Gander: The Town That Welcomed the World

Written by Nikki Bergstresser 

Illustrated by Reilly Fitzgerald 

Plumleaf Press 

978-1-997872047

36 pp.

Ages 9–9

Releases June 30, 2026 

 

Explaining to children the terrorism of 9/11 is a big ask. But by focusing on the kindness of a community instead of wicked intentions, the message is one of positivity and not hatred. Gander did welcome the world and Gander: The Town That Welcomed the World tells that story. 

From Gander: The Town That Welcomed the World, written by Nikki Bergstresser, illustrated by Reilly Fitzgerald

What Nikki Bergstresser does is take the story of those stranded in Gander on September 11, 2001 down to the level of the people. Readers won't read about the events that prompted these extraordinary landings but rather see what they see and what they feel, only getting a vague picture of something big happening elsewhere.

The skies grew silent. Air travel around the world
came to a sudden stop. (pg. 5)

Who did know about what was happening were those in Gander who, seeing the news, jumped into action. They gathered supplies like bedding and towels, and toys for the children, and brought the passengers, who'd waited on their planes for upwards of 24 hours, to churches, schools, community halls, and home. They fed them, helped them make phone calls, comforted them, and showed them the heart of Gander.

From Gander: The Town That Welcomed the World, written by Nikki Bergstresser, illustrated by Reilly Fitzgerald

Though those who found safety in Gander are not named—more than 6,000 people on 38 planes arrived—there is one little girl with long dark braids who is often seen: listless on a plane, resting on a cot, or exploring the land and waters of Gander with her hosts. Nikki Bergstresser and Reilly Fitzgerald help personalize these experiences without making anyone a main character. After all, it's Gander that's the star.

From Gander: The Town That Welcomed the World, written by Nikki Bergstresser, illustrated by Reilly Fitzgerald

When Gander's guests finally get to continue their journeys six days after the first plane landed there, there's a rainbow casting the glow of good will. 

 

Many young children, particularly in Canada, may not be aware of the events of 9/11. Unless they were directly impacted by a relative who was there or by perhaps a parent who was pilot or a resident of Gander, most adults will not discuss the events of the day with them. But there is a way to speak to them about it with sensitivity, and Nikki Bergstresser's Gander: The Town That Welcomed the World would be a tasteful and enlightening way to do so. BC's Nikki Bergstresser packs a lot of depth in her words, conveying easily the exceptionality of this day with the natural response of these Ganderites and Newfoundlanders in general. Her words take us through those days by balancing the fears and confusion with action and kindness.  

From Gander: The Town That Welcomed the World, written by Nikki Bergstresser, illustrated by Reilly Fitzgerald

Reilly Fitzgerald's artwork relies on the authentic, much like the response of the community of Gander. Reminiscent of the artwork of Ted Harrison, Newfoundland's Reilly Fitzgerald uses acrylics to create bold illustrations, with elements heavily outlined in white or black. The impact is extraordinary in its confidence. He gives us scenes of people arriving, confused and frightened, and of people joyous in their heartwarming drive to help. And he gives us a Newfoundland that is expansive and welcoming.

 

Nikki Bergstresser and Reilly Fitzgerald have brought young readers a non-musical and more colourful version of "Come From Away." The complexity of emotions, from fear and confusion to compassion and determination, are all there, and tell the story of Gander stepping up to help those waylaid by the events of September 11. Whether used as a jumping off point for teaching a historical event or for character education, Gander: The Town That Welcomed the World will be a notable story for its retelling of a remarkable act of humanity.

Sometimes I Feel That Way Too

Written by Hannah Beach

Illustrated by Rebecca Bender

Plumleaf Press 

978-1-069093561

36 pp.

Ages 4–8

January 2026 

 

Giving voice to your feelings is not always easy and it is especially challenging for children who don't always have the words to do so. Hannah Beach, an emotional health and play-based learning consultant, gives both an appropriate and playful means by which children might express those feelings, especially with Rebecca Bender's lively artwork to give them context.

