Spin

Written by Colleen Nelson

Dundurn

978-1-45974-496-7

296 pp.

Ages 12-15

August 2019

 

Fifteen-year-old Delilah Doucette, affectionately called Dizzy by her father Ray and brother Lou, has had music around her her whole life. Her dad once toured as a saxophone player and now owns a record store called The Vinyl Trap. And her mother? Her mother is the famous singer Georgia Waters. Or at least Georgia Hay is, giving birth to both Lou and Dizzy before she chose to abandon them with Ray and embrace a life of touring and celebrity. Since leaving when Dizzy was one-year-old and Lou was four, Georgia has only seen them once in fourteen years. Still,

She might have escaped us, but we couldn't escape her. (pg. 10)

While Lou, already graduated from high school and working at the store, promoting it on social media and arranging special events, struggles with what he wants to do with his life, Dizzy is still in school and knows what she wants. For her, it's all about spinning and mixing music. The store may be an anchor for both, but for Lou it feels like it may drown him while for Dizzy, it's her foundation. And for Ray, it gives him the opportunity to continue with his music, sharing it with others, jamming with friends Donnie, Rudy, Barney and Big Tom, and providing for his family.

After Dizzy opens for DJ Erika at one of the store's Friday Night Spin DJ nights, she is advised to tell a story with her music to make more of an impact. Unbeknown to her family, she uses some private and forgotten recordings from when Ray and Georgia were first together in a mix that she uploads to her Mixcloud account. That mix and a choice to see Georgia in concert in the city leads Dizzy to turn her back on a promise she and her brother had made to their father to never reveal their mother's identify.

As both Dizzy and Lou search for the path that is right for them, Dizzy through her music and potential connection with her mother and Lou slipping into university English lectures and crushing on a fellow student Olivia, Ray tries to hold onto his love of music in any way he can and do what is right for his children. Whether that will be with or without Georgia will depend on how things play out.

Telling the story in Spin through the voices of Dizzy, Lou and Ray, Colleen Nelson creates one firmly rooted in perspectives. Three family members are all looking at the same circumstances–the abandonment of the family by the mother–and revealing different takes on her and her choices. From curiosity to anger, resignation and confusion, the Doucette family sees Georgia as an enigma. Whether she's as Lou sees her...

Georgia had had her chance ten years ago and she'd left us on the table. Forgotten leftovers from a life she didn't want. (pg. 33)

...or the potential celebrity mom that Dizzy craves or the love Ray once had, Georgia has chosen to be what she wanted and not necessarily what others wanted of her. And how they have reacted to her choice is what makes Spin a great story of family. It's not a straightforward story but then most families aren't.  They're complicated and messy and nurturing and debilitating in their own ways and Colleen Nelson knows this. (Read The Fall, 250 Hours, Finding Hope, and Blood Brothers for a good sampling of great stories about family.) Colleen Nelson excels at putting families in all their configurations out front and exposed, never judging their frailties or flaws, only revealing for the purpose of demonstrating that

It's how you go forward from your past 

that makes you who you are. (pg. 138)

Whether teen or adult, child or parent, the characters in Spin, including secondary characters like the homeless Leroy and Dizzy's best friend Maya, do move forward, choosing to advance their own stories with the spin they've selected for themselves, all courtesy of Colleen Nelson's dynamic text and powerful narrative.

Tomorrow

by C. K. Kelly Martin

CreateSpace Independent Publishing Platform

978-1492250876

248 pp.

Ages 13+
2013

Reviewed from Smashwords Edition

It seems like only yesterday that I reviewed Yesterday, the prequel to Tomorrow, but it has been just over a year (November 26, 2012 review).  Luckily, C. K. Kelly Martin's writing does not exclude readers who missed Yesterday if they choose to go directly into Tomorrow. Without just presenting a dystopian world of our future, C. K. Kelly Martin has created a cautionary tale of the course by which our disastrous tomorrow will arise, and how by looking back at yesterday, we may be able to prevent tomorrow from being ultimately fatalistic.

In Yesterday, teens Freya and Garren discovered that they had been sent, as were many others, from 2063 United North America (UNA) to save them, in the hopes of finding a way out of the impending environmental, political and health disasters of the future.  In order to keep their knowledge of the future from being shared, or destabilizing 1980s society with knowledge of a time chute, these time refugees have had their memories wiped and covered with new ones. But Freya's memory wipe was not "successful" and she was able to recognize Garren when she sees him in 1985 Toronto.  Now they're on the run from the UNA who consider them a threat.

Tomorrow begins just over a year after Yesterday ends. Currently living together in 1986 Vancouver as Holly and Robbie, seventeen-year-old Freya waits tables at a restaurant and nineteen-year-old Garren tends bar but they live with the anxiety that they could be discovered and lose everything, most especially each other.  And when they notice that key events in 1986 don't fit with the known history, Freya and Garren recognize that the UNA is at work.  After Garren finds Freya missing from their now-ransacked apartment, he is convinced that they may do more than just wipe your memory.

Garren's reminiscences from 2063 when he found himself seeking out the hard-core fringe faction of the grounded movement (contrary to the ideas of the UNA) are key as he throws himself into finding Freya. While Garren recognizes that Freya has always been the force behind their survival and the one who could tell when someone was lying or when something was going to happen, he is the one now who must take up the gauntlet and do what he can do to make things right.  Garren doubts his capabilities and constantly worries about who to trust, but he manages.  With his singular motivation of saving Freya, Garren's determination is boundless.

Freya's ultimate fate is wrapped up tight in the disaster that is 2063 UNA and the efforts of the radical faction of the grounded movement.  Without naming names and sharing secret alliances and conflicts, I can tell the reader that Garren's journey to Freya is not a direct one, and that conspiracy plays a significant role. Sadly, it's hard to tell the conspirators from the allies.  But that's what makes Tomorrow a true thriller.

Never does C. K. Kelly Martin convince the reader that the outcome is predictable.  Never.  I could never tell the bad guys from the good guys and Garren feels the same way.  And that's what keeps the story moving forward, albeit leaving you on the edge of your seat.  Be prepared.  You may know what you want in a happy ending, but C. K. Kelly Martin makes sure that you never see how she's going to get there, or even if.  Every book of hers that I have read (My Beating Teenage Heart, Random House, 2011; Yesterday, Random House, 2012) has kept me engrossed in her unique and passionate characters and their struggles whose outcomes are never obvious.  Tomorrow is a worthy and complementary addition to C. K. Kelly Martin's literary collection, and I look forward to future volumes.

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Months ago, I added the book trailer for Tomorrow to CanLitforLittleCanadians Book Trailers' site.  But it's never too late to enjoy it, especially before you purchase your own copy of the book. http://canlitforlittlecanadianstrailers.blogspot.ca/2013/07/tomorrow-yesterday-book-2.html