Sprout Branches Out

Written and illustrated by Jessika von Innerebner

Roaring Brook Press

978-1-250848789

40 pp.

Ages 3-7

January 2023

 

While some young people are happy to stay close to home, there are others who are driven to see what's out there, to take on a challenge of finding their own way and maybe something different and better. This story is for all who wonder about unimaginable opportunities and take the chance to find out.

From Sprout Branches Out by Jessika von Innerebner

Sprout lives on a porch with an assortment of other plants. But Sprout is not growing. She has only two leaves and she is convinced that if she were in the wild with bigger and wiser trees, real light and loads of water then she would flourish. One day, a flyer comes to the house promising a wonderful experience in nature and Sprout packs her bag and says, "Seed ya later!"

From Sprout Branches Out by Jessika von Innerebner

Sprout is encouraged by what she sees in the woods: loads of trees, some so leafy they have beards; animals; bushes; and grass. Then night comes.

She wanted the woods to put leaves on her chest, not make her shake like one!

From Sprout Branches Out by Jessika von Innerebner

 She heads out again, this time reaching an old growth forest where she is sure that with the knowledge of the tall and wise trees she will begin to grow. But their knowledge is far beyond her reach.

Let's dig in so you can hit a growth spurt. We'll start with math and square roots.

Again, Sprout moves on. This time she finds herself in a moist jungle, convinced the excess moisture will do the trick. But it, like the other places, is not what she expects or needs. Of course, this is when she realizes there is no place like home.

Kelowna's Jesssika von Innerebner has illustrated a number of picture books and chapter books, as well as written her own series, Kevin the Unicorn, but Sprout Branches Out is her first book for me to review on CanLit for LittleCanadians. If her wordplay and artwork in Sprout Branches Out is any indication of her talent, then I've been missing out. It's the playfulness of her art and her words that will tickle a young reader–and this old one–while telling a story about growing up and moving on but knowing that home can still be a pretty great place to be. Sprout's innocence is laced with hope for something better but her puns and those of her co-characters take the reader from the serious message to one of laughs. But, Jessika von Innerebner is first and foremost an artist and her illustrations reflect her expertise in bringing images to her message. They are lively and lighthearted and though she may stick primarily with a green palette–appropriate for a story characterized by plants and the wilds of the natural world–she gives us boldness and diversity of colour to show us the richness of Sprout's familiar and unfamiliar worlds.

 

We all know that the grass isn't always greener on the other side but sometimes you have to go take a look so that you can know how green your grass really is. For some, the journey will encourage us to seek out a new life but for others it will be a reminder that growth can happen at home too. (By the way, if your little one decides to start their own sprout, instructions are included.) For Sprout, she had to go out into the wild to come to the realization that home was a good place for her to grow. I guess branching out can sometimes lead to sticking to your roots.

Little Juniper Makes It Big

Written and illustrated by Aidan Cassie
Farrar Straus Giroux
978-0-374-31045-5
40 pp.
Ages 4-8
July 2019

Juniper is a little raccoon and she's tired of being so little. She sees the disadvantages of being small in a world made by adults for adults. Everything seems to be too high for her to reach, whether it be the sink, the door knob or an elusive jar of cookies. Even when she puts her engineering skills to work, with springboards and stilts, hoppers and heighteners, and cranes and catapults and balloons, "Juniper's efforts fell short." 

From Little Juniper Makes It Big by Aidan Cassie

At school, Juniper realizes that she is actually of average size and even far larger than new student Clove whose size does not hinder her efforts at all. When Clove invites Juniper to her home, the raccoon anticipates lessons in "un-smallness" but she is pleasantly surprised to learn that, at "Clove's home, Juniper was adult-size."

From Little Juniper Makes It Big by Aidan Cassie

Still, it's that grass-is-always-greener scenario because Juniper soon recognizes that she can't enjoy fun activities like swinging, playing dress-up, bouncing on the bed and even playing hide-and-seek when she's far larger than Clove. Nevertheless, Juniper's sleepover at Clove's helps her recognize how her own home was "very, nearly, almost perfect!"