From Sometimes I Feel That Way Too, written by Hannah Beach, illustrated by Rebecca Bender

A child awakens and sees their teddy bear snuggled up against the dog, and declares that, "Sometimes I feel that way too." In a series of double-page spreads, this child goes through their day, sensing how a balloon might be excited, or how a lone tree leaf in autumn might feel sad, or how all the boots lined up at school feel like they belong. In each case, he expresses the circumstances in which he might feel the same way. At school, at home, or on a walk in the rain, at play, at learning, or eating, this little boy feels a lot and can always find something that mirrors his feelings. Sometimes they're joyous and exuberant emotions like the popping of popcorn, but sometimes they're less so like when they feel lonely, angry or disappointed. In each case, the child sees something in their everyday life that reflects that feeling.

From Sometimes I Feel That Way Too, written by Hannah Beach, illustrated by Rebecca Bender

The words Hannah Beach uses, via her little character, are words that young children will understand, as are the feelings. Whether it's a snail tucked up in their shell, or a lonesome orange that doesn't get picked for a snack, or a stacking block game that topples, it's all seen from this child's point of view. Illustrator Rebecca Bender does the same, emphasizing what the child sees and feels. Her artwork, created with a soft blend of gouache, watercolour, pencil, collage, and digital media, emphasizes the child who appears throughout the day, inside a school or home and outside, displaying a full range of emotions. We see that range in his face, in his eyes, in his body language, and in his smile. Rebecca Bender makes us see all the feelings he's feeling. Just as she has consistently done in all her books—including her award-winning Giraffe and Bird series (see Giraffe and Bird Together Again [2018]) and How Do You Feel? (2016)—Rebecca Bender gives us a lightness to a big message. 

From Sometimes I Feel That Way Too, written by Hannah Beach, illustrated by Rebecca Bender

If you're a teacher or a parent who wants to help a child express their emotions in their own terms, Sometimes I Feel That Way Too would provide a perfect starting point. Children could find their own examples of what looks sad or lonely, angry or disappointing from within their own activities and experiences. Feelings are very personal, so it only makes sense to connect them to a child's own daily life. And, when they communicate those feelings in their own way—this child likes to draw the items that mirror his emotions—those who care for them will be better equipped to help.

From Sometimes I Feel That Way Too, written by Hannah Beach, illustrated by Rebecca Bender

Reach for the Sky: How Two Brothers Built an Airplane in Chinatown

Written by Evelyn Sue Wong

Illustrated by  Sarah Ang

Plumleaf Press

978-1069093554

40 pp.

Ages 6–9

Releases August 21, 2025 

 

For most people in the 1930s, airline travel was the stuff of dreams. It was expensive and pretty much limited to those in the military, the very rich, or businessmen. For Robert Wong, even purchasing his much-loved model airplane kits only happened because he saved his lunch money. But those kits were his first steps to making his aviation dreams come true.

From Reach for the Sky, written by Evelyn Sue Wong, illustrated by Sarah Ang

Robert would build model airplanes and, with his younger brother Tommy in tow, would fly them until they ended in broken wings. But he kept building them until the toy department manager offered him free kits if he built them at the store. The two brothers enjoyed flying these models, but this was just a prelude to the dream: flying real planes.

From Reach for the Sky, written by Evelyn Sue Wong, illustrated by Sarah Ang

Robert studied books about flying and completed an aviator's course but, before he could attend aviation college, he would need a pilot's license which would require many hours of flying. His solution: build his own plane. Using the plans for the Pietenpol Sky Scout, Robert along with Tommy scouted for the materials he would need to adapt and enlisted the help of his family. When his wooden-framed fuselage with wings stretched twenty-seven feet tip to tip and covered with fabric was completed, his flying instructor took it out for a spin. Though the instructor was pleased with the result, there were some changes that needed to be made. With the help of some experts in aviation and a lot of work, two years after the brothers started this project, Robert took to the skies in a plane that they had built themselves.

