Showing posts with label Penguin Teen. Show all posts
Showing posts with label Penguin Teen. Show all posts

October 28, 2019

He Must Like You: Upcoming release



We all 💕 Danielle Younge-Ullman's 

Everything Beautiful is Not Ruined
Written by Danielle Younge-Ullman
Razorbill
978-0-425-28759-0
368 pp.
Ages 13-17
2017

(It did win the White Pine Award and
was nominated for
a Governor General's Literature Award and
 the Amy Mathers Teen Book Award.) 

Now we can look forward to her newest YA novel,
one that blends that same depth of issue with the humour that made Everything Beautiful is Not Ruined such a hit.


He Must Like You
Written by Danielle Younge-Ullman
Penguin Teen
July 14 2020

Read this excerpt to get a sense for why you're going to want to read this one!

“I have the item” is the first thing I hear when I walk into work on Sunday night.

The item in question is my duvet, and the person winking at me about it is Kyle.

Kyle, who is standing behind the host stand in the cheery foyer of the Goat wearing a mini cowboy hat with plush horns curling out of it—the latest in his growing collection of goat-themed apparel. He looks hilarious, cute, and deceptively harmless.

“It’s in my truck. I’ll give it to you after?”

“Sure. Thanks,” I say, with what I hope is a neutral-seeming nod.

I’ll have to wash it in hot water. Twice.

“Or we could go for a drive, climb into the back, get cozy,” Kyle suggests, with a waggle of his white-blond eyebrows.

My insides take flight like a flock of startled birds, and then I’m doing this awkward thing where I’m cringing and trying to smile at the same time. But smiling might be too encouraging and so I stop, because even after three weeks of my ignoring his texts and generally avoiding him as much as possible, Kyle continues to look at me with those stupidly hopeful, flirty eyes.

Still, I don’t want to be rude. We work together, and in that capacity Kyle has been fine. In fact, except for the one (admittedly problematic) incident, he’s been great. Not to mention, I’m the one who asked him to bring me the duvet when my mom finally noticed it was missing today. I’m also the one who let him wear it home from my house in the first place.

“I’ll just grab it from you after,” I say. “I have a lot of homework.”

“Your call,” he says with a shrug.

“Right.”

“What?”

“Nothing,” I say, with another too-bright smile. “Um, what’s my section?”

“The patio,” Kyle says, gesturing at the giant, erasable seating chart that sits on the host podium.

“Alone?”

“Yeah. That okay?”

It’s a big section to handle solo but more tables means more tips, so I say, “Totally.”

“By the way, Perry’s coming in, and he asked for you specifically,” Kyle says, looking at me like he expects this to make me ecstatic.

Perry Ackerman is a handful, and high on the list of people I’d rather not have to deal with right now. But he’s a great tipper, and a regular, so I give Kyle a thumbs-up and say, “Awesome.”

“I knew that’d make you happy.”

“So happy,” I say, and walk away taking deep breaths.

On my way through the restaurant I wave at my fellow servers Brianna and Kat, both of whom are working in the front tonight. Kat seems not to see me, but Brianna gives me a thumbs-up and pulls a comically panicked face that tells me she’s already in the weeds.

The patio is at the back of the restaurant, and is, in fact, not a patio at all, but a windowless, rectangular space tricked out with fake plants, paper lanterns, an anemic fountain, and painted “windows” on every wall that do not fool anyone.

I have just enough time to tidy the section, tally my float, and gulp down a half cup of hideously bitter coffee behind the wall of the service station before I hear, “Libbyyyyyyyy!”

“You got the ol’ perv?” Brianna gives me a wry, dimpled grin as she comes through with a stack of dirty plates. Her amazing crown of black braids adds at least three inches to her diminutive stature.

“Yep.”

“All right, tits up,” she says, which I’ve come to understand means some combination of “chin up” and “good luck.”

I snort and square my shoulders.
(Retrieved from
on October 16, 2019.)

