Showing posts with label Danielle Younge-Ullman. Show all posts
Showing posts with label Danielle Younge-Ullman. Show all posts

July 10, 2020

He Must Like You

Written by Danielle Younge-Ullman
Viking (Penguin Random House)
978-1-9848-3571-0
336 pp.
Ages 14+
July 2020
Reviewed from advance readers copy

Young girls are often told, or at least they once were, that if a boy teased you or went out of his way to annoy you or get your attention that “he must like you.” And even though  they may feel unsafe or targeted, they were instructed to just bear it and were essentially chastized for making a big deal of it. Everyone should know better today. But do we?

Libby lives with her parents in the small community of Pine Ridge and in January of her senior year, her parents inform her of her new reality. Seems that because her older brother Jack dropped out of pre-med and skipped off to Greece around the time her dad was fired from his real estate brokerage firm, her parents have decided that they’ve spoiled their kids and it’s time for Libby to become independent. Not only do they want her to get a job and look for an apartment–they have plans to redo her and Jack’s rooms for Airbnb rental–but her education fund is gone. Libby is flabbergasted but she has no choice but to find a way to make some money.

She is determined to get a job as a server so she can boost her savings with tips. Because of her dad’s reputation as a jerk who provokes local businesses–they later learn he’s moved on to trolling on social media–she gets a wait job at the Goat, a restaurant just out of town. The staff is friendly and she likes the work, and Kyle, the host, helps her out by sending the big spenders her way to increase her tips.

Though Libby is not currently seeing anyone, she’s struggling with feelings about relationships and interactions she’s had and is having with certain guys in her life. She had a weird relationship with her ex-boyfriend Boris that was based more on relenting to sex than consenting to it. Then there’s Kyle who flirts like crazy with her and with whom she has sex though doesn’t feel good about doing it. There’s also her good friend Noah who is in a long-distance relationship but to whom Libby is drawn romantically.  And then there’s Perry Ackerman, the town’s saviour and big-tipping Goat customer, who regularly harasses her with sexually explicit banter and handsiness.

The turning point for Libby is a school assembly about consent given by a public health nurse.
…Dahlia Brennan basically just reached into my brain, grabbed a bunch of my memories from where they were filed (mostly under “crappy sex” or “boy acts like jerk” or “Libby is an idiot”), threw them on the floor, and told me I have to refile them under “coercion,” “sexual assault,’ and “rape.” (pg. 66)
So not only is she dealing with a lousy family situation, Libby is recognizing that, beyond the overtly offensive Perry whose behaviour should never have been tolerated by so many,  her crappy feelings related to Boris and Kyle need to be resolved if she is to have a positive relationship with Noah (fingers crossed) and keep a job she needs.

He Must Like You is a big story. (Danielle Younge-Ullman knows how to do important stories for young adults. If you haven't read her Everything Beautiful is Not Ruined, which won the Forest of Reading's White Pine Award and was nominated for a Governor General's Literary Award, put it on your to-be-read list.) He Must Like You is a story about sexual harassment, assault, consent, relationships and family. And Danielle Younge-Ullman ensures that it is all about Libby and what she is experiencing and what she needs. She gets to choose how she feels. She gets to decide what is acceptable for her in approaching the guys who have compromised her will and safety.  She gets to decide what she will and will not accept. In a time of #MeToo, Danielle Younge-Ullman educates young teens of all genders that consent is not just a yes or a no. It’s so much more. And Danielle Younge-Ullman does this with subtlety and sensitivity, common sense and even humour.

He might like her–and Noah does–but no person should feel unsafe or compromised or guilted by the another's interest or actions and He Must Like You and Danielle Younge-Ullman leave no room for misinterpretation or ambiguity about this while telling a great YA story that inspires hope for love and empowerment.

October 28, 2019

He Must Like You: Upcoming release



We all 💕 Danielle Younge-Ullman's 

Everything Beautiful is Not Ruined
Written by Danielle Younge-Ullman
Razorbill
978-0-425-28759-0
368 pp.
Ages 13-17
2017

(It did win the White Pine Award and
was nominated for
a Governor General's Literature Award and
 the Amy Mathers Teen Book Award.) 

