Goodbye, Koi

Written and illustrated by Jack Wong

Orchard Books (Scholastic Inc.)

978-1-338830996

48 pp.

Ages 4–8

Releases September 15, 2026 

 

Moving means leaving as well as arriving. Anticipating the unknown can be scary, as can leaving the familiar and saying goodbye. For the young boy in Jack Wong's newest picture book, leaving his dear koi behind is a true reflection of what the child is feeling about his own move to another country.

...would remembering their old home make them feel lonely, too? (pg. 29) 

Illustration by Jack Wong from Goodbye, Koi, written by Jack Wong

The story starts with a boy and his dad taking their koi to their new home. The gorgeous fish of red and orange, who'd once lived in a large tank indoors, are taken to the ponds at a park with lush gardens, pavilions, bamboo, and more. As they prepare for their own journey, purchasing a winter coat and seeing friends for the last time, the boy thinks about his koi. Will they be cold outdoors? Will they make new friends? Will they remember? Will they be lonely? 

Illustration by Jack Wong from Goodbye, Koi, written by Jack Wong

Everything the child wonders about his koi reflects his own thoughts and concerns. Fortunately, his father reassures him with each answer, and the boy finally recognizes that, like the koi, they have each other to remember together.
 
Jack Wong appends his story with two sections titled, "A Journey of My Own," and "Hello, Koi." It is evident that, as he did in his earlier picture books like When You Can Swim (2023) and The Words We Share (2023), Jack Wong draws from his own life to give readers real stories. Goodbye, Koi may not be Jack Wong's story, but it is the story of moving, of leaving behind, of trepidation of the unknown, of a loss. It's wondering about what will be when you don't know what will be, and the ache of leaving something behind.

Illustration by Jack Wong from Goodbye, Koi, written by Jack Wong

For those who are familiar with Jack Wong's earlier picture books, you'll notice the distinct difference in his illustration style in Goodbye, Koi. Using Chinese brush painting, a traditional art style, Jack Wong reflects the essence of the koi and the movement of the boy and his family. There is a fluidity of brush stroke that matches the story better than any realistic representation could.
 
It's a new world for the koi and the boy and his father—who are last seen on a plane flying through blue skies—but it is one of promise for life and for opportunity, albeit through change.  

When Rabbit Was a Lion

Written and illustrated by Eugenie Fernandes

Owlkids Books

978-1-77147-518-1

32 pp.

Ages 3-7

August 2023

 

A rabbit in a red-striped shirt lives in the backyard of our narrator, a little girl with whom he sometimes has tea. Though Rabbit and the little girl know that he doesn't like parties, he wants to make one for his friends, whom he does like.

From When Rabbit Was a Lion, written and illustrated by Eugenie Fernandes

So invitations are sent out for a costume party and Rabbit busies himself cleaning and decorating, baking and preparing his own costume. And when the jitters pop in that his party might be a flop, his human friend asks him, "What if it's good?".

 

All Rabbit's friends arrive, costumed and lively. There is music and dancing, laughter and conversation, and he is so pleased that his friends are happy. But, though he does partake a little, it grows too loud and too boisterous for Rabbit and he slips away for a bit of quiet. His friends, realizing that Rabbit has withdrawn, find a way to have fun and include him without causing Rabbit discomfort.

From When Rabbit Was a Lion, written and illustrated by Eugenie Fernandes

This could be a picture book of restraint, in colour and in story, much as how an introvert such as Rabbit might be seen. But, Eugenie Fernandes knows that Rabbit is more than his introversion. He is also a friend, and enjoys the company of his friends, though in moderation. So, that joy of friendship comes through in Eugenie Fernandes's paintings, resplendent in joyful colours of warm yellows and greens, and bright in its diverse palette. Rabbit is not sad because he needs to withdraw; he is just taking care of himself. And isn't it nice that his friends are kind enough to want to make him happy too? Eugenie Fernandes's artwork tells us this.

