Anne of Green Gables: The Chapter Book Collection

Adapted by Kallie George

Illustrated by Abigail Halpin

Tundra Books

978-1-774887905

Ages 6–9

October 2025

 

Last year, the world celebrated the 150th anniversary of the birth of Lucy Maud Montgomery, the author of Anne of Green Gables. That book, published in 1908, continues to enamour its fans and new readers. While the book and its sequels have captivated readers of all ages, its language, particularly vocabulary, is more challenging for younger readers since it is generally more suitable for those 12 years of age and older. But it would be a shame for those younger readers to miss out on the enchantment that is Anne. To that end, Kallie George, writer of the Heartwood Hotel and The Magical Animal Adoption Agency series, and illustrator Abigail Halpin have found the perfect means to introduce early readers to this red-haired star.

Now, Tundra Books is releasing a boxed set of the six previously-published books of stories adapted by Kallie George and illustrated by Abigail Halpin from the Anne of Green Gables story. These are the six books that are included in the set:

1.    Anne Arrives (2018)
2.    Anne's Kindred Spirits (2019)
3.    Anne's School Days (2021)
4.    Anne's Tragical Tea Party (2022)
5.    Anne Dares (2023) 
6.    Anne Dreams (2024)
 
By dividing up Anne's story into six short (64-72 pages long) books, Kallie George's adaptation is manageable as well as thorough. And with Abigail Halpin's illustrations, the books are enriched with colour and detail.  

From Anne Arrives, adapted by Kallie George, illustrated by Abigail Halpin

Anne's story begins with Anne Arrives. All the key elements of Anne's beginnings, from Matthew picking her up at the station and being surprised by her being a girl, to Marilla's wanting to return Anne to the orphanage, and the altercation with Mrs. Rachel Lynde are included. There is a sweeter tone to the story than perhaps the original, though Anne's angst at being returned to the orphanage and her anger at having her hair compared to carrots are evident. 

That night, she cried herself to sleep. Not even the beautiful cherry tree outside her window made her feel better. (Anne Arrives, p. 27)

From Anne's School Days, adapted by Kallie George, illustrated by Abigail Halpin

Anne's Kindred Spirits focuses on the girl's friendship with Diana, while Anne's School Days highlights her relationship with Gilbert Blythe. Anne's Tragical Tea Party centers on Anne and Diana's relationship, from an infamous tea party that becomes a disaster because of some misguided sharing of cordial to Anne's redemption by caring for Diana's little sister.

The final two books in this adaptation show us Anne as she grows as a person, first finding the courage to take on some daring exploits including public speaking (Anne Dares), and then daring to dream of being a raven-haired beauty and going to college (Anne Dreams)

From Anne Dreams, adapted by Kallie George, illustrated by Abigail Halpin

Without giving us every part of Anne's original story, Kallie George gives us the key anecdotes and a true sense of Anne the girl. Her spirit and the foibles come through loud and clear in the stories, the dialogue and her thoughts. Making Anne the full character she is while using a reduced vocabulary and simpler text is an achievement, and it is one that young readers will appreciate, especially once they get to read the original. 

 

Abigail Halpin complements the story of Anne with her illustrations which are rendered in graphite, watercolour and coloured pencils and then coloured digitally. The artwork is plentiful, at least once on every double-page spread, and contribute greater detail than can be provided in the limited text needed for early readers. From Marilla's distress at Anne's green hair in Anne Dreams to the period clothing of the girls—oh, those puffy sleeves Anne wanted so desperately (Anne Dares)—Abigail Halpin takes us into the lives of Anne and her friends and family and to visit Green Gables, the schoolhouse and the Lake of Shining Waters. 

 

These six books have given us Anne. Her story may look a little different because of the text and the artwork but Anne, in all her splendour and simplicity, is truly here. And now, younger readers can meet her and experience why the world adores her.

"I am not changed," Anne said to Marilla. "Not really. I've grown and branched out. But me, the real me, is just the same. Where I go or how much I change on the outside won't make a difference." (Anne Dreams, p. 58)

Sam

Written by Eric Walters

DCB

978-1-770867949

228 pp.

