The Comfort Tree

Written and illustrated by Holly Carr

Plumleaf Press

978-1-738165230

48 pp.

Ages 4-8

August 2024

 

For many people, a tree is just a tree. It's a woody plant that reaches above the ground. Sometimes it's green and sometimes it's not. But trees are so much more than just what we see. They are life. And this tree is a comfort tree to the many species that make the forest their home.

From The Comfort Tree, written and illustrated by Holly Carr

This tree is an oak and so it begins life as an acorn, dropped from the bill of a blue jay. It grows until it towers over the forest and is named the Comfort Tree by the forest animals.

From The Comfort Tree, written and illustrated by Holly Carr

For each animal, the tree provides comfort, whether for its views for Raven or its food and storage facilities for Squirrel. In different seasons, the tree provides shelter whether for Lynx who rests on the tree's limbs or in its fallen leaves like Rabbit and Deer. For some, its comfort derives from the aesthetic, Fox appreciating its fall leaves that match its fur or Blue Jays that enjoy playing in its branches. The Comfort Tree provides for all the animals in its own way throughout the year.

From The Comfort Tree, written and illustrated by Holly Carr

Holly Carr, an artist from Nova Scotia, is best known for her painting on silk, a unique medium that produces fabulous forms when paint is applied. Holly Carr's art in The Comfort Tree is extraordinary, intricate and textured, emulating the layers of leaves whether in the tree or in the litter beneath it, or the complexity of animal features like feathers. The patterning of tree and animal and scene require more than a cursory look. They demand the reader stop and look for the bees, the fungi, the butterflies, and more. Her art tells a story of a comfort but also of life cycles, the seasons, and the interrelationships of all living things. It's a big story. Holly Carr's remarkable art matches that story, page for page.

From The Comfort Tree, written and illustrated by Holly Carr

The story of the Comfort Tree goes beyond the forest, with Holly Carr starting dialogues about ways for children to comfort themselves. She acknowledges that there are different strategies, including breathing, going into nature, and stretching, that can all be helpful. (She provides QR codes to activities to help young people to stretch or to visit a forest and listen to Nova Scotian birds.) But first try a walk to the Comfort Tree with Raven, Blue Jay, Deer, Owl, and others to find comfort vicariously. It's as wonderful as forest bathing in vivid colours and the soothing shapes of the natural world, and you don't need to find transport to get there.

Annie's Cat is Sad

Written by Heather Smith

Illustrated by Karen Obuhanych

Feiwel and Friends

978-1-250-80684-0

32 pp.

Ages 4-8

June 2022

 

When Annie comes home from school and her cat Delilah does not rush to see her or even want to hang out with her, Annie is convinced that Delilah is sad. But what to do when your cat is sad?

From Annie's Cat is Sad by Heather Smith, illus. by Karen Obuhanych

Though Annie is delighted to see Delilah, having missed her while at school, she needs to seek out her cat. But Delilah seems to want to be alone, hiding beneath the sofa. Annie understands and tries to do whatever she can to draw Delilah out and make her happy.

From Annie's Cat is Sad by Heather Smith, illus. by Karen Obuhanych

She warms some milk, tops it with whipping cream, makes a joke–it's a cattuccino–and offers a hug. Then Annie turns on the TV and invites Delilah to join her in some yoga, making up her own colourful poses.

From Annie's Cat is Sad by Heather Smith, illus. by Karen Obuhanych

But as she tries to engage Delilah, it's obvious that it's Annie who has had a bad day, and it may be Delilah who will help the orange-haired child deal with her sadness when the other strategies don't work.

No one likes to see someone they care for in distress, whether from fear or sadness or trauma. While a young reader will undoubtedly understand a beloved pet who is not acting like itself and be concerned, they will also empathize with coming home from a bad day at school and looking to their furry friend for solace. As a parent and a kind person, Heather Smith understands this and makes sure that children will accept that bad days happen and there are different ways to cope. Sometimes those strategies work and sometimes they don't. But the best thing to do is try to find what works for you. It may just be a cuddle with a cat who understands better than you that sadness has taken hold. 

