Echoes and Empires

 

Written by Morgan Rhodes

Razorbill

978-0-593351659

400 pp.

Ages 12-18

2022 

Reviewed from audiobook (978-0-593502839)

Josslyn Drake has always led a privileged life as the First Daughter of the Regarian prime minister. Of course, things changed drastically when her father was assassinated by the warlock Lord Zarek Banyon at last year's Queen's Gala. Still, Queen Isadora, a close family friend, has allowed her to stay in the PM's residence, now home to Prime Minister Ambrose and Celina, his daughter and Joss's best friend, as well as providing Joss with a generous allowance.

But a year after her father's murder at the annual Queen's Gala, Joss's life is again turned around. First, she learns that Celina is now betrothed to Joss's own crush Viktor, a commander in the Queensguard. Then, when she goes to view the stolen artifacts retrieved from Banyon's residence, she interrupts the theft of an ornate box from which a golden smoke is released and enters Joss. The next day, the young thief, Jericho Nox, finds her and reveals that memory magic is now in Joss and he must get it back for his employer, the witch Valery. Having been indoctrinated to believe that all magic is evil and uncontrollable, and the source of all illness, violence and cruelty, Joss wants the magic out of her as much as Jericho wants to get it back. This is especially true because the memories Joss sees as echoes are those of her father's killer, Lord Banyon.

 

Still, getting the magic out of her becomes even more complicated after they are betrayed and imprisoned in the walled prison known as the Queen's Keep. So now, not only do they need to get the magic out of her and quickly, as Valery is causing Jericho much pain through the marks by which she has bonded him to her, but they must find a way out of the Keep, which only seems possible by making a dangerous deal with the Overlord, Vander Lazos, once magical advisor to the Queen and a former friend of Banyon's. But that deal requires Jericho, who possesses death magic, to destroy a creature that torments the Keep, and even that does not ensure their escape from the walled community or the removal of the magic from Joss.

Morgan Rhodes has created another complex fantasy of magic in which an unlikely pair of brash young people must work to together–and maybe fall in love–to get what they both want. Unfortunately, they are both at the dictates of those who have and will deceive them before they offer any assistance, and the two must rely on each other rather than those who have always appeared to be in their corners. Some readers may find seventeen-year-old Joss unlikable as the privileged child of the empire, accustomed to wealth and recognition, and typically showing contempt for those less than herself but with whom she must ally herself. Jericho, on the other hand, is just a hard shell of a young man of nineteen, having suffered numerous tragedies from the deaths of his parents and now bondage to a treacherous but powerful witch who chooses to use him as a tool of lawlessness. They are very different but still connected through a bit of magic and a whole lot of misadventure. 

But, beyond her wealth of characters, and Joss and Jericho are but the main ones, Morgan Rhodes gives us a new world of fantasy, in which magic is manipulated and cursed, in which secrets are used to control and protect, and affection is a commodity of both innocence and might. With each step of their mission to remove the magic from Joss and deliver it to Valery, the two teens grow and become more than they had been and more than they'd expected to be. From objects of compliance with social norms and their manipulators, Joss and Jericho start to see beyond that which is presented to them. They're starting to see the world as it truly is.

Everything Morgan Rhodes (a.k.a. Michelle Rowen for adult readers) writes is gold. She weaves characters and stories together into rich fabrics, complex with the depth of the connections of their plights and natures. She makes us laugh with their foibles and sarcasm, and has us cheering for them when they endure and even conquer. And she makes us swoon when the unlikeliest of characters find soulmates. Echoes and Empires delivers all that and more, and there will be many a reader, including this one, anticipating the sequel, Legends and Liars, which comes out in June.

 

• • • • • •

The Triumphant: Book launch (Toronto, ON)

It's finally here!

The final book in

The Valiant Trilogy

Fallon's story began in

The Valiant

and her fight continued in

 The Defiant

Now

author

Lesley Livingston

completes Fallon's story with

the launch 

of

The Triumphant

Written by Lesley Livingston

Razorbill

9780451480682

416 pp.

Ages 12+

February 2019

on 

Thursday, March 7, 2019

(sorry for the short notice!)

7 -10 p.m. 

at

Dominion Pub and Kitchen

500 Queen St. E.

Toronto, ON

The event is open to all ages! 

(Don't let the pub in the venue name dissuade you from taking in this event.)

⚔⚔⚔⚔⚔⚔⚔⚔⚔

The following blurb about the book comes from Penguin Random House Canada at https://www.penguinrandomhouse.ca/books/577072/the-triumphant-by-lesley-livingston/9780451480682:

The final book in the Valiant series takes Fallon and her warrior sisters on an epic journey from the corrupt Roman Republic to the wonder of the ancient world: Alexandria, Egypt.

In the wake of their victorious fight to win back the Ludus Achillea, Fallon and her gladiatrix sisters have become the toast of the Republic. However, as a consequence of his actions during the Ludus uprising, Fallon's love Cai has been stripped of his Decurion rank and cast down to serve as one of Caesar's gladiators.

Amid fighting for Cai's freedom, Fallon soon learns that Caesar's enemies are plotting against him and planning to get revenge on his fearsome gladiatrices. When Caesar is murdered by these conspirators, Fallon and the girls lose any sort of protection they once had. Fallon also realizes that the foreign queen Cleopatra is now in grave danger.

Fallon rallies her war band and Cai's friends to get Cleopatra out of the city, and the group heads to the safety of Cleo's homeland, Alexandria, Egypt. Once there, the gladiatrices are promised a place of honor in the queen's elite guard, but is that what any of them really want? 

Immortal Reign: Falling Kingdoms, Book 6

Written by Morgan Rhodes

Razorbill

978-1-595-14824-7

391 pp.

Ages 13+

February 2018

I have avoided reading Morgan Rhodes's conclusion to her Falling Kingdoms series ever since I got my autographed copy at the beginning of February. I knew it would be stellar–it was– but, after five books, I wasn't ready to say good-bye to Magnus and Cleo, Jonas and Lucia, Nic and Felix and the rest that live in Mytica and elsewhere and carry Morgan Rhodes's story through every power struggle, magical conflict and romantic interlude. But, the time has come when I have to honour this final book, Book 6 in the series, and share with you the tempest that is Immortal Reign.

