Ballewiena

Written and illustrated by Rebecca Bender

Pajama Press

978-1-77278-137-3

32 pp.

Ages 4-7

June 2022

Let's get some joy in our lives. Dance, dogs, and fulfillment will do just the trick with Rebecca Bender's Ballewiena.

From Ballewiena by Rebecca Bender

Dotty dreamed of being a ballet dancer. She knew how to plié, assemblé and pirouette. She could chassé, glissé and do a pas de chat (even though she was a dog). But Ms. Austere did not appreciate Dotty's moves and, while she trained Dotty's poodle sibs Jazzebelle and Miffy for the upcoming Golden Bow Talent Show, she took the dachshund to the Canine School of Obedience. 

From Ballewiena by Rebecca Bender

But obedience school was not for Dotty who "tried, she really did, but something inside her made her spring up into an elegant entrechat." Despondent, Dotty runs into the park after class and meets Louis-Pierre, a squirrel and an acrobat. Louis-Pierre invites Dotty, whom he calls Pitou, to work out with him and teaches her, by some unusual pedagogical means, the value of practice in gaining skills.  

From Ballewiena by Rebecca Bender

Still, when the Golden Bow Talent Show comes around, Dotty is expected only to watch from the audience. But, Louis-Pierre has other ideas and liberates Dotty to show off her skills and reveal her true ballerina self.

Young readers will know Rebecca Bender's storytelling from her award-winning Giraffe and Bird series (e.g., Giraffe Meets Bird; Giraffe and Bird Together Again; Don't Laugh at Giraffe) but she does as well by dogs as she does with giraffes, birds, hedgehogs and ducklings (e.g., How Do You Feel?) and more. She makes us care about her characters who are all expressive and one-of-a-kind, whether they are pets or wild. That's because her stories are those lived by children. Dotty may be a dog but she could be any child who feels her dream is being stifled and who wants to express herself through dance. I suspect that Rebecca Bender is a herself ballet parent, one who has learned much from attending classes with little ones. In fact, I myself learned much about ballet through the text of Ballewiena but also in her incredible endpapers that depict a variety of ballet movements and their phonetic pronunciations. Yes, Ballewiena is about ballet, and would make a great gift for any child who enjoys dance classes, but it has important messages about following your aspirations and being true to yourself while ensuring that you put the work in so it becomes a goal and not a pipe-dream.  

Rebecca Bender's illustrations, created with gouache, watercolour, pen and ink, as well as digital media, carry those messages through worlds of colour, shape and attitude. Her assortment of canine and other characters conveys a depth of personality beyond the dance. (I was especially taken with Louis-Pierre who, with his sweatband and drawstring workout pants, has a je ne sais quoi quality that is adorable, even as he coaches Dotty through rigorous training.)

Whether you're a dancer, an appreciative fan or neither, Ballewiena reminds us to follow our passions and dance fully in our lives.

We Contain Multitudes

Written by Sarah Henstra

Penguin Teen

978-0-735264212

384 pp.

Ages 14+

May 2019

We might as well take advantage of the fact that we don't owe each other anything, that no one else is ever going to read what we're writing, that it's just me and you and whatever we feel like saying. (pg. 19)

When Adam Kurlansky and Jonathan Hopkirk begin their correspondence, it's as an assignment for Ms. Khang's English classes. Kurl, as he is widely known from excelling at football and basketball, is repeating his senior year while Jo is a Grade 10 Walt Whitman aficionado. Though their first letters follow their teacher's directives to introduce themselves and discuss topics like their heroes, Jonathan really gets into the writing, sharing about his father Lyle and sister Shayna, his passion for poetry and folk and bluegrass music, and what is happening around school, including the bullying he endures at the hands of a group of students he calls the "butcherboys." His narratives are generally observational, always poetic and often psychologically astute, though it takes some time for Kurl to begin to share his secrets including of physical abuse and his take on his own life and the people in it, as well as what he sees happening to "Little Jo."

