A Green Velvet Secret

Written by Vicki Grant

Tundra 

978-0-7352-7012-1

256 pp.

Ages 10–14

March 2023

Twelve-year-old Yardley has a rather original family, and she wouldn't have it any other way. Her grandmother and best friend Gidge, a retired fashion design teacher, lives her life to the fullest, dressed and accessorized to the nines. Yardley's parents, Pa and Mima, run The Hoof & Mouth Theatre, along with performing in its productions. They all offer Yardley opportunities to be creative and independent and inventive in her dress and activities, though they wish she'd make friends with kids her own age. And then Gidge drops the bombshell that she has terminal cancer and is thrilled that she has been "given the chance to go out in my own perfect way." (p. 6)

Yardley is angry at her grandmother's attitude but agrees to help Gidge "get her karma in order." (p. 8) Two important tasks Gidge undertakes are the writing of numerous cards and letters, some to be sent immediately, others after her death, and sorting her diverse wardrobe for donation and consignment. With that intent, they head to the Over Easy Vintage Emporium, the shop of a former student, Conrad Kim. In between running errands that include chemo, Gidge and Yardley help out at Over Easy, along with Con's twelve-year-old nephew, Harris, a sullen boy who spends his time working on puzzles.

 

Then "Gidge's big day" comes, as she has elected for medical assistance in her dying. Her death hits Yardley especially hard, and she works at honouring Gidge's directive to "make the most of each glorious moment." (p. 75) Yardley continues to help out at Over Easy, feeling a special closeness to Gidge there, through her clothes, including a long green velvet dress which Gidge had said did not bring out the best in her. When an older woman, Mrs. Margaret Johnson, comes to the store saying she'd won a prize, and she's given the green dress, everything goes awry. Mrs. Johnson says the dress was hers and she doesn't want it; Yardley is convinced Mrs. Johnson is Gidge reincarnated; and Harris gets caught in the middle, even more so when he tries to hide a small ballerina that had fallen from the dress.

For a book about a death from cancer, A Green Velvet Secret is surprisingly light-hearted but that's because it's about life and living life and make the most of life. Vicki Grant always, always, always finds a way to put a light touch to her stories, whether they are dealing with hoarding (Betsy Wickwire's Dirty Secret), scammers (Short for Chameleon) or unknown heritage (Small Bones), finding a way to show compassion and affection and even humour in challenging situations. Like Gidge who takes a graceful approach to her cancer diagnosis and the opportunity to orchestrate her own death and tie up any loose ends she has left, Vicki Grant takes an elegant way to telling Yardley and Gidge's story, and even that of Harris whose own secret causes him shame and a disconnect with his family. Vicki Grant finds the colour in the greyness of death and, though Gidge couldn't make it all right in her lifetime, Vicki Grant helps make it all right for her and Yardley and even Harris, without giving us a predictable ending and the happily-ever-after that rarely happens.

The Life and Deaths of Frankie D.

Written by Colleen Nelson

Dundurn Press

978-1-459747586

256 pp.

Ages 12+

April 2021

 

Who is Frankie D.? Before the girl with the skin that resembles scales had been found, at 10 years of age, dirty and dehydrated in an alley, who was she? Is she the Goth she has transformed into, embracing the darkness and hiding her lamellar ichthyosis under thick makeup? Or is she just an abandoned child, considered too hideous to love by a family? Perhaps she's related to the girl in the old-fashioned dress that keeps appearing in her dreams alongside a circus ringmaster? Whatever her story, it's both one she wants to know and not know. 

 

In the seven years since she was discovered, Frankie has endured fresh traumas, including at the hands of Foster Mom #2's Boyfriend #3. Still, the last two years with Kris Steffanson, the social worker who'd first drawn her out of that alley, have been as close to normal as she can remember. At home anyway. At school, where she is bullied by the Aprils–her name for the beautiful, normal, mean girls–Frankie takes very few classes but her art class with Mr. Kurtis offers her sanctuary before school and confidence for her drawing skills. So it's not surprising that Frankie begins to draw the characters that continue to appear in her dreams. 

When Kris gifts her with tickets to ComiCon, Frankie is thrilled. There she bumps into the new kid at school, Max, whom Frankie suspects is a foster kid too but she is most surprised by his recognition of the man in her ringmaster drawing as Monsieur Duval. At ComiCon, they spot a man who looks like Monsieur Duval and follow him to a booth called the Circus of Marvels and Wonders. There the man, Monsieur Philippe Duval, presents performers that include Concetta, the limbless woman; the contortionist Ahmed; conjoined twins Ella and Elvira; the hirsute Daniel; and Yuri, a magician with Albinism. They are also invited to another performance at a warehouse which Frankie learns is near the alley where she was found at age 10. 

At this event, Monsieur Duval reveals a sepia photo of the girl in Frankie's dream, a girl with ringlets, petticoats and skin like Frankie's, a girl named Frances, the only name Frankie knew when she'd been found in the alley. Then, Frankie is asked if she'd like to join them.

Frankie, with Kris and Max's help, tries to piece together what is happening but, with few people in her life who can give her answers or whom she can trust, it's a struggle for Frankie. Coupled with her dreams which are getting more and more elaborate, and include many of the performers at Monsieur Duval's side show, Frankie learns her place, and that of the others, in Frances's story. But shocking of all is what they want of her.

It's clear from the onset of The Life and Deaths of Frankie D. that there are many layers to Frankie's story and it's this deep mystery of who Frankie D. (D. for Doe) is that grips the reader. Colleen Nelson draws us in and it's impossible to step back from the question of Frankie's story, whether it's before she appears at age 10 or how she is connected to Frances, Monsieur Duval and the others. Her story is layered with the past and the present, and even the future, and then infused with other layers of trust and abuse and bullying and friendship. Fortunately, Colleen Nelson, who is a master in getting into the heads of young people dealing with trauma (check out Blood Brothers (2017), Finding Hope (2016) and The Fall (2013) as three superb examples of this), keeps Frankie's voice authentic, strong when needed, confused when vulnerable, and always real. Colleen Nelson doesn't do platitudes about being resilient ("Being resilient doesn't mean you're going to be okay. It just means you don't give up." pg. 134) or winning over the bullies (there are always bullies) or offer healing of Frankie's skin disorder. What she does so effectively is take the reader along with Frankie, as she dreams, finds her strengths, remembers and evaluates what is and what was, so that she might be able to have a what-will-be. Colleen Nelson makes us care, and shows us that we can be hopeful that Frankie will get the life she deserves, unencumbered by those who deem to use her to get the lives they desire.

☥🎪☥🎪☥🎪☥

An online book launch for The Life and Deaths of Frankie D., along with that for Deborah Kerbel's new middle-grade novel Like A Duck, takes place this Thursday, April 15, 2021. See details here.