Sophie Shares the Stars

Written by Heather Smith

Illustrated by Catherine Petit

Orca Book Publishers

978-1-4598-4015-7

32 pp.

Ages 3–5

September 2025 

 

Sophie has lived with her Michael since she was three years old. (She is eight now.) It's obvious that she adores her adopted father and he her. In fact, he's given her the universe both as a ceiling display and as a deeply felt sentiment.

My Michael says, "You are the whole universe."

I think that means he can't live without me. (pg. 3) 

From Sophie Shares the Stars, written by Heather Smith, illustrated by Catherine Petit

The life they have together is filled with love. They spend time talking, playing, and going to beach, and, when she messes up, he helps do better. But when her father, affectionately called My Michael, becomes ill, things change. It doesn't change between them but around them. Sophie tries to help him as he helped her when she had been ill. But Michael's illness is not a flu or a cold or a broken leg or anything with a visible nature. He has one of the myriads of invisible illnesses that most people do not see. Not surprising that their neighbour, Mr. Donaldson, declares that he saw Michael the day before and he didn't look sick. The child never knows what to say—and she shouldn't have to explain for her father—and always changes the subject.

From Sophie Shares the Stars, written by Heather Smith, illustrated by Catherine Petit

But the one thing Sophie can do is share her universe with him. By removing some of the glow-in-the-dark stars from her ceiling and creating the Big Dipper on the wall behind her Michael's bed, she shares the stars with him. Her Michael has good days and bad, but she's always there to hope he'll feel better, to make sure he knows he's loved, and to see him as the Michael is.

From Sophie Shares the Stars, written by Heather Smith, illustrated by Catherine Petit

Sophie Shares the Stars is a touching story about a familial relationship, but it tackles more by including adoption and an invisible illness. In her "Author's Note," Heather Smith speaks to her personal connection with the story, but, even without that knowledge, I know that she would have treated the topics with sensitivity and understanding, never with judgement. Anyone with an invisible illness, particularly those which are chronic or a mental illness, can attest to the frustration and isolation that comes with dealing with the illness and with others. If those others cannot see a cast, an open wound, or bandages, many will not understand the complex symptoms with which the ill person is suffering. I appreciate that Heather Smith never reveals Sophie's Michael's illness, but it really is irrelevant to the story. It is invisible and that's all that needs to be said. Because the story is about Sophie and her relationship with her Michael, and how they became a family, and grow stronger each day as a family, regardless of the challenge of his illness.

 

Montreal illustrator Catherine Petit uses pencil and digital tools to create the upbeat artwork that is all about the relationship between father and daughter. This child is well loved, bursts with energy and wonder, and shares her goodness with her father, knowing that he would choose her again. His open arms, and his dedication to bringing her joy and safety, are visible in every illustration, even when he's not feeling his best. And her devotion to him is palpable. She may be his universe, but Catherine Petit lets us see her smile, her eyes, and her concerned hugs and soothing caresses that he is hers.

 

I know this picture book is aimed at young children, and those who have been fostered or adopted will appreciate how a new family can be created when a birth family is not available to care for a child. But Sophie Shares the Stars will also be a reminder to all readers that there are those who live with invisible illnesses who many appear unimpaired—"appear" is the operative word—but whose lives and those who love them are significantly impacted, even when symptoms wax and wane. Thankfully for both Sophie and her Michael, they are there for the other to make life not just bearable but bright.

Granny Left Me a Rocket Ship

Written by Heather Smith

Illustrated by Ashley Barron

Kids Can Press

978-1-5253-0552-8

32 pp.

Ages 4-7

June 2023

 

This is a story of what is left after a grandparent passes. Many think of the tangible bequests. This child's inheritance is so much more.

From Granny Left Me a Rocket Ship, written by Heather Smith, illus. by Ashley Barron

When Granny dies, there was a hole in our family.
Remembering her helped us fill it.

After a boy's grandmother dies, his family deals with their grief in different ways. There's the sharing of stories and photos, and there's reminiscing about the items she bequeathed them. But what did she leave him? It wasn't one thing. She's left him an abundance of memories of adventures that they'd created together. 

From Granny Left Me a Rocket Ship, written by Heather Smith, illus. by Ashley Barron

Whether it's the memory of creating a tent with blankets or a flying broomstick, a knight's sword on which marshmallows were roasted, or a rocket ship, often using Granny's blue cane, this child has a lifetime of memories of fantastic exploits.

Grief and loss are handled differently for everyone and will definitely vary between adults and children. The adults in this household must get on with the task of sorting out Granny's home and cherishing unique gifts bestowed on them, as do the two older children. But what the narrator gets is far greater and this child knows it. Heather Smith, author of everything from picture books like Annie's Cat is Sad to middle-grade novels in verse (e.g., Ebb & Flow) and YA like The Agony of Bun O'Keefe, always gets into the heart of feelings. She finds a way to see something positive and uplifting even in the challenging times. Here, a child is dealing with the loss of a beloved grandparents, and he finds a way to be grateful for the experiences he had with his grandmother. We've all heard of or experienced how a family loss can become a struggle of disputes with who got what, but this child sees beyond the material things his parents and siblings got and knows that he got so much more. He didn't get the tuba or the record collection or the microscope but he got everything he wanted in adventures and time and imaginative play with an elder he loved. In few words, Heather Smith lets us feel the adoration and gratitude.

From Granny Left Me a Rocket Ship, written by Heather Smith, illus. by Ashley Barron

From Ashley Barron's cut-paper collage with watercolour, and acrylic and pencil crayon, readers will never experience the grief that is the reason that the child was left something at all. There is no somberness to Ashley Barron's illustrations and that's because, while this boy and his family have experienced a loss, they are grateful for the gifts and time and  relationships they've had with their mother and grandmother. For the narrator, the gift of time and connection takes him from Granny's very real living room into his imagination with palm trees and teal waters to dragons and owls.