From Reach for the Sky, written by Evelyn Sue Wong, illustrated by Sarah Ang

This story is amazing for a number of reasons. One, it is a true story about Robert and Tommy Wong. Secondly, what they were able to accomplish with limited resources at a time when aviation was not a common practice for the majority of the population is extraordinary. Finally, building their own plane was one step in the brothers' careers which led them to further study, work with the air force, opening a civilian flying school, and being inducted as the first Asian Canadians into the Canadian Aviation Hall of Fame. Their story, told by Robert's daughter Evelyn Sue Wong, is a testament to not just reaching for the sky but following a passion with determination and perseverance. Evelyn Sue Wong tells their story as an illustrated biography and includes photographs of the brothers, family, and more to not just inspire others to chase their dreams, but to encourage them that, with hard work and support, success is possible.

From Reach for the Sky, written by Evelyn Sue Wong, illustrated by Sarah Ang

Reach for the Sky is illustrated by Singapore's Sarah Ang, who uses Chinese ink and watercolours in a style comparable to traditional Chinese art of landscapes and street scenes. While Sarah Ang emphasizes the logistics of planes and flight and the efforts of the two brothers, there is still a leaning towards the spirit of their work and the promise that much can be accomplished with heart and tenacity.

 

As an illustrated biography, Reach for the Sky honours two Chinese brothers who dreamed of flying in 1930s BC and achieved greatness beyond building a plane. Their story is one of aviation greatness and will inspire those who think they can't or shouldn't or won't be able to do what they aspire to do because of prejudices or limitations in opportunities. Robert and Tommy Wong pursued the almost unimaginable, and others can try too.

Jane and the Blue Willow Princess

Written by Catherine Little

Illustrated by Sae Kimura

Plumleaf Press

978-1-069093523

40 pp.

Ages 6-10

June 2025 

 

The name of Jane Austen is forever linked with her Regency novels of Sense and Sensibility, Pride and Prejudice, Mansfield Park, and more, though she wasn't credited with their authorship during her lifetime. But how Jane Austen became the writer she did is purported to have its origins in her family and childhood, and Jane and the Blue Willow Princess is but one story of how she might have drawn inspiration from that place and time.

From Jane and the Blue Willow Princess, written by Catherine Little, illustrated by Sae Kimura

Catherine Little's story of little Jane takes readers to a family home in the late 1700s England where children entertained themselves and would take tea outdoors on Blue Willow fine china. In this story, Jane talks with her older sister Cassandra whom she calls Cassy about her many ideas for her writing. Though young readers might not recognize key scenes from her books, like a young lady on a horse getting caught in the rain or a family with many daughters who walk the countryside and confide in each other, these are the basis of Jane's ideas. But on this day, she is considering what to write as a birthday gift for her father.

 

While enjoying their tea, Jane is fascinated by the scenes depicted on the plate. She sees a fleeing young woman on a bridge, an attentive man on a boat, a wealthy or important man looking agitated, and lush outdoor scenes. Within the chinoiserie design of the plate, even after it gets broken by a stray ball, Jane finds inspiration.

From Jane and the Blue Willow Princess, written by Catherine Little, illustrated by Sae Kimura

With that plate in mind, Jane creates a play about a Blue Willow Princess who chooses not to marry her prince. Jane and her siblings perform her play for her father's birthday and takes a step forward in launching her writing career.

From Jane and the Blue Willow Princess, written by Catherine Little, illustrated by Sae Kimura

This year marks the 250th anniversary of Jane Austen's birth and there will undoubtedly be many events and commemorations to celebrate the author. As with many historical figures, some information is known but there are always gaps that offer opportunities for fictionalized accounts and Jane and the Blue Willow Princess is one such imaginative story. Catherine Little, whose earlier books include Anne of the Library-on-the-Hill, Dragon's Dilemma, and Twelve in a Race, gives us a lovely story about a child who finds inspiration in a plate. And anyone who writes will understand that creativity can find a germ of an idea anywhere, whether in personal experiences with others, in local happenings, or in a plate. For Jane Austen, she found her ideas very close to home.

