Owl

Written by Kara Griffin

Illustrated by K. Shawn Larson

Acorn Press

978-1-773661971

32 pp.

Ages 5-8

November 2025 

 

When a grandfather tells his grandson about a beautiful barred owl who lives in the forest nearby, the child is determined to see the bird. The grandfather explains how she hunts for food and where she lives and the sounds she makes. The two even practise calling the barred owl. But no matter how often the child looks and listens for the bird, he is disappointed. 

From Owl, written by Kara Griffin, illustrated by K. Shawn Larson

Learning that the owl is out at night when the boy is sleeping, he finally catches a glimpse of it but only a flash before it disappears. Surprisingly, the bird has seen the boy and even watched him as he sleeps. They are both intrigued with the other. 

 

When the two finally meet, it is because the barred owl has come to the child's window and the two connect in an unexpected and sweet way that the child will never forget.

From Owl, written by Kara Griffin, illustrated by K. Shawn Larson

Seeing any owl–barred, barn, great horned, screech, snowy or another–is always an amazing experience. There is a mystery to them, wrapped up in their magnificence of morphology and their behaviour. For this child, seeing a barred owl that had a connection to his grandfather would be especially prized. Kara Griffin, an author from Prince Edward Island, reminds us of the importance of our connections to the natural world. Her earlier picture books, Flitt's Call (2023)—also illustrated by K. Shawn Larson—about a bank swallow, and The Sea That Sings To Me (2023), both emphasize that powerful connection. In Owl, Kara Griffin tells the story beyond a kid wanting to see a majestic bird. It's a story that speaks to an interrelationship.

 

K. Shawn Larson, also from P.E.I., uses watercolours with an earnestness that addresses the authenticity of this story. It seems very real. I know it's astonishing to imagine an owl purposefully covering a child with a blanket but the way K. Shawn Larson paints it, and Kara Griffin tells is, it all seems very plausible. But K. Shawn Larson doesn't give up any of the whimsy of the story, including some unusual residents in her scenes along with a plethora of local flora and fauna. It's a place you want to visit and to appreciate the beauty of its scenery and the diversity of its wildlife.

From Owl, written by Kara Griffin, illustrated by K. Shawn Larson

I know that there are numerous STEM lessons that could be derived from Owl, but, if you have a little one who is enamoured with these impressive creatures, Owl will teach as well as delight and is sure to have them looking for one in a forest or in their dreams soon enough.

A Tale of Two Kitties

Written and illustrated by Judith Graves

Acorn Press

978-1-773661179

32 pp.

Ages 2-4

August 2023

It may have been National Cat Day on August 8th but for some of us every day is National Cat Day.

From A Tale of Two Kitties by Judith Graves

Mittens and Boots are two cats who look amazingly similar except for the distinct white markings that define them. Though they are treated the same in terms of their food and their sleeping preferences–their own chairs on opposite sides of a fireplace–they differ in their interests–singing vs. painting–and like to be kept separated. Then the chairs are gone, and a loveseat takes their stead. 

 

Mittens and Boots are not happy, convinced this is payback for all the things cats do, like hacking up in unusual places, enthusiastic use of their litter boxes, and late-night yowling. But, when sleep times comes, the two are forced to share the loveseat, albeit with some annoyance. Still, it seems the loveseat has a mind of its own and determined to bring the two felines together, maybe even with a new friend.

From A Tale of Two Kitties by Judith Graves

Anyone who has ever had multiple cats in a home knows that they can be best buddies or warily tolerant. Sometimes their humans are successful in bringing them together and sometimes less so. Obviously author-illustrator Judith Graves–whose YA novel Exposed is the only book I've reviewed here–knows about cats and living with them. Their personalities are so distinct and yet they share commonalities that make us wonder why they aren't better friends or at least companionable. But, cats will be cats and forcing them together, even as a loveseat did, doesn't always work. But, when options are limited, they can be compelled to accept and even endure the other, overriding their innate territorial instincts.

From A Tale of Two Kitties by Judith Graves

A Tale of Two Kitties is Judith Graves's debut picture book as the author and the illustrator, and as an artist (see her website at https://judithgraves.com/ or her etsy shop at https://www.etsy.com/ca/shop/SassyLassieDesignsCA) with designs in acrylic as well as watercolour, I hoping we'll be seeing more of her work in children's book illustration. The story of Boots and Mittens is sweet and familiar, and we might be able to anticipate the next story with the arrival of Snowball (!). But it's Judith Graves's art of expressive cats, colourful wallpapers, and homey furnishings that brings life to her story. I love the colours, primarily teal and orange, and the warmth of that palette because, let's face it, with cats in the home, there's always a softness of spirit. 

Embedded in Judith Graves's art and story is an endearing cheekiness. "Purrhaps" it's her use of feline-inspired puns or the playfulness of her art, but regardless A Tale of Two Kitties is a whole package of sweet fun, lively art and feline reality.

