Beware That Girl

by Teresa Toten

Delacorte Press

978-0-553-50790-4

336 pp.

Ages 14+

May 2016

Kate and Olivia.  Two eighteen-year-old seniors at a private school known as Waverly in New York City.  It’s hard to tell which girl is “that girl” mentioned in the title Beware That Girl.  Kate, the brilliant, manipulative liar who plans out every step she takes to ensure she gets the “big life she wants” or Olivia, rich and beautiful but emotionally fragile “just messed up enough” (pg. 4) for Kate to befriend.  The two secretive girls are “Two unlikely peas in a pod” (pg. 47) in more ways than one.

Kate O’Brian, a high-achieving Waverly scholar, is determined to get to Yale regardless of her current status as a basement boarder and employee at Chen’s Chinese Market and Apothecary.  Also working mornings at the school office, Kate searches for her ticket out of her miserable situation and targets Olivia Sumner whose record indicates missed school due to psychological issues.  The two girls become acquainted and, when charmed by the new director of fundraising, the charismatic Mark Redkin, to start a Student Advancement Committee, Kate gets Olivia, as well as classmates Serena, Morgan and Claire on board.  Soon Olivia has asked Kate to move in to the penthouse she shares with her globe-trotting lawyer father and their housekeeper Anka.

“Becoming friends was a kind of courtship.  A ritual of presenting your best self to the other.  Each knew not to push too much, too fast.  In their conversations, the girls reached for all their similarities willfully ignoring the differences.” (pg. 38)

It’s the differences and secrets that still separate the girls, neither being completely honest about their pasts and fears and desires.  They each have an agenda for their friendship, which becomes all the more complicated when Olivia becomes involved in an intimate relationship with Mark Redkin.  Recognizing him as a “player of biblical proportions” (pg. 120), Kate sees Redkin as more than a threat to their friendship, realizing that “Redkin was going for power, information and amusement.  What a trifecta.” (pg. 155)

Beware That Girl is a suspense-laden, surprise-ending story that provides a glimpse of a friendship based on the instability of secrets and schemes.  And even though there are moments of affability and benevolence–usually involving the irascible Mrs. Chen, the girls’ shared mutt Bruce, and the thoughtful Johnny who is crushing on Kate–Teresa Toten’s intimate portrayal of a friendship initiated in manipulation will disquiet the reader.  From the onset of the book, a scene in which one girl sits at the hospital bed of another while the police wait to question them, Beware That Girl is dominated by uncertainty and foreboding.  Teresa Toten may tease the reader with storylines that intimate which character should be heeded but you’ll never know for certain.  That is, until her crushing ending that reveals the strength of Teresa Toten’s plotting, story-telling and characterizations.  Don’t be alarmed if you have to reread the final four-page chapter–I did–just to assure yourself that this masterful writer has truly reconciled all those secrets and agendas in a bombshell of an ending.  She does and it is.

The Case of the Missing Moonstone: The Wollstonecraft Detective Agency, No. 1

Written by Jordan Stratford

Art by Kelly Murphy

Alfred A. Knopf

978-0-385-75440-8

216 pp.

Ages 9-13

January, 2015

Devastated with the loss, to marriage, of the only governess she has ever known, eleven-year-old Ada Byron finds comfort in numbers and the wicker basket of her hot air balloon tethered to the house in Marylebone Road, London.  Except for the silent butler, Mr. Franklin, and two house maids, Ada is virtually alone.  Her father, Lord Byron, was killed years earlier and her mother, Baroness Wentworth, bitter with her husband's infidelity and life choices, is often absent.  But all changes for Ada when her new tutor, Mr. Percy Snagsby, and fellow student, Mary Godwin, 14, arrive.