From When Rabbit Was a Lion, written and illustrated by Eugenie Fernandes

Thank you, Eugenie Fernandes, for giving a sensitive and authentic voice to the many introverts who have had to fit into a predominantly extroverted world. As a strong introvert who has learned to fit in as needed and become more comfortable in social situations–and then withdrawing to my comfort zone in order to recover–When Rabbit Was a Lion speaks to me and undoubtedly to many children who've been told to be more social and that they need to get out more. Children need to see that not everyone craves attention and busyness, loudness and interaction. And they need to not be misunderstood because they are different from others in their circle. I'm very glad that Rabbit's friends are astute enough to realize that his need for quiet is not him being shy or angry, depressed or stuck-up, or even interpreted as a criticism of how they like to socialize. But socializing takes energy from introverts, unlike for extroverts who are energized by social interactions. For Rabbit, some quiet gives him fortitude. And by giving Rabbit the voice to speak his feelings and the friends who are willing to listen, Eugenie Fernandes has honoured the introverts who are so often overlooked.

I'm Worried

Written by Michael Ian Black

Illustrated by Debbie Ridpath Ohi

Simon & Schuster Books for Young Readers

978-1-5344-1586-7

40 pp.

Ages 4-8

June 2019

While I am loathe to call any book bibliotherapeutic, there is something reassuring and healing about Michael Ian Black and Debbie Ridpath Ohi's books that offer children a comforting perspective on common emotions with which they may be dealing. Here, they tackle, with great sensitivity and much humour, the worry that comes from dwelling on the future and the possibility that bad things might happen.

From I'm Worried, illustrated by Debbie Ridpath Ohi, text by Michael Ian Black

When Potato shares with his friends that he is worried, he may say it could be anything but he's visualizing snakes, spiders, a meteorite crashing to earth, a marauding T-Rex, an alien reading about cooking with potatoes, an erupting volcano, a pop quiz, and even a circus clown. Though he'd like the little girl to reassure him that nothing bad will ever happen, the insightful child knows that she cannot do so "because nobody know what's going to happen."

From I'm Worried, illustrated by Debbie Ridpath Ohi, text by Michael Ian Black

That, regrettably, gets Flamingo worrying too. So the girl gives them examples of when bad things did happen, from bruising to a struggle with peanut butter and even a broken arm, and reminds them that they survived and some good even came from those experiences.

All of those things were bad at first...
...but over time they turned out okay.

From I'm Worried, illustrated by Debbie Ridpath Ohi, text by Michael Ian Black

Unfortunately Flamingo's solution is to protect them in bubble wrap. Fortunately, when that goes awry, the girl's suggestion that living in the moment might be preferable to worrying about the future seems to work.

In our stressful lives of competitive activities, intense social media and uncertainty about the future, it's not surprising that children are now far more anxious about life than in generations earlier. We might wish their lives to be filled with more play and for them to demonstrate more resilience but we're not giving them that kind of a world. So, without preaching mindfulness, Michael Ian Black proposes simply "enjoying the now" and it seems that, with a few friends, anything can be tolerated.

Just as she did in I'm Bored (2012) and I'm Sad (2018), Debbie Ridpath Ohi's illustrations give life to Michael Ian Black's text. From the perceptive little girl with her flower barrettes and striped tights, to the fuchsia flamingo and the potato with dramatic eyebrows and even worry lines, Debbie Ridpath Ohi makes the simple detailed, giving spirit and personality through her bold palette and wobbly edges. (I don't know what it is about those edges that I adore. Maybe it's the depth or dimensionality they create but they make me smile.)

From I'm Worried, illustrated by Debbie Ridpath Ohi, text by Michael Ian Black

There will be, of course, some children for whom I'm Worried will not be enough to allay their worries. However, for many, the lesson that living in the moment, enjoying the goodness of friends and the immediacy of the task at hand, will be enough to ground and hopefully help endure the unknowns of the future.