Crescent Moon Friends

Written by Wadia Samadi and Mo Duffy Cobb

Illustrated by Lisa Lypowy

Acorn Press

978 -1-773660967

32 pp.

Ages 4-8

2022

 

Two girls. Two cultures. Two families. Two sets of traditions. One moon under which their differences are more similar than at first seen.

From Crescent Moon Friends by Wadia Samadi and Mo Duffy Cobb, illustrated by Lisa Lypowy

Aisha joins Amelia's class in Canada after leaving war-torn Afghanistan. When they become reading partners, they also become friends, sharing traditions of their cultures from games and food to celebrations and beliefs.

As they share, they also learn. Amelia's family follows Islamic traditions of peace and prayer while Amelia's teaches compassion and kindness. The two girls also have different dispositions, Aisha leaning to the maths and sciences and Amelia to the arts. One has the heart and mind of a scientist while the other one of a dreamer and a poet. And though they both love the moon, they see it differently.

From Crescent Moon Friends by Wadia Samadi and Mo Duffy Cobb, illustrated by Lisa Lypowy

It's relevant that the crescent moon, an important symbol of Islam, draws the attention of both girls. Still even in their different relationships with the celestial body, they appreciate how it is seen by the other. 

Afghanistan-born Wadia Samadi and P.E.I.'s Mo Duffy Cobb wanted to tell a story of two different girls who find commonalities in their differences. And young readers will learn how being different is okay but also will recognize that the differences aren't as contrary as some might expect. Amelia and Aisha are just to girls who have been brought up in different traditions and, with the sharing of those traditions, their friendship is strengthened.

From Crescent Moon Friends by Wadia Samadi and Mo Duffy Cobb, illustrated by Lisa Lypowy

Whether she's depicting Canada or Afghanistan in her illustrations, Edmonton's Lisa Lypowy uses watercolours to keep them bright and atmospheric. Even with her colours and shapes, Lisa Lypowy shows how similar the girls and their lives are while different in temperaments, landscapes and weather, clothing and customs. 

Wadia Samadi and Mo Duffy Cobb end their book with blurbs about Prince Edward Island and Kabul, Afghanistan. In one last manifestation, they compare and contrast the two locations and help young readers see, yet again, that separating ourselves along lines of differences hurts us but finding our connections makes us better.

Jasper's Road

Written by Susan White

Acorn Press

978-1-773660981

164 pp.

Ages 8-12

May 2022

There are families by birth and those by invention. And sometimes, because of the families of birth, better families are created from disparate parts. The story of Jasper's Road is about such families.

 

When Jasper's Road begins, a large extended family is gathering to celebrate Amelia's day. Amelia Walton, who passed five years earlier, started taking in kids after she was struck with a neurological disease which motivated her to become a recluse. Opening her home to more than 100 kids over the years, for short- or long-terms, Amelia Walton left her mark with her heart, her wisdom, and her compassion. Now each year, many of those she fostered along with their own families gathered to share food, memories and trivia as Amelia would have liked.

Thirteen-year-old Jasper, who'd come to Amelia as a baby and now was part of Jodie and Zac Williams's family, had always felt welcomed but, because of a recent fostering of fourteen-year-old Jake Turner by his Aunt Rachel and Uncle Ryan, Jasper is feeling more vulnerable, especially about a facial abnormality that Jake ridicules as "Zipper Lip." But as Jasper tries to figure out how to deal with Jake, Jake himself is struggling with finding himself as a part of yet another foster family and without his little brother Tommy. Then near tragedy strikes and Jake forces Jasper and Jasper's 12-year-old brother Anderson to lie. Add to that the COVID-19 pandemic and the April 2020 mass killing in Nova Scotia and it would seem that everyone has some baggage that they're carrying around that confuses and confounds their relationships with partners and with their families, foster and birth.

New Brunswick writer Susan White, who has written YA and middle grade books including The Year Mrs. Montague Cried, winner of the Ann Connor Brimer Award, brings us into a complicated world of foster children, past and present, as they struggle and learn to make lives for themselves in the context of ever-changing relationships. Whether from abandonment or abuse, neglect or health concerns–including death of a parent–children enter foster care for a variety of reasons and just as varied is the care that they may receive. Some will find forever homes through adoption while others will bounce from one residence to another. In Jasper's Road, those fortunate enough to be taken in by Amelia Walton and subsequently by her "heirs" became part of something significant. And while it took me awhile to figure out all the characters and their relationships, including which were biological or otherwise, I realized it really didn't matter. Susan White gave us a rich community much like the one Amelia endeavoured to create, both complex and natural, saving herself and others in the process, and building something bigger than just a joining of individuals.

While this journey down Jasper's Road is complete, for now, I suspect that there are more travels ahead for Jasper, Jake, Tommy and their families, perhaps in New Brunswick or not, and I really hope that Susan White takes us down a few more of those roads by gifting us with their stories too.