I mean weird kids do have this aura to them.  It's like a smell almost. They're stuck somewhere in their heads, in some kind of a bubble. People can't really help themselves: They see a bubble, they want to pop it. (pg. 12)

But as they continue to correspond, now beyond the assignment's scope, Jo and Kurl develop a relationship on paper and in person, and one that brings emotional and physical support and finally love.  We Contain Multitudes may be an examination of how we present a multitude of selves to ourselves, our families, our peers and strangers but We Contain Multitudes is a love story. It's about finding love through words and sharing those multitudes of ourselves and developing new selves with others.  Jonathan is a son of a single dad and a dead mother with a fuzzy history, a brother, a poetry lover, a musician, a victim, and an aesthete while Kurl is a brother, a punching bag, an athlete, a thinker, a cook, a hard worker, and a secret-keeper. But with others, they are more because we are all combinations and permutations of our selves, depending on others in or not in our lives and on the events that change us. Our identities are sweeping and dynamic, and we all contain multitudes. And isn't it wonderful when two become even more because of love?

I am completely, one hundred percent of the time filled up with you. (pg. 189)

Sarah Henstra may have won last year's Governor General Literature Award for her adult novel The Red Word (ECW, 2018) but I'm gratified that she has returned to her YA roots. (I reviewed her first book Mad Miss Mimic (Razorbill, 2015) and interviewed Sarah Henstra too.) The writing is exquisite, the voices of Jonathan and Adam deep and sorrowful and passionate, and the convergence of their stories creates something bigger than the parts.

As I finished this novel of letters, a book I didn't want to leave, hopeful of the many multitudes of Jonathan and Kurl still to come, I'm overwhelmed with the infinitude of these young men and of Sarah Henstra's story. They and it know to  "Be real and be true" (pg. 9) and are, and I want more.

The Reptile Club: Book launch (Winnipeg, MB)

Join 

author

 Maureen Fergus

for the launch of her newest picture book

The Reptile Club

Written by Maureen Fergus

Illustrated by Elina Ellis

Kids Can Press

978-1-77138-655-5

32 pp.

Ages 3-7

September 2018 

Reviewed here

on

Saturday, September 29, 2018

at

1 p.m.

at

McNally Robinson Booksellers

Grant Park Shopping Centre

Winnipeg, MB

🐊🐊🐊🐊🐊

 

See my review today about this clever picture book about reptiles, passions, friends, and acceptance and then take in the book launch next week for The Reptile Club.

The Reptile Club

Written by Maureen Fergus

Illustrated by Elina Ellis

Kids Can Press

978-1-77138-655-5

32 pp.

Ages 3-7

September 2018 

There are a lot of clubs at Rory's school including glee, ballet, knitting, karate, theater, astronauts, prancing unicorn (!), extra math homework and cooking, but none speak to his passion so he starts his own reptile club. But who shows up to see his plastic reptile collection and eat his lizard-shaped cookies? Reptiles! After all, it is the Reptile Club.

From The Reptile Club by Maureen Fergus, illus. by Elina Ellis

There's Raoul the massive crocodile, Miriam the anaconda and Pierre the gecko, and they all introduce themselves as does Rory with interesting tidbits about themselves before the meeting transitions into discussion, play and food.

Once the other kids see what the Reptile Club is all about, they want to join too, and Rory has to convince the reptiles that "it wasn't nice to be prejudiced against others just because they had hair and could regulate their body temperature." (pg. 21) The Reptile Club flourishes with new members and activities like the game "Guess What I Just Ate?" until weeks later when the reptile members announce that they must say goodbye as winter is coming. But what of the Reptile Club?

From The Reptile Club by Maureen Fergus, illus. by Elina Ellis

Time and time again, author Maureen Fergus has shown her prowess at word play and seeing stories from unusual perspectives. Her picture book The Day My Mom Came to Kindergarten (Kids Can Press, 2013) has a kindergartner affectionately chastizing her mother for her inappropriate behaviour at school. The Day Santa Stopped Believing in Harold (Tundra, 2016) twists the idea of children questioning the existence of the jolly old man to Santa wondering whether a particular child is real. In The Reptile Club, Maureen Fergus does the same, presenting a club that draws its members from the Class Reptilia not just those who are passionate about them. It makes for a funny story. But the story isn't just a clever take on school clubs. It's about honouring your passions, making friends and accepting others, regardless of their differences. When the reptiles are reluctant to let the other human kids into the club, Rory has to help them see that the differences aren't that big a deal since they already accept him, a lowly mammal. And if the humour throughout the book doesn't tickle a child's funny bone–I wonder if reptiles have funny bones?–then the illustrations of the UK's Elina Ellis with their youthful lightness in colours and shape, perfect for a school setting filled with children and animals, definitely will.