From Little Juniper Makes It Big by Aidan Cassie

Children are always in such a hurry to get bigger, older, taller and have more responsibilities, and the storytelling in Little Juniper Makes It Big suggests, without admonishing, that it's perfectly normal to see another world as more desirable. However, Juniper finally gets the message with the help of the even smaller Clove, whose optimism and determination abound, that her world is perfect for her right now.

Aidan Cassie, whose first picture book, Sterling, Best Dog Ever (Farrar Straus Giroux, 2018) won the 2019 Joan Betty Stuchner–Oy Vey!–Funniest Children's Book Award in the picture book/board book category, again blends the humour of childhood innocence and the determination to be more, or at least our very best. Juniper sees her world as limiting because of her size but, with a change in perspective, courtesy of a tiny squirrel with a voluminous personality and oodles of spirit, Juniper is able to appreciate her home and life in new ways. That's a very positive message, heightened with the humour and charm of Aidan Cassie's illustrations. I was won over by her artwork in Sterling, Best Dog Ever and Little Juniper Makes It Big introduces us to a new gang of cartoon animals in engrossing settings. (Check out the cottage-like setting of the bathroom below.) Her characters have joy and frustration amidst the normalcy of family, home, and school and even little humans will be able to identify with them.  By creating empathy for cute animals who are experiencing what our own children may also be encountering, Aidan Cassie has found a way to teach, delight, reassure and entertain our youngest who just want to make it big too.

From Little Juniper Makes It Big by Aidan Cassie

Wade's Wiggly Antlers

Written by Louise Bradford

Illustrated by Christine Battuz

Kids Can Press

978-1-77138-615-9

32 pp.

Ages 3-7

May 2017

Wade loves his antlers.  They look like trumpets and are the basis for much imaginative play with his squirrel, fox and bird friends.  But when he feels them wiggle, he panics and races home (hoping that doesn't jostle them!) to his mother.  She reminds him that they'd already talked about his antlers falling off and then growing new ones in the summer but Wade is distraught, knowing all the wonderful things he does with them: paddles for ping pong; perches for friends; mitts for softball; and hooks for kite-flying.  Desperate to hold onto his antlers, Wade keeps himself from fun with his friends so as to prevent the antlers from falling off.  But, after days of life on the sidelines, Wade realizes he's already missing out on fun with his friends and vows to start living again, come what may. (And we all know what comes because growing up is all about change.)

From Wade's Wiggly Antlers

by Louise Bradford

illus. by Christine Battuz

Your little ones will probably not be worried about losing their antlers but there are changes that may cause them anxiety, such as losing their baby teeth.  Yes, it may be natural and something that happens to all children but that dismissal will not alleviate the stress that can arise.  His mother is wise enough to have prepared Wade for the inevitable loss of his antlers but she also consoles him with the knowledge that he would grow new antlers in time. She is a very wise mother.  But Wade still needs to work through this in his own way, and thankfully Louise Bradford allows him to do so with the support of his family and friends.  There's even a party with colourful cupcakes to celebrate when his first antlers are lost.

From Wade's Wiggly Antlers 

by Louise Bradford

illus. by Christine Battuz

Louise Bradford's text is very comprehensive in evoking Wade's distress and his mother's wise reassurances but it's Quebec illustrator Christine Battuz who uses her digital art to create playful scenes of Wade with his family and friends.  She capably gives him expressions of delight and concern and surprise with but a few strokes of her digital artistry.  Even his little friends are expressive in those same emotions and more, including the tiny blue jay and cardinal that flit around the larger animals. Christine Battuz uses bright colours and bold patterns to energize her illustrations, even in the cool sobriety of winter, the time of moose antler shedding. See if Wade's sweater with contrasting wrist and waist ribbing, along with his dotted scarf, don't bring a smile to your face.  

From Wade's Wiggly Antlers

by Louise Bradford

illus. by Christine Battuz

While it may seem silly to release a winter-based book in May, Wade's Wiggly Antlers is actually a timeless book since kids will be losing their first teeth all year round (unlike moose who shed their antlers between December and March).  Let Wade and his friends help lighten your own children's anxieties, whether it be about loose teeth or some other growing up change, or, if they're fearless, use Wade's Wiggly Antlers to teach some science about seasonal changes and ecology.  Either way, there's some playful learning to be had.

