Scaredy Squirrel Scared Silly (Scaredy's Nutty Adventures, Book 4)

Written and illustrated by Mélanie Watt

Tundra Books

978-1-77488-884-1 (pb)

84 pp.

Ages 4–8 

July 2026

 

I didn't get a chance to review this book of Scaredy's Nutty Adventures when it was released as a hardcover in 2024, so I'm pleased to review it now that a paperback edition was just released this month. When Scaredy Squirrel was first released in 2006, he became a beloved character. Mélanie Watt brought us a little squirrel who was overwhelmed, seeing threats everywhere. Now the star of his own animated series, as well as picture books and this early reader graphic novel series, Scaredy Squirrel is a much beloved character to helps young children see beyond their worries by laughing with him.

From Scaredy Squirrel Scared Silly, written and illustrated by Mélanie Watt

In Scaredy Squirrel Scared Silly, Mélanie Watt shares five short graphic stories about Scaredy and his relationship with Halloween. In the first chapter, titled "October 31st," our sciurine friend is actually looking forward to the un-scary aspects of the holiday. He likes the decorations and the lighting, but he's terrified of haunted houses, crows, vampire bats, and more. So, he's happy to stay in his cheerfully decorated tree, along with some unusual preventative measures.

From Scaredy Squirrel Scared Silly, written and illustrated by Mélanie Watt

The next stories have Scaredy planning a cute, but not scary pumpkin carving activity with his friends, working on his costume, considering going trick-or-treating—hard candy, gummy worms, and chocolate all have drawbacks—before heading out in search of candy apples.

From Scaredy Squirrel Scared Silly, written and illustrated by Mélanie Watt

It may seem a little early to be thinking of Halloween, but I suspect there are many for whom the holiday is a big deal and who are already planning their costumes and parties. Whether you get Scaredy Squirrel now in anticipation of the holiday or keep it to read in October, Scaredy Squirrel Scared Silly will give young children a lot of laughs about his wacky but legitimate worries. Scaredy Squirrel may seem like an excessive bundle of anxiety, but he emulates the many children who have misgivings and fears about the familiar and the unknown. With a lighthearted approach and quirky and colourful illustrations, Mélanie Watt will let children see that many anxieties can be lessened and even alleviated with some friendly intervention and a new perspective.

From Scaredy Squirrel Scared Silly, written and illustrated by Mélanie Watt

Mélanie Watt's Scaredy Squirrel will always charm. She has created him as sweetly guileless—check out his toothy grin—and oddly expressive. And with detailed illustrations that give young readers much to enjoy, from costumes to decorated homes, readers will be looking forward to their own nutty Halloween adventure and all that it entails.

 

🎃 🎃 🎃 🎃 🎃 

 

This is Book 4 in Scaredy's Nutty Adventures series. Here are all published titles:

Scaredy Squirrel in a Nutshell (2021)
Scaredy Squirrel Gets a Surprise (2022)
Scaredy Squirrel Gets Festive (2023)

Scaredy Squirrel Scared Silly (2024) 

Raven Squawk, Orca Squeak

Illustrated by Roy Henry Vickers
Text by Robert Budd
Harbour Publishing
978-1-55017-904-0
20 pp.
Ages 2-6
June 2020

If you’re going to introduce the mooing of a cow and the quacking of a duck to young children, be sure to expose them to the symphony of the Northwest Coast’s landscape for a sonorous sensory experience evoked by Roy Henry Vickers and Robert Budd in their fourth book in their First West Coast book series.

From Raven Squawk, Orca Squeak, art by Roy Henry Vickers, text by Robert Budd

As in their earlier concept books in this series, Roy Henry Vickers and Robert Budd have blended rich graphics with simple words evocative of a beautiful British Columbia environment. There are rivers that rush with whisper and splash; drummers that beat with boom, bang, and pound; cedars that rustle with a murmur and a creak; and geese that fly high with honk, hiss and flap. There are people and places, animals and nature: living, moving, resonating with energy, both subtle and blaring.

From Raven Squawk, Orca Squeak, art by Roy Henry Vickers, text by Robert Budd

If you close your eyes, Robert “Lucky” Budd’s words embed you on the BC coast, hearing, sensing, experiencing its many, many glorious attributes. (In my interview tomorrow with the author and artist, Robert Budd tells how their final double spread was used to pack in the sounds of another twelve animals under the text “with Nature Singing all around”.) The rolling water against a boat or a shore, the overhanging trees, the animals on land, in water, and in the air, while people interact with the natural environment–it’s the life and sound of this place.