It's a very light touch that Heather Smith has taken with Annie's Cat is Sad. She can do angsty and heavy (The Agony of Bun O'Keefe and Chicken Girl are but two young adult examples) but Heather Smith excels at the subtle, allowing young people to take from the text the meaning that they need to read. (Her award-winning The Phone Booth in Mr. Hirota's Garden is another prime example.) That's especially poignant when her readers need to read between the lines and with cues from Hawaii's Karen Obuhanych's illustrations. Take the understated line, "I just want you to know. It's okay to cry." with an illustration of a tear dropping from Annie's eye as a large-eyed Delilah watches. We as readers may be watching Delilah for most of the story, wondering what it would take to make her less sad, and charmed by Karen Obuhanych's grey tabby with the pink nose and green eyes. But, Annie with her voluminous ginger hair is really the star and young readers will want to go back over the story is find the clues that it was really Annie who was dealing with the bad day.

Whether feline or human, child or adult, we have bad days. And, as Annie ostensibly strives to help Delilah through hers, she provides examples for all to distract themselves from their temporary troubles, and assure them that support can be found, especially when you share your burdens.

Bear on the Homefront

by Stephanie Innes and Harry Endrulat

Illustrated by Brian Deines

Pajama Press

978-1-927485-13-2

32 pp.

Ages 5+

September 1, 2014
For sale August 19, 2014

Anyone who minimizes the value of a toy during stressful times needs to read Bear on the Homefront, as well as its prequel A Bear in War (Stephanie Innes et al., 2009), not to mention the recently reviewed Soldier Doll.  In fact, any object that can lend emotional support to both children and adults during times of war is more than a toy–it's a treasure. 

Teddy Bear, CWM 20040015-001
Image from http://www.warmuseum.ca/
cwm/exhibitions/guerre/
children-war-e.aspx

This little teddy bear had its simple beginnings as a good luck charm and keepsake that Aileen Rogers sent her father Lt. Lawrence Browning Rogers in 1916 when he was fighting in France.  Though her father did not return home, Teddy did, having been found in her father's jacket when he died at Passchendaele.

Now Aileen Rogers is grown up and a nurse, contributing to efforts in World War II to keep British children safe by evacuating them to Canada. The story is told by Teddy who is Aileen's keepsake now, speaking to her from the pocket of her uniform, as she accompanies children across the ocean and then to find their way to their transport and chaperones.  

Upon their arrival at Halifax, Aileen introduces herself to two of the smallest children, Grace and her five-year-old brother William, who look lost and afraid. To reassure small William, Aileen lets Teddy keep him company as they begin their train journey to Winnipeg.  Unlike many children who seem to enjoy the freedom and adventure of their travels, Grace and William quietly endure the experience, worrying about their future home.  Not surprisingly, upon their arrival and introduction to Mr. and Mrs. Dent, whose farm they would stay at, William is reluctant to leave.  But Aileen compassionately bestows Teddy on the little boy, instructing him to take good care of the children.

Fortunately, there is a happy ending for all, though five years of war keeps them separated from those they love.  Inspired by events recounted in Aileen Rogers' diary, Bear on the Homefront takes Teddy out of the war zone but still working to comfort those impacted by war. And by giving Teddy a voice, Stephanie Innes (the great niece of Aileen Rogers) and Harry Endrulat have endeared the little bear with even more heart than his simple form may suggest.  His longing for Aileen and his honest reflections are not dissimilar to the children's own, though they all recognize the value in perseverance, even if it is difficult.  

The text and atmospheric oil on canvas illustrations of Brian Deines lend an authenticity to the memories held within Bear on the Homefront.  Teddy has an important story to tell, and his voice and demeanour are appropriately not the cutesy, anthropomorphized bear of so many upbeat picture books, though the book's message is heartening. For his heroic efforts in comforting and giving voice to others when their own words and thoughts probably failed them, Teddy is now safe and treasured at the Canadian War Museum in Ottawa.  So, Bear at the Homefront gives us one more happy ending from a time when there weren't many.