Ages 9-14

May 2025 

 

She was strong. She didn't give up. She didn't take crap from anybody. I liked that. And all she really wanted was a place to call home. I understood that better than I even would have wanted. (p. 133)

 

The "she" of whom fourteen-year-old Sam Reid speaks is Anne of Green Gables, and, along with support from a select group of new acquaintances, the boy with red hair and a matching temper has a lot to learn and especially from L. M. Montgomery's 1908 fictional character.

 

Sam may be a smart kid, but it doesn't stop him from letting his temper get the better of him. When confronted with a shopkeeper trying to rip $10 off of him and having to stand up against the high school's quarterback, who ends up with a broken nose, Sam knows he should have kept his cool. But things get worse when Sam is accosted in a school bathroom and fights back, leaving Cody, the quarterback, with a concussion.

...there's no question that I have a temper, but that's only because people are always doing things to provoke me. (p. 9) 

With no family–his parents were killed in a car crash by a drunk driver four years earlier–and foster parents who don't want him back, he is sent to the Johnson Juvenile Center, a detention facility for those younger than 18 who were awaiting trial or those already convicted and serving sentences less than 18 months. Sam would be at the Johnson Juvenile Center, a.k.a. the Gables, for at least 5 weeks while he is assessed before heading to court. While his social worker Jenna Williams is keen to help, his court-appointed lawyer Mr. Turner is challenged, especially when additional charges of fraud and theft are brought by the shopkeeper, and everyone seems disappointed that the local football hero would be out of commission. 

At the Gables, Sam must deal with a nasty guard Mr. Roberts who insists on calling Sam "Red" and is just waiting for the chance to write him up for poor behaviour, bad attitude, and more. There's also a convicted "long-timer" Bruce who seems to have it out for Sam after an innocent mistake of sitting at the wrong dining table ends with Sam shooting off his mouth again.

Why did people keep coming at me and why wasn't I smart enough to shut up and move on when they did? (p. 64)

Thankfully Sam has some good people on his side trying to help him be the best version of himself. There's his roomie Nigel, a smaller guy who is in for throwing a chair at someone; Mrs. Martinez, their English teacher; Kate, a kind-hearted guard; and his psychologist, Dr. McEnny. Now if Sam could only stop seeing everything and everyone as a threat or a challenge and use his smarts–and he is very intelligent–to help himself. 

Sometimes smart can't overcome circumstances, situations, and tragedy. (p. 128)

Things start to change for Sam when Mrs. Martinez assigns Nigel and Sam each a book on which they will prepare a report, and Sam gets Lucy Maud Montgomery's Anne of Green Gables, hoping he'll find some interesting parallels with his own life. If he can just get past his outrage and humiliation, especially when he sees that Anne is a redhead like he is, Sam may be able to use his potential and discover his strength to find hope.

 

For lovers of L. M. Montgomery's Anne of Green Gables, the parallels between Anne's life and that of Sam will be evident, even though their differences in time and circumstances are significant. (In fact, an assignment Sam completes for Mrs. Martinez focuses on these very parallels.) Eric Walters is very subtle in his homage to Montgomery and her red-haired character, though his "Author's Note" suggests an extraordinary depth of admiration for the author and her book. This is abundantly evident in his appreciation for her words–quotes from Anne of Green Gables are cited often and always fitting–and the themes of persevering life's challenges and finding hope against tragedy and adversity. Eric Walters makes us believe in Sam. The young teen may not be completely likeable at the beginning of Sam but he's a kid who has had a lot of hard knocks. His temper, which may or may not be as a result of his circumstances, and I don't mean the colour of his hair, is an entity with which he has a relationship, good or bad. It's in his learning about that anger and his recognition that he has been able to keep it in check that almost releases him from it and allows Sam to grow. While he initially thinks Anne is almost delusionally optimistic, he too starts to acknowledge the positives of things that once appeared to only be difficult. 

Sam has had a tough life, bouncing from foster homes and receiving homes, never being offered a true home since the death of his parents. But, as horrific as going to a juvenile center must be, the Gables becomes a place of salvation for Sam, as Green Gables was for Anne, helping him acquire a support system as tough as any loving family and teaching him the strength he has always had to overcome that which seems formidable. With kind souls and kindred spirits, Sam's life goes beyond "a perfect graveyard of buried hopes" as Anne declares at the beginning of Anne of Green Gables, to one of possibilities.

