and 12)

If you are a teacher in Canada or know of a young person who loves to write poetry, please encourage them to submit a piece (only one poem of maximum one-page length per person) by the deadline of May 30, 2018.  This is a great way to get young people in Canada writing purposefully and showcasing their burgeoning talents, with a chance to win $25 (for children) or $50 (for teens).

See you at the Festival!

Totsapalooza 10 Festival (Toronto, ON)

presents 

Totsapalooza

the tenth anniversary of

its annual festival 

of

 picture books, indie rock bands and DIY crafts

 for kids aged 2-8  

on

Saturday, February 3, 2018

1 - 4pm 

at 

Revival Nightclub 

783 College St.

Tickets:

Limited number of Early Bird tickets:

 $12 Adults / $8 Kids 

After they are sold out:

 $18 Adults / $12 Kids

https://www.eventbrite.ca/e/totsapalooza-turns-ten-tickets-41030174356

Authors in attendance include:

Dennis Lee

who will launch his new collection of poems for children, 

Good Night Good Night

and

lead a sing-a-long of his Alligator Pie 

Barbara Reid

who will read her latest book Picture The Sky 

and 

present Sing a Song of Mother Goose 

with musical support from indie-rockers

Nadia L. Hohn

who will launch Malaika's Winter Carnival,

the sequel to Malaika's Costume

Other in attendance will include:

Drag Performers JP (Fay Slift) and Kaleb (Fluffy Soufflé) who will read and lead an activity with children as part of Drag Queen Storytime;

Rock trio Communism;

The Woodshed Orchestra, a horn, rhythm and vocal ensemble, who will perform a mash up of classic dance styles from around the world;

Choreographer Ann-Marie Williams of Movement Lab who will get the kids dancing;

DJ Castlefrank (a.k.a. Matt Blackett of Spacing Magazine) who will keep the party going with kid-friendly beats;

and

Wanda’s Pie-in-the-Sky who will sell healthy, handmade snacks from their pop-up bakery.

Get your tickets online now 

and 

have something special to share at Christmas and then in February!

Baby Cakes

Written by Theo Heras

Illustrated by Renné Benoit

Pajama Press

978-1-77278-030-7

24 pp.

Ages 1-4

October 2017

If Baby Cakes don't sound yummy enough, wait until you see Renné Benoit's illustrations of the children and kitten at play baking.  They are sweet and delightful and wholly scrummy.

From Baby Cakes 

by Theo Heras

 illus. by Renné Benoit

An older sister and little brother, with tuxedo kitten in tow, don their aprons, gather their ingredients and baking utensils and set to work.  Of course there are a few mishaps–there always are in the kitchen–of spilled ingredients but the two little ones seem to know what they are doing.  Measure, sprinkle, cream, wash, wash again, pour, blend, mix, fill and wait.  Except for brief appearances of a parent's hands to help out with a spill and to put the cupcakes in the oven, this story is that of the labours of the children and the kitten.  As should be, there is a tasty treat to imbibe in at tea time.

From Baby Cakes 

by Theo Heras 

illus. by Renné Benoit

Theo Heras, whose first book with Pajama Press Hat On, Hat Off (2016) was also illustrated by the wonderful Renné Benoit, reintroduces the sister and brother, slightly older now and able to take on a baking project with a little help from a parent. But Baby Cakes is still written for the very young, with Pajama Press' trademark padded cover and sturdy pages, and large bold font and simple sentences of only a few words.  I suspect that Baby Cakes could be the first book young children will be able to read themselves as the repeated readings by an older child or adult will enable them to remember the words and learn to match the visual with the sounds.  Learning to bake and read in one charming book.

But like so many picture books, it is the artwork that will captivate children and adults.  Renné Benoit's illustrations capture the innocence and earnestness of the very young and their efforts to undertake what must seem a monumental task.  The seriousness of their efforts does not take away from their delight in the work and the surprises that happen.  With a much-loved kitten, the children are bonded to their task and to each other, cooperating in their efforts and sharing in the fruits of their labours.  It's a warm scene of family that I wish could be experienced in every household.  Hopefully, Baby Cakes will compel that to happen in more.  With the recipes for chocolate and vanilla cupcakes, as well as vanilla frosting, on the endpapers, everyone and anyone can assist young children in baking some yummy delights, with or without a kitten to help.