Artist Roy Henry Vickers does more than do justice to the text; he conjures it with depth and layers and authority. From the coniferous forests and snow-capped peaks, to waters still and turbulent, and creatures engaged with their worlds, all enriched with spot-gloss elements, Roy Henry Vickers uses strong lines and shape to transport the reader to this place. The art reflects and honours his First Nations heritage and shares it with readers.

From Raven Squawk, Orca Squeak, art by Roy Henry Vickers, text by Robert Budd

Whether the readers are the very young who will recognize the images, rich in their simplicity, and vocalize sounds depicted within, or adults who will revel in the heart of the art and words, Roy Henry Vickers and Robert Budd have brought the spirit of the West Coast to the page once again.

  • • • • • • • • • • • • • • • • • • • • • •

Look for my interview with Roy Henry Vickers and Robert "Lucky" Budd tomorrow here on CanLit for Little Canadians.

 • • • • • • • • • • • • • • • • • • • • • •

Check out all four books in the First West Coast book series which includes:

 Hello Humpback! (2017)

One Eagle Soaring (2018)

Sockeye Silver, Saltchuck Blue (2019)

and now

Raven Squawk, Orca Squeak

Mouse Vacation

by Philip Roy

Illustrated by Andrea Torrey Balsara

Ronsdale Press

978-1-55380-479-6

32 pp.

Ages 4-8

October 2016

Compromise is tough enough between humans.  Imagine trying to compromise with an adorable mouse who has great imagination and wanderlust but no sense of distance or costs.  Happy the Pocket Mouse has decided the solution to a case of the boredom blues is for him and his human, John, to go some where.

For John, though, going somewhere usually means someplace close to home, like the store or the park.  But Happy has other ideas, and he has lots of them.  So, John recommends that they each make a list of places they’d like to go.  John is thinking the woods and the river, but Happy’s thinking the Taj Mahal and New Zealand.

Finally John introduces the idea of compromise, a meeting in the middle, which Happy jumps on, proposing meeting in Egypt, or Paris or even New York City, all of which John nixes based on cost.  John’s suggestion about an overnight bus ride to the nearest city to see the Tall Ships finally grabs Happy’s attention, especially John’s description of them as “ghosts from the past” (pg. 23).  Still, finally settling down for the night, the excited little mouse checks with John about one potential stop on the way home!

From Mouse Vacation 

by Philip Roy, illus. by Andrea Torrey Balsara

I’ve reviewed every Happy the Pocket Mouse story that Philip Roy and Andrea Torrey Balsara have created: Mouse Tales (Ronsdale, 2014); Jellybean Mouse (Ronsdale, 2014); and Mouse Pet (Ronsdale, 2015).  The foundation of each picture book is the endearing relationship between John and Happy.  John is like the laid-back best friend/dad who radiates subtle wisdom and empathy while Happy is this adorable, adorable innocent whose heart is filled with love and mind brims with imagination.  (I love the sweetness of his response to John’s suggestions: “That’s okay, John, we’ll just go somewhere else”; pg. 5) By having John and Happy working out what it means to take a vacation and finding a way to compromise, Philip Roy has again produced a charming life lesson in a story book.  And Andrea Torrey Balsara flawlessly brings the story to visual completion, ensuring John looks like the man who is wise and caring and Happy is effusive with sweetness and virtue.  But, this time, Philip Roy’s story allows Andrea Torrey Balsara to create wild backgrounds for Happy: on a cow at the Taj Mahal, roasting a marshmallow over a candle while camping, riding a camel in Egypt, or sporting an “I ❤︎ NY” T-shirt.  Still, the magic is in the collaboration, between the text and illustration and between John and Happy.  That's what makes the story, and Philip Roy and Andrea Torrey Balsara have done it again, blending the two into a story of adventure for the mind, the heart and the soul.

From Mouse Vacation 

by Philip Roy, illus. by Andrea Torrey Balsara

Cave Beneath the Sea: The Shards of Excalibur, Book 4

by Edward Willett

Coteau Books

978-1-550-506396

213 pp.