When last we visited the worlds of Falling Kingdoms, much deception resulted in the Kindred gods taking over the bodies of mortals to allow them reign: the fire god, Kyan, took over Nic's body; the earth Kindred took over Olivia's; the air Kindred went to Taran; and the water goddess took Cleo as her vessel. Because the ritual was interrupted, Cleo and Taran still have control over their bodies though Kyan is determined to remedy that by coercing Lucia to perform the ritual. But with the recent birth of her daughter, Lyssa, during which Lucia lost most of her magic, the sorceress is determined to do what's right for her daughter, including imprisoning Kyan back in his amber orb and reuniting with her father King Gaius and her brother Magnus. But all is more complicated as Magnus fights for his life after being buried alive, the king is assassinated and Lyssa is kidnapped.

Meanwhile, the Kraeshian empress Amara is set for her Ascension but, as much as she wants to rule, she is realizing that much of what she desires has been directed by her manipulative grandmother Neela. Still Amara has perpetrated far too many atrocities, against her family and others, for anyone to be her true ally so to whom can she turn? She intends to make things right, or somewhat right, but she has a lot of relationships to mend.

"I regret very few decisions I've made these last months, but I deeply regret how I've treated you. I've been horrible to you."
     Ashur gaped at her. "Horrible? You stabbed me in the heart." (pg. 57)

The dialogue is so clever, often draped in mirth, especially the banter involving Magnus, Jonas and Felix. Still the situation with the Kindreds is dire and, while Cleo and Taran fight off the powerful Kindreds attempting to take over their bodies fully, and Magnus, after freeing himself with some powerful dark magic, does all he can to keep Cleo safe, Lucia tries to regain her magic by stripping Jonas of his so that she might continue to fight for her daughter.

There is so much more to tell about Immortal Reign but  trying to condense a review of the book into a few sentences is near impossible. Morgan Rhodes's story telling is bigger than the worlds she has created in Falling Kingdoms. Her tale weaves in and out, backwards and forwards and sometimes sideways, and still creates a tightly-knit story of struggles, love and redemption.

We don't change. We are who we are throughout our lives. We can try other paths, other roads, but it never works. (pg. 294)

Immortal Timotheus believes these words as he says them but Immortal Reign shows us that change is possible for all.  From Book 1 to Book 6, all the characters have changed, becoming more sympathetic, less silly, less violent or self-righteous, more accepting of others and their mistakes, and open to possibilities they would never have accepted previously as viable or desirable.  I have grown to love each and every one of them as they've descended and ascended and transcended into the bountiful characters for whom readers have cheered and booed. (Check out some of the astounding fandom drawings of the characters that readers have shared on the Falling Kingdoms wiki, Tumblr, Pinterest and numerous blogs. These readers love these characters as much as I do.)

Morgan Rhodes could not have written a better ending to her six-part series. It's satisfying with unexpected elements and a frisson of the predictable (hurray for Magnus and Cleo finally getting together). She lead us through widespread rebellions and strife between nations, as well as personal triumphs and tragedies. And we followed. And we would do so again.  With Morgan Rhodes at the writing helm, it's a pleasure to accompany her on the voyage.

••••••••••••••••••••••••••••••••

If you haven't read the whole series, do check out my reviews of Books 1 through 5 for a taste of what you've missed and the order to follow to get caught up. You'll definitely want to do so.

1. Falling Kingdoms (2012)
2. Rebel Spring (2013)
3. Gathering Darkness (2014)
4. Frozen Tides (2015) 
5. Crystal Storm (2016)

Crystal Storm: Falling Kingdoms, Book 5

Written by Morgan Rhodes

Razorbill

978-1-59514-822-3

379 pp.

Ages 12+

2016

At the conclusion of Book 4, Frozen Tides, the four Kindred, stone orbs possessing elemental magic, had been retrieved and possessed by four different entities.   Now Princess Cleiona has the earth Kindred, King Gaius possesses the air Kindred and Empress Amara has the aquamarine that is the water Kindred, while Kyan the fire god has already been released from the amber orb that is the fire Kindred. And everyone wants to possess all four so that they may unlock the power of the full Kindred.  But things are not that straightforward, as there are still power struggles for control, alliances made for breaking and allegiances in flux.

Now married to the Empress Amara, who killed off her whole family to reign the Kraeshian Empire, King Gaius has survived a fall that should have killed him but didn’t because of a potion for strength he’d been given years earlier by his mother.  He is determined apparently to right some wrongs and that includes defeating Amara, reclaiming the kingdom of Mytica and getting the Kindred, all by joining forces with his son Prince Magnus and his wife, Princess Cleiona, and seeking his sorceress daughter Lucia.  Though reluctant to join forces with him, Magnus and Cleiona have their own reasons to do so, including getting help to break a curse that would kill Cleo should she become pregnant.  With the help of  King Gaius’ mother, Selia, the King and entourage head to Paelsia.

Meanwhile, Lucia is looking to redeem herself after the role she played in aiding Kyan whose wrath led to the destruction of a Paelsian community.  She enters the Sanctuary of the immortals to learn that it is up to her to find and imprison Kyan and locate the other Kindred to return them to save the Sanctuary.  How she will do this with all of Paelsia seeing her as a dark witch who unleashed evil on their land and with her pregnancy progressing exponentially?

Yet another contingent is made up of the Paelsian rebel Jonas; Cleo’s childhood friend Nic; Felix Gaebras, the former assassin of King Gaius and recent victim of Amara; Taran Ranus, twin brother of the Paelsian killed by Magnus; and the newly-resurrected brother of Amara and love interest of Nic, Prince Ashur Cortas.

Everyone is heading to Paelsia, looking for Lucia and the Kindred.  That is, if they don’t all kill each other first.  But death seems to be an elusive state for many in Crystal Storm.  There are those who were killed or almost so who are seemingly resurrected by potion or magic.  Then there are others whose deaths were announced too hastily.  Staying alive is a lot harder when everyone is harbouring secrets and resentment and seeking retribution or justice or even power, determined not to let anything or anyone stand in their way.