Maud of Green Gables: How L. M. Montgomery's Anne Enchanted the World

Written and illustrated by Janet Wilson 

978-1-0688776-0-5
39 pp.

All ages

September 2024 

 

While the world knows the story of Anne of Green Gables, in whatever configuration they may have enjoyed–so many adaptations!–the story of her creator, Lucy Maud Montgomery, is less known to most of us. Was her story that of Anne's? Did she write from personal experiences? Was there really a Green Gables? And how did a freckled and red-haired girl enchant the world so completely?

From Maud of Green Gables: How L. M. Montgomery's Anne Enchanted the World, written and illustrated by Janet Wilson

The story within Maud of Green Gables is about the writer and her story. It's about being brought up by her grandparents, trying to get an education at a time when women were often relegated to housework, and finding her passion in writing. It is about Maud's writing, from childhood and throughout her life, and the process of getting Anne's story rejected and accepted and then lauded globally. It's about how she felt about her book and the world. It's about how she saw herself and her place in the world, whether living on Prince Edward Island or in Ontario, whether as a freelance writer or a novelist.

 

“But oh, I love my work! I love spinning stories,
and I love to sit by the window of my room
and shape some ‘airy fairy’ fancy into verse.”

 

And, though Janet Wilson peppers her story with photographs and direct quotes from Montgomery's diaries and from her novel, reminding us that Maud of Green Gables is a biography of Lucy Maud Montgomery, it is the artwork that makes the story sing.

From Maud of Green Gables: How L. M. Montgomery's Anne Enchanted the World, written and illustrated by Janet Wilson

 Janet Wilson's oil paintings do more than just captivate. First, they let us see Anne of Green Gables again and in a different light. (And the light in Janet Wilson's art is brilliant!) We see Anne as she dreams, as she imagines, as she takes in the wonders of her world, and as she treasures moments with those she loves.

From Maud of Green Gables: How L. M. Montgomery's Anne Enchanted the World, written and illustrated by Janet Wilson

But Janet Wilson also lets us see Lucy Maud Montgomery beyond the images recorded in photographs. Those images of her as a child or as a woman, or of her homes and those in her life are static. They captured a person or a place in one moment. Janet Wilson's paintings give us heart and always radiant light. Whether Maud is reading with a cat on her lap, playing with a camera, or walking along a shore, there is a radiance that comes from within.

From Maud of Green Gables: How L. M. Montgomery's Anne Enchanted the World, written and illustrated by Janet Wilson

Maud of Green Gables could have been a dry biography about L. M. Montgomery's story, from early life and family to education and writing and then to her marriage and death. But anyone could tell that story. Telling it with the richness of this art could only be done by the likes of Janet Wilson, the artist whose realism brought In Flanders Fields: The Story of the Poem by John McCrae, written by Linda Granfield, to life. Here her art recreates Maud and Anne with light and life. Moreover, by quoting from Maud's diaries and from Anne's story, Janet Wilson connects the two women on a deeper level, reaching into the hearts of Anne and Maud simultaneously and making us feel for both writer and character and know them both a little better.

 

• • • • • • • 

 

Janet Wilson launches Maud of Green Gables: How L. M. Montgomery's Anne Enchanted the World this Saturday (September 7, 2024) in Eden Mills, Ontario. Check here for details, including how to purchase her new book.

 

 • • • • • • •

Anne of the Library-on-the-Hill

Written by Catherine Little

Illustrated by Sae Kimura

Plumleaf Press

978-1-7381-6524-7

32 pp.

 Ages 6-10

August 2024 

This year we will commemorate the 150th anniversary of the birth of Lucy Maud Montgomery, the author of Anne of Green Gables. There will be several titles released to observe this anniversary, some fiction, some non-fiction, and Anne of the Library-on-the-Hill celebrates Anne of Green Gables with a wholly fictionalized story about another little girl named Anne, with an "e" of course.

 

Anne, of Anne of the Library-on-the-Hill, lives with her parents in Toronto, and regularly visits the Wychwood Library with her father, an artist. This library which she calls Library-on-the-Hill is a special place for her and father, and they both relish the plethora of books they borrow. Her mother is more of an industrious woman who worries that too much imagination might not be helping Anne.

