Bright Shining Moment

Written by Deb Loughead

Second Story Press

978-1-77260-068-1

178 pp.

Ages 9-13

September 2018

Twelve-year-old Adèline (Aline) Sauriol is ashamed that her family is poor. Even though they have a roof over their heads and food on their table and her clothes are always clean and mended, she is humiliated that she never has coins for the charity box on Sister Madeleine's desk or magazines at home from which she could cut pictures for a scrapbook. And she's especially abashed that Jeanine Bonenfant, her tormentor and a school troublemaker who is always getting the strap (this is 1940s Ottawa), often contributes. This is especially frustrating as it is evident that Jeanine's family is far poorer than Aline's and there are rumours that Jeanine's father is a drunk who beats his children and that Jeanine steals from her ill mother.

I like my house, even though we can only use half of it now and tenants will be living in the other half soon. I like my bed, even though it's in the living room now. I wish we weren't poor, though. I wish Papa didn't scowl so much. I wish we had bright shiny new things like some others do. I wish for a lot of things that I know will never come true. Especially the one for an "English" nose. (pg. 54)

Aline wishes for many things to be different but, in a time of economic hardships, there's not much she can do. And then she steals a dime–she intended to only take a penny–for the charity box only to find it has already been collected from the class. As her guardian angel and the devil–she is a good Catholic girl after all–try to sway her, the girl spends it all on candy for herself and her cousin Lucille, purchasing more than they can possibly eat and hiding the rest. While a shameful reminder of her indiscretion, that bag of candy helps Aline make things right for a number of people, family and not, during times of tragedy and joy.

As with most children, Aline sees what she perceives others to have as better than what she has, whether it be money to share for charity, a big house and hot water as her friend Georgette has, or a radio, beautiful clothes and a Christmas tree as their new tenants, the English-Protestant Coleman family, have. In her home, Aline knows how fortunate she is, proud of her mother's baking and care of her family, or her father's hard work and telling of Ti-Jean stories, and her siblings who bring life to her family. But when at school or on the street or visiting the Coleman's apartment or Georgette's house, she is envious of all they seem to have. Of course, Deb Loughead makes sure that Aline realizes that the grass is not always greener and that there are those who are happy to share their bounty. Fortunately, Deb Loughead's touch in Bright Shining Moment is subtle, never moralizing, always recognizing that people's stories are far greater than outward appearances may suggest. There is an appreciation for those who struggle and understanding for those who put on façades while still recognizing that there are those who are more fortunate and still charitable.

Aline may be searching for bright shiny new things, but Bright Shining Moment is one in itself, with its setting effusive with the times and the lessons both discreet and smart. Amidst her personal struggles with envy and shame and wishes for more, Aline eventually finds that brightness and it comes from the familiar. It comes from home.

Taking a Chance on Love

Written by Mary Razzell
Ronsdale Press
978-1-55380-455-0
156 pp.
Ages 14+
February 2016

Taking a Chance on Love was still to become a jazz standard, having only been released a few years earlier in 1940, but it perfectly exemplies the summer of 1944 for seventeen-year-old Meg when boys and affairs of the heart seem to abound for her and everyone.

Though Meg is still quite innocent and naïve about her feelings towards boys, her best friend, Amy Miller, is anything but.  Amy is well aware of them, easily flirting with the wealthy Robert Pryce whose extramarital activities involve several married women, including Amy’s own mother, and setting her sights on any man who could give her a good life.  Meg notices a lot and sometimes knows enough to be wary but can’t always put the big picture together, unfortunately accused by Amy of being jealous  when she attempts to share those feelings.  With her own mother deeply entrenched in the staunch ideas of what being a woman entails i.e., not continuing one’s education but marrying instead, and her father and older brother Sam away at war, Meg has to navigate these treacherous waters as best she can.

