The Rez Doctor

Written by Gitz Crazyboy

Illustrated by Veronika Barinova

Coloured by Azby Whitecalf

Lettered by Toben Racicot

HighWater Press

978-1-55379-924-5

64 pp.

Ages 12+

September 2024

Though this is Ryan Fox's story, it is also the story of any Indigenous person who has been disregarded in their health care, undervalued in their education, and an heir to a history of social injustice. It's also the story of those who endure, persevere, challenge, and succeed.

From The Rez Doctor, written by Gitz Crazyboy, illustrated by Veronika Barinova, coloured by Azby Whitecalf, lettered by Toben Racicot

Ryan recalls what it was like going to the walk-in clinic as a child with his mom. From his experiences and those of the other patients seeking medical help, the non-Indigenous doctor finds it easier to condemn their lifestyles and push painkillers on them rather than really try to help. At school, his classmates dream of careers like lawyers and doctors but with teachers who criticize his work, either telling him he isn't working hard enough or not to become conceited because he'd done well, Ryan couldn't imagine himself achieving much.

From The Rez Doctor, written by Gitz Crazyboy, illustrated by Veronika Barinova, coloured by Azby Whitecalf, lettered by Toben Racicot

Thankfully, Ryan finds much comfort in his family and their traditions. Even with an uncle who struggles with alcoholism, Ryan values the support and encouragement he receives. Still, it's a school visit from Dr. Esther Tailfeathers, a former student, who recalled the words of her grandfather that "You always have to prove yourself to your community" that helps Ryan focus on medicine.

Through hard work, Ryan graduates from high school and is admitted to the University of Lethbridge. With new responsibilities come new challenges. He's living away from family, he wants to fit in with his peers, and he's responsible for motivating himself. And while there's good that happens to him, like meeting Charm, Ryan is convinced he's messing everything up. Only his uncle, now at a remand centre, reminds him to not let his chance at a good life slip away. Ryan heeds his sage advice.

The Rez Doctor is an inspiring story of self-empowerment. For Indigenous youth who are faced with prejudice at school and outside of their community, The Rez Doctor reminds them that regardless of their circumstances, like having family with addictions, studying far from home, struggling with finances, and clashing with those who diminish their capabilities–Ryan is encouraged to switch from medicine to geology so he can get a job in the oil fields–they can work hard and try their best to reach their goals. As with all of us, they may not get what they want but they may, as does Ryan, who is able to return to his community and work in a Tribal Clinic making things better for the health of his Indigenous community.

From The Rez Doctor, written by Gitz Crazyboy, illustrated by Veronika Barinova, coloured by Azby Whitecalf, lettered by Toben Racicot

Gitz Crazyboy is a Siksikaitsitapi (Blackfoot) and Dene writer who works as a youth facilitator in Calgary. The story he tells in The Rez Doctor is a literary exemplar to Indigenous youth about what can be. Though Ryan's family shows him wonderful support, encouraging his culture and traditions and his aspirations, he still is responsible for his choices. He has big ones to make, but Gitz Crazyboy has Ryan demonstrate that, even when distracted by good and bad, he steps up.

From The Rez Doctor, written by Gitz Crazyboy, illustrated by Veronika Barinova, coloured by Azby Whitecalf, lettered by Toben Racicot

The realism of Ryan's story is unmistakable, though I don't know if Gitz Crazyboy is telling someone's story. It reads like a creative biography, and the artwork by Veronika Barinova, now also of Calgary, reflects that. Her artwork, coloured by Azby Whitecalf and lettered by Toben Racicot, manifests that realism in the stark clinic examination room, the austere classroom, and the grimness of the remand centre. She also brings joy through Charm and Ryan's relationship, the connections Ryan experiences with family, and the heart that he demonstrates when he returns to serve his community.

It's not necessarily easy or possible to break away from a legacy of prejudice and discrimination. However, Ryan of The Rez Doctor was able to do so, and in doing so he did good for more than himself. He brought compassion and understanding and true service to his community that could only bring more goodness and success for all.

If You Can Dream It, You Can Do It: How 25 inspiring individuals found their dream jobs

Written by Colleen Nelson and Kathie MacIsaac

Illustrated by Scot Ritchie

Pajama Press

978-1-77278-228-8

64 pp.

Ages 8-12

October 2022 

 

Although I could see teachers using If You Can Dream It, You Can Do It as a nifty catalogue of possible careers, this non-fiction book is more inspiration, depicting those who have dreamed big and followed those dreams to success.

