The Sustainable School: A Journey Through Time and Energy

Written by Erica Fyvie

Illustrated by Scot Ritchie

Kids Can Press

978-1-5253-0668-6

56 pp.

Ages 8–12

September 2025 

 

As the Grade 6 Eco Club presents their project to conduct an energy audit at the school, a buried time capsule outside the school mutters away, waiting to be discovered and realizing it hasn't had many opportunities to learn. As the kids discuss the upcoming improvements to make the school more energy efficient including a rainwater collection system, a green roof, and solar panels, construction workers outside discover the time capsule—which seems to have its own thoughts as seen by its distinct speech bubbles—left by Class 6 from 1900. In the time capsule is a note from the teacher, Miss  Edna Sorman, who speaks of the impressive engineering of Birch Elementary Public School. So, with that note and the artifacts within, the kids of Class 6 of 2025 begin to see how things have changed over more than a century. 

From The Sustainable School: A Journey Through Time and Energy, written by Erica Fyvie, illustrated by Scot Ritchie

With their teacher dividing the class into 4 teams to tackle the issues of electricity, plumbing, building, and transportation, the Energy League is born. Through discussions and perusal of the time capsule's contents, the students think about the past, what their lives are like now, and then aim to apply what they've learned to predicting what things could be like in 2125, sparking plans for a Future Fair.

From The Sustainable School: A Journey Through Time and Energy, written by Erica Fyvie, illustrated by Scot Ritchie

Within the context of the discovery and the class's activities, young readers will learn about energy, kinetic energy, wastewater measures, retrofitting, and more. We get glimpses into the past when a hand-cranked ice-cream freezer was a luxury at $1.26, when innovations like electric light bulbs  and indoor plumbing were often seen as dangerous, and when the horse and buggy were the norm.  In addition to revealing much about where things were at around the turn of the century (the 20th century), author Erica Fyvie provides snippets about other time capsules, some accidental, some not, like the global seed vault, the Terracotta Warriors, the wreck of the Titanic, Voyager Golden Records, and Scott's hut in Antarctica, as well as reports about recycled building materials, food waste as a source of energy, and zero-fuel transportation.

I

From The Sustainable School: A Journey Through Time and Energy, written by Erica Fyvie, illustrated by Scot Ritchie

The Sustainable School covers a lot of information, but it does so in an engaging format. The use of a graphic-novel style to embed history, inquiry-based learning and STEM concepts will interest middle-grade readers and their teachers and parents. It is a story that does not need to be read in one sitting—though it could be—and can be used as a fabulous launching off for a myriad of science lessons on environmentalism and energy but also studies of history, particularly how things have changed. With those query lessons (see above for part of one based on the question, "Can we build a new building with only recycled materials?"; p. 40), Erica Fyvie offers educators a different way of looking at inquiry. She encourages focusing on the past as a step in the evolution of our infrastructure systems and to project how things might just change in the future. And with the illustrations by Scot Ritchie, whose artwork has enhanced the text of many picture books and non-fiction books (e.g., All Our Love, Frederica, and If You Can Dream It, You Can Do It), The Sustainable School becomes a welcome information book for middle graders and their classrooms. I always remark on the lightness of Scot Ritchie's artwork, probably because of his rendering it in pencil and then ink before colouring in Photoshop but it lends itself well to keeping information text manageable and hardly imposing or dull. In fact, Scot Ritchie's characters, who show the wonderful diversity of many classes today, and the graphic-novel format create a milieu for engagement.

From The Sustainable School: A Journey Through Time and Energy, written by Erica Fyvie, illustrated by Scot Ritchie

I really hope that Erica Fyvie and Scot Ritchie can extend this style of non-fiction to other topics, perhaps One Health or education. It is very reminiscent of Linda Bailey and Bill Slavin's The Good Times Travel Agency in the blending of graphics with time perspective and information, and I believe Erica Fyvie and Scot Ritchie honour those who've first accomplished much in presenting non-fiction books in captivating and informative ways. After all, looking back isn't languishing there; it's informing the future.

King of the Dump

Written by Tim Wynne-Jones

Illustrated by Scot Ritchie

Groundwood Books

978-1-77306-748-3

32 pp.