From Doug Thompson, a soldier pen pal, to seventeen-year-old Glen Pryce, wealthy half-brother of Robert Pryce, and 22-year-old Bruce Hanson, the emotionally- and physically-scarred Navy son of her employer at Hanson’s Guest House, Meg has no shortage of young men who can help her learn how to handle how she feels.  Sadly, as with coming-of-age for all of us, Meg endures many sweet and bitter moments as she tries to uncover this.

It made me curious, excited, with strong, unexpected yearnings.  But I also felt uneasy, not really ready to know any more about this new world. (pg. 94)

Taking a Chance on Love may be rich in the landscape of 1940s British Columbia, with the war, TB, medical practices, the expectations for women, and the music and clothes, but it could be any teen girl’s story as she delves into first relationships with boys and tries to find herself while opening herself up to the possibilities of finding someone to love.  With some marriages falling apart and others forged because of war, Taking a Chance on Love takes place in a tenous and strengthening time.  It’s a time that is both sweet and enlightening, temporarilty transporting readers to an era when love wasn’t dependent on social media and digital technology but more on self-discovery and resolve.

The End of the Line

by Sharon E. McKay

Annick Press

978-1-55451-658-2

128 pp.

Ages 8-11

August, 2014

When the Germans occupied Amsterdam in May 1940, not everyone, and certainly not elderly brothers, Hans and Lars Gorter, were adversely affected immediately.  The two Dutch bachelors, both in their 60’s, continued to live in the home they had once shared with their mother in a quiet cul-de-sac across the road from her friend, Mrs. Vos, now 80.  They continued to work on a city tram, Hans driving it and Lars collecting tickets.  And they continued to keep to themselves and their routines, though they were becoming perplexed by the hatred being directed at the Jewish people and the Nazis insistence that suspicious behaviour of any sort be reported.

But in 1942 when a woman on the tram separates herself from the little girl accompanying her and is taken away by the Nazis, Lars claims the young girl as his niece and, with a quick release of the hand brake, Hans distracts the Nazi who leaves without the girl.  Hours later, the two men, befuddled as to what to do with the child, take her home.  That simple act, including taking her hands to walk her across the street, has Lars and Hans becoming unofficial uncles to little Beatrix.

To Lars it was as if the curl of a wave had come to rest in his palm To Hans it felt as if the gentlest creature on earth–a baby bird, perhaps–had nestled in his hand.  In that moment both felt the intense pride that comes with great responsibility as they guided the child safely across the street. (pg. 22-3) 

The brothers and Mrs. Vos raise her as Beatrix Gorter and have her schooled in Catholicism. Neighbours are encouraged into silence with polite threats of secrets to be revealed, and a new neighbour, the young Mrs. Lieve van der Meer, taking a special role in Beatrix’s education and upbringing.  And as Beatrix grows, and the persecution of the Jews escalates, and food shortages and strikes make life virtually impossible, the years pass, Beatrix ever hopeful that her mother will return.

This could have been another story of surviving the Holocaust but Sharon E. McKay doesn’t do the same as everyone.  It’s not about escaping or surviving.  It’s the story about naively opening one’s home and one’s heart to a stranger and finding both enriched in unexpected ways. The End of the Line is such a simple story about two unlikely and even reluctant heroes who jump in to help a little girl and find their lives changed forever.  What makes the story all the more poignant is the way in which Beatrix’s unofficial adoption creates a lovely new family of anomalous individuals.  And even with the horrors of Nazism and the persecution of the Jewish people and the Dutch under occupation, Sharon E. McKay is able still to provide moments of sweet tenderness and a reassuring ending that will fill one’s heart with gladness and one’s eyes with tears.  

Rain Shadow

by Valerie Sherrard

Fitzhenry & Whiteside

978-1-55455-341-9

150 pp.

Ages 10+

November 2014

Yes, the book cover is beautiful.  And the beauty of Rain Shadow's cover is only surpassed by Valerie Sherrard's story within.