From If You Can Dream It, You Can Do It by Colleen Nelson and Kathie MacIsaac, illus. by Scot Ritchie

Authors Colleen Nelson and Kathie MacIsaac have highlighted 26 individuals who have followed their dreams and achieved their dream jobs. From author to chief medical officer and smokejumper to play-by-play commentator, a wide variety of jobs in the creative arts, sports, trades, sciences, education, tech and more are covered. For each individual (and one pair) showcased, the authors have included a bio, a list of spin-off jobs, and young people inspired to follow a similar path.

From If You Can Dream It, You Can Do It by Colleen Nelson and Kathie MacIsaac, illus. by Scot Ritchie

Some of the individuals highlighted will be recognizable, such as author David A. Robertson (Sugar Falls, On the Trapline, When We Were Alone), Theresa Tam, Canada's Chief Medical Officer, and Stephanie Harvey, pro gamer missharvey while others do their jobs with passion but without celebrity. Learning how they achieved their dream jobs, often through hard work, relevant education or experience, and perseverance, and how young people can try things to see if it's a path they'd like to follow are all included in each double-spread exposé. 

From If You Can Dream It, You Can Do It by Colleen Nelson and Kathie MacIsaac, illus. by Scot Ritchie

The completeness of this collection will be a worthwhile reference for career counsellors and kids thinking about where their passions may lead them, but it's also just a well-organized collective biography that informs and celebrates. From info boxes and a glossary, as well as a listing of types of skills needed as a foundation for those jobs, Colleen Nelson and Kathie MacIsaac cover all the bases in a comprehensive and captivating format. And with Scot Ritchie's playful cartoons reflecting the diversity and abundance of people and jobs showcased, If You Can Dream It, You Can Do It becomes less instructive and more colourful.

 

With a little bit of everything and everyone, Colleen Nelson and Kathie MacIsaac, with Scot Ritchie's illustrative additions, take us into the studios, schools, labs, and outdoors to meet the doers who endeavoured to find their dream jobs and now enrich our world in countless ways.

• • • • • • •

 

If you're fortunate to be in Winnipeg or thereabouts this week, Colleen Nelson and Kathie MacIsaac will be launching their new book on Wednesday, November 2, 2022 at 7 PM at McNally Robinson Booksellers, in Grant Park in the Atrium, Winnipeg, MB. It will also be  Streaming on YouTube, if you can't attend in person. Full details here.

Spin

Written by Colleen Nelson

Dundurn

978-1-45974-496-7

296 pp.

Ages 12-15

August 2019

 

Fifteen-year-old Delilah Doucette, affectionately called Dizzy by her father Ray and brother Lou, has had music around her her whole life. Her dad once toured as a saxophone player and now owns a record store called The Vinyl Trap. And her mother? Her mother is the famous singer Georgia Waters. Or at least Georgia Hay is, giving birth to both Lou and Dizzy before she chose to abandon them with Ray and embrace a life of touring and celebrity. Since leaving when Dizzy was one-year-old and Lou was four, Georgia has only seen them once in fourteen years. Still,

She might have escaped us, but we couldn't escape her. (pg. 10)

While Lou, already graduated from high school and working at the store, promoting it on social media and arranging special events, struggles with what he wants to do with his life, Dizzy is still in school and knows what she wants. For her, it's all about spinning and mixing music. The store may be an anchor for both, but for Lou it feels like it may drown him while for Dizzy, it's her foundation. And for Ray, it gives him the opportunity to continue with his music, sharing it with others, jamming with friends Donnie, Rudy, Barney and Big Tom, and providing for his family.

After Dizzy opens for DJ Erika at one of the store's Friday Night Spin DJ nights, she is advised to tell a story with her music to make more of an impact. Unbeknown to her family, she uses some private and forgotten recordings from when Ray and Georgia were first together in a mix that she uploads to her Mixcloud account. That mix and a choice to see Georgia in concert in the city leads Dizzy to turn her back on a promise she and her brother had made to their father to never reveal their mother's identify.

As both Dizzy and Lou search for the path that is right for them, Dizzy through her music and potential connection with her mother and Lou slipping into university English lectures and crushing on a fellow student Olivia, Ray tries to hold onto his love of music in any way he can and do what is right for his children. Whether that will be with or without Georgia will depend on how things play out.