From Baby Cakes 

by Theo Heras

 illus. by Renné Benoit

Love You Forever: New Pop-Up Edition

Written by Robert Munsch

Illustrated by Sheila McGraw

Paper engineering by Bruce Foster

Firefly Books

978-1-770859654

14 pp.

All ages

September 2017

Though not Robert Munsch's first book, Love You Forever is perhaps his best known, with astronomical sales over the decades and inclusion on multiple lists of top books of all time.   Published in 1986, Love You Forever is an iconic picture book about a parent's love for her child and it is now available in a pop-up version.

From Love You Forever Pop-Up Edition

The story begins with a mother holding her new baby and singing a lullaby to him:

I'll love you forever,
I'll like you for always,
As long as I've living
my baby you'll be.

Then the boy becomes a toddler and gets into much mischief but still his mother sneaks into his room and rocks him back and forth while she sings the lullaby to him. This continues as the boy becomes nine, and then a teenager and finally an adult who moves away.  Still his mother sneaks into his room, rocks him and sings her lullaby.  But when she is too old to come see him, he visits her and sings the lullaby she cannot, revising it appropriately:

I'll love you forever,
I'll love you for always,
As long as I'm living
My Mommy you'll be.  

From Love You Forever Pop-Up Edition

The story ends with the son returning home, supposedly after his mother has passed, and he sings the lullaby to his own daughter, just as his mother sang to him.

Because of the alternative format with fold-out flaps and pull- and push-tabs to create three-dimensional illustrations, this Love You Forever is only 14 pages long.  Still the whole story is there, Robert Munsch's original words and Sheila McGraw's illustrations, now brought to life with the paper engineering of Bruce Foster, an American paper magician. (You can see a demonstration of the rocking chair pop-up on his website Paperpops.) There's not much I can say about the book Love You Forever that has not already been said time and time again but I can address the novelty of Bruce Foster's paperwork in adding a third dimension to the art and hence the story.  Though some of the illustrations may appear dated–check out the clothing, the computer and the hairstyles–there is a freshness that comes with the pop-ups, bringing new life to the pages of Love You Forever.  Parents may still be reading the story and singing the lullaby to their children but now children can interact with the story, pushing and lifting and pulling tabs, to help tell that story and appreciate the love between parent and child.

•••••••••••••••••••••

For anyone who will be reading Love You Forever and has never heard the melody to the lullaby the mother sings, Robert Munsch shares it on a YouTube video uploaded on January 13, 2011 by tvoparents at https://youtu.be/YFX6pdwJWpA.

Where Will I Live?

Written by Rosemary McCarney

Second Story Press 

978-1-77260-028-5

24 pp.

Ages 5-9

April 2017

The loveliness of this young girl's face masks the concern for her fate.  As with all refugees, the question of Where Will I Live? is a monumental one, though based on the simple human necessity for shelter and safety.  Shamefully, while many of us are striving for bigger and better in our homes, there are many who just want someplace they might find lodging and sanctuary.  This is the story that Rosemary McCarney tells in her empathetic text below the powerful images of photographs taken for the United Nations High Commission for Refugees.

Photograph UNHCR/Mark Henley 

from Where Will I Live? 

by Rosemary McCarney

From terrifying scenes of fleeing in the darkness or facing armed soldiers, these families set to their journeys by various means–on foot, in trucks, by boat–over all manner of terrain and water, in all kinds of weather, looking for some place to rest and inhabit.  It might be under stairs or in a city of tents or in the middle of the street.  It might be alone or amongst countless others.  Photographs of children show them watching, waiting, enduring, hoping for someone to say, "Welcome home." Few words are needed to tell the plight of those in Jordan, Rwanda, Lebanon and elsewhere when the photographs, taken by Sebastian Rich, Mark Henley, Andrew McConnell, Shawn Baldwin, Ivor Prickett, and more, expose the desperation of the refugees in all the rawness of their circumstances.