Valerie Sherrard takes the reader back to Junction, Manitoba, the setting for her multi-award-winning book, The Glory Wind (Fitzhenry & Whiteside, 2010), a poetic tale of friendship and tragedy.  Two years after The Glory Wind's events, twelve-year-old Bethany Anderson still only knows that something happened to Gracie, though her only memory involves a half penny she never was able to return to her schoolmate before she was gone.  Bethany has never shared that with anyone and certainly not her fourteen-year-old sister Mira who calls Bethany a "Retard" and tells her about scary places for children like Bethany "who have parts that do not work correctly." (pg. 19) Bethany may have difficulties learning, and cannot read, and takes things too literally, but she has the biggest heart and blames herself too readily for things that are never in her control. 

"But I did do wrong things lots of other days.  Mostly, I did not know they were wrong until after I did them.  That made me wish I knew how to write more words.  Then I could have made a list of things I should not do so I would not forget them and keep upsetting Mother.  At bedtime, I said the ones I could remember over and over in my head." (pg. 81)

Perhaps her gravest error, in her mind, was answering the door to a man and his family whose son later died of polio. Of course, no one knew he had polio at the time, and Bethany didn't invite them in or tell Mira to join them and Mother in the house; Mother did that.  But when Mira contracts polio and dies, Mother's grief lashes out at Bethany.

"That made me feel like something black and scary was inside me." (pg. 83)

Surprisingly, school becomes Bethany's salvation.  Without Mira around, the other students are generally kinder to her, and her efforts are recognized, and there is always someone to chastize those who might be mean to her.  So while Bethany might feel unwanted and inconvenient at home, a stone to Mira's jewel, at school she feels exactly like the others.  And it's only through the efforts of others in the community that Bethany is encouraged to see how strong and brave she has always been.

The polio epidemics of the 1940s and 1950s were all the more frightening for the lack of understanding and the tragic prognoses. But the loss of a favourite and "perfect"child to polio is obviously too much for Bethany's mother to bear. Already flawed, as indicated by her treatment of Bethany, Mother could do nothing less than destroy her relationship with her only surviving daughter. That doesn't excuse her.  But, by continuing to perpetuate the placement of her youngest daughter in Mira's (rain) shadow, her mother has actually nudged Bethany to explore everything she can be.

Valerie Sherrard is so adept at telling a story that could be anyone's tale.  At its foundation, Rain Shadow is just the story of a girl with challenges whose family doesn't know how to meet her needs, especially after a great tragedy engulfs all of them.  Though set in 1949, Rain Shadow encompasses the story lines of our lives: tragedy, relationships with siblings and parents, school life, the kindness of strangers, love, and self-awareness.  But, conceived and written by Valerie Sherrard, Rain Shadow becomes a triumph of the human spirit to weather life's challenges and to even transcend them.  It's a beautiful story amidst despairing circumstances.

Graffiti Knight

by Karen Bass

Pajama Press

978-1-927485-53-8

288 pp.

Ages 12+

August, 2013

Many books of historical fiction focus on the atrocities and hardships of war time but few examine the aftermath of war, especially for civilians in the defeated countries.  Children's fiction and non-fiction of life in Nazi Germany abound, particularly for those who were victimized by the Nazis.  But, after Germany's surrender in 1945, its lands were divided between four occupation zones administered by the British, Americans, French and Soviets, as well as having certain lands inhabited by Germans recovered by Poland and Czechoslovakia. This is the story of Wilhelm Tauber and his family and friends as they endure life in the town of Leipzig in the Soviet-controlled sector of Germany.