 

Sae Kimura, who illustrated all of Catherine Little's earlier picture books, has a style that is very well matched to a historical picture book. There's a lightness of line and colour that transports us hundreds of years ago to a time when girls wore simple empire silhouettes and boys wore breeches and waistcoats. But she also gets the whimsy in there with Jane's  imagination as her writing takes her on flights of fancy.

From Jane and the Blue Willow Princess, written by Catherine Little, illustrated by Sae Kimura

A foreword comment to Jane and the Blue Willow Princess from Caroline Jane Knight, the fifth great niece of Jane Austen, submits that Jane's storytelling with her family was important in helping her to write the novels that she would complete later in life. With everything around her providing her with fodder for her writing, even a Blue Willow Princess, Jane Austen took her readers and her audiences to the places of her imagination and delighted them with her fancy.

Anne of the Library-on-the-Hill

Written by Catherine Little

Illustrated by Sae Kimura

Plumleaf Press

978-1-7381-6524-7

32 pp.

 Ages 6-10

August 2024 

This year we will commemorate the 150th anniversary of the birth of Lucy Maud Montgomery, the author of Anne of Green Gables. There will be several titles released to observe this anniversary, some fiction, some non-fiction, and Anne of the Library-on-the-Hill celebrates Anne of Green Gables with a wholly fictionalized story about another little girl named Anne, with an "e" of course.

 

Anne, of Anne of the Library-on-the-Hill, lives with her parents in Toronto, and regularly visits the Wychwood Library with her father, an artist. This library which she calls Library-on-the-Hill is a special place for her and father, and they both relish the plethora of books they borrow. Her mother is more of an industrious woman who worries that too much imagination might not be helping Anne.

From Anne of the Library-on-the-Hill, written by Catherine Little, illustrated by Sae Kimura

Then World War I arrives, and Father must leave home to serve. His absence, monumental in itself, results in additional changes to the household, with Mother taking on laundry work and no time to take Anne to the Library-on-the-Hill for books. Fortunately, one of Mother's customers, Mrs. Mary Beal shares her own children's old books with Anne. And when a new Library-on-the-Hill is opened, Anne's Mother ultimately gives Anne permission to visit it on her own.

From Anne of the Library-on-the-Hill, written by Catherine Little, illustrated by Sae Kimura

Sadly, the family receives bad news about Father from Vimy Ridge. Missing her father terribly, Anne is comforted when her mother shares a special book that Anne's father had gifted her early in their marriage. Yes, it is Anne of Green Gables, published in 1908.

From Anne of the Library-on-the-Hill, written by Catherine Little, illustrated by Sae Kimura

There's still more that happens to the Anne of Catherine Little's story, including an encounter with the famous author herself, but suffice it to say that our Anne takes wisdom from Lucy Maud Montgomery's Anne that supports her through life's good days and bad.

“I believe the nicest and sweetest days
are not those on which anything very
splendid or wonderful or exciting happens
but just those that bring simple little
pleasures, following one another softly,
like pearls slipping off a string.”

                                                                           ~ From Anne of Green Gables

 

Our two Annes, that of Lucy Maud Montgomery's story and that of Catherine Little's, share some commonalities though their stories are completely different. They both had father figures who encouraged their passions for imaginative endeavours and maternal figures who were more pragmatic. The women weren't mean; they were just prudent. Not surprising that Matthew and Anne's father both had soft spots for their Annes and defended them tactfully to the women in their lives. Beyond the characters themselves, Catherine Little intersperses her story with known experiences from Montgomery's life including her friendship with Mary Beal and attending an event that included Nellie McCLung. By borrowing elements of Anne of Green Gables to feed her story of Anne of the Library-on-the-Hill, Catherine Little pays homage to the much beloved story while giving us a whole new story. If you didn't know about Anne of Green Gables –though Catherine Little provides plenty of background information about Anne and L. M. Montgomery to get you caught up–this Anne and her library and her life would still captivate.