Some may have thought this series was going to be a trilogy but thankfully it is not.  Falling Kingdoms continues to flourish under Morgan Rhodes' mastery of time and place and story, bringing characters to and from death and fighting for control in this fifth book in the series.  And if I’ve learned anything, it’s that every character is dynamic and ever-changing.  For me, Magnus has become a character for whom I will continue to cheer (and when you read the ending, you’ll understand why).  He has always been driven, initially by ego, having killed Cleo’s love interest in Falling Kingdoms (Book 1), but now by love and a desire to make things right.  Cleo, on the other hand, has become fickle, choosing whom to trust and whom to distrust seeming at whim.  She’s very quick to chastize some, especially Magnus, and forgive others, like Nic, but never recognize her role in the antagonisms she helps perpetuate between men like Magnus, Jonas and Nic.  I almost wished to be done with Cleo except for what she means to Magnus.  Of course, Morgan Rhodes could change everything in Book 6 (Immortal Reign, due out February 2018) and she probably will.

Thankfully the story is still being told. Long live Auranos and Limeros and Paelsia and the Kraeshian Empire and all the realms of the Falling Kingdoms.

Falling Kingdoms (2012)

Rebel Spring (2013)

Gathering Darkness (2014)

Frozen Tides (2015)

Crystal Storm (2016)

Immortal Reign (for release 2018)

Everything Beautiful Is Not Ruined

Written by Danielle Younge-Ullman

Razorbill

978-0-425-28759-0

368 pp.

Ages 13–17

February 2017

After, I stand for a few moments looking out over the water, the moon reflecting off its glass-like surface.  It's beautiful, yes.  But the beauty doesn't reach me the way it's supposed to because I feel like it's been shoved down my throat.  I register the stark gorgeousness of the dying day, and what it fills me with is unease, and an ominous sensation of cracking inside–of cracking open, of a corresponding excruciating pain I have kept at bay by incredible discipline beginning to seep toward the surface. (pg. 87)

Ingrid Burke must feel like she's been deposited in another world, and one not of her choosing.  In fact, not even one like in the brochure her mother, retired opera singer Margot-Sophia Lalonde, had shown her of Peak Wilderness, an outdoors camp in northern Ontario, to which Ingrid has agreed to go so her mother would permit her attendance at a prestigious music school in London England.  Worse yet, Ingrid, who perceives herself to be “a model citizen and paragon of stability” (pg. 53) compared to the miscellany of other troubled youth campers, must survive three weeks of hiking, canoeing, roughing it, and sharing under the supervision of leaders Pat and Bonnie who seem to enjoy the group’s failures at near impossible tasks.

What happened that led Ingrid to this challenging and repeatedly dangerous situation is told in alternating chapters, organized by Ingrid's age, that speak to her life before Peak Wilderness.  They tell of her life travelling the world with her famous mother and then, after damage to Margot-Sophia’s vocal chords leads them home to Toronto,  the reversal of roles when Margot-Sophia is overcome with depression.  Revealed slowly but with ease are Ingrid’s experiences at school and home, feeling vulnerable and frustrated, fearful and positive, and her attempts to achieve normalcy and some happiness. Eventually we also learn what led her to Peak Wilderness.

My words cannot do justice to the depth of Danielle Younge-Ullman's characterizations and story-telling.  There is so much to share with readers that my words seem sparse and ineffective. But I can tell you that Danielle Younge-Ullman weaves Ingrid’s present and past into a fabric of ordinary and extraordinary, creating a life of tenacity to which most of us could aspire.  Though Ingrid doesn’t want to acknowledge the vulnerabilities that brought her to the camp, Danielle Younge-Ullman provides hints throughout the story–Isaac, an axe and an injured leg–that there is more to the teen’s story than she reveals to others and even to herself.  Her go-to survival mechanisms include a strained positivity —“How exciting, and what a magnificent opportunity to get in touch with my inner savage” (pg. 29)— and silence with a dose of denial.  But beyond Ingrid’s inner turmoil are the relationships the teen has with her mother, her new father, a boy with whom she has a connection, and all the campers.  These relationships drive Everything Beautiful Is Not Ruined.  They ebb and flow, both serene and passionate, not unlike the music of a great opera that Margot-Sophia might have performed.  Though Ingrid might think she knows the music of her life really well, she’s just learning to perform it with passion so that she can make it successfully to the triumphant finish. And Danielle Younge-Ullman makes sure that we want to stay for the whole performance without ever nodding off.

****************

On May 6, 2017, Danielle Younge-Ullman will be speaking at the Stratford Writers Festival Young Adult forum along with numerous other YA authors.  I'll post about it here soon but you can get details at http://digiwriting.com/stratford-writers-festival-young-adult-2017/

I'll be there and you should be too!

Everything Beautiful Is Not Ruined: Book launch (Toronto, ON)

Join author

Danielle Younge-Ullman

for the launch of her new young adult book

Everything Beautiful Is Not Ruined

Written by Danielle Younge-Ullman

Razorbill

978-0-425-28759-0

368 pp.

Ages 13-17

February 2017

on

  Sunday, February 26, 2017

2-4 p.m.

at

Another Story Book Shop

315 Roncesvalles Avenue

From Penguin Random House website at http://www.penguinrandomhouse.com/books/535860/everything-beautiful-is-not-ruined-by-danielle-younge-ullman/9780425287590/

Wild meets The Breakfast Club in this story of a girl who must survive an extreme wilderness experience to prove to her mother that she has the strength to pursue her dreams. 

Then
Ingrid traveled all over Europe with her opera star mother, Margot-Sophia. Life was beautiful and bright, and every day soared with music.

Now
Ingrid is on a summertime wilderness survival trek for at-risk teens: addicts, runaways, and her. She’s fighting to survive crushing humiliations, physical challenges that push her to her limits, and mind games that threaten to break her.

Then
When the curtain fell on Margot-Sophia’s singing career, they buried the past and settled into a small, painfully normal life. But Ingrid longed to let the music soar again. She wanted it so much that, for a while, nothing else mattered.

Now
Ingrid is never going to make it through this summer if she can’t figure out why she’s here . . . and why the music really stopped.

The Darkest Magic: A Book of Spirits and Thieves, Book 2

by Morgan Rhodes

Razorbill

978-1-59514-761-5

426 pp.