While Ada is disinclined to accept her new educational situation, calling Mr. Snagsby "Peebs" and imaging a cannon from which to shoot him, Mary is very appreciative of it, thrilled with being tutored alongside the titled and wealthier Ada at her much grander home.  With time and the benefit of Mary's compassion and social competencies, the two girls become friends, complementing each other beautifully.  In fact, reading about criminals in the newspaper, the two decide to become a secret constabulary, the Wollstonecraft Detective Agency.  Still trying to work within the social confines experienced by women at the time, the girls take on the case of Miss Rebecca Verdigris, whose maid falsely confesses to stealing her Acorn of Ankara pendant, a birthday gift from Rebecca's late uncle. With Ada's quirky brain and logic and Mary's benevolence and civility, the partners attempt to exonerate the maid, Rosie Sparrow.

Although based on historical figures, Ada and Mary are truly unique young ladies, befitting those of different social standings and family situations.  Ada has learned to be self-reliant, appreciative of her books and numbers i.e., that upon which she can depend. Mary, more mature and attentive to those around her, is fully aware of society's expectations and allowances, and acts as the voice of reason in their friendship and the Wollstonecraft Detective Agency.  Take this sample dialogue between the two girls.

"Because," Mary said guiltily, "sometimes you need to be careful about what you say and when you say it."
"That's silly.  There are just things to know, and people should know them and that's that." (pg. 127)

Luckily, Jordan Stratford plays up their differences, similarly depicted in Kelly Murphy's quaint drawings, and demonstrates the innate humour of their attitudes.

"How are we to find Rosie in here?"
Ada pointed to the right. "This way."
"How do you know?" asked Mary.
"I don't.  I'm just guessing. But if I'm wrong, the other way will still be there." (pg. 111)

Though Jordan Stratford takes some liberties with historical timelines–making Ada eleven and Mary fourteen years of age–he stays true to the essence of the two girls and their interests and personalities.  Ada who will become better known as Ada Lovelace (1815-1852), mathematician, writer and essentially the world's first computer programmer, is the beautiful mind of The Case of the Missing Moonstone.  Mary Godwin, daughter of writer Mary Wollstonecraft, will marry poet Percy Bysshe Shelley, and become Mary Shelley, author of Frankenstein (1818).  Similarly, Jordan Stratford uses the known friendship between Percy Shelley and Lord Byron, as well as Ada Lovelace's relationship with Charles Babbage, for additional historically-accurate subplotting.

The Wollstonecraft Detective Agency is a welcome series for middle-grade readers, providing an offbeat historical perspective to solving mystery.  I look forward to further cases, including The Case of the Girl in Gray, No. 2 in the series, scheduled for release August, 2015.

The Unlikely Hero of Room 13B

Written by Teresa Toten

Doubleday Canada/Random House of Canada

978-0-385678346

255 pp.

Ages 14+

For release August 27, 2013

When 16-year-old Robyn Plummer joins Dr. Chuck Mutinda's young adult OCD group, fifteen-year-old Adam Ross finds his motivation to get better and even grow taller. He still has deal with his compulsion to clear those triggers that bother him, like thresholds and even numbers, but when the group members are encouraged to take on superhero alter egos, he links himself to her by choosing Batman to her Robin.  

In fact, Adam becomes Robyn's unofficial mentor in all things Catholic after following her to the cemetery where she visits her mom's grave.  Seems Robyn is interested in pursuing the ingrained rituals such as crossing oneself and kneeling, hoping it will help her deal with her mother's death and her own OCD.  But Adam and Robyn's relationship starts to include the other members of their OCD group when a field trip to his parish is undertaken.  Although Chuck is clear that religion is not a panacea for OCD, the other group members, including the intense Thor, accompany them and learn about the font, the lighting of candles and kneeling in prayer, even if they all fall to their knees when Father Rick introduces himself.