Ages 3–6

August 2025

 

In Tim Wynne-Jones's newest picture book, illustrated by Scot Ritchie, a father-son visit to the dump becomes a lesson in recycling and donation and looking beyond the self.

From King of the Dump, written by Tim Wynne-Jones, illustrated by Scot Ritchie

Teddy and his dad are heading to the dump with multiple loads of recycling and some extra stuff, like Teddy's old foot-to-floor ride-on doggie. Teddy isn't sure he wants to give up on this toy, even though he is far too big to ride on the little dog toy. But, once they get to the waste management center, there's lots to do and much to recycle. 

From King of the Dump, written by Tim Wynne-Jones, illustrated by Scot Ritchie

First they head to recycle their metal cans and such. When Teddy spots an errant plastic bottle in the bin, Gord, one of the operations staff, lets Teddy use his grabber tool to pick it out and place it in the correct bin. Next comes a visit to the mixed paper bin where Teddy finds himself chasing flying paper to return to the bin. He also gets to watch the contents of various bins get compacted so they don't take up so much space. Finally, they visit the "As Is" area where Teddy can donate his ride-on dog. He has a hard time parting with the yellow-saddled red dog but a gift of a crown from the coordinator and seeing the joy his old friend gives to a young child is enough to make Teddy change his mind.

 

I'm sure many children remember regular outings with a parent to run errands, which the adults might think of as routine and mundane, but children find the magic within. Whether it's a trip to the local dump—sorry, waste management center—or the hardware store or a local bakery, kids will remember something about how it made them feel. (Readers of my age will undoubtedly remember visits to the local Canadian Tire for car stuff or the hardware store to paw through bins of screws or nails.) While many would not see the fascination kids might experience at a dump, the time spent alone with a parent is already special, and the activity of sorting is not dissimilar from the first task learned. Though it has been awhile since author Tim Wynne-Jones has given us a picture book—he has been very busy with middle-grade and young adult fiction like Blink and Caution and The Starlight Claim—he hasn't lost the touch that earned him the Ruth Schwartz award in 1983 for Zoom at Sea. As with Zoom, Teddy finds adventure in the ordinary. Though many children are bombarded with tools for play nowadays, from iPads to video games and a variety of apps, most know how to create fun and adventures from very little. Chasing paper that has escaped the recycling bin or using a trash picker tool to extract a misplaced plastic bottle or watching the compactors or the dump trucks all entertain Teddy. He finds amusement where the adults only see labour or chores.

From King of the Dump, written by Tim Wynne-Jones, illustrated by Scot Ritchie

But Tim Wynne-Jones doesn't just show us the pleasure children can get in the mundane. He also demonstrates that kids can see beyond themselves. I'm sure there are many parents who would just have given in to Teddy and let him keep his old toy, giving in to his fear for losing a beloved toy. It's not unusual to hold on to that which holds wonderful memories. But Teddy's dad and even the lady in the "As Is" area know that moving on, perhaps with a new play crown or by seeing someone else enjoy the toy, can be a big step, albeit a seemingly unthinkable one.

Getting Vancouver's Scot Ritchie to illustrate King of the Dump works so well. Perhaps it's Scot Ritchie's use of pen that gives his lines and shapes movement that is both methodical and purposeful. Sometimes there's flurry of activity, as when Teddy chases paper, or just intense observation of all the goings-on. Scot Richie gives Teddy and his dad and the waste management center the appropriate energy of activity, of pleasure, of work, and of emotion. (Yes, there is emotion. Just look at Teddy's face as his dad carries the beloved toy away.)

From King of the Dump, written by Tim Wynne-Jones, illustrated by Scot Ritchie

Tim Wynne-Jones's dedication to "Felix, the original King of the Dump" suggests a very personal connection to this story, and I wonder if the bearded father could be Tim Wynne-Jones himself. Even if it isn't, King of the Dump remains a personal story of something special coming from the ordinary. It's a father and son spending time together with subtle lessons in unselfishness that suggest that doing good for the environment and others does not have to be a big deal.

Jacinta's Orderly World

Written by Margaret Sullivan

Illustrated by Scot Ritchie 

Plumleaf Press

978-1-73889827-5

32 pp.