From Anne of the Library-on-the-Hill, written by Catherine Little, illustrated by Sae Kimura

Then World War I arrives, and Father must leave home to serve. His absence, monumental in itself, results in additional changes to the household, with Mother taking on laundry work and no time to take Anne to the Library-on-the-Hill for books. Fortunately, one of Mother's customers, Mrs. Mary Beal shares her own children's old books with Anne. And when a new Library-on-the-Hill is opened, Anne's Mother ultimately gives Anne permission to visit it on her own.

From Anne of the Library-on-the-Hill, written by Catherine Little, illustrated by Sae Kimura

Sadly, the family receives bad news about Father from Vimy Ridge. Missing her father terribly, Anne is comforted when her mother shares a special book that Anne's father had gifted her early in their marriage. Yes, it is Anne of Green Gables, published in 1908.

From Anne of the Library-on-the-Hill, written by Catherine Little, illustrated by Sae Kimura

There's still more that happens to the Anne of Catherine Little's story, including an encounter with the famous author herself, but suffice it to say that our Anne takes wisdom from Lucy Maud Montgomery's Anne that supports her through life's good days and bad.

“I believe the nicest and sweetest days
are not those on which anything very
splendid or wonderful or exciting happens
but just those that bring simple little
pleasures, following one another softly,
like pearls slipping off a string.”

                                                                           ~ From Anne of Green Gables

 

Our two Annes, that of Lucy Maud Montgomery's story and that of Catherine Little's, share some commonalities though their stories are completely different. They both had father figures who encouraged their passions for imaginative endeavours and maternal figures who were more pragmatic. The women weren't mean; they were just prudent. Not surprising that Matthew and Anne's father both had soft spots for their Annes and defended them tactfully to the women in their lives. Beyond the characters themselves, Catherine Little intersperses her story with known experiences from Montgomery's life including her friendship with Mary Beal and attending an event that included Nellie McCLung. By borrowing elements of Anne of Green Gables to feed her story of Anne of the Library-on-the-Hill, Catherine Little pays homage to the much beloved story while giving us a whole new story. If you didn't know about Anne of Green Gables –though Catherine Little provides plenty of background information about Anne and L. M. Montgomery to get you caught up–this Anne and her library and her life would still captivate.

The art of Anne of the Library-on-the-Hill has been created by Sae Kimura, who also illustrated Catherine Little's earlier books, Twelve in a Race and Dragon's Dilemma. Using a variety of media, including acrylic, gouache, watercolour, and pencil crayon, Toronto's Sae Kimura gives an ethereal sense to Anne of the Library-on-the-Hill, which works well for a story set in the mid-late 1910s to early 1920s. The reality of Anne's life is never in question but the richness of her imagination and passion for life is always evident, in the colours of her surroundings, in the brightness of her reading, and the joy she derives from being with her father, visiting the library, and more.

From Anne of the Library-on-the-Hill, written by Catherine Little, illustrated by Sae Kimura

Celebrate Anne of Green Gables and Lucy Maud Montgomery by reading a picture book that honours both while creating something that is wholly its own. With Anne of the Library-on-the-Hill, Catherine Little and Sae Kimura remind us of the anchor that reading can be in a child's life and also the pillar that Anne of Green Gables is in both the CanLit world and internationally.

Maud of Green Gables: How L. M. Montgomery's Anne Enchanted the World: Book launch (Eden Mills, ON)

 

Renowned Canadian author and illustrator Janet Wilson 

 is launching her newest book 

and it's a venture like none she's ever created.

 

 

Janet Wilson is well-known for illustrating books for Robert Munsch, Linda Granfield, Andrea Spalding, Sheree Fitch, and other Canadian authors.

 

She's also made her mark with several illustrated series of social justice books including her award-winning One Peace and Our Earth.

 

 

To celebrate the 150th anniversary of Lucy Maud Montgomery's birth in 1874, Janet Wilson will be launching a special limited edition picture book, Maud of Green Gables: How L. M. Montgomery's Anne Enchanted the World.
 

 

Maud of Green Gables: 

How L. M. Montgomery's Anne Enchanted the World

Written and illustrated by Janet Wilson 

39 pp.

The launch will be held 

on Saturday, September 7th, 2024

from 1 -3 PM

at the 

Eden Mills Community Club

104 York Street

Eden Mills, ON

There will be an exhibit of Janet Wilson's paintings and studies for the book,

and

some raspberry cordial, of course.