From Wade's Wiggly Antlers

by Louise Bradford

illus. by Christine Battuz

Waiting for Sophie

Written by Sarah Ellis

Illustrated by Carmen Mok

Pajama Press

978-1-77278-020-8

48 pp.

Ages 5-8

April 2017

Waiting can be so hard for little ones, especially when it's for a baby sister who is taking her time being born and growing up so you can play with her.  And this waiting is just about killing little Liam.

"Waiting. Waiting. Waiting. I waited through half of kindergarten.  I waited through my birthday." Liam bounced on the bed. "Waiting is my worst thing. I want to jump on waiting and smash it to smithereens and flush it down the toilet." (pg. 8)

Fortunately Liam's Nana-Downstairs is adept at keeping him occupied with all kinds of "being bad" to pass the time: wearing pajamas all day, eating marshmallow sandwiches, painting Liam's bedroom door with purple polka dots and hurling playful insults at each other.  Finally Baby Sophie arrives in the world and is brought home and Liam thinks she is practically perfect.  

She had toes like peanuts and ears that the sun shone through.  The top of her head smelled especially nice.  (pg. 14)

From Waiting for Sophie 

by Sarah Ellis

illus. by Carmen Mok

For weeks, Sophie's big brother delights in making her laugh and stopping her from crying and getting her to burp.  But he wants more, hoping that the day when Sophie can walk and talk comes sooner than expected, since waiting can be so tiresome.  After months of more waiting, Nana-Downstairs, a handy person, has a new idea, and helps Liam create the G. O. F. (Get Older Faster) machine, an spectacular box of dials and screens and fancy pasta.  And though it doesn't seem to work on Sophie, it does seem to have an impact on Nana-Downstairs and on Liam's stuffie Lelefant and even on helping Liam grow up enough to help his father out. But will Sophie ever grow up?

From Waiting for Sophie

by Sarah Ellis 

illus. by Carmen Mok

I suspect Sarah Ellis is the indomitable Nana-Downstairs (who bears a striking resemblance to the author) who recognized the heartbreak of a child's waiting and possessed the unique imagination to create magic for her grandson to help ease that relentless waiting.  And even though it only appeased the waiting temporarily, Nana-Downstairs was able to provide him with skills that would serve him well for a long, long time.  

Sarah Ellis gives Liam a voice that is so filled with hope about his new sister and the promise of having a familial playmate that even his frustrations are natural and unfeigned.  He speaks with his heart, never with meanness or anger, though he acknowledges the annoyance of biding his time.  Sophie has a great big brother. And, although Waiting for Sophie is an early reader, rather than a picture book, the illustrations by Carmen Mok augment Sarah Ellis’ story with the innocence and family that the author’s words already convey.  

Young children being challenged to read their first chapter books will appreciate this early reader as it will undoubtedly speak to them.  So many know the anguish of waiting, whether for a new sibling to be born or some other significant life event, and will easily put themselves in Liam’s shoes.  Maybe they’ll undertake their own DIY project, with a little help from an adult, or maybe they’ll find their own coping strategies but you can be sure that they’ll appreciate Liam’s story of Waiting for Sophie and the fun that can be had with it.

King Baby

Written and illustrated by Kate Beaton

Arthur A. Levine Books/Scholastic

978-0-545-63754-1

40 pp.

Ages 4-8

September 2016

Though some parents might not find it humourous the way the baby in King Baby has his parents running to and fro to make his life perfect–perhaps they'll see it as castigating their own efforts–children and others will laugh at the uproarious manipulation by a swaddled egg of a baby to get everything, and I mean everything, that he desires, now and forever.  Yep, as the book says, "It is good to be king."

From King Baby by Kate Beaton

From King Baby’s birth, after which he is presented to his many admirers bearing gifts and admiration, the baby is generous with his smiles and laughs and kisses, his wiggles, gurgles and coos.  But then he begins to demand: food, burping, changing, bouncing, being carried.  It’s endless.  For King Baby, life is grand.  For King Baby’s parents, life is exhausting.  He sees them as subjects, fools even, though their ineptitude finally gets him up and toddling.  His future is even more glorious now with all that he can accomplish, though not always to everyone’s delight. (The cat looks a little dismayed.)  But King Baby has to grow up, and becoming a big boy, he learns that they’ll be going through the whole process again, this time with Queen Baby.