Ages 13+

November 2015

Merlin incarnate, Rex Major, CEO of Excalibur Computer Systems, is ever hopeful of acquiring the four shards and the hilt of Excalibur so that he might open the door to Faerie and launch an attack. During the course of Song of the Sword (Coteau, 2014), Twist of the Blade (Coteau, 2014) and The Lake in the Clouds (Coteau, 2015), three shards have been located but Rex Major is only in possession of one.  Our fifteen-year-old modern-day Lady of the Lake, Ariane Forsythe, and her burgeoning boyfriend Wally Knight, heir of King Arthur, possess the other two shards and are determined to keep  Rex Major from getting his magical hands on any more.

But, just weeks before Christmas, Wally and Ariane’s search for the fourth shard has become more complicated because of Ariane’s missing mother and Wally’s sister Felicia a.k.a. Flish.  Travelling far and wide via magical water transport just to access the internet without tipping off Rex Major to their location (currently in Saskatchewan), Wally discovers photos of Emily Forsythe tagged at the Horseshoe Bay ferry terminal in B.C.  While they pursue that lead, they are painfully aware that Flish, also an heir of Arthur, would be helping Rex Major to pull in the magic and locate the remaining shards.  Fortunately, that is also a blessing as it reveals to the two teens that Merlin and Flish are headed to Cacibajagua Island in the Caribbean, home of a saltwater cave fed by a freshwater waterfall, and undoubtedly the location of the fourth shard. And it’s a dangerous race to find the shard and liberate it from its watery hiding spot.

In Cave Beneath the Sea, Edward Willett has created as exciting a read as the earlier books in the series, continuing to develop his characters and their relationships while the action-filled plot carries the reader to intriguing national and international locales.  Both Ariane and Wally feel the power of the sword, drawing them to its shards but also compelling their anger in those who have hurt them: parents, siblings, bullies, enemies. And while they struggle with those yearnings, they are finding their way to a hitherto-unknown girlfriend-boyfriend relationship that provides them the family they both crave.  It’s hard for me to decide which is the stronger foundation for the story, the characters or the plot, as both are substantial and intricate.  Regardless, Cave Beneath the Sea takes The Shards of Excalibur a fast-moving step closer to the Door to Faerie, the magical entity and Book 5 in the series.

Check this blog tomorrow for details about Edward Willett’s book launch of Door to Faerie early next month to be held in, you guessed it, Regina, Saskatchewan.

Frozen Tides: Falling Kingdoms, Book 4

Written by Morgan Rhodes

Razorbill

978-1-59514-707-3

413 pp.

Ages 12+

December 2015

Forget everything you’ve read in Books 1 through 3 of Morgan Rhodes’s Falling Kingdoms series (Falling Kingdoms, 2012; Rebel Spring, 2013; Gathering Darkness, 2014) because Frozen Tides demonstrates that not everything is as it appears.  From the frozen, seemingly desolate landscape of Limeros to the projected demure contenances of Lucia and Amara (hah!), Morgan Rhodes takes the reader into worlds that seem ever-changing in spirit, motive and magic. (And if you haven’t been fortunate enough to read the first three books, stop reading this review posthaste, and read Books 1-3 promptly. This is one series that demands to be read from the beginning and in order. You have been advised.)

When last we visited the land of Mytica, Princess Cleo—and just about everyone else too—was attempting to locate and reawaken the four crystals of the Kindred: amber for fire magic; moonstone for air; aquamarine for water; and obsidian for earth.  But the four Kindred have been found and ended up in different hands: Amara, daughter of Emperor Cortas of the Kraeshian Empire, has the aquamarine; Jonas, Paelsian rebel, has the obsidian; Felix, former ally of Jonas but assassin for King Gaius, has the moonstone; and Lucia, the budding sorceress who was brought up as King Gaius’ daughter and Magnus’ sister, has the amber. But the possession of the Kindred is as fluid as the plot of Frozen Tides.

Lucia, betrayed by Alexis who was manipulated by Watcher Melenia, has released the fire god, Kyan, from his prison in the amber, and the two are on a pilgrimage to learn more about Lucia’s true family and to find a portal into the Sanctuary so that Kyan might assassinate Timotheus, the remaining Watcher, for imprisoning him.

Magnus, having disobeyed his father and saved Cleo from death, demands she and her friend Nic go into exile while he returns to his birthplace of Limeros and attempts to find Lucia and ultimately to claim the throne for himself. Cleo, with whom Magnus had shown uncharacteristic intimacy in words and actions, refuses, accompanying him to Limeros with Nic in tow. Nic, still reeling from the murder of Prince Ashur, takes every opportunity to badmouth Magnus to Cleo who continues to need to remind herself how much she should hate Magnus and consider him her enemy.

