Room for More

Written by Michelle Kadarusman

Illustrated by Maggie Zeng

Pajama Press

978-1-77278-252-3

32 pp.

Ages 5-8

June 2022

With fire season upon us, Room for More reminds us of the fragility of habitats and the vulnerability of animals to destruction too often wrought by humans, whether by carelessness or climate change. Fortunately, animal species such as the Australian ones Michelle Kadarusman has highlighted here do better than we do at showing compassion, generosity, flexibility and reciprocity.

From Room for More by Michelle Kadarusman, illus. by Maggie Zeng

Two wombats, Dig and Scratch, know that when they smell the smoke of a bushfire that they will be safe in their deep burrows. But when they hear other animals scurrying for safety outside, Dig offers them shelter, though Scratch keeps reiterating that, "There is no room." Still, Dig tells a wallaby with a joey in her pouch who was already succumbing to the smoke that, "We have plenty of room."

From Room for More by Michelle Kadarusman, illus. by Maggie Zeng

When Dig spots a koala clinging to a tree, he again helps a stranded animal, against Scratch's grumblings of limited space. When a tiger snake is spotted, there is much trepidation about a venomous snake that might bite but Dig is convinced the snake will behave.

From Room for More by Michelle Kadarusman, illus. by Maggie Zeng

Though very snug in the wombats' burrow, the motley group of animals survive until a rain comes and puts out the bushfire. But, with that rain, comes a new worry for the wombats whose home is in danger of flooding. However, their new friends find a way to reciprocate the relief provided, showing a generosity of spirit all around.

 

Australian-born author Michelle Kadarusman's "Author's Note" reveals that Room for More is based on the science that animals other than wombats would find safety in their deep burrows during the horrific bushfires of 2019-2020. Perhaps there weren't discussions between wombats about helping out or animals uniting to engineer an embankment, but Michelle Kadarusman reminds us that all animals, even unlikely allies, can cooperate for greater good and without compulsion for mutual benefit, though in this case that is exactly what happens.  Though the consequences of bushfires are often devastating, Michelle Kadarusman has emphasized a gentler story, that of animals surviving and by unusual means. And that's the good story. But Michelle Kadarusman also gives us the science of Room for More, providing a glossary of the species involved in the story as well as explaining important issues like climate change, environmental disasters and Australian Indigenous land practices.

From Room for More by Michelle Kadarusman, illus. by Maggie Zeng

That gentle touch to what is a heartbreaking and devastating circumstance is emulated in artist Maggie Zeng's digital illustrations. While there is an orange hue of fires and a pall of grey haze to the landscape, Maggie Zeng does not overwhelm the art with angry flames or blackened scenes of destruction. Instead, she takes us to a dry and warm setting that is softened with the kindness of benevolence. In her colours and shapes, Maggie Zeng offers generosity and compassion.

I know teachers will love to share this story with their students whether for STEM lessons regarding habitat, characteristics of living things, different world biomes or climate change or for character education centered on empathy and goodwill but at its heart it is a sweet story that goes beyond teaching by captivating readers and transporting them to other worlds. It would seem there's always room for another fabulous picture book on the youngCanLit shelves.

Deadly Voyage: RMS Titanic, Jamie Laidlaw, Crossing the Atlantic, 1912

Written by Hugh Brewster

Scholastic Canada

978-1-4431-0465-4

195 pp.

Ages 9-13

2011

Often the voices of the young are rarely heard when major current events occur.  Children and young teens are "protected" by adults who negate their comments, minimize their value or, worse, ignore them completely.  However, as Hugh Brewster demonstrates in Deadly Voyage, the observations and assessments of young Jamie Laidlaw provide a different perspective on the Titanic and its sinking, and perhaps a more accurate one.

Jamie Laidlaw, 14, has been living in England with his parents for the past two years, by virtue of his father's job with the Imperial Bank.  Now, they are returning home to Montreal, with his mom's maid, Rosalie, and their Airedale terrier, Max.  Boarding the RMS Titanic on April 10, 1912 at Southampton, his parents make the acquaintance of numerous wealthy patrons, including Major Peuchen, Mr. Molson (of brewery and banking fame), and Mr. and Mrs. Fortune and their older children from Winnipeg.  Jamie, on the other hand, makes the acquaintance of several passengers who will disembark at Ireland, including eleven-year-old Jack Odell.  As boys will be, Jamie and Jack explore throughout the ship, providing a first-hand account of the design and opulence of the Titanic, from third-class to first-class accommodations, to the different dining rooms, the pool, the Turkish baths, the squash courts and the fully-outfitted gymnasium, and even to the Marconi room from which wireless messages are amazingly sent.  After Jack's departure, Jamie makes a new friend over the animal kennels where Max is being housed.  Johnnie Ryerson is an American boy (with a pet rat he's stowed away on board) who is returning to the States with his family for the funeral of his oldest brother.  Johnnie's curiosity gets the two boys in trouble with their families, as they entertain themselves with some of the Titanic's distractions and pursuing the runaway rat.

When the ship hits the iceberg at 11:40 p.m. on April 14, Jamie's youthful perspective, even after having to put on his life jacket, watching young men kick a chunk of ice around like a soccer ball, is to think, "But imagine this happening to a brand new ship!  What bad luck!" (pg. 78)  However, his optimism flags after watching the few lifeboats get loaded with passengers and observing the courage and cowardice evident amongst the passengers and crew.  While his mother wants him to board a lifeboat, Jamie insists on staying behind to look after his father.  (Johnnie, however, is forced by his father to join his mother and sisters on a lifeboat, a decision that will haunt Johnnie forever.)  Left on the ship with his father, Jamie seems to come-of-age, standing shoulder to shoulder with men to prevent others from clambering into the lifeboats, helping to release another lifeboat, and ultimately, as "every man for himself", plunging himself into a huge wave to get clear of the sinking ship.

Hugh Brewster, whose award-winning non-fiction and fiction emphasize key historical events in Canada's past, demonstrates how to take a well-recorded subject (i.e., the sinking of the Titanic) and see it from a different and fresh perspective.  By giving young Jamie a voice, as he grows from a boy to a young man, and later as a grandfather looking back at the events, Deadly Voyage epitomizes the experiences of the Titanic passengers and others affected by the tragedy.  Coupled with the historical notes, glossary, and photographs, Deadly Voyage provides a comprehensive fictional non-fiction exposé of the Titanic's sinking, which only a seasoned writer such as Hugh Brewster could have produced.

***

Look for additional news about Titanic presentations and book lists in the next week, all in preparation for commemorating, on April 15, 2012, the 100th anniversary of its sinking.