Ages 3-7

May 2024

 

We  all like to have our things where can find them. For some, like Jacinta, having routines and things in order makes all the difference to having her day so smoothly. But then she meets someone who does things a little differently and still makes it work for them.

From Jacinta's Orderly World, written by Margaret Sullivan, illus. by Scot Ritchie

Jacinta likes order in her life, whether it's how her socks are organized in a drawer or using an egg carton to house her 12 most special rocks. (She's also very good at repurposing objects.) That control over what she does and how she does it brings her contentment. But outside of her control, things are always different and sometimes difficult.

From Jacinta's Orderly World, written by Margaret Sullivan, illus. by Scot Ritchie

Jacinta finds it stressful when her grandmother comes over to babysit and throws off Jacinta's order. Doesn't Grandma Nancy know that the cereal and cookie boxes are organized according to the colour spectrum ROY G BIV? And what is she supposed to do with the new stuff Grandma Nancy brings that don't fit in to her organization scheme?

From Jacinta's Orderly World, written by Margaret Sullivan, illus. by Scot Ritchie

But a trip to Kenny's garage to pick up their car gives Jacinta a new perspective. Without knowing it, she finds the beauty of her order in the chaos outside of her home. Whether it's the rainbow she discovers in spilled oil or a tiny mouse that resides in Kenny's garage, Jacinta finds that she can appreciate that which initially seems disorganized.

 

Margaret Sullivan, a poet and writer from Salt Spring Island, shares her experiences of seeking comfort in organizing her room via Jacinta whose own quest for order gives her satisfaction. Growing up in a military family who often moved locations, Margaret Sullivan found stability in the organization of her own space. Most young children feel a lack of control in their lives, having their activities from eating to sleeping, learning and play dictated by the adults in their lives so for Jacinta to be able to exercise some level of authority over her surroundings is important.  But, while Margaret Sullivan could have made Jacinta an anxious child, she made her one who appreciates order but could see beyond that which appears disorganized. She gives us a character that is multi-dimensional, who knows what she likes and how to get it but is open to others who may want something different.

From Jacinta's Orderly World, written by Margaret Sullivan, illus. by Scot Ritchie

Scot Ritchie's illustrations depict both the order and the chaos effectively and with kindness. His art shows the complexity of colour in our lives but also that it's up to us how we live with all that colour. He makes sure we don't see Jacinta's life as anything less than full. She doesn't live in a world of black and white, or even grays. Her life has everything she needs and likes and she still is able to look beyond herself. Her openness to new experiences and to the needs of others demonstrates that the richness of her life reaches beyond herself.

I like Jacinta. She's a cool kid. I like how she organizes and repurposes objects and how she opens her heart. She could have closed herself off to protect herself from that which might disturb her but, from her grandmother and mishaps and meeting Kenny, Jacinta takes it all in stride to find a way to cope. In fact, she does better than cope. She finds a way to appreciate them all. Life can be jumbled but Jacinta shows us that there is a way to see within and beyond and give it an order that works for us.

All Our Love

Written by Kari-Lynn Winters

Illustrated by Scot Ritchie

North Winds Press (Scholastic Canada) 

978-1-4431-9880-6 

32 pp.

Ages 3-8

January 2024 

 

We know that families come in so many configurations but do all children know that? All Our Love shows one wonderful family that may be just right as it is but will become even more right with a new baby.

From All Our Love, written by Kari-Lynn Winters, illustrated by Scot Ritchie

Sofia and her two dads are anticipating the arrival of a new baby. As Dad builds a crib, Sofia works on a welcome letter for the baby. But she has so many questions! When will the baby arrive? Will it want her as a big sister? Will it change their family from being "just right" which her dads said their family became when Sofia came along.

But Sofia is also incredibly excited. When her dad finally arrives at school to tell her that it was time to go to the hospital, she thinks about all she's written "To the new baby." She mentions what Dad likes and does, while Daddy does other stuff. And she speaks about having a Dad and a Daddy because "We're just lucky, I guess!" Finally, after masking up and joining Daddy at the hospital, the family of four heads home, with the letter, now addressed to Oliver, being read, and signed off with "All our love."

