The Strangest Thing in the Sea (and Other Curious Creatures of the Deep)

Written by Rachel Poliquin

Illustrated by Byron Eggenschwiler

Kids Can Press

978-1-77138-918-1

32 pp.

Ages 7-10

October 2021

The dynamic duo of Rachel Poliquin and Byron Eggenschwiler who created Beastly Puzzles (2019) have returned with a second non-fiction picture book that doesn't just impart information. Rather, The Strangest Thing in the Sea makes young readers think about the creatures of the ocean, especially the more unusual ones, by looking at their attributes from a different perspective, before revealing who they are.

From the onset of the book, Rachel Poliquin intrigues with her mysterious intro.

The seas are filled with strangeness.

Dancing feathers. Goblin teeth. See-through heads.

Creatures that seem to be made from stardust.

Then the book becomes a series of double-spreads with fold-outs imploring the reader to guess what the creature is before revealing what it is. From the swimming head (ocean sunfish) and the spooky creature with attributes of a witch, a goblin and a ghost (goblin shark) to an alien-like fish with see-through head (barreleye fish), all manner of fish, crustaceans, invertebrates and more are revealed. And revealed is the key word here, because Byron Eggenschwiler first illustrates the creature based on its description before the young reader flips open the fold-out to reveal the true creature of the deep.

I look like a tiptoeing 

rock wearing a wig. 

I even have a bow in 

my hair, sort of.

 

Am I the strangest thing in the sea?

From The Strangest Thing in the Sea by Rachel Poliquin, illus. by Byron Eggenschwiler

For example, this description gives us a rather weird red-haired rock with sneakers and a hair bow before it is revealed to be a hairy frogfish. Speaking in first person, the frogfish explains what it looks like and what it can do, all supported by information boxes that clarify in scientific terms its morphology, habitat, food and behaviour. It's definitely informative but also inventively creative, letting the imagination play in its thinking about the creatures that exist deep in the ocean.

From The Strangest Thing in the Sea by Rachel Poliquin, illus. by Byron Eggenschwiler

By blending scientific information about a diverse assortment of creatures found in the sea with illustrations of strange underwater worlds, Rachel Poliquin and Byron Eggenschwiler bring intrigue with the curiosity and learning. Moreover, by basing the book in the titular question–"Am I the strangest thing in the sea?"–with answers directly from the creatures themselves which are only revealed by spreading open the foldout, author and illustrator make the reading of The Strangest Thing in the Sea an interactive experience.

From The Strangest Thing in the Sea by Rachel Poliquin, illus. by Byron Eggenschwiler

With a riddle of words and a flick of a page turn, The Strangest Thing in the Sea takes non-fiction reading from one of taking in the information to one of connection. Children will hopefully think about the clues as read and seen and try to piece together what each creature could be. They might not know the solution right off or at all but the revelation in text and art will be a valuable surprise and an educational moment. And Rachel Poliquin and Byron Eggenschwiler keep up that atmosphere of the unknown and the odd through their words and illustrations. Rachel Poliquin plays up images of aliens, fighter jets, fanged monsters and walking rainbows while Byron Eggenschwiler, with his dark, weird and wonderful art, emulates it through a mash-up of cut-paper, paint, coloured pencils and digital renderings. 

 

As curious and unpredictable as it is, The Strangest Thing in the Sea is still grounded in a non-fiction tradition of informing through scientific fact, glossary, infographic and more, though there are a few surprises. For example, there is an answer to the question about the strangest thing in the sea. It's not what might be expected but it is surely as unique and astonishing to those that live there as they are to us. Fittingly, it reminds us that perspective is perception and facts can be rendered to change that perspective. So, is it the strangest thing in the sea? You decide after your own reading of The Strangest Thing in the Sea (and Other Curious Creatures of the Deep).

No Help Wanted!

Written and illustrated by Ruth Ohi

North Winds Press (Scholastic Canada)

978-1-4431-6360-6

32 pp.