It’s obvious that Kate Beaton, known as Auntie Katie to the Malcolm to whom she dedicates the book, knows that of which she writes and illustrates.  A new baby is a wondrous joy but an exhausting one.  Kate Beaton’s quirky illustrations, especially of King Baby as a rotund creature swaddled in a blanket and topped with a golden crown, are too funny, and lend a comical air to a bizarrely normal yet wacky situation i.e., the joy and adoration of a new baby.  I don’t know if Kate Beaton meant to give King Baby that evil glint in his eye but he seems to know what he’s doing i.e., making everyone jump to satisfy his every whim.  Without the means to communicate with clarity, King Baby has them running around doing everything to appease him.  Ah, it’s good to be king!

From King Baby by Kate Beaton

Share this hilarious book with any new parents you know.  If they’re not too tired, they’ll certainly see the humour in their situation.  And if they’re just too tired, share it with the aunts and uncles and grandmothers and grandfathers and godmothers and everyone else who appreciate the cuteness that is a new baby but recognize the long haul of parenting still to come.  Hail the royal entourage!

Calvin

by Martine Leavitt

Groundwood Books

978-1-55498-720-7

180 pp.

Ages 12+
November 2015

Just because Calvin, the book, is being touted as YA doesn’t mean it shouldn’t be read by everyone and anyone who needs to have an understanding of mental health issues. Calvin, the main character, and his friend Susie both may be seventeen years of age and dealing with boy-girl relationship issues, but the book is far more than just realistic fiction for teens.  It’s akin to a Canadian YA version of Antoine de Saint-Exupéry’s The Little Prince, about a young man who goes on a pilgrimage to find meaning and meets an assortment of individuals and learns new truths that help him interpret his life.  This is a book for anyone mature enough to handle the truths within.

Calvin, the book, is a letter to Bill Watterson, the creator of the hugely popular comic Calvin and Hobbes.  Convinced he is connected to Bill Watterson because of his name, being born on the very day the last comic was published, and having a stuffed tiger named Hobbes and a friend named Susie, Calvin, the book’s protagonist, is sure that Bill Watterson is the man to help him out when he is diagnosed with schizophrenia.  Escaping with Susie’s help from the hospital, Calvin embarks on a treacherous winter pilgrimage across Lake Erie to Cleveland where he is somehow assured that Bill Watterson will provide him with a new and final comic that will display Calvin as a well-adjusted teen without an imaginary Hobbes.

Written both as dialogue between Calvin, Susie, Hobbes and an odd assortment of bit players and as text of Calvin’s thinking, Calvin takes the reader into the mind and experiences of a boy newly-diagnosed with schizophrenia who cannot deal with that reality.  Though she has not associated with him for the past year, Susie, a childhood friend, insists on accompanying Calvin.  So, after carefully outfitting themselves for an 87 km winter walk across a barren lake, Calvin and Susie set out from Point Pelee National Park.  Only Bill Watterson knows, apparently, because Calvin had written to the cartoonist, requesting he meet them on the other side of the lake.

The wind only whines and whistles and wails when it’s trying to get into the cracks of windows and doors.  It only thumps and bellows when it bumps up against trees and houses and cars.  But on a big flat empty lake, it’s just a force.  It’s a big soft hand that pushes and presses at you, silent, steady.  Soon you realize the wind isn’t flowing around you, over you, it’s flowing through you, penetrating the electromagnetic field that gives you the illusion of being a solid entity, whipping straight through you, spinning your atoms like tops and leaving them dizzy and frosty and deeply impressed. (pg. 65)

What seems to begin as a lark becomes a dark and dangerous survival test, with Calvin grappling with the imaginary Hobbes for possession of his mind and Susie revealing hidden truths to Calvin.  Just as Calvin has difficulty determining what is real–even Susie could be a figment of his imagination–so does the reader as the duo with Hobbes in tow encounter an ice fisherman, a poet, a parking lot, snow goons, and a monster, discussing brain activity, God, war and peace, school, and Bill Watterson’s motivations.  It all comes down to Susie helping  Calvin see that “I know about you but you don’t know about you” (pg. 132) and Calvin helping to keep Susie safe.