Ages 12+

June 2016

When Morgan Rhodes began this series as a spin-off of her Falling Kingdoms fantasy, I had no idea that it would be even more complicated that that award-winning series. (Read the first four books in that series – Falling Kingdoms, A Rebel Spring, Gathering Darkness, and  Frozen Tides  – and experience the fullness of the high fantasy of Mytica and beyond.) In the first book in this new series, A Book of Spirits and Thieves (Razorbill, 2015), Morgan Rhodes took readers beyond that Falling Kingdoms world and juxtaposed it with our modern one, by creating a complicated story that fused the very best elements of fantasy and parallel worlds.  Well, hold on to your hats (or your cloak's hood) because The Darkest Magic takes the reader into darker worlds in which secrets revealed just beget more secrets and everyone is chasing after something or someone.

In Mytica, Maddox has learned that he is the son of the mortal Barnabas and the immortal Eva, though he’d always been raised to believe Damaris, who is revealed to be Barnabas’s sister, was his mother. After Goran, the henchman of the goddess Valoria, murders Damaris, they are more determined to seek out Valoria’s scribe to learn of her weaknesses.  Unfortunately, Maddox and company arrive just as the scribe, Alsander Verus, is executed by Valoria for treason. Unthwarted, the trio rescue his head which Maddox brings back to life, getting the torso-less scribe to help them by agreeing to reunite his head with his body. Together, Maddox, Barnabas, the witch Liana and Al head (no pun intended) first to central Mytica to seek help from Princess Cassia who lost her inherited throne to the murderous Valoria and then to southern Mytica where Valoria’s sister and nemesis, the immortal goddess Cleiona, regins.

Meanwhile, in modern-day Toronto, Becca Hatcher, who still dreams of her time with Maddox in Mytica, and older sister Crys are hiding out with their mother Julia Hatcher, aunt Jackie Kendall and professor Dr. Uriah Vega at the Yorkville penthouse of Angus Balthazar, magic expert and friend of their aunt Jackie’s.  The group is working to try to decipher the Codex, the book that Valoria calls the Book of the Immortals, in an attempt to foil Markus King’s evil machinations to restore his full magic and ensure his immortality as a death god.  Wait, it gets more complicated.  They realize that Becca, who learns soon enough that she is actually the daughter of Jackie and Markus, is inexplicably linked to the book, painfully wounded when Jackie tries to destroy it. Worse yet, Markus, who ensures obedience from members of the secret Hawkspear Society, is once again exerting control over Crys’s mom as well as upping his influence over rich bad boy Farrell Grayson–weirdly romantically involved with Crys–and putting Crys in more danger.

I haven’t even mentioned the surprising arrival of Damen Winter whose evil intents surpass Markus’s and whose appearance has mortals and immortals clamouring to action in both Toronto and Mytica.

Keeping track of Morgan Rhodes’s characters in Mytica, in Crys’s and Farrell’s worlds, as well as their storylines, is a daunting feat but readers worthy of the challenge will be justly rewarded. As Farrell’s dead brother, Connor, suggests to him, "The higher the price, the better the reward." (pg. 278) So it is with keeping the multitude of plots, relationships and secrets clearly separated whilst they start converging.  The Darkest Magic is a skein of magical plots that occasionally get knotted together but will ultimately be unravelled in true Morgan Rhodes’s fashion.  There is insight and humour,

     Farrell’s not a killer, she reminded herself over and over, like some sort of twisted mantra.  “He’s an asshole, a misogynist, and a spoiled brat,” she allowed out loud, “but he’s not a killer.”
     “Aw, come on.”  The front door clicked shut behind her.  “You shouldn’t give me so many compliments,” Farrell said. “They’re going to go to my head.” (pg. 331)

and lessons to learn about family and trust and obedience.

You are the master of your destiny.  No one else. (pg. 61)

The Darkest Magic is a full package, a very full package, and one that Morgan Rhodes delivers with poise and skillfulness and imagination. And there’s still Book 3 to come. Perfect.

Shooter

by Caroline Pignat

Razorbill Canada

978-0-143187578

320 pp.

Ages 12+

May 2016

Reviewed from advance reader’s copy

A whole lot can happen in one hour.  Ask those who tell Shooter’s story: Alice, Isabelle, Hogan, Noah, and Xander.  From the initial school lockdown at St. Francis Xavier High School which brings the five students barricaded together in a boys’ washroom to its dramatic, life-altering climax as the clock reads down to 00:00:00, Shooter is an unforgettable, heart-stopping story of heroes, written, read and made.

"This is real life. Not everything has a story."
Alice smiles. "But every person does."
I guess she’s right.  We all have one–even if it’s one we’d rather forget. (pg. 86)

There’s Hogan King, a hulking senior notorious for what he did to his older brother and who feels he is deservingly beyond redemption.  There’s Alice, another senior, who is an incredible writer–accepted to UBC’s prestigious Creative Writing Program–who prefers her position of invisibility which allows her to read life and care for her older autistic brother Noah. Uber-popular, egocentric and high-achieving Student Council President and go-to person for everything St. F-X, Isabelle Parks has her own issues, revealed in text messages with BFF Bri who is locked down in the office. And finally, there is the socially awkward Xander Watt, shooter of film images, who writes about himself as,

I think too much sometimes,
blurt the wrong things often, and
feel confused, always.” (pg. 48)

How these seeemingly incongruent characters come together, and together they do come, in a complex plot of action, angst, and deliverance makes Shooter the extraordinary story that it is.  And story-telling, or rather writing, is a key foundation for Shooter.  With several of the students classmates in Writer’s Craft, it’s not surprising that elements of writing–plot, hero’s journey, characters’ fatal flaws, resolution–become part of the story. (Caroline Pignat is herself a high-school teacher of Writer’s Craft.  Lucky students.)

I can’t possibly reveal the itricacies of the story and the role of each character in its resolution.  But suffice it to say, Caroline Pignat’s brilliant writing immerses the reader in the terror of a school in genuine lockdown and the anxiety of relating to those whose differences make you uncomfortable.  Beyond the drama, and there is much, Shooter is a story of empowerment, taken and accepted and relinquished, and a formidable tale told by one of Canada’s greatest writers.