Wilhelm, who prefers to be called Wilm, as he perennially tells his father, has much that angers him about Leipzig's current circumstances.  His father, who returned from war without one leg, is bitter about his loss and limited opportunities, and is regularly antagonistic to Wilm. His mother works as much as she can to help provide for the family.  His older sister, Anneliese, spends much of her time in her room, except when she goes to work, dressed in boy's clothing.  His friend, Georg, whose father died in the war, is essentially starving.  His friend, Karl, has a father who was taken to a POW camp but he knows nothing else of his fate.  And school is tedium for Wilm, doing well in math but only when applicable to real life.  But the harassment of the Schupos, the German police under Soviet control, and the Soviets themselves, have created a prison for all in Leipzig, restricting their movements, their food, their opinions–all their freedoms–and evoking fear, compliance and silence.  But nothing can compare to the anger Wilm experiences when he learns that Anneliese was raped by four Soviet soldiers at the train station where she went to meet her boyfriend, Ernst Weber, who promptly dropped her because she was no longer "untouched".

The game that Wilm, Karl and Georg regularly played, spying on the Schupos, pretending to be behind enemy lines and collecting intelligence for the Americans, becomes more real after Wilm begins taking chances to humiliate the Schupos and the Soviets, starting with the slashing of tires on several Soviet vans.  An older man, Otto Steinhauer, an engineer contracted to inspect bridges, intercedes when Karl and Wilm begin fighting over Wilm's negligence.  Soon Otto becomes a mentor to Wilm teaching him about bridges, math and engineering, as well as talking with him about Wilm's father, dealing with those in authority, and trust.

With the continued hostilities from the Soviets and the Schupos, including that of Anneliese's ex-boyfriend, Ernst, now a Schupo, Wilm feels compelled to escalate his attacks, becoming known as the Marionette Wolverine for the stickman puppet graffiti he leaves as his mark. But Wilm's resolve to get an innocent Georg released from jail has him questioning his own motives and actions, particularly after a final explosive act forces him to flee Leipzig, with friends and family in tow.  What begins as civil disobedience in search of justice becomes a harrowing escape, jeopardizing the lives of all for whom he cares.

Karen Bass' thorough research, as she describes in her Historical Notes at the back of the book, provides the authentic background for Graffiti Knight, challenging all that readers might think they know about Nazi Germany and its aftermath.  While all will see the Nazis as the criminals to humanity, we often forget that for others, the Soviets were just as barbaric to their victims, using some different means to oppress.  By seeing Leipzig and other parts of Germany through the eyes of a young man of sixteen, who lives through World War II but experiences further injustice in its aftermath, when so many were celebrating victory, Karen Bass provides enlightenment via a new perspective.  Heroes are not just made in war.  Courage and compassion, the virtues of heroes anywhere and anytime, can make a knight out of anyone, even Wilm.

Torn Apart: The Internment Diary of Mary Kobayashi, Vancouver, British Columbia, 1941

by Susan Aihoshi

Scholastic Canada

978-0-439-94660-5

209 pp.

Ages 8-13

2012

In Torn Apart: The Internment Diary of Mary Kobayashi, Mary turns twelve and looks forward to the simple pleasures of playing tennis with her friends, Sachiko, Maggie and Ellen; going to Girl Guides and Guide camp; attending baseball games with her family; and earning some money for a new bike by berry-picking in Surrey.  Although there is a war going on overseas, her life is filled with the simple joys of childhood and the caring of her large family: Mama and Papa; Geechan (her grandfather); older brothers Tad and Mike; older sisters Kay and Emma; and annoying little brother, Harry.  But soon, small changes impose on her reality.

At school, where they now do "war work" (e.g., sewing, knitting, map-reading, first aid), Mary endures occasional racial slurs, while the older members of her family acquiesce to carrying their registration cards with them.  The veiled prejudice aimed at Japanese-Canadians becomes more public after the December 7 bombing of the American military base at Pearl Harbor and Canada's declaration of war on Japan the following day.  Regardless of their citizenship, beliefs, desire to join Canada's military, or reputations, the Japanese-Canadians watch as their Japanese-language newspapers are shut down, their fishing boats seized by the navy, and secure jobs lost. While the older members of her family experience firsthand the discrimination of Canada's government and society, Mary notes what is happening but continues to enjoy a life rich in friendships and family.