The art of Anne of the Library-on-the-Hill has been created by Sae Kimura, who also illustrated Catherine Little's earlier books, Twelve in a Race and Dragon's Dilemma. Using a variety of media, including acrylic, gouache, watercolour, and pencil crayon, Toronto's Sae Kimura gives an ethereal sense to Anne of the Library-on-the-Hill, which works well for a story set in the mid-late 1910s to early 1920s. The reality of Anne's life is never in question but the richness of her imagination and passion for life is always evident, in the colours of her surroundings, in the brightness of her reading, and the joy she derives from being with her father, visiting the library, and more.

From Anne of the Library-on-the-Hill, written by Catherine Little, illustrated by Sae Kimura

Celebrate Anne of Green Gables and Lucy Maud Montgomery by reading a picture book that honours both while creating something that is wholly its own. With Anne of the Library-on-the-Hill, Catherine Little and Sae Kimura remind us of the anchor that reading can be in a child's life and also the pillar that Anne of Green Gables is in both the CanLit world and internationally.

Bea's Paper Imaginarium

Written and illustrated by Rachael Speirs

Plumleaf Press

978-1-738165223

40 pp.

Ages 6-10

August 2024

 

With paper, Bea could do and be anything. She could take her baby sister Millie and the cat Waffles into space to explore. She could become a scientist studying amazing animals like the great sushi-cat i.e., Waffles wrapped in paper nori and fish. And she could be a storyteller who creates comic books.

From Bea's Paper Imaginarium, written and illustrated by Rachael Speirs

But then she runs out of clean paper. And when she goes to school, hopeful of finding some there, her teacher Ms. Abdul reminds her that, since it is the end of the school year, they would be using up what they had in the reusable paper scraps bin. This dismays Bea. She needs clean paper to make her art.

From Bea's Paper Imaginarium, written and illustrated by Rachael Speirs

When she finally does find a piece of paper, in the street no less, Bea's excitement transforms into anger when baby Millie makes it unclean with her scribblings. Realizing her overreaction and really observing the "damaged" paper, Bea sees new possibilities for the first time and delves into art made with found objects and less-than-pristine paper.

From Bea's Paper Imaginarium, written and illustrated by Rachael Speirs

Ontario's Rachael Speirs is best known for her art and specifically her collage-like art that blends paper with fabric, watercolours, gouache, acrylics and more to create stories. Her bio tells of the emergence of her own artistic creations from play at an early age, and this has inspired Bea's own journey of artistic development. I suspect that many artists find themselves stuck in one genre or medium without being compelled to try different ones like Bea was. She was convinced she needed clean paper to make her art. Fortunately a misstep by baby Millie takes her off of that limited path and gives her the opportunity to expand her imagination and create something different. 

From Bea's Paper Imaginarium, written and illustrated by Rachael Speirs

I wish you could see the textures of Rachael Speirs's artwork in Bea's Paper Imaginarium. There are bits of cut fabric and cardboard, and painted paper cut into the shapes of balls and hair and fish. You can even see where Bea has taped paper together. Rachael Speirs's art reflects authentically the art that a child might create: it's colourful, it's layered, and it's imaginative. It's the kind of art that comes from joy in the process.

From Bea's Paper Imaginarium, written and illustrated by Rachael Speirs

For teachers who want to encourage children to think outside the box in maker spaces or for parents who want to inspire originality and artistry, Rachael Speirs's picture book will help do both and without preaching about what children should or shouldn't do. Bea's Paper Imaginarium demonstrates the satisfaction that comes from designing and building and following your own path of creativity and seeing opportunities where only dead ends and misfortunes once resided.

