Gander: The Town That Welcomed the World

Written by Nikki Bergstresser 

Illustrated by Reilly Fitzgerald 

Plumleaf Press 

978-1-997872047

36 pp.

Ages 9–9

Releases June 30, 2026 

 

Explaining to children the terrorism of 9/11 is a big ask. But by focusing on the kindness of a community instead of wicked intentions, the message is one of positivity and not hatred. Gander did welcome the world and Gander: The Town That Welcomed the World tells that story. 

From Gander: The Town That Welcomed the World, written by Nikki Bergstresser, illustrated by Reilly Fitzgerald

What Nikki Bergstresser does is take the story of those stranded in Gander on September 11, 2001 down to the level of the people. Readers won't read about the events that prompted these extraordinary landings but rather see what they see and what they feel, only getting a vague picture of something big happening elsewhere.

The skies grew silent. Air travel around the world
came to a sudden stop. (pg. 5)

Who did know about what was happening were those in Gander who, seeing the news, jumped into action. They gathered supplies like bedding and towels, and toys for the children, and brought the passengers, who'd waited on their planes for upwards of 24 hours, to churches, schools, community halls, and home. They fed them, helped them make phone calls, comforted them, and showed them the heart of Gander.

From Gander: The Town That Welcomed the World, written by Nikki Bergstresser, illustrated by Reilly Fitzgerald

Though those who found safety in Gander are not named—more than 6,000 people on 38 planes arrived—there is one little girl with long dark braids who is often seen: listless on a plane, resting on a cot, or exploring the land and waters of Gander with her hosts. Nikki Bergstresser and Reilly Fitzgerald help personalize these experiences without making anyone a main character. After all, it's Gander that's the star.

From Gander: The Town That Welcomed the World, written by Nikki Bergstresser, illustrated by Reilly Fitzgerald

When Gander's guests finally get to continue their journeys six days after the first plane landed there, there's a rainbow casting the glow of good will. 

 

Many young children, particularly in Canada, may not be aware of the events of 9/11. Unless they were directly impacted by a relative who was there or by perhaps a parent who was pilot or a resident of Gander, most adults will not discuss the events of the day with them. But there is a way to speak to them about it with sensitivity, and Nikki Bergstresser's Gander: The Town That Welcomed the World would be a tasteful and enlightening way to do so. BC's Nikki Bergstresser packs a lot of depth in her words, conveying easily the exceptionality of this day with the natural response of these Ganderites and Newfoundlanders in general. Her words take us through those days by balancing the fears and confusion with action and kindness.  

From Gander: The Town That Welcomed the World, written by Nikki Bergstresser, illustrated by Reilly Fitzgerald

Reilly Fitzgerald's artwork relies on the authentic, much like the response of the community of Gander. Reminiscent of the artwork of Ted Harrison, Newfoundland's Reilly Fitzgerald uses acrylics to create bold illustrations, with elements heavily outlined in white or black. The impact is extraordinary in its confidence. He gives us scenes of people arriving, confused and frightened, and of people joyous in their heartwarming drive to help. And he gives us a Newfoundland that is expansive and welcoming.

 

Nikki Bergstresser and Reilly Fitzgerald have brought young readers a non-musical and more colourful version of "Come From Away." The complexity of emotions, from fear and confusion to compassion and determination, are all there, and tell the story of Gander stepping up to help those waylaid by the events of September 11. Whether used as a jumping off point for teaching a historical event or for character education, Gander: The Town That Welcomed the World will be a notable story for its retelling of a remarkable act of humanity.

Soldier Doll

by Jennifer Gold
Second Story Press
978-1-927583-29-6
256 pp.
Ages 13-18
March 2014

One doll. Five wars. Many hearts touched.

A summer yard sale doll, with a cherubic face and a soldier's uniform, is the quirky birthday gift fifteen-year-old Elizabeth Bryant picks up for her dad, an engineer shipping out with the military to Afghanistan in a few weeks.  Just recently relocated to Toronto from Vancouver, Elizabeth goes to check out the neighbourhood and wanders into a bookstore where she meets Evan, an older teen who works there.  Talking books, Elizabeth and Evan learn they share an appreciation for author Margaret Merriweather's work, and he introduces Elizabeth to her poetry, including her famous poem, "The Soldier Doll." 

As Elizabeth delves into the poem, she discusses the possibility that the doll of which Margaret Merriweather wrote may in fact be the doll she purchased for her father.  While the reader will know this to be true from the historical anecdotes involving the soldier doll that are interspersed in Elizabeth's narrative, the teen, her parents and Evan set out to discover the mystery of the doll, looking into its provenance and journey to the Toronto yard sale where it was found.

The little soldier doll, originally a girl's keepsake after the loss of her mother, is shared years later with her fiancé as he heads to France in 1918.  Though the soldier doll is thought to be lucky by his fellow soldiers, it begins the next step of its journey when the young man is killed and the doll ends up in an antique shop in Germany.  Without spoiling the story, suffice it to say that the soldier doll is present when Jewish people were being rounded up in Berlin, when the Red Cross comes to assess the conditions at the concentration camp at Terezín in Czechoslovakia, when young American soldiers seek the Viet Cong in Da Nang, Vietnam, and after the terrorist attacks on 9/11 when the war on terrorism begins.

Almost a century of history is witnessed by the unusual wooden doll, privy to secrets and shared fears, watching death, destruction, kindness and hope all twisted together.  With Elizabeth and her family endeavouring to learn its complete story, Jennifer Gold is able to bring the Soldier Doll home, both in the story and with her writing.  Wrapping all that history in a mystery makes for an intriguing read.  While I thought that Elizabeth's dad knowing an archaeologist/historian was a tad convenient, I realize that with his history (pun intended) of seeing the fantastic amongst his yard sale finds he'd probably reached out to everyone and anyone who could verify them as authentic.  And in a story where a doll is able to reach across time and place and work magic on those who held it, I think that coincidences may be more fortuitous than contrived.

Jennifer Gold is very astute in using the doll as the focus for discussions of life and death, war and peace, and responsibility and honour.  Even as the narrative moves from World War I to World War II and ultimately to the recent war in Afghanistan, I wondered about those who enlisted or were drafted and went to war under a banner of duty or compassion, and ultimately had to face the horrors and tragedy of war.  The wars that the soldier doll witnesses may have different names and locations but those who live and die through them are always the same.

"I wasn't sure what the right thing to do was.  I don't think the right thing was that clear.  I guess it never is, not in a war, really." (pg. 263)

Not much has changed.  But, just as history is apparently told by the victors, the Soldier Doll lives on because of those who endured or lived long enough to share its story. And though one veteran acknowledges that, "It's hard to be the one who lives" (pg. 265), the living are critical in keeping those who passed alive.  Just like the soldier doll does.