Details about the book, including some art and an excerpt, may be found at Janet Wilson's website at http://www.janetwilson.ca/new-maud-of-green-gables.html. (n.b. The book is currently only slated for availability through the author-illustrator herself. Contact information is provided through the link above.)

 

• • • • • • •

 

A is for Anne

Written by Mo Duffy Cobb

Illustrated by Ellie Arscott

Pownal Street Press

978-1-778124549

24 pp.

Ages 0-3

For release February 28, 2023

 

A is for Anne is a concept book that is ever so Canadian, set in the late 1800s and on Prince Edward Island, and offering an opportunity to learn the alphabet and a historical perspective of our world. From horse-drawn carriages to games and activities, A is for Anne takes us into a different time and place.

From A is for Anne by Mo Duffy Cobb, illus. by Ellie Arscott

Some of the letter designations are simple enough, like A is for Anne, who waits by the train, and B is for Brown, a horse with a mane. Young children will understand and appreciate the I is for ice cream and J is for July but many of the references are far more esoteric, requiring a knowledge of L. M. Montgomery's Anne of Green Gables novel–"M is for Matthew, the real reason we're here" and "N is for natural, a father so dear"– or include sophisticated and dated terms like "decree," and "cordial." This does not take away from the elegance of A is for Anne, but I think it extends its readership to all ages, from the very young who are learning their alphabet to older readers who have already read Anne of Green Gables.

From A is for Anne by Mo Duffy Cobb, illus. by Ellie Arscott

Mo Duffy Cobb, co-founder of PEI's boutique publisher Pownal Street Press, captures all the nuances of Anne's story from the child's arrival in Avonlea to her relationships with Marilla, Matthew, Diana, and Gilbert. She takes readers into Anne's enthusiasm for the island's beauty from its poplar trees by a stream, the blossoming cherry trees, and yellow skies tinged with pink, and her joie de vivre for the potential of her new life. Mo Duffy Cobb shares with us Anne's foibles and her heart. And she does it all in polished rhymes, giving rhythm to her refined text.

From A is for Anne by Mo Duffy Cobb, illus. by Ellie Arscott

Though not from PEI, illustrator Ellie Arscott delivers the reader to Anne's home in place and story. From its landscape and its people and the story of the freckled child looking for a home, Ellie Arscott's watercolours with ink depict a world of softness, of place and people. The pace of life is slower than today and simpler in scope but full in sentiment and connection, as is the original story.

I know that parents and teachers will first see A is for Anne as the alphabet board book that it is, but I hope that others will see it as a tribute to the classic story, giving us both rhyme and art to see Anne and her creator from a different perspective.

The Grace of Wild Things

Written by Heather Fawcett

Balzer + Bray (HarperCollins)

978-0-06-314262-6

360 pp.

Ages 8-13

February, 2023

Grace Greene, who has been raised in the Rose & Ivy Home for Unwarded Children in Charlottetown since being abandoned by her parents, is determined to find a home with the witch who lives in the woods at Brook-By-the-Sea. The freckled twelve-year-old with a great imagination and love of words and reading is sure the witch will help her develop her own magical gifts. Grace just needs some guidance, especially as she is convinced she is the bad kind of witch because she can make people's see their worst memories. Though the witch, known to her neighbours as Miss Evelyn Puddlestone, is reluctant to have anything to do with Grace, she gives in when Grace shows some skills. She agrees to train Grace if the child can prove her gift is great, casting every spell in the witch's grimoire before the next blooming of an old cherry tree in spring. That leaves the child only nine to ten months to cast one hundred and a half spells or the witch would claim of all Grace's magic for her own.

With her poetry-loving crow Windweaver and the accidental help of a fairy she calls Rum, Grace begins to make herself at home at the witch's cottage. She is befriended by Sareena Khalil who lives at the farm next door with her parents and four-year-old sister invisible-pretending Daisy Bean. With the help of the children, her crow, and the fairy, Grace begins to make her way through the challenging grimoire. 

But, like a famous red-haired orphan of PEI to whom Heather Fawcett pays homage, Grace runs into trouble time and time again. She always intends to do good and behave but her temper sometimes gets the better of her, especially when she is criticized for her looks or behaviour. There's the snarky Mrs. Charity Crumley upon whom she spills ice cream that is now milked from their cow. There's the bully Poppy whom Grace goes after for making younger children cry. And there's the unfortunate brewing of a potion that spills on Sareena and leaves her drunk. 

