Illustrated by Erika Rodriguez Medina
Owlkids Books
978-1-77147-427-6
32 pp.
Ages 4-8
March 2022
Something bad has happened. There is much concern for the child, with his mother offering hugs and his aunt asking him if he's okay. But the boy doesn't want to talk about. What he does want to do is dig a tunnel and crawl inside. So he does.
From The Tunnel by Sarah Howden, illus. by Erika Rodriguez Medina |
Taking a small plastic shovel, the child starts digging into the floor of his bedroom. Deep, deep he digs, excavating a meandering tunnel that encounters worms and beetles and moles and more.
It's dark down there but I don't mind.
From The Tunnel by Sarah Howden, illus. by Erika Rodriguez Medina
In fact, the boy realizes, after he comes up to the surface outside his home, that no one knows that he's out there.
I could just disappear.
From The Tunnel by Sarah Howden, illus. by Erika Rodriguez Medina |
I'll go home for now, I tell myself.But I can always come back.
By returning home after his jaunt, the child can now take comfort in his room and his mother's presence.
I think she knows I need a secret place.She might have secret places of her own.I think she knows we sometimes travel far away.Alone, where we don't have to talk.
I'm glad Sarah Howden never reveals to young readers what nature of bad this boy experienced. By leaving it open, it could be anything and thus relevant to any child who has felt a trauma. His response, then, could be theirs. They might recognize the need for a parent or concerned adult to try to help but not knowing how. Fortunately, Sarah Howden gives this child the freedom to choose what he needs: to be silent or to escape, whether figuratively or literally.
There is starkness in his situation and in Sarah Howden's words, so the bleakness of Vancouver's Erika Rodriguez Medina's artwork mirrors that atmosphere. There's not much colour in this child's life right now, nor are there in Erika Rodriguez Medina's illustrations. It's pretty much black and white, with some grey and only minimal red. I'm sure that's how this child feels. Whatever has happened to him, it has turned his world into monotones, gradations of badness. There is some colour, not unlike the goodness that is shadowed in his life, but it is so close to him that he might not be able to see it until he can look at it from a distance, perhaps outside his house or himself.
From The Tunnel by Sarah Howden, illus. by Erika Rodriguez Medina |
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