Ages 3-8

July 2019

Posy would be considered a keener, though in the adult world we might think of her as a bit of a control freak. She insists on taking control of any situation regardless of the efforts others make to share and support. So when Posy is tasked with the classroom job of taking care of their fish Bluey, Posy is all in. She feeds him, reads to him, sings to him and presents him with popsicle-puppet performances. (There are free downloadable pdfs of the jellyfish and fish shapes used, as well as a mask.) But when others offer to join in with their own puppets or play vet, Posy's signs of "Private" and "Keep Out!" make it clear that she is all Bluey needs.

From No Help Wanted! by Ruth Ohi

But, when Bluey starts to look unwell, regardless of Posy's extraordinary efforts, including a full-scale–love the pun!–fish-themed musical, Posy hides his fish bowl behind books, thinking that everyone would blame her.  It's not until she see Bluey resting at the bottom of the bowl that Posy recognizes the need to ask for help. With kindness, the kids ask "What can we do?" and "How can we help?" and come to Posy and Bluey's rescue.

From No Help Wanted! by Ruth Ohi

While Ruth Ohi's artwork was first introduced to youngCanLit readers via the text of others, I'm so glad that she has been writing her own picture books for many years now. From her Chicken, Pig, Cow series, or Fox and Squirrel books, or her many stand-alone picture books, Ruth Ohi always blends important messages about teamwork, compassion, and friendship with text and illustrations that are designed for young, young readers. These stories could be the basis of any character education program. Moreover by ensuring that there is no hyperbole or exhaustive language that reaches beyond the reading abilities and comprehension of her readers. Ruth Ohi sees and tells the story from the perspective children need in order to appreciate the message. As adults, we recognize Posy's enthusiasm for Bluey as somewhat high-handed but young children will just see it as bossy. What they will also see is that bossy kids need to learn how to work with others and that a little help is always welcome and not always a condemnation of efforts made.

From No Help Wanted! by Ruth Ohi (Image retrieved from http://www.ruthohi.com/books-recent#/no-help-wanted/)

Though her text is faultless, precise and communicative, it's still Ruth Ohi's illustrations that will draw children into the story. They will see themselves among the many children of different skin tones and hair types, of different abilities and personalities. One boy is in a wheelchair, a girl wears glasses, and some are shyer relative to Posy's exuberance. In fact, the class itself could be any class from kindergarten with its role-play props, or a Grade 1 or 2 class with numerous books and kids who can read and write. Moreover, by choosing a palette of pencil crayons and watercolours that are light and soft, Ruth Ohi makes sure that the message is swimming in subtlety and far more peaceful than one emboldened in colour and text.

There are many ways to send a message to children and No Help Wanted! finds an affable way in words and art to demonstrate that everyone at one time or another needs a little help and it's okay to ask.

From No Help Wanted! by Ruth Ohi

At the Pond

Written and illustrated by Werner Zimmermann

North Winds Press (Scholastic Canada)

978-1-4431-4287-8

32 pp.

Ages 2-5

September 2018

On Wednesday, At the Pond became a nominee for a Governor General's Literature Award for Children's Book Illustration and today I want to share why this superb book of art is a worthy contender.

From At the Pond by Werner Zimmermann

At the Pond is a counting book at its simplest. One fish...two fish...and upwards to ten. But At the Pond is more art book than concept book. It is a compendium of beautifully rendered paintings that take the reader to see a pond up close and very personal. Every double spread is an opus of the natural world in colour and shape. The depth of realism that reflects the pond's life, botanical and zoological, is dramatic and intimate. From the goldfish to the water lilies, leopard frogs, insects that include water striders and dragonflies, and the great blue heron from whom the pond life scatters, At the Pond is a literary pond study for those for whom ponds are not readily accessible and even for those fortunate to have them in their backyards.