 

Still, Grace is tenacious about making a home for herself at Brook-By-the-Sea. With her big heart and good intentions like helping heal the ill witch and deal with a woman claiming the witch as a squatter on her land, Grace has much work ahead of her.

For fans of Anne of Green Gables, the story of The Grace of Wild Things is rich with familiar elements of L. M. Montgomery's classic novel of the PEI orphan looking for a true home. She's freckled and imaginative, talkative, passionate, and sensitive. She has altercations with a local busybody, puts her friendship at risk by accident, and makes a friend of a former bully. But The Grace of Wild Things is much more than just an homage to Anne of Green Gables as those unfamiliar with the classic Canadian novel will instantly recognize. Heather Fawcett writes a fantastic story of magic, challenges, friendship, and home. The writing is superb, eloquent in its heart and richness of language.

Do you think one can have too much imagination? It seems to me it's rather like having too much lemon shortbread or too many flowers in your garden. After all, if you have too little imagination, you'd spend your life finding fault with everything, like Mrs. Spencer does, instead of noticing that there are beautiful things in the world alongside the horrible ones. (pg. 17)

Heather Fawcett, the acclaimed author of The Language of Ghosts and Ember and the Ice Dragons, blends fantasy with the mundane and creates a world in which an orphan seeks home and magical guidance. Forget the parallels with Anne of Green Gables and you still have an extraordinary story of courage and friendship, albeit swaddled in magic. With complex characters who are neither good nor bad and whose demeanours speak of human frailties and strengths, Heather Fawcett helps readers see themselves in those characters. Grace's story may be her own–unique from Anne herself–but, like the rest of us, she is looking for connection and purpose. With the help of the witch, her new friends and even an adversary or two, Grace becomes the witch she was always meant to be.

Anne: An Adaptation of Anne of Green Gables (Sort Of)

Written and illustrated by Kathleen Gros

Quill Tree Books (HarperCollins)

978-0-06-305766-1

304 pp.

Ages 8-13

October 2022

 

This is not L. M. Montgomery's Anne of Green Gables. Sure there is an Anne, a Marilla, a Matthew, Diana and Gilbert. But this is a new Anne, a contemporary one, and one with her own story. And, it's a story that might resonate a little more with young readers today.

From Anne: An Adaptation of Anne of Green Gables (Sort Of) by Kathleen Gros

When Matthew Cuthbert comes by the case worker's office to pick up their foster child, he's surprised to meet twelve-year-old Anne Shirley, a child much older than the one he and his sister Marilla had intended to foster. Although Anne, a consummate writer and doodler, sees herself as "in between being an outsider and belonging" (pg. 2), she's delighted to go to the Avon-Lea, the apartment building where Matthew is a handyman. Marilla, an accountant, may want child services to look into the placement–a server crash may have caused the mismatch–and appear cool towards Anne but she generously buys her a sketchbook and takes her shopping for clothes.

Matthew and Marilla introduce her to a number of the residents of the Avon-Lea, including Mr. Barry, Marilla's boss, who lives with his wife and daughters Diana and Minnie in the penthouse, and Rachel Lynde, a woman who comments on Anne's red hair and gets an earful from the girl. Diana and Anne become fast friends, hanging out in the nearby ravine, before the beginning of their Grade 7 year at Carmody Middle School.

From Anne: An Adaptation of Anne of Green Gables (Sort Of) by Kathleen Gros

At school, she meets Ruby and Josie but also Gilbert who teases her relentlessly, even getting her in trouble. It's only when she makes it clear to him that as a foster kid being labelled as a troublemaker could get her moved, that he takes responsibility. Still school is also where she joins the Carmody Zine Club, an extracurricular that gives her an venue for her creativity.

From Anne: An Adaptation of Anne of Green Gables (Sort Of) by Kathleen Gros

Of course, this is an adaptation of Anne of Green Gables so we know that there have to be a number of unfortunate events, though these definitely have a contemporary feel. There is the hair-dying incident, a visit to a fancy restaurant with Diana's Great Aunt Josephine, a misunderstanding about being asked to the dance, and a dare. And there's an unexpected and heartwarming crush between two friends.