Telling the story in Spin through the voices of Dizzy, Lou and Ray, Colleen Nelson creates one firmly rooted in perspectives. Three family members are all looking at the same circumstances–the abandonment of the family by the mother–and revealing different takes on her and her choices. From curiosity to anger, resignation and confusion, the Doucette family sees Georgia as an enigma. Whether she's as Lou sees her...

Georgia had had her chance ten years ago and she'd left us on the table. Forgotten leftovers from a life she didn't want. (pg. 33)

...or the potential celebrity mom that Dizzy craves or the love Ray once had, Georgia has chosen to be what she wanted and not necessarily what others wanted of her. And how they have reacted to her choice is what makes Spin a great story of family. It's not a straightforward story but then most families aren't.  They're complicated and messy and nurturing and debilitating in their own ways and Colleen Nelson knows this. (Read The Fall, 250 Hours, Finding Hope, and Blood Brothers for a good sampling of great stories about family.) Colleen Nelson excels at putting families in all their configurations out front and exposed, never judging their frailties or flaws, only revealing for the purpose of demonstrating that

It's how you go forward from your past 

that makes you who you are. (pg. 138)

Whether teen or adult, child or parent, the characters in Spin, including secondary characters like the homeless Leroy and Dizzy's best friend Maya, do move forward, choosing to advance their own stories with the spin they've selected for themselves, all courtesy of Colleen Nelson's dynamic text and powerful narrative.

Work: An Occupational ABC

by Kellen Hatanaka

Groundwood Books

978-1-55498-409-1 (hc)

40 pp.

Ages 3-7

For release August, 2014

(My apologies to Kellen Hatanaka and Groundwood for the inability of my scanner to accurately reproduce the colours in the illustrations of the book.  Discrepancies are solely my own. So, readers, you'll need to get your hands on the actual book to fully enjoy the breadth and contrast of colours within.)

I'm sure a lot of readers will initially react to an ABC book with, "Not another ABC book!" and maybe some publishers react that way as well.  But I'm glad Groundwood Books didn't and I know that youngCanLit readers won't once they open the bold and inviting Work: An Occupational ABC from artist, now author-illustrator, Kellen Hatanaka.

As in all picture books, the text must work well with the illustrations as a cohesive entity, not just a bunch of words with a bunch of pictures in a 32-page format. (Sadly, there are books like that published daily.) Kellen Hatanaka has effortlessly partnered the names of a variety of occupations, both traditional and exotic, with his illustrations, providing graphic details of each occupation embracing the first letter of that occupation.  For example, the P for Postal Worker page (see above right) includes the postal worker carrying her stamped and string-tied letter P as a heavy parcel, with a rural mailbox and shrubbery and flowers scattered around. The emphasis is on: 1) the letter and 2) its association with the worker and 3) the name of the job. Here children will see 1) the letter P, 2) marked as a mailing and carried by 3) the postal worker.  For the very youngest, that's all that is needed. For children in Kindergarten and older, the details become a cache of hidden information.  And kids will always see these sooner than most adult readers, so let them discover and discuss and persuade you of their meaning.

The collection of occupations is broad and fascinating, undoubtedly leading to much discussion.  From the aviator, to the horticulturalist and the detective and oceanographer, and finally to the xenologist, yogi and zookeeper, readers will be intrigued by the possible careers out there. And look for Kellen Hatanaka's enigmatic details of each occupation in single sentence "Want Ads" at the conclusion of the book.  

But, as Kellen Hatanaka is first and foremost an artist and designer, I'd like to attempt (poorly, I'm sure) to describe the perfection of his graphics in Work: An Occupational ABC.  By using silk screen printing for the illustrations, Kellen Hatanaka has created unassuming images that ensure clarity, allowing young readers to identify elements easily.  From stylized flowers and trees, and faces lacking details, to a German shepherd  and a walrus, everything is identifiable and still encouraging of inquiry.  Moreover, the palette of rose, salmon, sea green, olive, with the occasional black and blues, feels like a colour embrace, completely non-threatening and absolutely calming.

Work: An Occupational ABC is both an informative and evocative ABC book, sure to lead children to consider new careers, but it is also a book of art that should be appreciated regularly. Hopefully the future will bring Kellen Hatanaka's artwork to more youngCanLit so that I may add him to our already impressive collection of youngCanLit's Who's Who of Illustrators. He will surely deserve a place there.