While he continues to do all he can to help Robyn, obviously falling in love with her, Adam is very reluctant to speak in group or even in his one-on-one sessions with Chuck of those issues which are overwhelming him.  His father had left to marry another woman, Brenda, with whom he now has another son, Wendell (affectionately known as Sweetie), a four-year-old whom Adam adores.  Likewise, Sweetie has a strong attachment to Adam who is regularly summoned to calm or reassure or put his little brother to sleep.  In fact, Adam wonders if he is making Sweetie crazy, although his mother claims that he is not.  A highly-competent nursing supervisor, Carmella Ross, has her own issues, particularly hoarding and, more recently, receiving nasty letters that call her vile names and instruct her to kill herself for Adam's sake. But his mom has declared that if he tells anyone that it will be a betrayal to her.

So he lies to Chuck and others about the letters and even the growing severity of his issues with thresholds. But, as Chuck tells him and he later tells Robyn, when she reveals her own secrets, "Everybody lies."(pg. 146)  However, as he and Robyn become closer, he confides in her about his mom and the letters, which lightens his burden, until he gets home again.

Bouncing back and forth between trying to get better and following Chuck's program and feeling that Robyn is getting better and he is not, Adam begins to feel like an impostor, hardly a superhero of Room 13B. But, revealing what he needs, exposing some lies, and accepting that leaving is a difficult but necessary step in growing up, Adam can finally see himself as the reluctant hero that his family, his friends and Robyn know him to be.

If you forget the OCD, temporarily, you see that Teresa Toten has created a good kid in Adam.  He tries to see the best in everyone and help where he can. He may vascillate between whether it is or isn't or whether he should or shouldn't, but don't we all when trying to make the best of decisions?  With his OCD, Adam would be justified in having great difficulty in determining the correct course of action.  But, he still goes when Sweetie needs him, even in the middle of the night or during the school day.  He respects his mother's wishes.  He even suggests that climbing the stairs to their meeting room in Room 13B would be excellent exercise when he realizes that one group member with claustrophobia was unable to enter the elevator.

While Adam tells himself and others that everybody lies, the lies are used to add layering to The Unlikely Hero of Room 13B.  Everyone has fears, issues, anxieties and sensitivities that sometimes need to be hidden.  But what transforms the lies into a story is the choices of from whom these lies are hidden–yourself or others–and for what purpose.  Teresa Toten uses her characters' lies to provide greater depth and unexpected twists to her storyline, as well as demonstrate that heroics are everyday occurrences, not the domain of superheroes.  Some days it's speaking aloud in a group, or taking a chance and going for it, or breaking your heart to do what's right that requires courage.  By that explanation, Adam Ross, 15, is truly The Unlikely Hero of Room 13B.

    ~  ~  ~  ~  ~  ~  ~    

Teresa Toten will be a guest author at First Calgary Financial Book Rapport, part of Calgary's WordFest in October, and will be presenting at the Banff Centre on Saturday October 19. 

My Beating Teenage Heart

by C. K. Kelly Martin

Random House

978-0-385-67042-5
288 pp.

Young Adult

2011

From an unknown perspective, Ashlyn Baptiste discovers herself watching 16-year-old Breckon Cody; it's either that or escape to a darkness where her senses don't perceive anything.  In fact, it is only through Breckon that Ashlyn pieces together her own name and memories, though what has brought her to this body-less status she has no comprehension, just as she has none regarding her role in Breckon's sphere.

Between alternating chapters of Ashlyn's and Breckon's voices, the death of Breckon's eight-year-old sister, Skylar, is revealed.  As his parents, girl friend, Jules, and friends, Ty and Big Red, wander into his consciousness, Breckon struggles to sleep, to feel, to play his appropriate roles.  Meanwhile Ashlyn is discovering her memories, some recent others deep-rooted, perceiving them in terms of Breckon and his experiences.  Without realizing it, he provides her with the basis for her memories and ultimately an appreciation of her obligation to him.

C. K. Kelly Martin's easily finds the voices of our teen protagonists, never too heavy handed.  Their responses to their circumstances are authentic, at times clear but sometimes confusing.  What teen doesn't know those personal conflicts?  Although almost 16 herself, Ashlyn plays the more naive teen to Breckon's more "experienced" persona (being sexually-active), a necessary juxtaposition to reveal how they need each other.