However, the consequences of Japan's activities overseas, including seizing Hong Kong and later Singapore, bring a new round of governmental actions aimed at fraying the freedoms of Canada's Japanese, like requiring them to surrender their cars, radios and cameras; follow a dawn-to-dusk curfew; move to "relocation centres"; and concede to being rounded like Mary's Geechan and sent to work camps in the Rockies and elsewhere.  With Geechan's leaving, the fabric of Mary's family begins to rip, and slowly they become separated: Mike gets orders to work on a road crew; Tad volunteers for work in northern Ontario; the RCMP take Papa; and Emma, Kay and Mary are sent to the ghost town of New Denver, while Mama remains in Vancouver with a hospitalized Harry. 

While reading this newest addition to Scholastic Canada's Dear Canada series, I agonized over the cumulative losses endured by Mary and her family.  But, after finishing my reading, I know that Susan Aihoshi was correct in emphasizing the Torn Apart nature of the Japanese-Canadian story.  Like a strong furoshiki, able to heft great loads, the Kobayashi's are strong because of their connections, as a family, to each other and to their communities, Japanese and Canadian.  But, the challenges of fear and ignorance strive to weaken the fabric, ripping it unceremoniously with Geechan's departure, and more so with each separation.

Susan Aihoshi appropriately uses Mary's voice to express the experience of the Japanese-Canadians during the latter half of World War II.  Mary is neither as naive and oblivious as young Harry, who wants to play war and the board game "Yellow Peril", nor succumbing to the life-altering demands of an ignorant government.  But, she witnesses the perplexing about-turn of an ill-informed society and she tries to keep her reality intact.  Luckily, small kindnesses and thoughtful support slowly weave the frayed threads of that furoshiki together again.  Though never the same as the original, the mending offers some hope for re-creating the family tapestry, perhaps with new threads of different hues and composition.


N.B. Susan Aihoshi includes a wealth of historical notes and graphics to enhance and reference Mary's fictional tale.

I'll Be Watching

by Pamela Porter
Groundwood Books
978-1-55498-096-3
280 pp.
Ages 12+
2011

Creating novels in verse requires such superb craftsmanship that few writers even attempt the genre (thank goodness).  Luckily, Pamela Porter, poet and author, has written another superb story in free verse, following up on her successful The Crazy Man, winner of the 2005 Governor-General's Award for Children's Literature.

It's the 1940s, and the Loney family of the small community of Argue, Saskatchewan are seem to have more than their share of hardships.  Their mother, Margaret, has passed on; their dad, George, drinks and remarries bitter and self-righteous Effie Slade; eldest son, Ran, enlists to make some money for the family (especially needed after George freezes in the cold, and Effie runs off with a Bible salesman) and the letters and money he sends all repeatedly disappear in the mail; and fourteen-year-old Nora works to take care of her younger brothers, Jim (mischievous at 12) and youngest Addie (non-verbal and "touched in the head"), eventually with little money for lights, heat or food. 

Their story is told through the voices of Ran, Nora, Jim, and Addie, as well as those of their parents, who watch over them and help as best they can.  The voices of the community - Gideon Freeman, an elderly black man; Dr. John Payne and his daughter, Susanna, Ran's sweetheart; the postmistress, Carol Williams; small-minded Effie Meany and Rev. Albert Meany (who keep silent about his sexual abuse of their daughter, but have sharp tongues levelled against the schoolteacher, Franz Lahr, who shares poetry with her); the good Father Andrew Innes and his wife Clara; and all manner of friends and acquaintances who flit in and out of the children's lives.

Though the story of the Loney's is one of hardship and undoubtedly a heavy one to endure, much less experience through the author's words, Pamela Porter puts the reader into the role of observers from above, akin to Margaret and George (although they do direct events).  Porter's depiction of each character, so varied and rich, as well the Saskatchewan landscape and life of WWII Canada, are so authentic that we have no question that this could be one family's story.

An emotional, poignant story not to be missed, exemplary of fine writing in free verse.