From All Our Love, written by Kari-Lynn Winters, illustrated by Scot Ritchie

There is so much love in this household. Sofia knows she is loved, and she wants the baby to know they are loved too. So, all the things that her dads show her that prove their love for her, Sofia shares with the baby. She talks of Dad picking her up from school, and making pancakes for dinner on Tuesdays, and Daddy telling jokes and kissing boo-boos from falls. This child knows love. 

 

Kari-Lynn Winters can give us funny (e.g., What If I'm Not a Cat? and Bad Pirate) but there is always a degree of tenderness in her stories. Her books like French Toast and Gift Days remind us that there are things which children may think about that may be surprising or different but they are legitimate questions and challenges that children may be experiencing. In All Our Love, while Sofia wonders what the new baby will mean to their family, her welcome letter suggests that she knows that they might wonder about a family with two daddies. This question may have been posed to Sofia herself and her answer acknowledges that she and the baby may have a different family than others but that's what makes it more special. Though Kari-Lynn Winters's dedication suggests that the story is inspired by one particular family or two, All Our Love really speaks to every family, whether with two dads, two moms, only a mom or a dad, or both a mom and a dad, or no moms and dads. If there is love, it is a family.

From All Our Love, written by Kari-Lynn Winters, illustrated by Scot Ritchie

Scot Ritchie, illustrator of countless books of his own (e.g., Federica) as well as those of others (e.g., Zander Stays), has an art style that is soft in line and colour and tender in its spirit. As All Our Love comes from the perspective of Sofia writing a letter to her new sibling, Scot Ritchie has given the illustrations a sweet, anticipatory feel. From Sofia thinking and writing about what this new change will mean, to the family that feels the stars of a birth's magnificence, Scot Ritchie's art takes us on their journey from waiting and hoping to welcoming and celebrating.

 

I hope that young readers will see this as a story of two dads and their children but will also recognize that it goes beyond that because of the love that comes with family. With all that love, this family will be just right, no matter its composition.

Zander Stays

Written by Maureen Fergus

Illustrated by Scot Ritchie

Pajama Press

978-1-77278-296-7

36 pp.

Ages 4-7

October 2023

 

Zander is a goose, a lovely white goose with bright orange legs and an orange bill. He's like the other geese except for this autumn when Zander decides to stay. While the other geese pack up to fly south for the winter, Zander decides he's going to try something different this year.

From Zander Stays, written by Maureen Fergus, illustrated by Scot Ritchie

After his compadres have left, Zander enjoys new endeavours like jumping in leaf piles, and racing the wind. He may be alone, but he never feels lonely. But then winter arrives. He's advised by a squirrel that he should prepare for winter by collecting and storing nuts. Too bad he doesn't eat nuts. The other animals have their own advice for surviving the winter, but none seem to quite work for Zander. And though he enjoys his first encounter with snow, he soon realizes that he is at a disadvantage, and there is no one to help him.

From Zander Stays, written by Maureen Fergus, illustrated by Scot Ritchie

Miraculously, when Zander is about to give up, a little girl named Grace finds him and shows him what she does to survive the winter. Finally, Zander finds some adaptive techniques that work for him. And won't he have some wonderful stories to tell his friends when they return!

From Zander Stays, written by Maureen Fergus, illustrated by Scot Ritchie

While it might not be recommended that wild geese like the snow goose not migrate as they normally would, Maureen Fergus has actually created a STEM story about migration and adaptation by having Zander stay. (Her "Author's Note" provides worthwhile information for young readers about how different animals adapt and what hibernation and migration mean.) It might be exciting to try something new but not migrating became a dangerous undertaking for Zander and one that he only survived with human help. With warm shelter and food, Zander learned from Grace that winter could be enjoyed but only with respite from the challenging conditions. Moreover, her compassion for Zander saves him, reminding children to be mindful of the needs of animals and their welfare.

From Zander Stays, written by Maureen Fergus, illustrated by Scot Ritchie

Scot Ritchie has illustrated both picture books and non-fiction texts (e.g., Federica; Dinos Driving; Follow That Map!; If You Can Dream It, You Can Do It; On the Line) and as such has demonstrated a deftness of touch for creating sweet and yet realistic artwork. In Zander Stays, Scot Ritchie gives us identifiable red squirrels, bats, a bear, a rabbit, and geese, but placed them in landscapes of lake shores, sunsets, and even a cozy home garnished with a fireplace, scattered winter clothing, artwork, and food. Any child reading this book will know the cool autumns of fallen leaves, the snowy cold winter days, and the warmth of being inside from Scot Ritchie's artwork. By using ink and digital watercolour art to give substance to Maureen Fergus's story, Scot Ritchie keeps it gentle–a story of a goose that might not survive the cold of winter definitely needs a light touch–and engaging, while still reminding us that survival is still an issue for animals in winter.