Meanwhile, Felix has convinced himself he is a reprehensible young man and returns to the employ of King Gaius, giving up the moonstone and accompanying the King to Kraeshia to stem the occupation of Mytica by the Emperor and instead enter into a partnership. There Felix becomes involved with Amara who has her own agenda.

And, if that isn’t plot enough for you, Jonas who almost died while retrieving a Kindred is now focused on assassinating King Gaius, with fellow rebel Lysandra, his secret love-interest, and witch Olivia accompanying him.

There is so much pain and calamity overriding a frisson of romance, as character after character strives to possess the Kindred and the magic within while attempting to stem the tide of emotions that struggle to engulf them.  Felix sees himself as a lost cause yet will take the trouble to save a kitten.  Cleo keeps reminding herself that Magnus is her enemy and has destroyed her family and Auranian life, but continues to be drawn to him and what he truly is, not as he believes he is i.e., the evil son of the King of Blood.  And Lucia, wielding so much pain and power, seems willing to take down everyone and everything in her wake, but is appalled by Kyan’s ravages of land and people.  The tides of emotions and actions swell and recede in all of Morgan Rhodes’ characters and their inability to see these changes make them all the more poignant.

"You are in so deep you don’t even know you’re drowning," (pg. 189) Lucia is told by Timotheus who recognizes the extent of her pain better than she does.

You are filled with so much anger and pain and grief.  Yet instead of letting those emotions run through you and make you stronger, you choose to unleash them on the rest of the world so that others might feel your pain as well. (pg. 187)

As paradoxical as frozen tides may be as a phenomenon, so too are Morgan Rhodes’ characters who are both fragile and powerful. But it is this irreconciliability that propels the plot of Frozen Tides. And though I may be able to share the details of the plot of Frozen Tides with you, I can't come close to sharing the depth of Morgan Rhodes' writing. Morgan Rhodes doesn't just tell a story.  She immerses the reader in worlds so rich in passions—good and ugly—that you begin to wonder how valid your own emotions and allegiances can be. How can you hope for happiness for Cleo and Magnus when Magnus is the son of the King of Blood and seems to be following in his father's evil tread? What of Jonas and Cleo? Should I wish for that sweetness again? And is there more to Lysandra and Lucia than previously revealed?  I don’t doubt that Morgan Rhodes knows exactly where she is taking readers as she plans to unleash those frozen tides of emotions and conflicts and take us to new worlds in Book 5 of her Falling Kingdoms series, set for a 2016 release date. In the mean while, read Frozen Tides very slowly, relishing every detail and nuance of plot, setting and character that make Morgan Rhodes' writing so prodigious.

Rivals in the City (The Agency, Book #4)

by Y. S. Lee

Candlewick Press

978-0-7636-5914-1

293 pp.

Ages 12+

March, 2015

Since wowwing readers with her first book, A Spy in the House (Candlewick, 2010), in the Mary Quinn Victorian mystery series, Y. S. Lee has gripped readers with the authenticity of her social and cultural landscapes, the complexity of her plotting, and the intricacies of relationships between her characters.  The stories provide a glimpse into life in Victorian England, though not always a pleasant one, while tantalizing readers with convoluted mysteries that have former homeless thief turned spy Mary Quinn and her love interest and fellow investigator, engineer James Easton, looking over their shoulders constantly.

In Rivals in the City, Mary Quinn and James Easton have set up their own enterprise, Quinn and Easton, though Mary's former Agency employers, Miss Anne Treleaven and Mrs. Felicity Frame, now estranged, connect with the young couple separately to enlist their help with regards to the first investigation Mary ever pursued (The Spy in the House, Candlewick, 2010).  Seems the shipping magnate Mr. Henry Thorold, accused of insurance fraud and piracy, is now dying in Newgate prison, and everyone is anticipating the return of his wife, Mrs. Maria Thorold, who had attempted to murder James while fleeing accusations of being the true perpetrator of the piracy and countless deaths of Lasgars.  Thorold's daughter, Angelica, too is scheduled to return to her father's bedside from her studies in Austria.