Will to Survive: The Rule of 3, Book 3

by Eric Walters
Razorbill
978-0-670-06707-7
310 pp.
Ages 12+
January 2016

If you thought the darkness and powerlessness of Eric Walters’ first two books in his apocalyptic The Rule of 3 series (The Rule of Three, Razorbill, 2014; Fight for Power, Razorbill, 2015) were staggering, then Will to Survive will seem enervating.   But, as is said, it's always darkest before the dawn, and Eric Walters is nothing but hopeful in all his writing and definitely in Will to Survive.

The neighbourhood in which sixteen-year-old Adam Daley and his family, friends and others–about sixteen hundred individuals–have created in the aftermath of a power outage of epic proportions is establishing all the right stuff on which civilizations have been founded: government by committee, citizenship, security, food sharing, social welfare, medical care, etc.  But it's been a hard road, with tough decisions regarding security versus social responsibility, survival versus humanity, and life or death.

I know that our neighborhood was a small sliver of civilization in a land where civility had been lost.  Here we were surrounded by twenty-foot walls, protected by armed guards on all sides; we had food, shelter and a layer of order and fairness.  In here was safe.  Beyond was uncertain.  No, not uncertain–wild and dangerous and dog-eat-dog. (pg. 83-84)

Unfortunately that danger encroached on Adam’s feelings of safety at the conclusion of Fight for Power, and Will to Survive begins in the aftermath of Adam's killing of two men, in self-defense, after he was kidnapped by former ally Brett who'd joined with the bandits of the Division.  Even after the neighbourhood sends teams to destroy the compound of the Division, Adam is haunted by what he had to do and is plagued by Brett’s suggestion that he too has become a monster.

But Adam doesn’t have many opportunities to talk to counsellor Maureen about the trauma or spend more time with girlfriend Lori before the neighbourhood is hit by sniper fire that kills three guards.  Pinpointing the origin of the shots as the condo tower outside of the community, and concerned that Brett and his men are behind the attack, the neighbourhood committee, based on Adam’s suggestion, decide to extend the wall outward to engulf the condo community, offering them both services and training to keep them safer.

After more aerial reconnaissance that is both beneficial and terrifying in what they discover, the neighbourhood begins efforts to join with other communities, including one based at the island airport, one at an oil refinery and another at a hospital.

We can stop being a simple star and start to become a constellation of stars, the center of a series of connected neighborhoods. (pg. 110)

But you know sociopathic Brett is going to raise his evil head again and he does, targeting the neighbourhood physically and Adam psychologically, playing their compassion as a weakness.  Unfortunately for him, Brett doesn’t recognize that kindness can be very fortifying too.

Will to Survive is definitely an action-packed adventure, a highly plot-driven story, but the power of Eric Walters’ characters kept me most interested.  The astute strategist, Herb, is one of my favourites.  Knowing that the world might never get back to normal (“There is a very long end game here”; pg. 202), Herb lends his wise guidance to the neighbourhood and its new allies and mentors Adam in becoming a new leader.  His wealth of knowledge and astounding understanding of the human psyche makes Herb the ideal person to spearhead efforts in a crisis. But Herb is the real thing, not a superhero; he is a man with vulnerabilities, who can help make Adam realize what he himself has to offer.  Will to Survive is a coming-of-age story about Adam, just as it is for a post-apocalypse world that needs to recognize its weaknesses and play to its strengths in order for growth to happen.  Growing up can be scary but it can also be heartfelt and ultimately advancing.

Frozen Tides: Falling Kingdoms, Book 4

Written by Morgan Rhodes

Razorbill

978-1-59514-707-3

413 pp.

Ages 12+

December 2015

Forget everything you’ve read in Books 1 through 3 of Morgan Rhodes’ Falling Kingdoms series (Falling Kingdoms, 2012; Rebel Spring, 2013; Gathering Darkness, 2014) because Frozen Tides demonstrates that not everything is as it appears.  From the frozen, seemingly desolate landscape of Limeros to the projected demure contenances of Lucia and Amara (hah!), Morgan Rhodes takes the reader into worlds that seem ever-changing in spirit, motive and magic.  (And if you haven’t been fortunate enough to read the first three books, stop reading this review posthaste, and read Books 1-3 promptly.  This is one series that demands to be read from the beginning and in order.  You have been advised.)

When last we visited the land of Mytica, Princess Cleo–and just about everyone else too–was attempting to locate and reawaken the four crystals of the Kindred: amber for fire magic; moonstone for air; aquamarine for water; and obsidian for earth.  But the four Kindred have been found and ended up in different hands: Amara, daughter of Emperor Cortas of the Kraeshian Empire, has the aquamarine; Jonas, Paelsian rebel, has the obsidian; Felix, former ally of Jonas but assassin for King Gaius, has the moonstone; and Lucia, the budding sorceress who was brought up as King Gaius’ daughter and Magnus’ sister, has the amber.  But the possession of the Kindred is as fluid as the plot of Frozen Tides.

Lucia, betrayed by Alexis who was manipulated by Watcher Melenia, has released the fire god, Kyan, from his prison in the amber, and the two are on a pilgrimage to learn more about Lucia’s true family and to find a portal into the Sanctuary so that Kyan might assassinate Timotheus, the remaining Watcher, for imprisoning him.

Magnus, having disobeyed his father and saved Cleo from death, demands she and her friend Nic go into exile while he returns to his birthplace of Limeros and attempts to find Lucia and ultimately to claim the throne for himself. Cleo, with whom Magnus had shown uncharacteristic intimacy in words and actions, refuses, accompanying him to Limeros with Nic in tow.  Nic, still reeling from the murder of Prince Ashur, takes every opportunity to badmouth Magnus to Cleo who continues to need to remind herself how much she should hate Magnus and consider him her enemy.

Meanwhile, Felix has convinced himself he is a reprehensible young man and returns to the employ of King Gaius, giving up the moonstone and accompanying the King to Kraeshia to stem the occupation of Mytica by the Emperor and instead enter into a partnership. There Felix becomes involved with Amara who has her own agenda.