The Comfort Tree

Written and illustrated by Holly Carr

Plumleaf Press

978-1-738165230

48 pp.

Ages 4-8

August 2024

 

For many people, a tree is just a tree. It's a woody plant that reaches above the ground. Sometimes it's green and sometimes it's not. But trees are so much more than just what we see. They are life. And this tree is a comfort tree to the many species that make the forest their home.

From The Comfort Tree, written and illustrated by Holly Carr

This tree is an oak and so it begins life as an acorn, dropped from the bill of a blue jay. It grows until it towers over the forest and is named the Comfort Tree by the forest animals.

From The Comfort Tree, written and illustrated by Holly Carr

For each animal, the tree provides comfort, whether for its views for Raven or its food and storage facilities for Squirrel. In different seasons, the tree provides shelter whether for Lynx who rests on the tree's limbs or in its fallen leaves like Rabbit and Deer. For some, its comfort derives from the aesthetic, Fox appreciating its fall leaves that match its fur or Blue Jays that enjoy playing in its branches. The Comfort Tree provides for all the animals in its own way throughout the year.

From The Comfort Tree, written and illustrated by Holly Carr

Holly Carr, an artist from Nova Scotia, is best known for her painting on silk, a unique medium that produces fabulous forms when paint is applied. Holly Carr's art in The Comfort Tree is extraordinary, intricate and textured, emulating the layers of leaves whether in the tree or in the litter beneath it, or the complexity of animal features like feathers. The patterning of tree and animal and scene require more than a cursory look. They demand the reader stop and look for the bees, the fungi, the butterflies, and more. Her art tells a story of a comfort but also of life cycles, the seasons, and the interrelationships of all living things. It's a big story. Holly Carr's remarkable art matches that story, page for page.

From The Comfort Tree, written and illustrated by Holly Carr

The story of the Comfort Tree goes beyond the forest, with Holly Carr starting dialogues about ways for children to comfort themselves. She acknowledges that there are different strategies, including breathing, going into nature, and stretching, that can all be helpful. (She provides QR codes to activities to help young people to stretch or to visit a forest and listen to Nova Scotian birds.) But first try a walk to the Comfort Tree with Raven, Blue Jay, Deer, Owl, and others to find comfort vicariously. It's as wonderful as forest bathing in vivid colours and the soothing shapes of the natural world, and you don't need to find transport to get there.

Jacinta's Orderly World

Written by Margaret Sullivan

Illustrated by Scot Ritchie 

Plumleaf Press

978-1-73889827-5

32 pp.

Ages 3-7

May 2024

 

We  all like to have our things where can find them. For some, like Jacinta, having routines and things in order makes all the difference to having her day so smoothly. But then she meets someone who does things a little differently and still makes it work for them.

From Jacinta's Orderly World, written by Margaret Sullivan, illus. by Scot Ritchie

Jacinta likes order in her life, whether it's how her socks are organized in a drawer or using an egg carton to house her 12 most special rocks. (She's also very good at repurposing objects.) That control over what she does and how she does it brings her contentment. But outside of her control, things are always different and sometimes difficult.

From Jacinta's Orderly World, written by Margaret Sullivan, illus. by Scot Ritchie

Jacinta finds it stressful when her grandmother comes over to babysit and throws off Jacinta's order. Doesn't Grandma Nancy know that the cereal and cookie boxes are organized according to the colour spectrum ROY G BIV? And what is she supposed to do with the new stuff Grandma Nancy brings that don't fit in to her organization scheme?

From Jacinta's Orderly World, written by Margaret Sullivan, illus. by Scot Ritchie

But a trip to Kenny's garage to pick up their car gives Jacinta a new perspective. Without knowing it, she finds the beauty of her order in the chaos outside of her home. Whether it's the rainbow she discovers in spilled oil or a tiny mouse that resides in Kenny's garage, Jacinta finds that she can appreciate that which initially seems disorganized.