 

As different parts of Canada experience their own cold spells this winter,  help young children understand the basics of adaptation, about migration, and about animal welfare, while cheering for a silly goose who was fortunate to survive the winter with a little help from a friend.

If You Can Dream It, You Can Do It: How 25 inspiring individuals found their dream jobs

Written by Colleen Nelson and Kathie MacIsaac

Illustrated by Scot Ritchie

Pajama Press

978-1-77278-228-8

64 pp.

Ages 8-12

October 2022 

 

Although I could see teachers using If You Can Dream It, You Can Do It as a nifty catalogue of possible careers, this non-fiction book is more inspiration, depicting those who have dreamed big and followed those dreams to success.

From If You Can Dream It, You Can Do It by Colleen Nelson and Kathie MacIsaac, illus. by Scot Ritchie

Authors Colleen Nelson and Kathie MacIsaac have highlighted 26 individuals who have followed their dreams and achieved their dream jobs. From author to chief medical officer and smokejumper to play-by-play commentator, a wide variety of jobs in the creative arts, sports, trades, sciences, education, tech and more are covered. For each individual (and one pair) showcased, the authors have included a bio, a list of spin-off jobs, and young people inspired to follow a similar path.

From If You Can Dream It, You Can Do It by Colleen Nelson and Kathie MacIsaac, illus. by Scot Ritchie

Some of the individuals highlighted will be recognizable, such as author David A. Robertson (Sugar Falls, On the Trapline, When We Were Alone), Theresa Tam, Canada's Chief Medical Officer, and Stephanie Harvey, pro gamer missharvey while others do their jobs with passion but without celebrity. Learning how they achieved their dream jobs, often through hard work, relevant education or experience, and perseverance, and how young people can try things to see if it's a path they'd like to follow are all included in each double-spread exposé. 

From If You Can Dream It, You Can Do It by Colleen Nelson and Kathie MacIsaac, illus. by Scot Ritchie

The completeness of this collection will be a worthwhile reference for career counsellors and kids thinking about where their passions may lead them, but it's also just a well-organized collective biography that informs and celebrates. From info boxes and a glossary, as well as a listing of types of skills needed as a foundation for those jobs, Colleen Nelson and Kathie MacIsaac cover all the bases in a comprehensive and captivating format. And with Scot Ritchie's playful cartoons reflecting the diversity and abundance of people and jobs showcased, If You Can Dream It, You Can Do It becomes less instructive and more colourful.

 

With a little bit of everything and everyone, Colleen Nelson and Kathie MacIsaac, with Scot Ritchie's illustrative additions, take us into the studios, schools, labs, and outdoors to meet the doers who endeavoured to find their dream jobs and now enrich our world in countless ways.

• • • • • • •

 

If you're fortunate to be in Winnipeg or thereabouts this week, Colleen Nelson and Kathie MacIsaac will be launching their new book on Wednesday, November 2, 2022 at 7 PM at McNally Robinson Booksellers, in Grant Park in the Atrium, Winnipeg, MB. It will also be  Streaming on YouTube, if you can't attend in person. Full details here.

A World of Mindfulness

From the Editors & Illustrators of Pajama Press

Text by Erin Alladin

Illustrations by Suzanne Del Rizzo, Carmen Mok, Tara Anderson, Sue Macartney, Gabrielle Grimard, François Thisdale, Rebecca Bender, Miki Sato, Aino Anto, Amélie Dubois, Emma Pedersen, Andrea Blinick, Tamara Campeau and Scot Ritchie

Pajama Press

978-1-77278-138-0

32 pp.

Ages 3-7

November 2020

 

Our world needs more mindfulness. With all the strife and worries, we need to become aware of the present, appreciate the now and bring calm. A World of Mindfulness will help all of us, but especially children, find that.