And, if that isn’t plot enough for you, Jonas who almost died while retrieving a Kindred is now focused on assassinating King Gaius, with fellow rebel Lysandra, his secret love-interest, and witch Olivia accompanying him.

There is so much pain and calamity overriding a frisson of romance, as character after character strives to possess the Kindred and the magic within while attempting to stem the tide of emotions that struggle to engulf them.  Felix sees himself as a lost cause yet will take the trouble to save a kitten.  Cleo keeps reminding herself that Magnus is her enemy and has destroyed her family and Auranian life, but continues to be drawn to him and what he truly is, not as he believes he is i.e., the evil son of the King of Blood.  And Lucia, wielding so much pain and power, seems willing to take down everyone and everything in her wake, but is appalled by Kyan’s ravages of land and people.  The tides of emotions and actions swell and recede in all of Morgan Rhodes’ characters and their inability to see these changes make them all the more poignant.

"You are in so deep you don’t even know you’re drowning," (pg. 189) Lucia is told by Timotheus who recognizes the extent of her pain better than she does.

You are filled with so much anger and pain and grief.  Yet instead of letting those emotions run through you and make you stronger, you choose to unleash them on the rest of the world so that others might feel your pain as well. (pg. 187)

As paradoxical as frozen tides, as a phenomenon, may be, so too are Morgan Rhodes’ characters who are both fragile and powerful.  But it is this irreconciliability that propels the plot of Frozen Tides.  And though I may be able to share the details of the plot of Frozen Tides with you, I can't come close to sharing the depth of Morgan Rhodes' writing.  Morgan Rhodes doesn't just tell a story.  She immerses the reader in worlds so rich in passions–good and ugly–that you begin to wonder how valid your own emotions and allegiances can be.  How can you hope for happiness for Cleo and Magnus when Magnus is the son of the King of Blood and seems to be following in his father's evil tread? What of Jonas and Cleo?  Should I wish for that sweetness again? And is there more to Lysandra and Lucia than previously revealed?  I don’t doubt that Morgan Rhodes knows exactly where she is taking readers as she plans to unleash those frozen tides of emotions and conflicts and take us to new worlds in Book 5 of her Falling Kingdoms series, set for a 2016 release date. In the mean while, read Frozen Tides very slowly, relishing every detail and nuance of plot, setting and character that make Morgan Rhodes' writing so prodigious.

The Clouded Sky: Book 2 of the Earth & Sky Trilogy

by Megan Crewe

Razorbill

978-0-670-06813-5

343 pp.

Ages 13+

May 2015

When YA author Megan Crewe introduced her newest trilogy with Earth & Sky last fall, I don’t think she could have anticipated the positive response she would get to it.  While still speculative fiction like her wildly-popular Fallen World series, Earth & Sky took us into true science fiction, with teen Skylar meeting and helping alien Traveler Win to procure the parts of a weapon that would destroy the time field generator that his fellow Kemyates had been using for millennia to experiment with Earth.  When we last encountered Skylar, she had agreed to accompany Win and other interplanetary rebels–leader Thlo with Isis, Mako, Pavel and Jule–on a spaceship headed to their space station home orbiting their devastated planet of Kemya. There, Skylar would assist the rebels in recreating the weapon–based on her memories and the parts she and Win discovered and the addition of the power source kolzo–so that it could be used to destroy the time field generator.

But, though she is trying to help, Skylar’s presence is not easily explained or even acceptable, until they contrive to have Skylar play the role of Jule’s pet, a common acquisition by richer Kemyates.  Win isn’t pleased but he accepts this as the means by which Skylar can evade the scrutiny of the Enforcers and still be safe, even allowing her the freedom to learn Kemyate and practise navigation simulations in the privacy of Jule’s private apartment.

However, two unexpected circumstances begin to alter Skylar’s contribution to the mission.  First, several mishaps suggest that there is a traitor amongst the group and Thlo charges her with making observations of the rebel group.  And then, unbeknownst to Win with whom Skylar had been becoming close but now sees only occasionally, Jule and Skylar become romantically involved.

Skylar is questioning everything she is seeing and hearing and experiencing.  And her increasing fluency with their language enables her to overhear much which would normally be kept from her.  She needs to know who is sabotaging the mission and putting herself and others at risk.  And who can she trust?  What about Win and what about Jule?  Skylar may be a teen trying to help save her world and put things to right but she needs to learn how to navigate more than just a jet-pod.  Does Win still care about her?  Is her relationship with Jule, Win’s nemesis, a consequence of her “pet” status, as is not uncommon between Kemyate owners and their Earthlings, or something special?

The Clouded Sky may refer to the hazy violet-red clouds that contaminate the air over the “vacant, dust-strewn wasteland” (pg. 343) that is the uninhabitable Kemya but it is even more applicable to the murkiness of truth and deception that Skylar must steer through if she is to accomplish her one true purpose: to stop Kemyate scientists from continuing to alter Earth’s history and to degrade the fabric of her world.  She is strong and focused and, though she allows herself to enjoy the closeness of an unexpected romance and of caring friendships with several rebel Kemyates, Skylar knows the dangers that lie within and outside, and that her role in everything is very tenuous.  But that’s how Megan Crewe writes it.  She keeps the readers wondering and worrying and expecting and disbelieving throughout the story, never giving any hints to her startling ending.  But Megan Crewe has always kept us on the edge of our reading chairs, and she does so again in The Clouded Sky.  And that final line will undoubtedly shock you as it did me.  Luckily, I’ve seen photos of the third book in the series, A Sky Unbroken, which will be out soon and I know Megan Crewe will be at this weekend’s Eden Mills Writers’ Festival so here’s hoping we know sooner, rather than later, the upshot of all that was Earth & Sky and The Clouded Sky.

A Book of Spirits and Thieves

by Morgan Rhodes

Razorbill

978-1-59514-759-2

358 pp.

Ages 12+

June 2015

For lovers of Morgan Rhodes’ high-fantasy series Falling Kingdoms (Falling Kingdoms, 2012;  Rebel Spring, 2013; and Gathering Darkness, 2014) The Book of Spirits and Thieves will be especially welcome, melding the world of Mytica with contemporary Toronto and bringing together teen sisters and a book, a rich bad boy and a secret society, and a Mytican young man who wields death magic.  The Book of Spirits and Thieves is an intense multi-layered story that fuses the very best elements of fantasy and parallel worlds to make something even more enchanted and enchanting.