May 06, 2019

We Contain Multitudes

Written by Sarah Henstra
Penguin Teen
978-0-735264212
384 pp.
Ages 14+
May 2019

We might as well take advantage of the fact that we don't owe each other anything, that no one else is ever going to read what we're writing, that it's just me and you and whatever we feel like saying. (pg. 19)

When Adam Kurlansky and Jonathan Hopkirk begin their correspondence, it's as an assignment for Ms. Khang's English classes. Kurl, as he is widely known from excelling at football and basketball, is repeating his senior year while Jo is a Grade 10 Walt Whitman aficionado. Though their first letters follow their teacher's directives to introduce themselves and discuss topics like their heroes, Jonathan really gets into the writing, sharing about his father Lyle and sister Shayna, his passion for poetry and folk and bluegrass music, and what is happening around school, including the bullying he endures at the hands of a group of students he calls the "butcherboys." His narratives are generally observational, always poetic and often psychologically astute, though it takes some time for Kurl to begin to share his secrets including of physical abuse and his take on his own life and the people in it, as well as what he sees happening to "Little Jo."
I mean weird kids do have this aura to them.  It's like a smell almost. They're stuck somewhere in their heads, in some kind of a bubble. People can't really help themselves: They see a bubble, they want to pop it. (pg. 12)
But as they continue to correspond, now beyond the assignment's scope, Jo and Kurl develop a relationship on paper and in person, and one that brings emotional and physical support and finally love.  We Contain Multitudes may be an examination of how we present a multitude of selves to ourselves, our families, our peers and strangers but We Contain Multitudes is a love story. It's about finding love through words and sharing those multitudes of ourselves and developing new selves with others.  Jonathan is a son of a single dad and a dead mother with a fuzzy history, a brother, a poetry lover, a musician, a victim, and an aesthete while Kurl is a brother, a punching bag, an athlete, a thinker, a cook, a hard worker, and a secret-keeper. But with others, they are more because we are all combinations and permutations of our selves, depending on others in or not in our lives and on the events that change us. Our identities are sweeping and dynamic, and we all contain multitudes. And isn't it wonderful when two become even more because of love?
I am completely, one hundred percent of the time filled up with you. (pg. 189)
Sarah Henstra may have won last year's Governor General Literature Award for her adult novel The Red Word (ECW, 2018) but I'm gratified that she has returned to her YA roots. (I reviewed her first book Mad Miss Mimic (Razorbill, 2015) and interviewed Sarah Henstra too.) The writing is exquisite, the voices of Jonathan and Adam deep and sorrowful and passionate, and the convergence of their stories creates something bigger than the parts.

As I finished this novel of letters, a book I didn't want to leave, hopeful of the many multitudes of Jonathan and Kurl still to come, I'm overwhelmed with the infinitude of these young men and of Sarah Henstra's story. They and it know to  "Be real and be true" (pg. 9) and are, and I want more.

January 14, 2019

The Beauty of the Moment

Written by Tanaz Bhathena
Penguin Teen Canada
978-0-7352-6374-1
384 pp.
Ages 12+
February 2019
Reviewed from advance reader's edition

They say that those who look to the past are often saddened, those who look to the future only are anxious and those who stay in the present are content. While this is tremendously oversimplified, it could describe the experiences of seventeen-year-old Susan Foster who has immigrated from Saudi Arabia with her parents to Mississauga. Actually, although her father, whom she calls Appa, came with them to purchase a condo and a car, arranged for driving lessons for Susan and registration for school, and generally got Susan and Amma established, he has returned to Jeddah to his work as a doctor, hopeful of soon joining them permanently. So, except for regular Skype visits and phone calls to friends and family, Susan and Amma are left to navigate their new lives in Canada essentially alone.