From A World of Mindfulness, illustration by François Thisdale

Fourteen illustrators provide artwork to complement Pajama Press editor Erin Alladin's words. The text is sparse but impactful, from the first lines, "I am here. I know who I am" through acknowledging one's presence even with eyes closed ("I can hear birds and breezes and a dog barking. Even with my eyes closed, I know where I am") and acceptance of the stresses as normal ("Sometimes my mind is like a mixed-up swirling snowstorm. It isn't right or wrong–it's just how I feel."). The text acknowledges, accepts, instructs and quiets.

From A World of Mindfulness, illustration by Suzanne Del Rizzo

For  each message, another illustrator from a selection of artists whose work has graced picture books from Pajama Press gives colour and life to Erin Alladin's words. From François Thisdale's mixed media illustration of a boy taking in his urban surroundings with eyes closed, to Suzanne Del Rizzo's textured polymer clay artwork that also adorns the cover, the art of A World of Mindfulness is striking and unique.

From A World of Mindfulness, illustration by Miki Sato

Whether trying to permeate the text with the calm resulting from mindfulness or the wish to find joy or the angst that compels a need for mindfulness, the illustrators complete the messages of enlightenment and support in their medium of choice. There are coloured-pencil drawings, cut-paper art, digital illustration and more. As diverse as the ways to attain mindfulness, the illustrators of A World of Mindfulness explore the concept with their own form of creativity.

From A World of Mindfulness, illustration by Emma Pedersen

When Pajama Press came out with its first collaboratively-created picture book, A World of Kindness, it impressed all with its poignant messages and stunning and varied artwork. It ushered readers through recognizing the need for kindness, especially when faced with unkindness, and how to be kind. A World of Mindfulness similarly takes the reader on a journey of discovery, of how to find the calm within, of focusing on moments and tasks and of immersing oneself in the experience that is. Whether for quality of life or therapy, mindfulness works and so does A World of Mindfulness.

From A World of Mindfulness, illustration by Scot Ritchie

Federica

Written and illustrated by Scot Ritchie

Groundwood Books

978-1-55498-968-3

32 pp.

Ages 4-7

August 2017

The cover of Federica may suggest a little girl herding sheep and, though she's not, I think it would be far easier than herding her family to keep the house tidy.  Because everyone is so busy–there's mum and dad and baby in addition to Federica–"her house was a buggy, buzzy mess." Yech!

From Federica by Scot Ritchie

No wonder Federica enjoys the peace and solitude of the park, a space with an assortment of free-roaming goats, sheep, raccoons and more. Watching the animals, she gets her big idea.

For the first part of her plan, she brings the sheep and goats home.  She's a very good girl, though, and asks her dad's permission for her "friends" to come in.  He's too busy to notice and answers with an "Uh-huh." Similarly, she brings in some spiders and dragonflies, a toad and an owl, and some raccoons, always asking her inattentive parents first.

From Federica by Scot Ritchie

The second part of her plan is getting her family out of the house for a picnic at the park.  This is easy-peasy.  As soon as the door closes behind them, Federica's new friends get to work.  They eat bugs and mice and scraps off the floor and plates and even wash the dishes and the kitchen counters.  Mum and Dad may be shocked by the animals in the house but "The flies were gone, the carpet was clean.  The grass was cut, and the kitchen spotless."  But could the family keep up the cleaning once Federica's friends returned to their homes?

In most households, it's the parents and guardians hounding children to keep their rooms and other areas tidy, but Scot Ritchie turns that tale around by Federica being the impetus for getting and keeping the house clean.  I suspect that there are numerous households like Federica's where the parents are so focused on their own activities that they fail to notice what their children who, getting what they want, may not get what they need. In Federica's case, she craves cleanliness.  And though she finds an unconventional way to get that what she needs, she does instill that need for tidiness in her family that will keep them all healthy and happy in the future.

Scot Ritchie's take on getting a family to come together to clean at the behest of one of the children is charming.  Federica is never heavy-handed or angry, though that would be perfectly warranted.  The text is cherry and the illustrations are the same, light and airy and never burdensome as cleaning can be.  Cleaning has never been so animated and entertaining.

From Federica by Scot Ritchie