When seventeen-year-old Crys Hatcher opens a package from her vagabond aunt Jackie, her sister Becca touches the book within and falls into a coma.  Crys learns that the book had been stolen from Markus King,  and it was part of Jackie and Crys' mom’s payback plan for what he’d stolen from them, including Crys’ dad, Daniel.  Now Crys needs to learn all she can about that book and Markus King if she is to help her sister.  And that could mean reconnecting with her errant father.

Markus King, an enigmatic but powerful man, runs the secret club known as the Hawkspear Society that doles out murderous justice.  When nineteen-year-old Farrell Grayson whose seriously wealthy family belongs to the Society is recruited to Markus’ inner circle, he is tasked with becoming acquainted with Crys.  But society bad boy Farrell has other issues with which to deal, including his confused younger brother Adam and the suspicious suicide of his older brother Connor, a former inner cirle member.

Meanwhile in Year 15 of the Goddess Valoria’s Reign in Mytica, a young man named Maddox, gifted with the magic to communicate with spirits, is being exploited by his guardian/slave master Livius. They are both seized by Valoria who demands Maddox locate a specific young woman who possesses the magic the Goddess needs to retrieve a golden dagger stolen from her.  Though Maddox is unconvinced that he can control his magic abilities, a spirit named Becca (yes, Crys’ sister) assures him that he can do it, as well as help her get back home.

With Becca’s spiritual presence in Mytica and her physical body in a Toronto hospital, the contemporary world of Crys and Farrell is linked with the magical world of Maddox and Valoria.  How the two will converge is up to the skillful story-telling of high fantasy writer Morgan Rhodes.  In other words, there's a great story being revealed.  Within each world, young people are dealing with self-expression and understanding, trying to learn what strengths and weaknesses they possess, while navigating the treacherous waters of family and friendship and secrets.  It's pretty hard to develop complete understanding when secrets are being kept and deceit is the norm.  And questions about who has stolen what from whom abound!

Told in the voices of Crys, Farrell and Maddox, A Book of Spirits and Thieves provides no respite from action and complex plotting that are the trademark of Morgan Rhodes' writing.  There's a reason her books are repeatedly on New York Times best seller lists.  Look for this one there too.


*********************
BTW, a different cover of A Book of Spirits and Thieves is available in the U.S., if you see it and are confused by the difference.  Still beautiful, this second cover is more in keeping with the Falling Kingdoms covers, though I prefer the one that illustrates the melding of the contemporary world with that of ancient Mytica.

A Book of Spirits and Thieves: Book Launch (Toronto)

Join

 publisher

in presenting

New York Times bestselling author

Morgan Rhodes

author of the Falling Kingdoms series

as she launches

a new Falling Kingdoms spin-off series

with Book 1

A Book of Spirits and Thieves

by Morgan Rhodes

Razorbill

978-1-59514-759-2

358 pp.

Ages 12+

June 2015

on Tuesday, June 23, 2015

6:30 - 8:30 p.m.

at 

Bakka Phoenix Books

84 Harbord Street

Toronto, ON

Mad Miss Mimic: Book Launch (Toronto)

Author
Sarah Henstra 

and

will be launching her first book

Mad Miss Mimic

by Sarah Henstra

Razorbill

978-0-14-319236-7

272 pp.

Ages 13+

on

Tuesday, May 19, 2015

7-10:00 p.m.

at

High Park Curling Club

100 Indian Road

Toronto, ON

Wear a fancy hat (DIY embellishments encouraged!)
and participate in a contest  (judging at 8:30 p.m. sharp)
to win a free, signed copy of Mad Miss Mimic and other prizes

Special performance by Cantores Celestes Women's Choir

Book City will have copies on sale

Mad Miss Mimic: Q & A with author Sarah Henstra

Sarah Henstra

author 

of Razorbill's newest #YACanLit 

and historical romantic mystery

Mad Miss Mimic

Razorbill

978-0-14-319236-7

272 pp.

Ages 13+

For release May, 2015

reviewed yesterday

and trailer posted here

has graciously agreed to allow 

CanLit for LittleCanadians 

to explore her writing world 

and learn more details about her and Mad Miss Mimic.

 *   *   *   *   *   *   * 

HK:  Mad Miss Mimic delves into a great number of issues. When you set out to write Mad Miss Mimic, which was the issue (stuttering and mimicry, explosives, overuse of opium, morphine and laudanum, etc.) that spurred you on and why?

SH:  The first idea that started to grow in my imagination into something like a story was Leonora’s ability to mimic other people’s voices. A talent like this could mean trouble for an upper-upper class girl like Leo who is expected to speak with perfect decorum and sincerity at all times. She’d have to keep her mimicry tightly under wraps, right? But what if she couldn’t keep it under wraps? What if she couldn’t control when she falls into mimicry or whom she imitates? What if, despite her beauty and her good connections and her inheritance, Leo has to be hidden away from society for fear of gossip? What if she keeps accidentally scaring away the eligible bachelors who come to court her? Now that would be a story!



HK:  Did you always intend to make Mad Miss Mimic into a historical romantic mystery, or did the plot take you there without your knowledge?

SH:  I started to think about Mad Miss Mimic on a research trip to London. Mornings were spent at the British Library, reading about mourning customs during the Victorian period. In the afternoons I would ramble all around the city, searching out tiny shops in back alleys and sitting under trees in the public gardens. Because of my academic work my mind was already in the nineteenth century, I guess. I love London for the way history is crammed cheek by jowl with the modern commercial stuff. Right behind a Topshop there’ll be a cobblestone lane with huge wooden doors on iron runners and a trough to feed the carriage- horses—that sort of thing. So the historical setting came first, followed by the romantic mystery plot.



HK:  As a professor at Ryerson, your teaching of Gothic literature and women in literature has undoubtedly helped enhance your own writing.  Whose writing most influenced your own?

SH:  I’m a big believer in the role repression plays in romance: the steamiest scenes result from what the lovers are unable, or unwilling, to say to one another. Nineteenth century fiction perfected this formula: Jane and Rochester, Catherine and Heathcliff, Lizzie and Darcy. So I had lots of models to work from.