Photograph UNHCR/Andrew McConnell

from Where Will I Live? 

by Rosemary McCarney

Rosemary McCarney, formerly of Plan International Canada and currently Canada's Ambassador and Permanent Representative to the United Nations and the Conference on Disarmament, has penned numerous books for children that emphasize social justice themes (e.g., Every Day is Malala Day; Being Me; Tilt Your Head, Rosie the Red; Because I am a Girl I Can Change the World).  Where Will I Live? supports that same theme by focusing on the plight of many who are ripped from their homes by war and terror and seeking refuge, supported by the photographic evidence of their struggles to find home.  Yet from beginning to end, Rosemary McCarney offers a message about the resiliency of children to endure their struggles and make temporary abodes wherever and whenever necessary until they can find a forever home, thus making Where Will I Live?  a telling story that goes beyond loss and into the realm of hope.

Photograph UNHCR/Shawn Baldwin

from Where Will I Live? 

by Rosemary McCarney

Short Stories for Little Monsters

Written and illustrated by Marie-Louise Gay

Groundwood Books

978-1-55498-896-9

48 pp.

Ages 5-8

March 2017

Whether they’re your little monsters, rugrats, toads, or anklebiters, you can bet that little children will be up to no good and good when March break comes around in a few weeks.  You can either prepare yourself for those days with these humourous stories or share them with your own little monsters to while away the days or nights with some imaginative fun, or save them when your own creativity is waning.

From Short Stories for Little Monsters 

by Marie-Louise Gay

In nineteen short-stories told on single pages or double spreads (except for the final story "The Secret Life of Rabbits" that needs four pages to show us what magnificent worlds rabbits make), Marie-Louise Gay takes readers into the fantastical minds and play of children.  From imagining what can be seen when eyes are closed ("When I Close my Eyes") or fantasizing that no one sees them when clad in pillowcases ("The Incredible Invisible Boy" and "The Incredible Invisible Twins") or outrunning monsters that lurk in the wild ("Monster!"), Short Stories for Little Monsters celebrates the creativity of children in their minds and their play, alone and with others.  And beyond child’s play, Marie-Louise Gay takes their visualizations into the worlds of cats, snails, trees and rabbits, for example exposing what our feline friends really see in a dust bunny or a chess game  ("What Do Cats See?" and "What Games Do Cats Play?") and giving us  a snail’s-eye view into "Snail Nightmares" (who knew?) and "The Secret Life of Snails."  Of course, amidst all the fun there is still the apprehension of every day life, when the teacher may call on you ("Who? Me?"), that your mother can see all you do always ("Zombie Mom") or that your friends might see through your façade of wisdom ("Rhisonoros") but this is all life, told in the splendour of colour, line, shape and ingenuity of the very original and inventive creator of Stella and Sam, Marie-Louise Gay.

From Short Stories for Little Monsters 

by Marie-Louise Gay

The wealth of stories about imaginative fun and speculation abounds in this compendium of illustrated stories.  The stories are a delight, both humourous and insightful, but it's Marie-Louise Gay's illustrations that will grab readers first, as they always have. (She has been honoured with numerous awards including three Governor General's Awards for illustration in English-language children's books.)  In her artwork, that often resembles the loose frames of graphic novels, she tells of childish diversions but gives them life with her effusive children, and ever-present secondary characters of bunnies, cats, snails, birds and other creatures.  The details are whimsical and ever-present, and children will delight in spotting the stray underwear, the fish that can't add 2 + 2, and the rabbit flying a carrot plane.  And the colours, glorious colours! And the swirls, the patterns, the textures of her lines and watercolours!  There is a gaiety to Marie-Louise Gay's art (it's okay to pun; Marie-Louise Gay does it too) that is like no other, and brings merriment to each story, even if it's about "Lies My Mother Told Me."

It's always a celebration when Marie-Louise Gay publishes a new book but this multi-story illustrated format is certainly unique and worthy of attention.  Moreover, because it's not a book that needs to be read in any order or all the way through in one sitting, I suspect Short Stories for Little Monsters will be appreciated by all readers and listeners, whether they be little monsters or not, who will continuously find nuggets of wisdom and whimsy throughout.

From Short Stories for Little Monsters 

by Marie-Louise Gay

Rhino Rumpus

Written by Victoria Allenby

Illustrated by Tara Anderson

Pajama Press

978-1-927-485-96-5

24 pp.

Ages 2-4

August 2016

Victoria Allenby and Tara Anderson, the author-illustrator duo who brought us Nat the Cat Can Sleep Like That (Pajama Press, 2013), have returned with another picture book for our littlest ones, this time focusing on the sibling antics of three rhinos as their mother attempts to bring them to some degree of harmony.