Now we can look forward to her newest YA novel,
one that blends that same depth of issue with the humour that made Everything Beautiful is Not Ruined such a hit.


He Must Like You
Written by Danielle Younge-Ullman
Penguin Teen
July 14 2020

Read this excerpt to get a sense for why you're going to want to read this one!

“I have the item” is the first thing I hear when I walk into work on Sunday night.

The item in question is my duvet, and the person winking at me about it is Kyle.

Kyle, who is standing behind the host stand in the cheery foyer of the Goat wearing a mini cowboy hat with plush horns curling out of it—the latest in his growing collection of goat-themed apparel. He looks hilarious, cute, and deceptively harmless.

“It’s in my truck. I’ll give it to you after?”

“Sure. Thanks,” I say, with what I hope is a neutral-seeming nod.

I’ll have to wash it in hot water. Twice.

“Or we could go for a drive, climb into the back, get cozy,” Kyle suggests, with a waggle of his white-blond eyebrows.

My insides take flight like a flock of startled birds, and then I’m doing this awkward thing where I’m cringing and trying to smile at the same time. But smiling might be too encouraging and so I stop, because even after three weeks of my ignoring his texts and generally avoiding him as much as possible, Kyle continues to look at me with those stupidly hopeful, flirty eyes.

Still, I don’t want to be rude. We work together, and in that capacity Kyle has been fine. In fact, except for the one (admittedly problematic) incident, he’s been great. Not to mention, I’m the one who asked him to bring me the duvet when my mom finally noticed it was missing today. I’m also the one who let him wear it home from my house in the first place.

“I’ll just grab it from you after,” I say. “I have a lot of homework.”

“Your call,” he says with a shrug.

“Right.”

“What?”

“Nothing,” I say, with another too-bright smile. “Um, what’s my section?”

“The patio,” Kyle says, gesturing at the giant, erasable seating chart that sits on the host podium.

“Alone?”

“Yeah. That okay?”

It’s a big section to handle solo but more tables means more tips, so I say, “Totally.”

“By the way, Perry’s coming in, and he asked for you specifically,” Kyle says, looking at me like he expects this to make me ecstatic.

Perry Ackerman is a handful, and high on the list of people I’d rather not have to deal with right now. But he’s a great tipper, and a regular, so I give Kyle a thumbs-up and say, “Awesome.”

“I knew that’d make you happy.”

“So happy,” I say, and walk away taking deep breaths.

On my way through the restaurant I wave at my fellow servers Brianna and Kat, both of whom are working in the front tonight. Kat seems not to see me, but Brianna gives me a thumbs-up and pulls a comically panicked face that tells me she’s already in the weeds.

The patio is at the back of the restaurant, and is, in fact, not a patio at all, but a windowless, rectangular space tricked out with fake plants, paper lanterns, an anemic fountain, and painted “windows” on every wall that do not fool anyone.

I have just enough time to tidy the section, tally my float, and gulp down a half cup of hideously bitter coffee behind the wall of the service station before I hear, “Libbyyyyyyyy!”

“You got the ol’ perv?” Brianna gives me a wry, dimpled grin as she comes through with a stack of dirty plates. Her amazing crown of black braids adds at least three inches to her diminutive stature.

“Yep.”

“All right, tits up,” she says, which I’ve come to understand means some combination of “chin up” and “good luck.”

I snort and square my shoulders.
(Retrieved from
on October 16, 2019.)