When Granny died,

she left me a world of adventure...

that I can take with me wherever I go.

What a gift.

Annie's Cat is Sad

Written by Heather Smith

Illustrated by Karen Obuhanych

Feiwel and Friends

978-1-250-80684-0

32 pp.

Ages 4-8

June 2022

 

When Annie comes home from school and her cat Delilah does not rush to see her or even want to hang out with her, Annie is convinced that Delilah is sad. But what to do when your cat is sad?

From Annie's Cat is Sad by Heather Smith, illus. by Karen Obuhanych

Though Annie is delighted to see Delilah, having missed her while at school, she needs to seek out her cat. But Delilah seems to want to be alone, hiding beneath the sofa. Annie understands and tries to do whatever she can to draw Delilah out and make her happy.

From Annie's Cat is Sad by Heather Smith, illus. by Karen Obuhanych

She warms some milk, tops it with whipping cream, makes a joke–it's a cattuccino–and offers a hug. Then Annie turns on the TV and invites Delilah to join her in some yoga, making up her own colourful poses.

From Annie's Cat is Sad by Heather Smith, illus. by Karen Obuhanych

But as she tries to engage Delilah, it's obvious that it's Annie who has had a bad day, and it may be Delilah who will help the orange-haired child deal with her sadness when the other strategies don't work.

No one likes to see someone they care for in distress, whether from fear or sadness or trauma. While a young reader will undoubtedly understand a beloved pet who is not acting like itself and be concerned, they will also empathize with coming home from a bad day at school and looking to their furry friend for solace. As a parent and a kind person, Heather Smith understands this and makes sure that children will accept that bad days happen and there are different ways to cope. Sometimes those strategies work and sometimes they don't. But the best thing to do is try to find what works for you. It may just be a cuddle with a cat who understands better than you that sadness has taken hold. 

It's a very light touch that Heather Smith has taken with Annie's Cat is Sad. She can do angsty and heavy (The Agony of Bun O'Keefe and Chicken Girl are but two young adult examples) but Heather Smith excels at the subtle, allowing young people to take from the text the meaning that they need to read. (Her award-winning The Phone Booth in Mr. Hirota's Garden is another prime example.) That's especially poignant when her readers need to read between the lines and with cues from Hawaii's Karen Obuhanych's illustrations. Take the understated line, "I just want you to know. It's okay to cry." with an illustration of a tear dropping from Annie's eye as a large-eyed Delilah watches. We as readers may be watching Delilah for most of the story, wondering what it would take to make her less sad, and charmed by Karen Obuhanych's grey tabby with the pink nose and green eyes. But, Annie with her voluminous ginger hair is really the star and young readers will want to go back over the story is find the clues that it was really Annie who was dealing with the bad day.

Whether feline or human, child or adult, we have bad days. And, as Annie ostensibly strives to help Delilah through hers, she provides examples for all to distract themselves from their temporary troubles, and assure them that support can be found, especially when you share your burdens.

Ebb & Flow

Written by Heather Smith

Kids Can Press

978-1-77138-838-2

232 pp.

Ages 9-12

April 2018

If you've been reading this blog for a number of years, you'll know what a fan I am of novels in verse. These are stories told in free verse form and the authors who do it well are highly accomplished at writing with impact and few words.  I can now add author Heather Smith to that very short list of accomplished writers of novels in verse.  And she is extraordinary.

Ebb & Flow is the story of twelve-year-old Jett who has been sent to spend the summer with his Grandma Jo. Though he has been sent to stay with her because of a troublesome year, Jett is happy to see Grandma, having many positive memories about her before his move with his mother to the mainland.

I remembered

hugs that were big for her size,

her arms growing

like expandable straws. (pg. 9)

Wordplay is the dialogue between the two who love talking in puns, with Grandma telling her story as if she were a character in a series of anecdotes.  Sadly, because of the mistakes he made over the past year, Jett sees himself as the villain of his stories, deserving of little goodness, including his grandmother's love. Even away from the negative influence of Junior Dawson, a bully and angry classmate, with whom Jett teamed up, the boy cannot shake the bad thoughts about people and the anger he harbours about his own actions.  

In titled chapters of only one or two page verses, Heather Smith subtly reveals Jett's history and the events that led to his relocation for the summer.  In fact, Jett's character development is so subtle that the change in Jett from angry and confused boy to responsive and responsible is as inconspicuous as the tides that come in and go out.

Grandma?

Yes?

Why can't things just stay the same?

Because life is like the tides.
In, out.
Back, forth.
Push, pull.
High, low.
You just have to go with the flow, you know?

Yeah...
(pg. 177)

The reader will sense Jett's progression in increments, as slow as when he and Grandma Jo creep along the beach looking for sea glass, and then he's there, asking to visit his father and telling his own story to his grandmother.

Ebb & Flow may refer to Jett's responses to the ever-changing circumstances that impact him, including his own choices and mistakes, but the book makes a powerful statement about resiliency and the power to ride the tidal motion of life. Sometimes you need a little help, like Jett gets from Grandma Jo who never pushes her grandson to come to an epiphany, though she helps him get there with her love and guidance. Ebb & Flow makes it clear that, with forgiveness to others and self, people and relationships can be salvaged and, like sea glass, taken from sharp edges to soft gemstones.

In Grandma's hand,
five pieces of sea glass –
two white, two green,
one red.

I didn't find anything, I said.

You will.
(pg. 26)