From The Reptile Club by Maureen Fergus, illus. by Elina Ellis

While I won't give away Maureen Fergus's surprise ending that will definitely get readers smiling, I can say that school clubs have never been so much fun and engaging and The Reptile Club is one to join for a chance at learning, laughing and literacy. 

🐊🐊🐊🐊🐊🐊🐊🐊

Sadia

Written by Colleen Nelson

Dundurn

978-1-45974-029-7

240 pp.

Ages 12+

February 2018

As I passed the classroom door, I caught sight of myself in the small pane of glass.  Was it the hijab that Mariam was running away from?  Seeing me must remind her of who she really was, who she'd always be.  I wished she'd realize that taking off her hijab wasn't going to change that. (pg. 82)

For Sadia's friend Mariam, de-jabbing i.e., removal of her hijab when at school and changing into more revealing clothes improper for a Muslim girl are the means to fit in and become recognized by athletic classmate Josh.  While Sadia would never contemplate doing the same, she tries to understand her friend's need to shed her headscarf and appreciate her perspective on being a Muslim girl in a Winnipeg high school.  And perspective is everything she and her classmates realize after their teacher—and also basketball coach—Mr. Letner gives them an assignment based on the premise of "If you give a kid a camera."  While Sadia and her classmates begin to take photos of their lives, they reveal much about what they experience at home and at school including family challenges, hidden passions and friendships lost and found.

While she undertakes her project, which evolves to include a passion project to help newly-arrived refugees, Sadia grapples with Mariam's de-jabbing and drive to fit in which becomes more complicated after Sadia is chosen for the school's All City Pre-Season Co-ed Basketball Team on which Josh plays.  Sadia is thrilled to be playing the game that her brother taught her and accepts the accommodations she must make to play–changing in private, covering up far more than her teammates, and wearing her hijab–but being on the team causes more friction with Mariam, especially after Josh's attentions are directed towards Sadia.  It all comes to a climax at the tournament when Sadia's hijab becomes a mobilizing force for family, friends, teammates and strangers.

Sadia addresses Sadia's honest acceptance of her Muslim culture but also how she finds the means to meld it with her love for basketball, rather than abandon one passion for another.  Sadia's self-acceptance is mature and extraordinary and she would be an impressive role model for Muslim girls trying to find their own way.  Without being deceptive or disingenuous, Sadia helps new Muslim girl Amira prepare for her new life in Canada and show Mariam that it is possible to be a practising Muslim and have fun.  Just like the photography assignment Mr. Letner gives his class, it is all about point of view.

Author Colleen Nelson continues to ramp up her writing, developing characters with whom all readers can identify.  From those dealing with bullying, guilt and grief (The Fall, 2013), or abandonment and discrimination (250 Hours, 2015), or with sexual abuse and drug addiction (Finding Hope, 2016) and poverty and violence (Blood Brothers, 2017), Colleen Nelson pens real characters whose decisions propel them into life-changing situations.  For the first time, Colleen Nelson has given Muslim girls a role model, a girl who recognizes that she has been accorded much attention and discrimination because of how others perceive her hijab, often incorrectly, but who appreciates what being a Muslim means and accepts those cultural traditions as the basis for whom she is.  Sadia does not struggle with wearing the hijab, as does her friend Mariam, but when thrust into the limelight where wearing the hijab might prevent her from playing basketball, she considers with great thought and insight what it means to continue wearing it.  Still she stays true to herself, empowered, not restricted, by her hijab or being Muslim.  For her, de-jabbing would be negating her true self, just as not playing basketball would.  In Sadia, being yourself is better than having it all and being Muslim is in itself empowering.

🏀🏀🏀🏀🏀🏀

Check back tomorrow for Colleen Nelson's guest blog post titled "5 Things You Didn't Know about Sadia" and upcoming blog tour stops at Lost in a Great Book, MG Book Village and Dundurn Press.