Maybe life is just a cycle of forgiving and accepting forgiveness–if we let ourselves listen and change. (pg. 262)

It's tough to write an adaptation that is fresh and unparalleled by staying somewhat true to the original but Kathleen Gros has done it. Just as she did with Jo: An Adaptation of Little Women (Sort Of) (2020), Kathleen Gros has updated the story of Anne Shirley, keeping the essence of the characters and their relationships and key events, but taking them all into a contemporary setting which might be more familiar to young people. As beloved as Anne of Green Gables is globally, most young readers today would not be familiar with the clothes, classroom or domestic activities of that book. However, they will recognize classroom practices of whiteboards and computers, living in apartment buildings, and introducing themselves with their pronouns. Moreover, by enveloping that modern story in a graphic novel format, Kathleen Gros has introduced a new generation of readers to Anne, including those who would never have picked up the classic story of the red-haired orphan who goes to live at Green Gables. Today's young readers will appreciate a story of getting in trouble at school when being teased or bullied, hiding their feelings, and trying to fit in. But beyond that, Kathleen Gros gives us wisdom and reassurance that there are people that will steer them right and support them in their struggles. 

Fans of Anne of Green Gables will love this new story and new format while revisiting a favourite character and recalling the events that made Anne so memorable. But those unfamiliar with the classic story will still love meeting Anne and her new family and friends and cheer her on as she makes a new life, perhaps with a few missteps along the way. It's Anne 2.0 in all her colours.

• • • • • • •

 

Check back tomorrow, the official release date for Anne: An Adaptation of Anne of Green Gables (Sort Of), for my interview with author-illustrator Kathleen Gros.

• • • • • • •

Anne's Feelings

Inspired by Anne of Green Gables

Written and illustrated by Kelly Hill

Tundra Books

978-0-7352-6287-4

22 pp.

Ages 0-3

May 2019

While many school curricula mandate the teaching very young children to manage their emotions, it's not always easy for kids when they can't identify those feelings in the first place. They may know the way their tummy feels or if their face gets hot and red, but putting names to those emotions and their origins is not always easy. I think that Kelly Hill's latest board book inspired by Lucy M. Montgomery's Anne of Green Gables can help steer young children to some understanding of basic emotions that include those that are troublesome and those that are uplifting.

From Anne's Feelings by Kelly Hills

In a series of double-spreads of illustration and text, Kelly Hill depicts Anne and a few others as they experience a full range of feelings. They– but mostly Anne–are hopeful, or in the depths of despair, calm or excited, angry, scared, happy, brave, surprised, full of wonder, and loving. From Anne showing hope as she waits for a train that might take her to a real home or excited about ice cream, angry at Gilbert for calling her "Carrots" or showing love for Matthew and Marilla, Kelly Hill's illustrations of each emotion are true to Lucy Maud Montgomery's classic story of the orphan girl who finds a home at Green Gables.

From Anne's Feelings by Kelly Hill

While parents and teachers may be most enamoured with the teachings available in the variety of emotions depicted by the well-loved character, children will be tickled with Kelly Hill's cut fabric and embroidery illustrations. (The book's copyright page and credits on the back cover actually describe the artwork as "created with fabric, thread, embroidery floss, a hint of hope and a drop of bravery.") The artwork is colourful and textured, detailed but without being too busy.

From Anne's Feelings by Kelly Hill

Use Anne's Feelings to introduce lessons about feelings but don't forget to use it as a wonderful bridge to the inspiration for Kelly Hill's whole series of board books which includes Anne's Colors, Anne's Numbers and Anne's Alphabet. Anne would surely support the books that bring "simple pleasures, following one another softly, like pearls slipping off a string."

Anne's Alphabet

Inspired by Anne of Green Gables

Written and illustrated by Kelly Hill

Tundra Books

978-0-7352-6286-7

28 pp.

Ages 0-4

May 2019

For parents and teachers who might like to introduce concepts like the alphabet with a truly Canadian flavour, there is a wonderful series of board books from Kelly Hill inspired by L.M. Montgomery's Anne of Green Gables. Anne's Alphabet is just one of the latest.