 

Margaret Sullivan, a poet and writer from Salt Spring Island, shares her experiences of seeking comfort in organizing her room via Jacinta whose own quest for order gives her satisfaction. Growing up in a military family who often moved locations, Margaret Sullivan found stability in the organization of her own space. Most young children feel a lack of control in their lives, having their activities from eating to sleeping, learning and play dictated by the adults in their lives so for Jacinta to be able to exercise some level of authority over her surroundings is important.  But, while Margaret Sullivan could have made Jacinta an anxious child, she made her one who appreciates order but could see beyond that which appears disorganized. She gives us a character that is multi-dimensional, who knows what she likes and how to get it but is open to others who may want something different.

From Jacinta's Orderly World, written by Margaret Sullivan, illus. by Scot Ritchie

Scot Ritchie's illustrations depict both the order and the chaos effectively and with kindness. His art shows the complexity of colour in our lives but also that it's up to us how we live with all that colour. He makes sure we don't see Jacinta's life as anything less than full. She doesn't live in a world of black and white, or even grays. Her life has everything she needs and likes and she still is able to look beyond herself. Her openness to new experiences and to the needs of others demonstrates that the richness of her life reaches beyond herself.

I like Jacinta. She's a cool kid. I like how she organizes and repurposes objects and how she opens her heart. She could have closed herself off to protect herself from that which might disturb her but, from her grandmother and mishaps and meeting Kenny, Jacinta takes it all in stride to find a way to cope. In fact, she does better than cope. She finds a way to appreciate them all. Life can be jumbled but Jacinta shows us that there is a way to see within and beyond and give it an order that works for us.

A Song for the Paper Children

Written by Christopher Tse

Plumleaf Press

978-1-7388-9828-2

52 pp.

Ages 9+

May 2024

 

 

A Song for the Paper Children
is a tribute to early Chinese immigrants, some of whom came to Canada after the Chinese Exclusion Act was passed to severely restrict their entry. These “paper children,” courageous men and women, endured legislated racism, financial hardship, and frequent acts of violence and discrimination, but they followed in the footsteps of their predecessors to lay the foundation for a Chinese Canadian community today that is vibrant, resilient, and here to stay.

 

 

With this preface, slam poetry artist Christopher Tse introduces the background for his poem and book about the stories of Chinese Canadians who endured and thrived under challenging circumstances of racism, economic hardship, exclusionary government policies and more. Christopher Tse tells their stories with admiration and respect, and makes it a true song, a composition of historical relevance.

From A Song for the Paper Children, by Christopher Tse

Christopher Tse's poem is a tribute to his own family. He remembers his Gung Gung (maternal grandfather) and relatives toiling in his Quebec restaurant, "his smile tired bright" (p. 12). How did they manage knowing that they were not wanted, that they were not meant to succeed or put down roots?

We were never meant to make home from ashes, 

to find kin from the masses. (p. 17)

From A Song for the Paper Children, by Christopher Tse

Peppering his poem with photographs of people and documents as well as drawings, Christopher Tse instills a gravitas to his works which are already deeply evocative of time and place. Surprisingly, much of it comes from asking questions. How did they feel? What did they think? What was the cost? Are they heard now? Christopher Tse makes the reader think and feel. It is the feeling of heartbreak for mistreatment and abuses, of awe for resilience and endurance, and of astonishment that these stories happened.

From A Song for the Paper Children, by Christopher Tse

There is hurting in much of A Song for the Paper Children but that hurting is always bonded to courage and tenacity. From generations who witnessed anti-Asian signage to families destroyed by exclusionary practices like the Chinese Head Tax and the Chinese Immigration Act, there has been discrimination against and negation of their contributions  by virtue of their heritage alone. With A Song for the Paper Children, Christopher Tse gives voice of empowerment through his recognition of Chinese Canadians past and present and applauds them.