While Alisha, her best friend in Jeddah, insists Susan is lucky to be in Canada, away from dating restrictions, Susan sees the complexity of her new situation. She will be living alone with her mother, a woman who focuses only on Susan's academic excellence and is bitter that they've moved essentially for Susan's education, and away from Appa who seemed more amenable to Susan's artistic proclivities.
In Jeddah, my father played the role of a buffer, the water to my mother's fire, a tree that bent to her wind instead of resisting its pressure. (pg. 75)
Though Susan has always excelled at school, she is learning that she is much better at rote and memorization than at interactive learning like labs and even her driving lessons. And not doing well is not an option, especially as Appa is directing her to medical school and Amma to engineering. She can't even tell them that what she dreams about is going to art school.

And then there are the boys. Actually there is one boy, Malcolm Vakil, who has caught Susan's eye, as she has caught his. Dealing with the death of his mother and a father who is abusive and cheated on his mother, Malcolm turned his grief and anger into behaviours his teachers and father see as problematic. But, though he's had a history of sneaking out, drinking and smoking, doing drugs and dating the beautiful but capricious Afrin Patel, Malcolm finds himself drawn away from those behaviours and towards Susan.

The Beauty of the Moment, told in alternating chapters from Susan and Malcolm's perspectives, focuses on the merging of two teens' stories, rich with back stories and future ambitions. Because their story is neither straightforward nor uncomplicated, exactly as life is, The Beauty of the Moment takes the reader backwards, sideways and in circles as the two may or may not find their way to each other and contentment in their family situations.

Tanaz Bhathena rocketed onto the YA CanLit scene in 2018 with her debut novel A Girl Like That (Farrar Straus Giroux, 2018) that captured the tragedies of a Saudi teen's relationship with a boy in a place of gender inequality and religious restrictions. By moving this story to Mississauga, while tethering it to Saudi Arabia via Alisha and Appa, Tanaz Bhathena expands her story to one of immigration and cultural contrast.  Yet The Beauty of the Moment is still a story of teens because Susan and Malcolm could be any teens, dealing with family, school, dating and considering their futures. Their stories are just more complicated because of cultural expectations.

Still it is the way Tanaz Bhathena tells their stories, imbuing them with the distinction of their situations and with the eloquence of voice and thought, that uplifts the plot. It may be titled The Beauty of the Moment, but the book makes sure to see that the lifetime beyond the moment helps create that beauty. There are former lives that we think were better but also hold uncomfortable memories. There is the future which generates dread but holds the promise of opportunity and change.
"Nothing lasts forever," I say. "Not this snowflake. Not our homes, not our families. But it doesn't mean you can't live in the beauty of the moment." (pg. 221)
It's being mindful of that moment and all the beauty it entails that brings contentment, and that's what Susan and Malcolm ultimately attain. That's a beautiful thing.

February 21, 2018

Tess of the Road: Book launch (Toronto, ON)

Rachel Hartman

who brought the world her award-winning book

Seraphina 
Written by Rachel Hartman
Doubleday Canada
9780385668392
480 pp.
Ages 14+
2012


and its sequel


Shadow Scale
Written by Rachel Hartman
Doubleday Canada
9780385668606
608 pp.
Ages 14+
2015

is back with a third book in her fantasy series!


Her new young adult fantasy novel

Tess of the Road
Written by Rachel Hartman
Penguin Teen
9780385685887
544 pp.
Ages 14+
February 27, 2018


launches

March 31, 2018

3-5 p.m.

at

Bakka-Phoenix
84 Harbord Street
Toronto, ON

From Penguin Random House Canada website:
In the medieval kingdom of Goredd, women are expected to be ladies, men are their protectors, and dragons get to be whomever they want. Tess, stubbornly, is a troublemaker. You can't make a scene at your sister's wedding and break a relative's nose with one punch (no matter how pompous he is) and not suffer the consequences. As her family plans to send her to a nunnery, Tess yanks on her boots and sets out on a journey across the Southlands, alone and pretending to be a boy.

Where Tess is headed is a mystery, even to her. So when she runs into an old friend, it's a stroke of luck. This friend is a quigutl--a subspecies of dragon--who gives her both a purpose and protection on the road. But Tess is guarding a troubling secret. Her tumultuous past is a heavy burden to carry, and the memories she's tried to forget threaten to expose her to the world in more ways than one.