From At the Pond by Werner Zimmermann

Werner Zimmermann blends green and blue watercolour pigments to give life to the pond's water. There's a dynamic component to essentially still waters–ponds are after all defined as bodies of standing water–that comes from the strokes of his brushes and blending of tones, tints and shades. There are seemingly hundreds of greens in Werner Zimmermann's pond. Moreover, his depiction of the living components in the pond are natural and accurate and filled with life. (Watch the flowering of the water lily for evidence of this.)

From At the Pond by Werner Zimmermann

Teachers may well use At the Pond for counting or for STEM lessons, but for me, it's a study in extraordinary art of the natural world, bringing the outdoors in and sharing a glimpse of life At the Pond.

The Fish and the Cat

Written and illustrated by Marianne Dubuc

Princeton Architectural Press

978-1-61689-505-1

92 pp.

Ages 3-7

April 2018

In a lovely floral-wallpapered room, a fish in a fish bowl is visited by a curious cat who proceeds, much to the fish's distress, to attempt to capture it.

From The Fish and the Cat by Marianne Dubuc

Amidst the swirling water produced by the cat's pawing, the fish is propelled into the air and flies out through the window. The cat gives chase as the fish, flying now, goes from rooftop through a house, among a forest of trees with red birds, in which the fish is camouflaged and into a starry sky.  Still, the cat pursues.

From The Fish and the Cat by Marianne Dubuc

Onto the moon, the cat touches down, temporarily losing sight of the fish but witnessing the grandeur of the night sky before catching a ride on a falling star to continue his pursuit.

From The Fish and the Cat by Marianne Dubuc

Through a dark cave and a town, the fish leads the cat to the sea where the fish promptly finds home and the cat, though willing to check out the water, gives up his quest and partakes in a glowing sunset.

The Fish and the Cat is Marianne Dubuc's most recent wordless picture book. Her intense message without words or with very little text has garnered her many awards for works such as In Front of My House (Kids Can Press, 2010), The Lion and the Bird (Enchanted Lion Books, 2014) and The Bus Ride (Kids Can Press, 2015) and she does the same in this book, a new edition of the previously published La mer (La Pastèque, 2007) and The Sea (Officina Libraria, 2012).

While I've given away more of the story than I intended, I've actually told very little, only the meaning I have taken from the story.  Because each reader will find a different story within, The Fish and the Cat is much more than I've described here. It's the wonder and the interpretation of the illustrations that makes wordless books so rich. With Marianne Dubuc illustrating the book, the expansiveness of the story is even greater. Using only black and white with red reserved for the fish and the birds among which it hides, there is an inherent simplicity that actually lends a boldness to the story.  It's saying, "This is it. Take what you will from it." Well, from it, I take a message of chasing a dream, whether to reach the sea or to capture a fish, and finding what you need, though not always what you desire.

Uncle Holland

Written by JonArno Lawson

Illustration by Natalie Nelson

Groundwood Books

978-1-55498-929-4

32 pp.

Ages 4-7

April 2017

Oh, Uncle Holland, he is a scamp! From the time he was a child (and not yet an uncle), Holland was always getting into trouble.  Seems Holland, one of three boys born to Palmer and Ella Lawson (note the last name connection to the author), liked helping himself to pretty things.  After being caught by the police for the thirty-seventh time (!), Holland is given the choice of jail or the army. Though his mother and brothers are devastated, his father "decided to spend the rest of this life watching his fish swim around in his fish tank" because "Fish can't disappoint me." (pg. 11) His mother takes some solace that her son, though a thief, was never a liar.  Holland chooses the army.