From Anne's Alphabet by Kelly Hill

Anne's Alphabet starts with, of course, A for Anne, but then fans of the quintessential Canadian novel will recognize the birch grove of B, G for Gilbert, I for imagination which the young girl has in abundance, K for kindred spirit, L for Lake of Shining Waters, M for Marilla and Matthew, and ending with the Zs as Anne drifts off to sleep.

From Anne's Alphabet by Kelly Hill

Kelly Hill's vocabulary selections for each letter will undoubtedly spark discussions about the inspiration for her book but it's her illustrations made from cut fabric and embroidery that steal the presentation. They are colourful and textured. They are eye-catching and draw the reader to explore details in the letters, in Anne's dress and expressions, and the landscapes of her Green Gables and environs. 

From Anne's Alphabet by Kelly Hill

You can see the shadow effect on the letters to make them look three-dimensional, the sewing stitches, and the twisting of yarn in Anne's hair. Kelly Hill makes everything in Anne's Alphabet so enchanting that the alphabet may offer opportunities for study but the art invites indulgent scrutiny.

Anne's Kindred Spirits

Adapted by Kallie George

Illustrated by Abigail Halpin

Tundra Books

978-1-77049-932-4

64 pp.

Ages 6-8

May 2019

I think many people take the making of friends for granted, knowing that they will meet many at school, at work or at organized activities and, with social media, having many "friends" would appear to be the norm. But I think we forget that historically and especially in rural areas, making friends would have been a very big deal. How would you communicate with them? How would you visit? For many families, your siblings became your friends, but if you were an only child, that wouldn't have been an option. So, for L. M. Montgomery's Anne, who inspired this story, making a friend would have been momentous and something for which she'd yearn.

From Anne's Kindred Spirits, adapted by Kallie George, illus. by Abigail Halpin

Anne is excited to meet Diana Barry, a reader like herself, but with hair "black as a raven's wing, not red." (pg. 15) When she asks her to be her "bosom friend, a kindred spirit who would be her best friend" (pg. 6), Diana accepts and the two make plans to attend the upcoming Sunday School Picnic. The picnic is all Anne can think about, though she is distracted by Marilla's amethyst brooch. But when the brooch goes missing and Anne admits to touching it, she is sent to her room until she confesses to losing it. 

From Anne's Kindred Spirits, adapted by Kallie George, illus. by Abigail Halpin

When the day of the picnic arrives and Marilla is determined that Anne will not attend, the imaginative and impassioned young girl admits, in a gloriously elaborate tale, to taking and losing the brooch.

From Anne's Kindred Spirits, adapted by Kallie George, illus. by Abigail Halpin

Of course, Marilla punishes Anne by not allowing her to attend the picnic and Anne is heartbroken. But when Marilla finds her brooch snagged on her shawl, she relents and allows Anne to attend the picnic and spend time with her new bosom friend, eating ice cream and boating on the Lake of Shining Waters.

"One thing's certain," she said at last. "No house will be dull as long as Anne Shirley lives in it." (pg. 63)

Kallie George's adaptation of several important stories from L. M. Montgomery's Anne of Green Gables are blended so well and effortlessly and yet so completely that those young readers who are still too new to reading to dive into the original book will get to know the beloved character well. Anne's spirit for storytelling and uncontrolled commentary, as well as lavish vocabulary, comes through time and time again. She is a wordsmith and a creator of emotional story because everything she does is heartfelt. From admiring a brooch or dresses with puffed sleeves to being heartsick at missing out on a picnic, Anne feels everything deeply and profoundly and expresses her thoughts and emotions with ardour, and Kallie George makes sure the reader knows this about Anne.

Abigail Halpin, who illustrated the first book, Anne Arrives (2018), in this new Anne of Green Gables-based early reader series as well as a number of picture books, gives young readers authentic visuals of a red-haired whirlwind and her new family and friends. But beyond Anne and Diana whose characters are reflective of their similarities and differences, Abigail Halpin gives us time and place that are real and heartwarming. There are the lupines of PEI and picnics, plain dresses and ones with puffed sleeves, and homes plain and decorated. There is the contrast of households and children and a melding of both in friendship.

I love that Anne of Green Gables will reach a new set of readers in a collection that early readers can gather into a special library. With colourful and endearing illustrations and accessible text authentic to the original, Kallie George and Abigail Halpin have honoured and poised Anne's story to reach not just a new generation but a younger one at that.  Irresistible.