From A Song for the Paper Children, by Christopher Tse

I hope that there will be an opportunity for Christopher Tse to record a performance of A Song for the Paper Children. There is an obvious emphasis or tone to his poem that is evident in the choice of font and colour as well as placement of text, but I suspect that the cadence of a performance would be compelling. For his words and their stories to come together in one dynamic presentation would be another step forward towards reconciliation.

Dragon's Dilemma

Written by Catherine Little

Illustrated by Sae Kimura

Plumleaf Press

978-1-73889826-8

32 pp.

Ages 5–10

December 2023

 

When Catherine Little told us of the Emperor's Great Race, a story often told to children for the Lunar New Year, in Twelve in a Race (2022), we learned that there were twelve animals whose positions lead to the Chinese Zodiac: a pig, a dog, a rooster, a monkey, a goat, a horse, a snake, a dragon, a rabbit, a tiger, an ox and a rat.  This is the dragon's story.

From Dragon's Dilemma, written by Catherine Little, illustrated by Sae Kimura

Seeing his competition, Dragon comes into the race convinced that he would win.

I am by far the biggest, by far the fastest, 

and I am the only one who can fly! (p. 13)

As the emperor  begins the race, the dragon takes to the skies and surveys his competition, seeing who is faster and slower, and all the while assured of his victory. So, while the other animals raced along the ground, Dragon decides he has no need to rush and would take in the sights of the Seven Natural Wonders of the World: the Grand Canyon, Parícutin Volcano, Guanabara Bay, the Northern Lights, Victoria Falls, Mount Everest, and the Great Barrier Reef.

From Dragon's Dilemma, written by Catherine Little, illustrated by Sae Kimura

From his final stop on Mount Everest, Dragon spots the animals in the final leg of the race and prepares to swoop in to victory. But, as he passes over the parched mountainsides and dried rice fields, he is spotted by villagers who are sure the dragon has arrived to help them out, because "We Dragons are kind, and we try to help when we can." (p. 24) And even though he intends to help after the race, children singing a song to praise him compels him to deliver, via many trips, water from the river to their parched lands.

From Dragon's Dilemma, written by Catherine Little, illustrated by Sae Kimura

Resuming the race, he is moved to see Rabbit struggling and blows him across the finish line before taking his own place, coming in fifth. Though disappointed in his showing in the race, Dragon can still recall the impact of his good deed and the appreciation of the villagers.

From Dragon's Dilemma, written by Catherine Little, illustrated by Sae Kimura

Though many Asian-Canadians will know the story of the Emperor's Great Race and the Chinese Zodiac, it was a new one to me. The story of how the animals' behaviours impacted their placement (see Twelve in a Race) is riveting and learning more details of Dragon's race result is all the more compelling. He may have been disappointed by his fifth-place result but for young readers there is far more to the story. Catherine Little not only introduces the Seven Natural Wonders of the World to readers but she teaches the decency of benevolence and compassion. Dragon is initially quite confident, even overly assured of his success. He could have swooped in and won the race handily. However, he was able to put aside his hubris and do good, even at a cost for himself. And that good will would sustain him, as it often does all of us, through a time of disappointment.

 

Dragon's Dilemma is Catherine Little's second collaboration with illustrator Sae Kimura, a Japanese-born, Toronto-residing multidisciplinary artist who creates stories with acrylic gouache, pencil crayons or watercolour, as well as puppets and silkscreen (Check out her website at https://www.esalalamu.com/ for a more complete bio.) While keeping the realism of the animals and known landmarks, Sae Kimura introduces fantastical elements that give her illustrations a dream-like quality. Her dragon is exotic in colours and form, and her landscapes, from pink-tinged clouds and textured lands, are wonderfully evocative of a different and unreal time. 

 

The Lunar New Year on February 10, 2024 will herald the Year of the Dragon so the Dragon's Dilemma, as well as Twelve in a Race, will be perfect accompaniments for the festivities whether at home, at school, or in the community. And take a lesson from Dragon that, given the choice of selfish achievement or benevolent charity, compassion should always lead.