From Rhino Rumpus 

by Victoria Allenby, illus. by Tara Anderson

From page one, the three little rhinos are forever being unruly: rude, in a mood, tussling.  And Mama rhino has to interject and bring them in line.  Dinner time is not much different, and Mama sends them to get ready for bed.   Even bathtime (whose illustration is the “magic page” i.e., the cover art) involves a lot of pushing and boisterous escapades that Mama rhino rumbles to a stop with an emphatic “Quiet!”  Teeth brushing, a story and song, and a plea to “And when you wake, please get along!” signals the ultimate family hug and the blissful stillness that is sleep.

The text is perfect for toddlers who will delight in its simplicity and sounds, while those children who are just learning to read will be pleased to test themselves on the easy-to-read rhyming lines and repetition of numbers (e.g., One little rhino…, Two little rhinos…, Three little rhinos…).  I suspect that Victoria Allenby who dedicates the book to her nieces “who ALWAYS get along” has witnessed similar naughtiness but, by experiencing it with love and affection, she has given it a boisterous comic feel to it, something that will lighten the mood for any parent (or aunt!) who has to brave it and strive for calm.  Similarly, Tara Anderson, who dedicates the book to her own little one, animates the text with her coloured pencil illustrations that convey exuberance, joy, mischief and affection with each stroke.  Never is there anger or hostility between the siblings or directed at the little rhinos, and the message of patience in parenting is conveyed with fun and warmth and caring.

From Rhino Rumpus 

by Victoria Allenby, illus. by Tara Anderson

Rhino Rumpus will undoubtedly become the go-to book for families with young ones who get into squabbles, both for parents who need to recognize that children learn through play, even boisterous play, and for children who need to see that parental love is a gift that should not be overlooked, even if it does need a rest occasionally.

From Rhino Rumpus 

by Victoria Allenby, illus. by Tara Anderson

The Man with the Violin

Written by Kathy Stinson
Illustrated by Dušan Petričić
Annick Press
978-1-55451-565-3
32 pp.
Ages 5-8
August 2013

When Kathy Stinson coupled the story of world-famous violinist Joshua Bell's playing incognito in a Washington subway station with illustrator Dušan Petričić's distinguished artwork, The Man with the Violin became a brilliant portrayal of the sensitivities of children and the sad loss of that wonder by most adults.

Having originally heard Joshua Bell play solo violin for the main character in the movie "Ladies in Lavender" (in which a young Polish violinist is helped by two older British sisters after washing up on the Cornwall coast), I knew how his music could bring an audience to tears.  So it was surprising to learn that, in 2007, Joshua Bell participated in an experiment initiated by the Washington Post in which, wearing the outfit of a street musician (jeans and a baseball cap), Bell played his 1713 Stradivarius for transit goers for 45 minutes.  Only 7 of over a thousand people stopped to watch.  But here is the fascinating statistic:

"There was no ethnic or demographic pattern to distinguish the people who stayed to watch Bell, or the ones who gave money, from that vast majority who hurried on past, unheeding. Whites, blacks and Asians, young and old, men and women, were represented in all three groups. But the behavior of one demographic remained absolutely consistent. Every single time a child walked past, he or she tried to stop and watch. And every single time, a parent scooted the kid away." (Gene Weingarten, Sunday April 8, 2007, The Washington Post. Retrieved from http://www.washingtonpost.com/wp-dyn/content/article/2007/04/04/AR2007040401721.html on September 3, 2013.)

Kathy Stinson takes this astounding demographic and tells the story of a child who becomes enthralled by the music that he hears as his mother pulls him along on her way to work.  Dušan Petričić makes the music swirl and swoop in watercolour pastels of blue, purple, pink, green and peach among the black and white drabness of everyday travel of most adults.  The memory of that music continues to soothe Dylan as his day progresses, elevating him and brightening his day, even as the jarring clatter and clang of machines, dishes, voices drone on and on and on, no matter where he is.  Only when he hears the same music on the radio can Dylan get his mother's attention and take her along on his magical musical ride.

While Gene Weingarten and the Washington Post shared this musical experiment in print and in video on YouTube, Kathy Stinson's simple but powerful representation of The Man with the Violin, so subtly but poignantly depicted by Dušan Petričić's illustrations, is a far more convincing message of the capacity of music to enrich our lives and the wisdom of children that is too often and too easily disregarded.