March 24, 2017

Everything Beautiful Is Not Ruined

Written by Danielle Younge-Ullman
Razorbill
978-0-425-28759-0
368 pp.
Ages 13–17
February 2017
After, I stand for a few moments looking out over the water, the moon reflecting off its glass-like surface.  It's beautiful, yes.  But the beauty doesn't reach me the way it's supposed to because I feel like it's been shoved down my throat.  I register the stark gorgeousness of the dying day, and what it fills me with is unease, and an ominous sensation of cracking inside–of cracking open, of a corresponding excruciating pain I have kept at bay by incredible discipline beginning to seep toward the surface. (pg. 87)
Ingrid Burke must feel like she's been deposited in another world, and one not of her choosing.  In fact, not even one like in the brochure her mother, retired opera singer Margot-Sophia Lalonde, had shown her of Peak Wilderness, an outdoors camp in northern Ontario, to which Ingrid has agreed to go so her mother would permit her attendance at a prestigious music school in London England.  Worse yet, Ingrid, who perceives herself to be “a model citizen and paragon of stability” (pg. 53) compared to the miscellany of other troubled youth campers, must survive three weeks of hiking, canoeing, roughing it, and sharing under the supervision of leaders Pat and Bonnie who seem to enjoy the group’s failures at near impossible tasks.

What happened that led Ingrid to this challenging and repeatedly dangerous situation is told in alternating chapters, organized by Ingrid's age, that speak to her life before Peak Wilderness.  They tell of her life travelling the world with her famous mother and then, after damage to Margot-Sophia’s vocal chords leads them home to Toronto,  the reversal of roles when Margot-Sophia is overcome with depression.  Revealed slowly but with ease are Ingrid’s experiences at school and home, feeling vulnerable and frustrated, fearful and positive, and her attempts to achieve normalcy and some happiness. Eventually we also learn what led her to Peak Wilderness.

My words cannot do justice to the depth of Danielle Younge-Ullman's characterizations and story-telling.  There is so much to share with readers that my words seem sparse and ineffective. But I can tell you that Danielle Younge-Ullman weaves Ingrid’s present and past into a fabric of ordinary and extraordinary, creating a life of tenacity to which most of us could aspire.  Though Ingrid doesn’t want to acknowledge the vulnerabilities that brought her to the camp, Danielle Younge-Ullman provides hints throughout the story–Isaac, an axe and an injured leg–that there is more to the teen’s story than she reveals to others and even to herself.  Her go-to survival mechanisms include a strained positivity —“How exciting, and what a magnificent opportunity to get in touch with my inner savage” (pg. 29)— and silence with a dose of denial.  But beyond Ingrid’s inner turmoil are the relationships the teen has with her mother, her new father, a boy with whom she has a connection, and all the campers.  These relationships drive Everything Beautiful Is Not Ruined.  They ebb and flow, both serene and passionate, not unlike the music of a great opera that Margot-Sophia might have performed.  Though Ingrid might think she knows the music of her life really well, she’s just learning to perform it with passion so that she can make it successfully to the triumphant finish. And Danielle Younge-Ullman makes sure that we want to stay for the whole performance without ever nodding off.

****************

On May 6, 2017, Danielle Younge-Ullman will be speaking at the Stratford Writers Festival Young Adult forum along with numerous other YA authors.  I'll post about it here soon but you can get details at http://digiwriting.com/stratford-writers-festival-young-adult-2017/

I'll be there and you should be too!

February 03, 2017

Everything Beautiful Is Not Ruined: Book launch (Toronto, ON)

Join author

Danielle Younge-Ullman

for the launch of her new young adult book

Everything Beautiful Is Not Ruined
Written by Danielle Younge-Ullman
Razorbill
978-0-425-28759-0
368 pp.
Ages 13-17
February 2017

on

  Sunday, February 26, 2017

2-4 p.m.

at

Another Story Book Shop
315 Roncesvalles Avenue


Wild meets The Breakfast Club in this story of a girl who must survive an extreme wilderness experience to prove to her mother that she has the strength to pursue her dreams. 
Then
Ingrid traveled all over Europe with her opera star mother, Margot-Sophia. Life was beautiful and bright, and every day soared with music.

Now
Ingrid is on a summertime wilderness survival trek for at-risk teens: addicts, runaways, and her. She’s fighting to survive crushing humiliations, physical challenges that push her to her limits, and mind games that threaten to break her.

Then
When the curtain fell on Margot-Sophia’s singing career, they buried the past and settled into a small, painfully normal life. But Ingrid longed to let the music soar again. She wanted it so much that, for a while, nothing else mattered.

Now
Ingrid is never going to make it through this summer if she can’t figure out why she’s here . . . and why the music really stopped.