I was teaching Bram Stoker’s Dracula while writing Mad Miss Mimic, so that book in particular made an impact on mine. The newspaper articles written by Leo’s cousin Archie and scattered throughout the novel are a structural trick I lifted straight from Stoker. In fact, at one point Dracula led me astray when it came to historical accuracy in my manuscript. Stoker has his characters employ all the latest gadgets and medical theories and communication technologies to outmaneuver the vampire (who wants to colonize the ‘new world’ of London but is stuck in the past). Telegrams, phonographic recordings, cinema shows, blood transfusions, steamships— Stoker geeked out about all this newfangled stuff in his 1897 novel.

In one of Mad Miss Mimic’s last rounds of editing, my hawk-eyed copy editor/fact-checker flagged a scene in which Archie is speaking to Leo while trying to meet his deadline for reporting the train derailment. I’d described Archie typing furiously and then tearing the paper out of the typewriter with a flourish and handing it off to the printers. Except that my novel takes place in 1872, and the first QWERTY typewriter—which of course gets heavy play in Dracula—wasn’t manufactured until 1873. Oops!

HK:  I find so much to love about youngCanLit but I'm especially enamoured with writing that is rich and evocative and your writing is both.  I wrote down quote after quote, loving how your words mean so much more than their simple meanings, such as this one passage:

“Where I balanced now, though, was a world askew. Oh, it was still peopled by beer-sellers and fishwives and scavenging children, but all these poor souls went about their business in perfect ignorance.  They did not know what I knew.  How could they?  They had not leapt as I had. They couldn't possibly see how disordered the world had become, how its most basic elements had been shuffled and scattered and turned on end.” (pg. 158)

What experiences (e.g., education, workshops, reading, etc.) were most important in shaping your writing?

SH:  I’ve been reading for pleasure and keeping some kind of journal since I was very young. I first learned to write fiction by copying out passages from my favorite books and writing my own stories in the style of my favorite authors—in other words, through mimicry! Graduate school taught me to read texts more carefully, to notice how they were put together and what effects they created for readers. But what taught me how to write novels was writing a novel. It’s such a long, solitary task, and when you’re finally finished the first draft is when the real work begins! Nothing can really prepare you for that ahead of time.



HK:  This is your first novel.  Was Mad Miss Mimic the book that you always dreamed of writing or are there still more books in your future?

SH:  Mad Miss Mimic is the first novel I finished—there were others I got partway through, including a first installment of a YA fantasy trilogy. I have more ideas for books than I’ll ever be able to write in this lifetime. Luckily, I’ve discovered that writing is like yoga or multivitamins: doing it every day makes me a healthier, happier person. So stay tuned…!

 *   *   *   *   *   *   * 

Many thanks to author Sarah Henstra for answering these questions for CanLit for LittleCanadians and to Vikki VanSickle, publicist extraordinaire, for facilitating this author interview.

Mad Miss Mimic

by Sarah Henstra

Razorbill

978-0-14-319236-7

272 pp.

Ages 13+

For release May, 2015

Fitting in is a dilemma for young people the world over and throughout time, whether it be contemporary Canada or 1870s London.  But the constraints of Victorian England were highly embedded in the strict social hierarchy of the day.  Young women of standing, such as seventeen-year-old Miss Leonora Somerville, niece of the Countess of Hastings, were expected to make suitable marriages, partaking in endless social engagements, while the men were to engage themselves with business and politics.  But, as lovely as she is, Leonora’s stammering and learned ability to mimic others–she has heard them call her Mad Miss Mimic–have put her at a great social disadvantage, and one which her older sister Christabel, wife of Dr. Daniel Dewhurst and mother of two, is determined to hide–afterall, “Madness will take the shine off gold” (pg. 21)–in order to procure an engagement for Leonora and finally move her out of Hastings House.

Currently, Christabel’s efforts are focused on the wealthy merchant seaman Mr. Thornfax, a new business partner of Daniel’s and the son of the Lord Rosbury.  And all Leonora has to do it not speak.  But when Mr. Thornfax asks her questions directly, she has no choice but to answer, unconsciously mimicking her sister.

“Mimic had leapt in to rescue me from trouble. She’d allowed me to adopt my sister’s voice and manners wholesale, so that I could say whatever Christabel would say–or whatever I might imagine her to say–in precisely the way Christabel would have said it.” (pg. 30)

Fortunately, her cousin Archie Maverty, a reporter, who knows of her mimicry, rescues her, though more for her benefit than for Thornfax whom he regards as suspicious. But it is Daniel’s work at his surgery, where a young man named Tom Rampling assists him, that makes Leonora suspicious, especially after a young servant girl, Hattie, dies.

Because of her household interactions with Hattie, and her curiosity about Hattie’s involvement with Daniel and Mr. Thornfax, Leonora develops a rapport with the clever and creative Tom, to whom she is drawn because of his compassion for others and his acceptance of her mimicry.  However, Leonora is still being courted by Thornfax, London is still being held hostage by the dangerous Black Glove and his fatal explosions, and Leonora is troubled with doubts about Tom’s honesty, Christabel’s frequent agitation, and Daniel and Thornfax’s business.  That very simple but necessary betrothal begins to be the least of Leonora’s worries soon enough.

At its heart, Mad Miss Mimic is a Victorian mystery, all the more perplexing because of the information that the characters choose to share of themselves.  Yes, the Black Glove chooses to remain concealed, but everyone else–Tom, Thornfax, Christabel, Daniel– including our narrator herself also chose what secrets and fears and guilt they share and which they do not.  The reluctance of all to speak with their own voices–save perhaps their Aunt Emma, but I suspect age and privilege have helped beget that courage–creates the mystery of Mad Miss Mimic.  And, with Sarah Henstra’s brilliant characterizations and historical setting, the mystery and an unexpected and sweet romance at its core, Mad Miss Mimic reveals the need for voices to be given the freedom for expression if life is to be worth living.

 *   *   *   *   *   *   * 

Special post tomorrow: Q & A with author Sarah Henstra about her first novel, Mad Miss Mimic