While everyone is watching for the appearance of the devious and dangerous Mrs. Thorold, Mary and James are distracted somewhat from their discussions of marriage–a wholly beneficial state for Victorian men but not so for women of the day–by matters demanding their personal attention.  James and the family firm of Easton Engineering have been contracted to build a series of new underground vaults for the Bank of England's storehouses of gold, and Mary is becoming acquainted with a young Chinese boxer who holds the secrets to her father's past.  Can the two continue on their path to matrimony without being steered off course by the interests of The Agency's former matrons or by those who purport to have their interests at heart?  Can the truth of Thorold's crimes be revealed without further danger from the elusive and deadly Mrs. Thorold?

Y. S. Lee plunges the reader into the grimy underworld of criminal activity of 1860s London while tempering it with the loveliness of a first and true romance, all of it revolving around the unique Mary Quinn.  Y. S. Lee’s protagonist has grown into a strong young woman, still hampered by her past of shame and loneliness, but enjoying the benefits of her accomplishments, including independence.  Perhaps she has such a bountiful future because she does not deny her past.

This was her London: brutal, coarse, dangerous.  It was part of her history.  It had molded her character.  But she would not allow it to shape her destiny. (pg. 67)

And that future includes the gracious James Easton whose wits and engineering prowess are only shadowed by his thoughtfulness and insight.

She’d changed him more than he’d ever dreamed possible.  He was no longer entirely at home with his peers, thanks to her.  If he lost her now, what on earth would become of him? (pg. 80)

You can see how these two incredible characters create a story on their own, irrespective of a grand mystery wrapped up in the criminal activity involving the British Museum and the Bank of England.  There’s much to delve into in Rivals in the City: the history, the mystery, the atmosphere, and the romance.

And while Y. S. Lee is 4 for 4 in The Agency series, sadly there will be no Book #5.  Y. S. Lee has written that, “The publication of Rivals also marks the end of the Agency quartet – the last Mary Quinn adventure, the last time I write dialogue between Mary and James, and probably my last romp through London, 1858-1860.” (Retrieved today from a post dated March 10th, 2015 at http://yslee.com/tag/the-agency/) So, enjoy this finale for Mary Quinn, as I did, but look forward to other novels by her true birth mother, Y. S. Lee.

What Happened in July

Written by Margaret J. McMaster
Mansbridge Dunn Publishers
978-0-981-052540
57 pp.
Ages 7-9
2012


What Happened in July, the fourth book in Margaret J. McMaster's Babysitter Out of Control! early reader series, has our young narrator, Stewart, again in the care of his babysitter, the elderly Mrs. Chairbottom, while his detective parents are working.

Behind one of the kitchen cupboards which Mrs. Chairbottom is having replaced, they find an old newspaper from July 1932. The cover page of the newspaper has four different words circled in red with several combinations of numbers and letters written beside them.  With the help of Mrs. Chairbottom's friend, Colonel Alfred Peabody, they discover the secret code that ultimately leads them to an old mystery of stolen diamonds.

Reminiscent of the Horrible Harry (by Suzy Kline) and Nate the Great (by Marjorie Weinman Sharmat) series of mysteries for young readers, What Happened in July presents a simple mystery that gives readers a chance to try out some new skills, here code-breaking.  While the nature of early readers generally precludes multi-layered plotting and characterizations, What Happened in July provides more than just a linear mystery plot i.e., discovering a mystery and directly finding the solution.  Because of the addition of the code-breaking and help needed to discover information not readily accessible, young readers will experience the more complicated plotting of a true mystery.

Books for early readers are at a severe disadvantage compared to picture books, longer fiction and nonfiction.  While picture books can use incredible graphics to support and add meaning to the sparse text, as can non-fiction, and middle-grade and YA literature has the opportunity and word count to extend all elements of the story to enhance its telling, early readers must rely on simple plots and easy vocabulary, perhaps with the occasional graphic, to convey a complete story.  For that reason, I feel that reading the first three books in the series would have enhanced my understanding of the characters' relationships and the history of Mrs. Chairbottom's babysitting of Stewart.  It must be difficult for authors such as Margaret J. McMaster to restrain themselves from elaborating on their plots and setting and characters to ensure that they don't lose their readership.  And too much of anything in an early chapter book is sure to turn off a new reader.  So, kudos to those authors such as Margaret J. McMaster who accept the challenge of penning a story for the youngest readers and can still tell a good solid story.

You can check out Margaret J. McMaster's blog here http://margaretmcmaster.blogspot.ca/ to see the other volumes in her Babysitter Out of Control series and her other children's book, Carried Away on Licorice Days (Mansbridge Dunn, 2008).