From Uncle Holland 

by JonArno Lawson 

illus. by Natalie Nelson

At the southern location to which Holland is sent, there are many splendid and tempting things like palm trees, parrots, flowers and exquisite fish but none he can slip into his pockets.  So Holland chooses to capture the beauty of the fish in paintings, even making some money selling this art. But when he sends money home, his parents are concerned about the origin of that money.  Fortunately, he is able to tell them truthfully that the money was not stolen but instead that he had learned that he could sell pictures of pretty things since "Not everything that's pretty can be stuffed in your pockets."(pg. 30)

You know there's probably more to this story than told here by JonArno Lawson, the author behind the wildly successful Sidewalk Flowers (illustrated by Sydney Smith; Groundwood, 2015), especially since his Author's Note explains that Holland was his Uncle Holland.  But Uncle Holland, the book, is still able to tell a story, caution children about stealing and telling lies, and provide reassurance that one can turn things around.  Okay, we know that you can't turn everything around (some illnesses, death, legal issues, etc.) but I think children would be comforted to know that sometimes you'll get a second chance (even thirty-seven of them) to make things right, though family might appear to turn their backs on you.

American illustrator Natalie Nelson's art, collages of mixed media, are both mischievous and sobering, not unlike Holland's situation.  There is gravitas associated with his infamous acts, often illustrated in neutral shades of black and greys, with only smidgens of colour in tears and fish in water.  Not until Holland is in the southern climes, witnessing beauty that must remain because he cannot squirrel it away, that the colours become vibrant and the art more playful.

From Uncle Holland 

by JonArno Lawson 

illus. by Natalie Nelson

Every family has a relative or two (or many) with incredible stories, some nefarious, some ridiculous, but we don't always like to share those embarrassing anecdotes.  That's unfortunate because they can be, like Uncle Holland, amusing learning and character-building opportunities. Thank you, JonArno Lawson, for choosing to share yours with young readers.

Akilak's Adventure

by Deborah Kigjugalik Webster

Illustrated by Charlene Chua

Inhabit Media

978-1-77227-123-2

32 pp.

Ages 5-7

November 2016

“…your destination is not running away; it will be reached eventually.” (pg. 6)

This is now Akilak’s grandmother reassures the young girl when she sends her off on her own when the older woman injures herself.  Akilak must travel on foot to her uncle’s camp, hopefully reaching it before nightfall, so that she might get food which they had planned on replenishing during a hunting trip, now cancelled.

The journey across the tundra is long but making the acquaintance of Caribou who decides to accompany the young girl on her journey makes the distance more manageable.  As the two companions trek across the northern landscape, Akilak’s imagination has her wondering how much more quickly she could travel as a fish across the water, or a fleet-footed wolf across the land, or as a snow goose across the sky.  But when Caribou asks whether she would really choose to be an animal rather than a human, Akilak understands the value of being exactly who she is.

From Akilak's Adventure 

by Deborah Kigjugalik Webster 

illus. by Charlene Chua

From their shelter to their clothing and footwear, and their habits and the nuance of language, Deborah Kigjugalik Webster has accomplished what she set out to do: told a wonderful story contextualized in Inuit culture.  She may have intended this originally for her daughters but by wrapping in her own Inuit heritage the story of an imaginative young girl with a seemingly daunting task, Deborah Kigjugalik Webster has created a tale that will entertain, teach and inspire all.  Artist Charlene Chua, who has also illustrated Fishing with Grandma (Susan Avingaq and Maren Vsetula, 2016) and Leah’s Mustache Party (Nadia Mike, 2016) for Inhabit Media, adds an effortlessness to the realism of her illustrations.  Though depicting animals with representative flair, Charlene Chua keeps the energy of the story gentle, never miring her art in the enormity of Akilak’s mission but instead illustrating it as the adventure Deborah Kigjugalik Webster, Akilak and Caribou all recognize it to be. I wish I could adequately scan the double-spread illustrations to share the sweetness of Charlene Chua’s cartoon-like creations because they convey more completely the breadth of Akilak’s Adventure than my mere words can.

I’m sorry that I missed announcing the book launch for Akilak's Adventure which was held on November 13, 2016 at Kaleidoscope Kids’ Books in Ottawa but it's better to get the book late rather than never.  Akilak’s Adventure has timeless teachings about responsibility and the importance of imagination to make it a worthwhile read now and always.

From Akilak's Adventure 

by Deborah Kigjugalik Webster 

illus. by Charlene Chua