Reading about someone dealing with a mental illness is a very different beast than being inside them as they wrestle with their mental health issue.  And beast seems an appropriate term because Martine Leavitt takes the reader into the beast that is Calvin’s schizophrenia, as creative and quirky and potentially ferocious as Hobbes, Bill Watterson’s comic tiger.  With an issue as colossal as that immense Lake Erie, Martine Leavitt is able to take us into that part of Calvin that is both confused and distinct and searching for identity.  Scared of the monster he perceives himself to be and anticipating the judgements that will be aimed at him,

Hobbes: Since when did we care what people think?
Me: There’s more of them. The definition of sanity is a democratic thing.  They get to decide. (pg. 21)

Calvin is running from his fears and towards his perceived salvation.  Salvation may or may not be waiting at the end of Calvin and Susie’s crossing but Martine Leavitt ensures a resolution.  It’s not all nice and neat but it is what it is: an ending and an beginning.

No-Matter-What Friend

by Kari-Lynn Winters

Illustrated by Pierre Pratt

Tradewind Books

978-1-1896580838

32 pp.

Ages 3-6

2014

How Kari-Lynn Winters is able to express the magnitude of a lifetime of friendship in a mere 24 lines, some of only one or two words, is beyond me.  But she does so with her choice of understated vocabulary and its affective quality.

When a boy interrupts his playing with his peers to stop and spend time with his old dog, he enjoys the fond memories of being with his no-matter-what friend.  The turquoise ball from toddler days continues to be an important part of their play, even once the boy is able to ride a bike, climb trees and ski. And still the dog–maybe a cross between a Great Pyrenees and a Newfoundlander–with the jowly face and thoughtful eyes stays by the boy's side.  But Bud is growing old while the boy is growing up, and the boy's beckoning of Bud to come and play must be amended to respect all that the two mean to each other still.  Sweetly, the boy knows how to be a no-matter-what friend to Bud as well.

I became enamoured with Pierre Pratt's unique art with Gustave (Simard, 2014) in which the heavily-inked illustrations helped impose the sombre tone of that picture book. However, in No-Matter-What Friend, Pierre Pratt's ink-outlined elements are softened by lines of diffuse edges and fill of warm colours that complement the friendly nature of the boy-dog relationship. Appropriately, the association of Kari-Lynn Winters' endearing text with Pierre Pratt's art depicts fully the wealth and breadth of the two characters' companionable love.

The Circle Game

Text by Joni Mitchell

Illustrations by Brian Deines

Dancing Cat Books

978-1-77086-042-1

32 pp.

Ages 3-6

2011

Turning song lyrics into children's books is not unusual, especially for those tunes that were originally written for children such as nursery rhymes and camp-fire songs.  There are wonderful children's performers like Eddie Douglas who take poetry (e.g., Dennis Lee's poems from Alligator Pie (Macmillan, 1974), Garbage Delight (Macmillan, 1977),  Jelly Belly (Macmillan, 1983) and The Ice Cream Store (HarperCollins, 1991) and adapt it for children's music.  But, in Canada, we don't have a long history of taking the poetry in song or hymn lyrics and adding graphics to produce children's books. Until now, I can only think of two such songs:

• The Huron Carol by Father Jean de Brebeuf, illustrated by Frances Tyrrell (Key Porter, 2003) 
• The Huron Carol by Father Jean de Brebeuf, illustrated by Ian Wallace (Groundwood, 2006)
• Canadian Railroad Trilogy by Gordon Lightfoot, illustrated by Ian Wallace (Groundwood, 2010)

Now we can add Joni Mitchell's song, The Circle Game, to that list. 

The lyrics of Canadian-born Mitchell's song describe growing up and looking forward to new experiences, apparently in response to Neil Young's lament of lost youth in "Sugar Mountain". (1) The honest but hopeful words are beautifully embodied by Deines' paintings in complementary colours of purples and oranges.  Although impossible to tell whether Deines' medium is oil or pastel on canvas, the softness of his illustrations, whether the warm joys of capturing a dragonfly or the dark tremors of thunder and falling stars, always with uniquely dotted backgrounds, capably expresses the joys with the uneasiness of new experiences.  Moreover, just as our perspective of these experiences change as we grow up (dare I say it, age), so does the view of and from the carousel, never allowing one to return but accessible in our memories.

(1) Joni Mitchell interview notes